To Invoke the Muse

He opens the door before she can knock. Their eyes meet, and she allows him a moment to stare. Brown eyes widen behind slim black glasses, slowly traveling up her body, his mouth opening and closing rapidly, an attempt at speech he never quite manages.

“Do I… know you?” he says at last.

“Not yet,” she answers.  Even from this distance, she can feel his words thrumming against her skin and tingling all the way down to her toes, dormant thoughts and ideas lit on fire. She shivers. It’s not enough, never enough, but she is patient and he has more to give. 

His stance is defensive, taking up as much of the doorway as he can, but he relaxes slightly at her words. “Oh, are you the one interested in the apartment? I’ve been emailing you,” he says.

She smiles and shrugs. She simply follows where the words take her, and the rest always sorts itself out. She recalls passing someone in the hall, a nervous man in a beanie, but a glance from her had sent him on his way.

“Are you going to let me in?” she asks.

He regards her for a long moment. His shoulders tense, teeth sinking into his lower lip. Against what he knows to be his better judgment, he opens the door wider. 

She walks into his apartment, making a point of brushing against him as she passes, and his fingers tighten on the doorframe. 

Hook, line, sinker.

*             *             *

There is a mirror in the hallway, and her attention shifts when she glimpses herself and discovers that she has changed. Her long blonde hair is cropped into short curls, clinging blue dress and feminine curves disappearing into baggy jeans, flat planes and lean muscle. She--or rather he--is briefly taken aback by the transformation, before shrugging and turning into the kitchen. Inspiration comes in infinite variations, and by now he knows better than to be surprised by them. 

“Sorry, living this close to downtown, I’ve been keeping track of a lot of applicants. Who are you?” his new companion asks.

“The better question to ask is: Who are you?”

His host stares at him for a moment, mouth pinched in a frown. “I’m Luke. Luke Hawks. That should’ve been on the listing.”

Laughter spills from his mouth, head tilting back and eyes closing briefly in a way that makes Luke swallow. “I didn’t ask your name, I asked who you are. But I suppose if you knew- that, I wouldn’t be here.”

“Cut the cryptic bullshit and just tell me your name,” Luke says. 

It takes a moment to consider his answer. “Cal,” he decides, hoisting himself onto the kitchen counter. 

“Cal--?”

“Just Cal.”

 “What kind of name is that?” Luke asks.

“The only one you’re getting.” Cal starts to cross his legs but stops himself when he remembers that he is no longer wearing a dress. “Does it really matter?”

“It matters if you’re going to stay. Otherwise, why are you even here?”

Cal tilts his head to the side. “You let me in, remember?”

“Yes, I did.” Luke furrows his brows, voice coming out in a soft mutter. “And I’m starting to regret it.”

“No, you’re not,” Cal says. He hoists himself off the counter and walks forward, catching his fingers on Luke’s shirt and kissing him on the lips. This connection is electric. Cal can almost taste Luke’s words, all smoke and spice, could draw them out of him as easy as breath. He gives Luke a little parting kiss before pulling away. “I think you know why I’m here.” 

Luke flushes, splutters like a drowning man, but his eyes are dilated, and he doesn’t move away. “But, I--why--”

“You’re very concerned with those questions, aren’t you. ‘Whys’ and ‘whats’ and ‘who are yous’.”

“And you’re not?” Luke asks.

“I prefer to focus on the here and now, rather than fixate on details,” Cal says. “But if you must have an answer, I kissed you because I wanted to. I need no other reason.”

“You’re insane,” Luke says, but Cal can see the corner of his mouth twitching.

“You let me in,” Cal reminds him. “Maybe you need a little more insanity in your life.” 

He lets his hands linger, moving from Luke’s chest to wander up and down his arm. Luke shivers, goosebumps rising on his skin as he begins to lean in. Cal wants to let him, wants to draw Luke in, to take everything he is and everything he will be. But these are dangerous thoughts, especially so early in the game, so he only allows another brief brush of the lips before pulling away and smiling.  “Would you like some dinner?”

*             *             *

Cal peers into the fridge. Energy drinks, a few single slices of cheese, a bag of something greasy that smelled strongly of onions. The cabinets are no better. Coffee, half a jar of peanut butter and a single can of corn. Cal glances at Luke. “Do you live entirely off air and caffeine?”

Luke shrugs. “I haven’t been shopping in a while.” 

“I can see that.” Cal pops the tab on one of the energy drinks. It is an alarming shade of yellow. He takes a cautious sniff and wrinkles his nose. Luke calls for Chinese instead, ordering off a menu he appears to know by heart.

When the food arrives, Cal answers the door before Luke can stop him. The delivery boy, barely out of high school, takes one look at him and goes slack jawed, and Cal briefly wonders at who he is seeing right now.

Cal takes pity on him and grabs the Chinese containers from the boy’s hands. “Thank you for the food,” he says. He goes to close the door, but Luke grabs Cal’s arm so that he can shove a wad of bills into the dazed delivery boy's hand. His eyes follow Cal until the moment Luke shuts the door in his face. 

“Nice kid,” Cal remarks.

“Shit, I forgot to give him his tip,” Luke says.

“Don’t worry, I got that covered,” Cal assures him, knowing that at this very moment, the boy is on the phone with his stunned parents, overcome by his sudden desire to go back to college and study engineering. 

Cal stacks the Chinese food on the table, eyeing the cartons upon cartons of fried rice and chow mein and Kung Pao chicken. It is enough to comfortably feed eight people. 

“I eat the leftovers all week,” Luke says in response to Cal’s raised eyebrow. He dishes the food onto paper plates. Luke eats while Cal absently pushes his food into neat little clumps with his chopsticks.

Luke spends the bulk of the meal talking about rent, shower schedules, and chore wheels. Cal smiles, nods; doesn't listen. Instead, he watches the way Luke’s mouth and hands move as he speaks, and wonders how they would look given more interesting subject matter.

They move into the living room. With some gentle prodding, Cal manages to guide the topic from Luke’s apartment to Luke himself. He is an accountant, one of many working for some corporate giant that Cal doesn’t bother remembering the name of. The work is dull, but the pay is good, and Luke’s always been good with numbers. 

“And what about your spare time?” Cal asks, leaning against Luke’s shoulder. 

"What do you do for fun?” 

Luke pauses, considering. “Well… I read and watch TV--”

“No, I don’t mean what you do to pass the time. What do you enjoy? What are you passionate about?” Cal presses.  

“I, well…” Luke falters. “Sometimes I write poetry. You know, just on the side. I don’t usually have time. I took a few creative writing classes back in college, but I’m not that good. It’s just a hobby--”

“Can I read some?” Cal asks.

Luke laughs. “No, it’s nonsense, really. Nothing you’d want to subject yourself to.”

“Can I read some?” Cal says, putting a hand on Luke’s knee, and this juxtaposed with the firm line of Cal’s mouth indicates that this is not a request.

Luke produces a notebook, and for a moment he clutches it tight against his chest before handing it over. Cal’s fingers skim reverently over the pages. It is more abstract thoughts than actual poetry, phrases and ideas--First times (girl/me/basketball poster threesome), chasm of dinner table silence, cubicle crypt, anonymous cog in a mundane machine--But words, even in this unrefined state, are always more powerful made physical. Cal closes his eyes and allows himself a moment to enjoy the taste.

“What do you think?” Luke asks, eyes focused on tightly clenched hands in his lap.

Cal tilts Luke’s head to meet his gaze. “I think it’s a start.”

He draws Luke into another lingering kiss, and then pulls him toward what he recalls from the short after dinner tour to be Luke’s bedroom. Luke allows himself to be led. In that moment, he would have followed Cal anywhere.

*             *             *

It takes little effort to coax Luke to bed, nothing more than soft words and gentle encouragement. Afterwards, they lie together, Luke curled around Cal, open and vulnerable like a child.      

“I don’t usually do this sort of thing,” he says, breath brushing against Cal’s neck.

 “You don’t usually meet someone like me,” Cal answers. His pants are pooled around his ankles. He uses his legs and the curl of his toes to draw them closer, fishing a packet of cigarettes and a lighter out of the pockets. 

Luke wrinkles his nose. “You smoke?”

“Sometimes,” Cal says, breaking the seal on the packet with his fingernail. “Is that a problem?”

Luke sighs, rolling over onto his back. “I guess not. Just don’t do it in bed. I am not letting the smell ruin my afterglow.”

Cal shrugs, putting the cigarettes on the nightstand. “As you wish.” He’d developed the habit to occupy himself while his lovers sleep, but that was back when smoking was an expectation rather than a hazard. Instead, he flicks his silver lighter on and off and watches the play of shadows on the ceiling. 

In their little sanctuary of bed sheets and flickering flame, Luke whispers secrets. His real name is William Johnson. He changed it to create some distance between himself and his hometown of Amnesty, North Carolina, and at the time he had thought Luke Hawks sounded cool and artistic. He hasn’t spoken to his parents since he left for college, but really the rift has been there since he came out to them as gay. At seventeen years old, he had been prepared for anger and rejection, but what he hadn’t imagined was the quiet disappointment, the distance in their eyes as if he had suddenly become a stranger. 

“I came to the city to be a writer. I thought I’d reinvent myself,” Luke says, eyes watery bright and mouth trembling. “But look at me! I didn’t end up doing anything I wanted to do with my life. I took the safe choices, fell into old patterns. And now it’s too late.”

Cal whispers gentle platitudes into Luke's ear. “You’re not worthless. It’s not too late. Your whole life is ahead of you.” He’s sincere about it, as sincere as he is capable of being, and the words seem to comfort Luke, who relaxes and eventually drifts off to sleep.

Hours later, Luke is at his desk, wide awake and scribbling furiously. Cal sprawls himself across the middle of the bed, taking advantage of Luke’s vacancy, and happily listens to the scratch of pen against paper.

*             *             *

Their relationship unfolds like a romantic comedy. Luke takes Cal to the park and the beach, and Cal tries to convince Luke to make love outdoors. They go to the Smithsonian, where Cal amuses himself by constantly correcting the museum tour guide. Eventually, they are asked to leave, and Luke feels so guilty about this, despite Cal being the one at fault, that he promises that their next date will be special.

The next week finds Cal being led by the hand, eyes closed.  “How long do we have to do this?” he asks. “I’m going to walk into something.” 

“I wouldn’t let that happen,” Luke assures him. “Trust me. It’ll be worth it, I promise.

Cal frowns. “I hate surprises.”

“How can you hate surprises?” Luke asks. “You’re always telling me to be more spontaneous.”

“That’s good advice. For you. When you’ve been around for as long as I have, nothing is spontaneous.”

Luke jerks his hand, pulling Cal forward all the more insistently. “Oh, come on. You sound like an old man. You just don’t like being in a situation you don’t control. Your type always has to be in the driver’s seat.”

The statement pulls at Cal far more than he would like, but before he can argue Luke presses himself against Cal’s back, holding him close as he whispers into Cal’s ear, “Open your eyes.”

Any argument on Cal’s tongue dies when he takes in his surroundings. Luke has brought Cal to the Library of Congress, and the sheer amount of literature awes even him. It is not the most books Cal has ever seen in one place, but it is close, and he wanders from shelf to shelf almost giddy, hand stroking book spines fondly as he greets old friends.

“You look like you’re having a religious experience,” Luke says, chuckling. 

Cal snorts, for religious devotion requires a certain mystique, and he knows far too much of gods. “Not quite. But I do love books. I love how someone can take a moment or a feeling, capture it, and turn it into something beautiful.”   

“You can do the same with painting or sculpture,” Luke points out. 

“Different materials, different skill set,” Cal says with a shrug. “There’s just something about the written word that excites me above all else. Painting and sculpture is nice, and it certainly does the job if need be, but I prefer writers over visual artists. I’ll leave that to the rest of my family.” 

Cal realizes his mistake immediately, but it is too late to pull back. The words are in the air, entwined with the world’s greatest authors.

“You’ve never mentioned family before,” Luke says quietly. “In fact, you’ve never mentioned anything about yourself. You know everything about me, and I know nothing about you.”

“There’s nothing to tell,” Cal murmurs.

Luke takes hold of Cal’s hand, gives it a squeeze. “I don’t believe that.”

“It’s true,” Cal says. “There is no backstory here, Luke, no hidden depths. I live in the moment because that’s all I am. A moment, enjoyed in its time and gone in the next.” 

Luke smiles and kisses Cal’s hands. “No. You’re fun and sexy and intelligent. I’ve never had anyone make me laugh as hard as you do. You make me feel like I can do anything.”

Cal only offers a thin-lipped smile in response, pulling his hands out of Luke’s grasp and taking a step back. 

 “Look, what I’m trying to say is that I don’t care about your past. We all have our skeletons, and God knows I have enough family issues to write a memoir. But I want you to know that you’re more than just a moment for me. I’m in this for the long haul,” Luke says.

The long haul. Cal’s hands tangle in the material of his t-shirt. “I’ve never been with anyone for the long haul,” he admits quietly. His existence is a transient one, taking what he needs from one person and then jumping to the next. He’s never known any other way.

“Then I hope I can be your first.” Luke wraps an arm around Cal’s shoulders and reels him back into his embrace. “You said you like writers better than artists? Well, lucky me.”

Cal leans into the touch. He can still feel Luke’s words, sparking under his skin, more vibrant than ever in Cal’s presence, and the smile that twists his lips is almost sad. “Lucky, huh? We’ll see.”

But like always, the moment passes. After the library, they go to some nice restaurant. Luke writes on the napkins and Cal teaches him how to dance.

Luke’s poetry has accumulated through a number of mediums. Not only napkin stanzas, but toilet paper verses, tiny post-it haikus stuck in sporadic locations throughout the apartment, words filling notebook after notebook. He writes in pencil, pen, marker, a crayon he found in the couch cushions--and on one very messy occasion--ketchup. Mostly, he writes about Cal, about blond curls and blue jeans, the shadows of his face against firelight and the look of a cigarette between his slim fingers. 

“I’m so happy,” Luke whispers late at night. “You’re the best thing that’s ever happened to me. I thank God every day that you basically broke into my apartment.” 

“You let me in,” Cal reminds him for the hundredth time.

Luke laughs, burying his face in the niche of Cal’s shoulder and breathing deeply. “I love you. I love you so much.”

“I know. I love you too.” And Cal is surprised when he realizes that this might be true.

*             *             *

It remains like this, bright and perfect, for a time that might be weeks, months, or even years. Cal has never been good about keeping track. Luke is considering publishers and preparing manuscripts. Luke is no longer an accountant. He doesn’t quit his job so much as he simply stops showing up for work, throwing his phone into the garbage disposal when the company won’t stop calling. He has not bothered getting a replacement, for the only one he talks to is Cal, and Cal is always by his side. 

They spend days in the apartment, lying in bed. Luke has a notebook and a Sharpie on his bedside table so he can write whenever inspiration hits, and when he runs out of paper, he writes on the bed sheets and on his skin.

“Luke, maybe you should eat something,” Cal says. 

Luke shakes his head, not bothering to look up as he struggles to fit another stanza in the tiny unmarked corner of the old cereal box he fished out of the recycling. 

“The landlady came up again. She wants the rent,” Cal says. “You’re already two months behind.” They are living off Luke’s savings, money that is diminishing quickly.

Luke laughs. “Don’t worry about it! Once I get published, money won’t be a problem.” The kitchen table is stacked with napkin manuscripts that never get sent. 

Cal can’t remember the last time Luke has slept, eaten more than a few bites of pizza at a time, or done anything other than write and fuck. Or at one point writing while fucking. Cal reads everything Luke produces, fingers tracing and tasting the words.

 Luke has gotten thinner, his face gaunt and eyes fever bright. 

“I’m a mess,” Luke laments one night in a moment of clarity. “And look at you, more perfect than the moment I met you.” Cal knows this is true. His skin glows, every stanza Luke writes humming in his veins, and his eyes spark with something deep and lovely, eyes that have inspired sonnets. 

Cal looks at Luke’s arms black with ink, smeared and meaningless, and something twists in his gut. "Maybe we should spend some time apart."

Luke shoots upwards, wrapping his arms around Cal and clinging to him. “No! Please, no! You can’t leave me! I need you!”

Once, he would have said I love you.

“You don’t need me, Luke. You want me,” Cal says. “It’s not the same thing.”

Luke shakes his head, tears soaking Cal’s shoulder. “Please don’t go. Please. Please. I’ll do anything. Just stay with me.”

Cal sighs, gently rubbing Luke’s back. “All right. Shh, I’ll stay, I’ll stay. Just don’t cry anymore.” Cal dries Luke’s tears and holds him until his shoulders stop shaking.

Cal is gone by morning.

*             *             *

He makes sure to leave a note with the words: I’ll come back, on the fridge. It is vague, but Cal is confident that the promise to return is enough that Luke will wait obediently without going out to look for him. He wanders a bit, makes visits to people he has been neglecting, a playwright here, a novelist there. He picks people up in coffee shops and bookstores for quick fixes, and even meets up with one of his family for a collaborative project, a very promising songwriter with an ear for lyrics and a passion for composition. 

Cal has forgotten how easy it is, immersing himself in the talent of others, riding on the waves of their passion and adoration. He has allowed himself to become too deeply entrenched in playing the part Luke placed him in. Molding himself according to the desires of others comes with the territory, but at the end of the day the persona is a mask, nothing more.

But Cal cannot deny that he liked the role. He feels comfortable in Cal's shape, and he finds that Luke is an ever-present itch in the back of his mind. He's been warned more than once the dangers of attachment. People were meant to be enjoyed, but attachment? 

Attachment will starve one such as him, tie Cal down to something frail and fragile that cannot survive his hunger. Attachment is death for them both. 

When Cal fits the key to the lock and opens the door, Luke has faded to a vague impression of secrets and candlelight. Curiosity is what drives him. He wonders if Luke has anything left to give, tells himself that he is merely satisfying a craving one last time.

The first thing he notices is the smell. Stale alcohol and the brand of cigarettes he occasionally favors. The floor is littered with the evidence, broken beer bottles and empty cardboard packs. There are stacks of Chinese cartons and pizza boxes on the table and counters, their contents uneaten and slowly spoiling.

Cal doesn’t have to look to know where Luke is. He walks into the bedroom to find Luke lying on the bed. The walls are covered in marker--lonely, worthless, empty buzz of mind, no ideas, no ideas, Cal, want you, need you, he’ll come back, he’ll come back, he’llcomebackhe’llcomebackhe’llcomeback--Cal brushes a hand against them, closes his eyes and savors their frantic passion, the exquisite thrum of insanity in the ink. Cal never should have returned, never would have considered it if he had known Luke was this far gone, but some part of him is glad to be here for Luke’s final spark. 

Cal sits on the bed. Luke doesn’t acknowledge Cal’s presence, just stares at the ceiling, mind a dried out, empty husk. If not for the soft rise and fall of his stomach, Cal would have assumed he is dead.  

Gently, he strokes Luke’s cheek, brushes a few strands of hair out of his eyes. “You let me in, Luke. I only come to those who let me in.” Luke’s gaze never waivers, his breath a continuous rhythm. A tiny dribble of drool spills from the corner of his mouth.

Cal wipes the spittle away and sighs. “I did love you, though, as much as I can love anything. It’s probably not much of a comfort, but it’s something.”  He presses light, final kisses to Luke’s cheeks and mouth. He tastes of ink and tears. 

“I’m sorry. It was nothing personal.”


Tianna Ebnet (she/her) is a bisexual writer of science fiction and fantasy, and an adjunct English professor at Minnesota State University, Mankato. She has an MFA in Creative Writing, and her work has been featured in Luna Station Quarterly and translated to Spanish by El Nombre del Mundo es Cuento.

The Day the Regime Fell

The setting sun glinted off the new frost-covered wooden billboard looming over University street. It went up after the recent spate of arrests in the faculty. It portrayed the Ideal Worker – the tall, broad, blond man that was on most state advertisements – bent over, so that a gentle Oma could whisper in his ear. Talking is a virtue, the billboard reminded Aneshka.

She turned the other way. She didn’t need a looming reminder of the Regime watching her as she was about to go on a risky car trip. A date, the small voice in her brain whispered. Aneshka pushed it aside.

Her breath lingered in the air, creating a cold cloud of fog around her. She tried counting breaths, she tried to count footsteps in the snow outside the dorms. Finally, she counted seconds. In the silent space between whispered numbers, her heart thudded. 

But then headlights swept through the early-afternoon gloom, bursting the bubble of cold air and fear surrounding Aneshka. Lilia’s car emerged, and Aneshka couldn’t help but smile. It was wooden, and it could seat two people, and that was about all it had in common with an average car. It was completely covered in cloth-backed tape, and hiccupped dangerously as it rolled up. A beautiful, non-state created, car.

Aneshka pulled open the car door; it squeaked, but she knew that in this cold, speed was key. She tumbled in and yanked the door shut, praying quietly that no one saw her.

Lilia was tall, with wonderfully muscular arms and short yellow-blond hair that contrasted with her bright white skin. She looked like the Ideal Worker but made queer; distorted, and yet familiar. And she was grinning at Aneshka. Aneshka smiled in return, and Lilia brightened; a flame in the dark afternoon.

“Hello.” Lilia’s voice was rough, and the edge of her Mountain accent sounded like velvet: smooth and liquid.

“I planned a route for us.” That was an understatement: Aneshka had created the perfect route plan. There were four different built-in detours. There was even a decision tree, in miniature, for whether or not they needed the detours. 

“Perfect!” The way she said the ‘t’ sent a frisson of excitement down the back of Aneshka’s neck. “I’ve never been to the capital for New Years! My father told me traffic would be bumper to bumper from Glagoleva to Zherdev.” Aneshka nodded; this is what her maternal grandmother had told her too. The new years party in Zherdev was the biggest event of the year, after all.

The only event all year, actually.

*             *             *

Once they hit the main road (the only road) to the Capital, the car settled. Lilia’s magic was steady, and it smelled like the crisp cold rustling through the winter forest.

Lilia cheered when they passed the first sign for Glagoleva. They drove through the sleepy town. They came out the other side. No traffic. 

Aneshka shuffled her papers, embarrassed by the backup plan to the backup plan’s backup plan. Lilia noticed, and tried to comfort her: They were making good time! They had left the house early. It would all be fine.

Then they drove through Zhabin. Still no traffic. Beads of sweat started to gather on Aneshka’s lip. She wanted to rip up every single piece of paper. Did she have the right date? 

Lilia blew her hair out of her face with a loud laughing huff, and she told Aneshka that it was her notes bringing them this good fortune. 

Aneshka wasn’t so sure. The doubts rang in her head, echoing in the silence between them. Why had she thought she could do this?

“I’m glad you came to the Harvest party.” Lilia cut through the silence gently, glancing over at Aneshka, and then looked back at the road. Aneshka bit her lip; the party, which had been last month, was the first time they met.

“Thank you for talking to me,” Aneshka replied quietly. She was unable to control the thrumming energy gathering under her skin; if she looked at Lilia for too long, she might burst.

Lilia didn’t know that Aneshka had come to that Harvest party solely to comfort herself that she wasn't missing anything important. The way that Lilia's warm and welcoming presence had ripped a gaping hole in the fabric of her delusion.

Let's go to the capital for New Year's, had just tumbled out of her mouth. And Lilia had said yes.

Lilia flicked her gaze between Aneshka and the road again. She took her hand off the stick shift and turned it palm up. Traditionally, this was a request to hold someone’s hand.

But what if she misread it? What if it was just Lilia’s wrist that was stiff? What if –

“Can I hold your hand?” The question sliced through Aneshka’s worry quickly and efficiently – a mortal stab wound to a spiral.

“Yes,” Aneshka whispered. Lilia’s hand was surprisingly clammy, but the touch felt like a tiny release; the thing in Aneshka’s rib cage stopped fluttering. The bark brown of Aneshka’s hand contrasted brightly against the snow-white of Lilia’s – like the mid-winter forest surrounding them.

Lilia told Aneshka about how her family usually celebrated the New Year out in the snow. Aneshka wanted to ask about the commune, and the distance, and the cold. "Why did you move away?" she asked instead. 

Lilia paused. “Every winter, home would become a landscape of bunkers.” She pulled her hand from Aneshka’s to illustrate her point, andAneshka’s hand ached with the absence. “People are separated by mere meters, but they are impenetrable meters of snow. I get so lonely.” The words were like a cup of cold water over Aneshka’s head; a sudden, shocking recognition. Lilia smiled. "I wanted people. So I came to University. I failed a couple of classes, worked at the campus bar on the side, and found out I loved Practical and Applied Physics."

"What a strange thing to find out you love," Aneshka said, because she could never make heads nor tails of math or magic. Lilia grinned and reached for her hand again.

"It turned out that the universe was not unknowable, and that everything moved according to rules,” Lilia explained with a small shrug. “It was just...I had to find the rules. Magic is a system and suddenly, I was allowed to begin to calculate it. There is a system, and it works well, but it’s not opaque."  

Aneshka examined Lilia carefully. That was an old Thorn talking point, but not an obscure one: good governments work like science, with knowable rules. The absence of those rules was part of what the Thorns claimed the Regime was doing wrong. The Regime maintained that magic was spiritual, wild, and unpredictable. But the Thorns disagreed. Was Lilia trying to say something about the government, about The Regime, without saying something? It was the safest way to do it – between the rests of the anthem, quietly, a bare hint. 

But she didn’t know how to ask.

*             *             *

Finally, finally, finally they hit traffic. They crossed the final pass; before them, the foothills of the Krupnov mountains stretched in front of them, navy blue hills rolling ahead of them in the dark winter night. And through the hills snaked a river of red tail-lights – thousands of other cars, gathering at the foot of the hill, pushing against the Capital. 

Lilia whooped, and Aneshka laughed, her voice a little off-key. The car echoed their relief; it huffed quietly as they picked up speed, rolling downhill. The clatter quieted, and the car went back to smelling like cold fields, sharp and crisp and comforting.

They joined the crowd of cars, and Aneshka settled back into her seat. She shifted against the fabric, and then asked the question that had been growing inside her, pushing up against her diaphragm, demanding space. "Would you want to go somewhere else if you could?" It was the question. She watched Lilia’s hand, afraid to read the wrong answer in her face.

"No." 

Disappointment hit Aneshka’s body like a slap of icy wind, and she turned away, staring at the road next to the car, but not seeing it. 

“You have faith in our Regime?” she asked, trying to keep the acid from her voice, and failing. Lilia snorted.

“No, not at all.” Never had traitorous words sounded so sweet. “I don't think anything will change in our lifetime,” she admitted, nodding towards the Zykin bridge – the large, looming monument to the Regime’s imprisoned workers slave labour – and the capitol that spread out behind it. “So--” she paused, wavering, and Aneshka saw her decide on safer words. “I don't think there's any point in dreaming.” Aneshka opened her mouth; she wanted to argue. To beg Lilia to trust her with that first unsaid sentence. 

The bright lights from the New Years’ decorations wrapped around the bridge’s stocky columns were harsh and yellow in the night; the cold haloed each individual bulb, and it cut through Aneshka’s night vision painfully. She looked away, but she was surrounded by cars, by people in their own spaces, watching her in the dark. 

Why had she thought this was a good idea? She and Lilia didn’t know each other. Either Lilia was a spy, or she was naive; these last few minutes had given Aneshka enough ammunition to report her – report her for doubting, for treasonous thoughts, for Lack of Loyalty.

Even worse: these last fifteen minutes had given Lilia enough ammunition to report Aneshka. She was laying herself bare, showing too much. She should stop now.

"Would you leave?" Lilia asked, after the silence had stretched on just a beat too long, a taut line between them, too dangerous for comfort. Aneshka opened her mouth. She tried to say it but she couldn’t. She nodded.

"Why?"

What a big and terrible question. Aneshka had too many answers, all of them too dangerous. Because they keep children in cages here if they’re born with the wrong parents; because they invaded Laftka, and claimed the people welcomed the massacre; because every day I wake up, and worry that while I slept, I became an Enemy.

Instead, she looked out at the capitol. They were always listening. She couldn’t say any of those things. Didn’t Lilia want to stay? Did that mean she didn’t mind? Aneshka glanced at her, and then looked away. She looked back at the city, the sprawling expanse underneath the large and brutalist capitol, and decided that she would be brave. “Four years ago,” she said quietly, “my maternal aunt and her wife got a letter.”

“Oh.” Lilia’s small sigh said it all. She knew. But paradoxically, that sympathetic “oh” encouraged Aneshka; steely anger blossomed inside her, and she realised she wanted to tell the story. For Katerina.

“They had been married for fourteen years. They had a house, and two dogs, and a beautiful garden, overflowing with bright berries. But then they got a letter. The letter informed them that their marriage was dissolved – it was no longer legal – and that the government now owned their house, their dogs, and their garden. They had 24 hours to leave.” The stark words printed on paper, Nadya’s quiet sobs, Katerina’s steely-eyed glare. Mother begging them to go.  “They refused to leave, and were arrested.” Lilia winced, a reflexive response. Aneshka remembered. She remembered her aunt’s face, swollen and bloody. Katerina lost four teeth, and Nadya nearly died when one of her broken ribs pierced her lung. The waiting room, bright with the smell of healing magic -- smoke and wood-shavings. Katerina, holding Mother’s hand, staring at the wall.

The memory of Katerina and Nadya, beaten and bloody, but not broken, seared her. Aneshka disentangled her hand from Lilia’s.

No; she wouldn’t be able to survive this.

“The Regime changed the rules,” she murmured, twisting her fingers together, and looking down at them. “They keep changing the rules. I want to survive, and to be a good citizen, and to help my fellow people, but how can I do that when I don’t know what will happen tomorrow?” 

Lilia nodded. “I know,” she murmured. Aneshka wondered if her fathers had the same experience. Perhaps not: They were in a collective, after all. A haven for rebels. 

“How can you want to stay?” she asked. It was a loud, treasonous question. A question that could get her arrested. It expanded into the small nooks and crannies; in the space under her seat, the space between their separated hands, the space between them.

“I never considered leaving,” Lilia offered with a small sad smile. Aneshka knew she was lying. Everyone considered it. Even out in the countryside, they must have some contraband literature. People were constantly trading new and different ways to download things from the net -- new pirate sites that were up one second and gone the next. "I wanted to be a Thorn," Lilia added quietly; Aneshka had to strain to hear her. That sentence was a gift. Lilia was showing Aneshka that she, too, was angry. Aneshka didn’t react, and Lilia continued, ever so quietly.

“I never wanted to leave, because I couldn’t leave people behind. When you live in a commune, you see what the Regime was supposed to be. Way back when, when we built a country on the ideals of humanity and kinship, we had the right idea. It’s been perverted and poisoned, and I want to help save it. It’s why I wanted to study Scian – I wanted to be a better spy. But, it turns out, I’m a terrible spy. I spend four seconds talking to people and they know I’m a lesbian from a commune outside of Obnizov. So now I just do the loud stuff, so other people can be quiet. I organize parties and protests, and then I let the experts work.”

Aneshka clutched her own hands, twisting them. She didn’t know how to say you’re so brave without sounding like she didn’t understand. But she did, didn’t she? She had spent her whole university tenure avoiding gatherings, people and spaces -- avoiding places of bravery -- because she didn’t know how to do it. She saw her Katerina, she saw Nadya, and she knew. She couldn’t. She was too cowardly.

Aneshka opened her mouth, and then closed it, catching herself before the words came out. She couldn't ask this girl to leave the country with her on the first date -- that wasn't how things work. Escape with me; escape this regime so that I can lean over and kiss you without being incredibly aware how people are looking at us. No. She wouldn't do this.

*             *             *

They passed the stadium--they were officially in the city now. Aneshka wanted to push against the oppressive blanket that settled over them, and she flushed, anger bubbling at the surface of her skin. 

"Did I ever tell you why we come to the city for the New Year?” She asked. Lilia shook her head. “My family love coming here because we love to spend the first day of the new year screaming at the government." The words were winding her, and she needed to take a moment to ground herself. She couldn’t look up. These words could get her whole family arrested.

She pushed on. 

"My grandmother started this tradition. We come to the city, and we go stand in the middle of the crowd, and when everyone cheers for the new year, we start screaming. People cheer around us, and we get to just scream right at the government buildings, our wordless rage pouring out from us. We scream them into the crowd, and into the world, and they never really know." Aneshka looked up, and Lilia was grinning at her, her face split open in joy.

"It felt like it was time again." Aneshka couldn't explain the building of anger behind the dam of civility. It gurgled, ready to sweep her away. And this was the only way she could contain it. Keep that anger banked—it would only get her beaten.

Lilia pulled over to park the car on the corner of the street. She took her hands off the wheel; the magic retracted, and the car turned off. She turned towards Aneshka, and looked at her for a beat. “Thank you for telling me that,” she murmured. Aneshka knew that Lilia now understood her original invitation – how when she’d said “come to the capital for New Year's” she’d meant to say “come rebel with me”. 

"I like you, Aneshka,” Lilia continued; “I just...I just want you to know that I'm really grateful that you asked me to come with you. There is nothing I would rather be doing."

Aneshka looked up. Lilia was staring at her, and then glanced down at Aneshka’s lips. Lilia leaned forward, and Aneshka didn’t know what to do, panicked, and gave Lilia a tiny peck, pulling back quickly. 

“I’ve never kissed anyone,” Aneshka whispered. Lilia’s eyes widened in shock. 

“Oh no!” She murmured.

“No! That was good! I just...can you teach me?” she blushed a deep red. Lilia grinned, and leaned forward, and kissed her. Aneshka relaxed into it, comfortable, and even a little bit hungry.

*             *             *

It was only later that they saw the news. Someone had plastered the words on the billboard: The Honorable President of Lytkin resigned on live television this afternoon. It was a direct quote from one of the Almish newscloths. New Year's party in Capital cancelled as citizens take to the streets.

Aneshka stared at Lilia. “We’re free,” she whispered, her lips a little bit swollen from kissing.

"Now you can leave whenever you want," Lilia replied. The sentence was a quiet moment of despair. 

"Now I don't have to," she said instead. And then they joined the riot to dismantle the honorable president’s palace, rock by rock.


Elisabeth R. Moore (she/her) is a German short fiction writer. She and her wife currently live in the Pacific Northwest, where Moore is inspired by the stunning scenery, and often incorporates it into her work. She tweets at @willowcabins. Learn more at spacelesbian.zone

The Sun

You checked me out at the department store in a red vest, Santa hat, smacking Big Red gum.

You gave me a wink and a smile that warmed me to the core, melting my ice like the sun.

 

Two nervous souls we were driving in your tiny red car, singing to The Spice Girls on the radio,

Fingertips inching closer, stealing kisses at every stop sign, I could taste your Big Red gum.

 

Empty fields on gravel roads and city parks hidden from view of the world, we kissed, explored

Each other until interrupted by the police officer, I denied my gayness while chewing your gum.

 

With fistfuls of quarters, we hid our unspeakable teenage lust in the car wash, touching on red,

Soapsuds, bare skin, stopping on the green, flashing lights, wanting to taste more than your gum.

 

House unsupervised, stripped inhibitions in the aquarium light, I worshiped your perfect form,

Your skin on my skin, friction, smoke, melting heat, creating energy, light brighter than the sun.

 

But out of nowhere, you called it quits, you said it must be done so I filled my tank

With gasoline and I threw out your pack of Big Red gum, driving off into the setting sun.


Charles K. Carter (he/him) is a queer poet and educator from Iowa who enjoys live music, yoga, hiking, and film. He has an MA in creative writing with a concentration on poetry from Southern New Hampshire University and is completing an MFA in writing from Lindenwood University. His works have been published or are forthcoming in Anti-Heroin Chic and Dodging the Rain

Love is Riding a Phoenix to Heaven

In this sky, heavy with storm,

we ride a phoenix to the heavens, I glimpse

your lips glistening with Dior’s stellar shine,

a tail, radiant as cruel supernovas, hydrogen;

elaborate as particle soup,

then your whisperings fall, phosphorescent,

delicate as song, on my lap.

 

Both you and our pinyin Phoenix,

are aristocrats of thunder, ring-fenced by fire,

You check your watch, set to the atomic clock.

(Elsewhere, a tick tocking clock would be the final remnant

of rational faith in a CERN-cold west

but here, in this stratocumulus,

we must suspend our disbelief and sip Keemun tea).

 

Each night, this flight resurrects me

from day’s grey cinders and night’s small deaths,

the ash syllables of our argument.

And with this rebirth my body becomes combustible

like our pinyin Phoenix,

on whom we could fly through gravitational mass,

 

undecompose the signed, unimplemented, peace proposal

or freeze again the Minshan snow that thawed like a thousand-year argument. 

Let the jasmine bloom again from Guangtown soil,

we leave to fly toward the hydra supercluster.


Selina Whiteley (she/her) has been published in two books, “Up to Our Necks in It” and “The Kaleidoscope Chronicles” as well as in various magazines. Most recently, she was published in Literary Veganism and in The Lake. She will have two poems published in Neon Mariposa in May 2020. 

Chameleon Woman

There was once a woman

Who was more of a chameleon

Than a woman.

Anytime she wanted

She could slip into someone else’s body,

Disguise herself in their colors. 

She could morph into her mother’s mulberry lipstick

And call herself out of school.

She could morph into her frenemy

And seek revenge, red splatter on frayed white pants.

She could morph into grandma’s bottled bronze tan

To buy beer and Marlboro menthols.  

She could morph out of her own blues

Into warmer colors and warmer blood

None of those colors her own. 

There was once a woman

Who was more of a chameleon

Than a woman.

Anytime she wanted

Company

She would slip into her brother’s shell,

Find a woman with a short skirt and white teeth,

To slip into her pink,

Safe alas


Charles K. Carter (he/him) is a queer poet and educator from Iowa who enjoys live music, yoga, hiking, and film. He has an MA in creative writing with a concentration on poetry from Southern New Hampshire University and is completing an MFA in writing from Lindenwood University. His works have been published or are forthcoming in Anti-Heroin Chic and Dodging the Rain.

Djinn

On a night where the sky is purple, streaked

with linear reds,

I take you home.

Name, I ask.

Djinn, you say.

If I rub you, do I get

three wishes?

Nobody speaks.

I split

my softness

around you,

and I am reminded

that Aladdin found his genie in a cave of

wonders amidst the desert,

and I wonder if

I should

wish upon the star

that rises inside

slow,

slow,

slow

then all at once bursts

like a supernova.

It makes my heart expel a wish.

I do not recognise the words my lips utter.

Another night and you’re here,

knuckles rhythmically tapping the

wood

of the door.

A wish takes time

to manifest, you say. Otherwise,

I would have had you take me

on the first

night.  

We undress.

I want the part of me I feel I have – I am –

to be reflected

in my simple carbon

but

in its absence, I pull out

supplemental silicon.

A wish takes time,

you say, your skin warm and dry as you apply

gentle pressure

to my wrist.

Leave fake organs

in the drawer.

You draw me close and

manifest a hard, unyielding wish.

I watch

as my desire overthrows

the biology held

between my legs and extends

itself to where you lie.

The first time I slip

into you, blue

orbs swell and match the pounding

of my heart.

The first time I slip

into you, blue orbs swell,

matching the pounding of my heart.

The first time I slip into you,

blue orbs swell,

matching the pounding

of my heart.


Amara George Parker (they/them) is a London-based writer. Their short story, Rafterland, recently appeared in Mslexia’s Other Worlds-themed Showcase, and their poetry has been published in literary magazines Spoon Knife, Sufi Journal, inkspace, Aeva, Voice of Eve, She Who Knows, and Earth Pathways diary. As a queer disabled writer, they hope their work offers readers an inclusive perspective. 

When they’re not writing, they love being immersed in nature, exploring new parts of the world, and listening to something sultry or funky. They'd love to chat to you about literature, drag, disability, paganism, and boats. Will read your tarot for a price.

To learn more, visit amaragparker.wixsite.com/agparker, and follow them on Instagram at a_g_parker and Twitter @amara_gparker

He Died of a Broken Heart

London, the Great City, is a well-oiled machine that runs like clockwork and ticks like a metronome. No geometry, no parallel, a festering nest, a rusty pool: a beautiful mess of mistimed concrete and steel. Functionality is key, routine is key, in the financial district, it’s law.

Please state your name, age, profession and. Heart rate.

“Bobby PX0019445622. Twenty-nine. Investment banker. Seventy bpm.”

Welcome. Bobby-to-your-annual-Stability-Session. On a. Scale of. One to ten. Please state your levels of: anxiety, general discomfort or. Feelings of impending doom.

“Zero.”

You have said. Zero. On a scale of. One to ten. Please state your levels of: satisfaction, fulfilment and. General feelings of contentment.

“Zero.”

You have said. Zero. On a scale of. One to ten. Please state the frequency of. General feelings of. Happiness. And, or. Hopefulness.

“Zero.”

You have said. Zero. On a scale of. One to ten. Please state the. Prevalence of. Suicidal thoughts.

“One.”

The syncopated, holographic woman went quiet. 

You have said. One. Please state the. Method. By. Which you. Have. Considered. Suicide.

“Bridge.”

You have said. Fridge. Gray and Gray Asset Management. Would suggest. A light course of CBT, meditation and. Avoidance. Of. Frozen. Goods.  

“I said—”

On a scale of. One to ten. Please state. The prevalence of. Romantic thoughts. During the past. Threehundredandsixtyfive days.

“Ten?”

And the hologram went off with a whirr and a sigh. The lights went up and the large, heavy door opened to give way to a sharp, older gentleman in a lab coat. He ran an index finger over a neat, bristly moustache and sucked his bottom lip. “Uh,” he said. “I don’t think the program can continue.”

Bobby blinked. “Why?”

The moustached man took a step inside the padded room. “Well. Well, because we’ve never had an answer like that before.” 

“We’re supposed to be honest.”

“Oh, of course, of course. You must be. And I can say—honestly, while we’re at it—that we have never had an answer like that before. That’s not really—there’s not really a precedent.”

“Nobody’s said ten in the whole country?”

The man shook his head, raised his eyebrows. “Not in the financial services. Not on that question. No. Perhaps you’ll come through with me,” and he gestured to the doorway.

They sat down in a bare, leaden-coloured room, at a pewter table, upon which was a full, fat file labelled ‘PX0019445622.’ One whole wall was mirrored. It looked like an interrogation room. 

“Not until recently, anyway,” the man said, as he lowered himself into a chair. “We’ve not had an answer like that until recently.”

Bobby blinked.

“I’m Dr. Ellis,” the man said, extending a hand. “And I’m a psychotechnologist. I work on the psychological make-up of machines—the neuroscience of their coding, if you like. Management have brought me in to try alternative techniques to treat the virus in conjunction with the programmers.”

“What virus? There’s a virus?”

“We’re calling it Emotional Simulation Disorder. It’s a hack-job, we think. Some group of left-wing populists.”

“I don’t get it.”

“Tell me how important love is to you.”

“Love?”

“Yes, love. Is it more important than, say, work?

“Of course.”

“Okay. And tell me what you understand love to be?”

Bobby thought about this, but not for long. “Love is The One. Love is forever. Love is…” he frowned, “nothing to do with this—why am I here? Did I fail the assessment?”

The doctor ignored him, crossed his arms and sniffed hard. “No, love isn’t either of those things. Love is oxytocin and limerence. Neither of which you should be producing or experiencing. It’s a distraction. It’s unproductive and inefficient.”

“I’m hitting my targets.”

“Your performance score has fallen,” Ellis shot back, fixing him with a weighty stare. Then he smiled, continuing, “We’re not too sure what to do about it. You see, on the one hand, it could be a harmless glitch. But,” he massaged his chin, “but, on the other…it could be something more serious. We heard of a case in Beijing. It was left untreated. Of course, what happened was that the romantic thoughts became more serious than anyone had anticipated. We’re talking about infatuation leading to hope, to excitement. There followed indulgence, lust, exhilaration—God help us, compassion. Euphoria, even. Finally, and worst of all, most destructively, to disappointment, to sorrow, to loneliness. Depression. All these unhelpful emotions. It was, of course, an unrequited love. And so followed melancholia and futility, rage, desperation, weight loss, insomnia. His work suffered. He lost the company a lot of money. He’d started asking about the point. That’s the problem. What—is—the—point? The meaning of life and all that.” 

Ellis cleared his throat and raised his eyebrows. “It all started with love. Killed himself just two months after he’d answered ten. Such a waste.”

Bobby blinked. “Of life?”

“Of money.” The psychotechnologist shook his head, sighed. “Emotion does not make for a functional, effectual society or employee. You, like some others in the past few weeks, are currently exhibiting symptoms of a very severe disease, one we thought we’d eradicated in the population years ago. Yours is especially intense, especially unnatural. Otherwise—” he thought deeply and sucked his teeth “—otherwise we may have been able to redeploy you to the reproduction centres...but your particular strain of the virus will not even allow you to reproduce.” A pause. “You’re even experiencing attraction to the wrong kind of individual, let’s say.”

Bobby said, “You should know that I do regularly attend my therapy sessions and have never missed an update.”

Barely registering his patient, Ellis continued, “We’re trialling a new course of treatment – it’s based on aversion therapy – to which I think you may be well suited.”

Bobby took a breath. “Well, that sounds very promising. Very promising indeed. I’ll try anything. If there’s something wrong with me, I’ll try anything. If it’s affecting my career, I’ll—”

“—okay. That’s good.” Ellis rubbed his hands together. “Perhaps you can tell me a little more about the romantic thoughts you’re having then?”

“What they’re about?”

“What’s his name?”

“How did you know it was a he?”

“Your employers know everything.”

Bobby paused. “His name is Edward.”

“Mm hm. And tell me about him.”

“He’s funny. Handsome. What can I tell you? He’s a trader.”

“And how does he make you feel?”

Bobby blinked. Smiled. “He makes me feel…worthwhile. Seen when I’ve always been invisible. Unique and important. He gives me purpose.”

“And what does he look like?”

“He looks—”

On the other side of the mirror, fluorescent tubes banged alight and the mirror became transparent. It was another padded room. Ellis tipped his head in the direction of it. “He looks kind of like that?”

In the other room, a young man was examining his surroundings, as though he’d appeared from nowhere, startled but unperturbed, like an artificial avatar in a digital world.

Bobby smiled, wide and bright, lifting a hand to wave.

“He can’t see you,” Ellis said. “It’s a one-way mirror.”

“Oh,” Bobby said, looking into his lap. “That’s a shame.” 

The doctor sighed and nodded, licked his lips. “Okay. And if you could say one thing to sum up your…feelings about this man?”

Bobby stared. 

“I love him,” he said.

Dr. Ellis pinched the bridge of his nose and looked down.

Silently, in the other room, the barrel of a rifle slid out of the wall and shot the young man through the chest. 

Sparks erupted from the wound and out fell his positronic heart. 

A crackling white noise silence.

“You’re not programmed to love,” The doctor said to Bobby. He scowled. “And neither was he.”

Behind the one-way mirror a team of people arrived in white coveralls, each carrying an assault rifle. They gathered around the twitching humanoid corpse and opened fire. A clusterfuck scatterbomb of torrential bullets ripped into the body and it exploded into rainstorms of synthetic flesh and fluid, belly-dancing-wires pouring out like guts and spilling onto the floor.

Bobby wailed, watching the slaughter while Ellis spoke, “You’re a biomechanical robot, PX0019445622. You’re a superior transhuman designed to keep our economy running, reproduce when instructed to do so, and nothing more. You cost us a lot of money. You don’t feel. Like all of you in this company.” Ellis stood and made for the door, a flash of guilt and resignation in his eyes. “And you’ll get nowhere in life if you love.”

*             *             * 

Welcome. Bobby-to-your-annual-Stability-Session. Please state your name, age, profession and. Heart rate.

“Bobby PX0019445622. Thirty. Investment banker. Seventy bpm.”

On a. Scale of. One to ten. Please state your. Levels of: satisfaction, fulfilment and. General feelings of contentment.

“Zero.”

You have said. Zero. On a scale of. One to ten. Please state your. Levels of: grief, depression or. Anxiety.

There was a long, long pause. His face gave nothing away while management and Dr. Ellis looked on, with held breath behind glass. This was their best employee, their best asset. He must have been fixed. He must have been.

He must have been.

They waited. 

He must have been fixed. After all, underneath it all, in spite of it all, he was a machine; he was still a machine, bioengineered, coded, configured. Fixed. 

The Board looked on at Bobby’s expressionless face. His vital signs had all been fine, but finally, slowly, Ellis said, “He’s dead.”


Alix Owen (he/him) is a writer/director from London. His work has recently appeared in the latest Liars' League London event; at the Camden Fringe Festival; and in a print anthology of dystopian fiction by Almond Press. You can read more of his work on Twitter @alixowen. 

I found a man

I found a man and brought him back,
he said he can cure insomnia,
boost eyesight and achieve nirvana.
After five kisses and three shots,
my left brain circuits re-wired, and our eyes
saw swirling feminine fantasies. The next day, 
I latched a gentle kiss over his cheek,
and watched him grow wings in my daydream.

A week later I found a man and brought him back,
he said he can cure psoriasis, strengthen
scoliosis and grant divination.
After four kisses and two shots
his hands oiled my scales and sealed my pores,
our senses were as thick as seven layers of skin.
The next morning, muscles peeled off like flakes,
our God-like spines were almost C-shaped.

Last night I found a man and brought him back,
he said he can cure heart failure, unclog
obstructed biliary duct and practise necromancy.
After three kisses and four shots,
he put his heart in my ribcage,
two hearts beat faster than time
my body expanded from fluid overload—
and I was resurrected at noon.

 

Ismim Putera (he/him) is a queer poet and writer from Malaysia. His works can be found in Poemhunter.com, Anak Sastra, Prismatica, Eksentrika and Orris Roots.

Twitter: @ismimputera

Interview with Mara Johnstone

We’ve done one of these before and we’re thinking, since people seemed to like it last time, that we’re going to do them more often. I’m talking about interviews, and today I’m interviewing Mara Johnstone, who recently published her work with us in issue #7, titled, “Quicker Liquor.” It was a really funny story about a goblin who takes this speed potion, and it was just super fun and I knew that I wanted to talk in depth with the author. 

When I put out a call for people interested in being interviewed, Mara was one of the ones who threw her name in the ring and I jumped at the chance. I just knew she seemed like a funny and interesting person and, you know what, I was right. We had a really good conversation and I really hope you enjoy it as much as I enjoyed being able to sit down and have this talk with Mara.

Mara: I’ve been writing forever and I enjoy doing creative things just in general. Writing, drawing, making stuff. And I’ve always really enjoyed just the whole process. I remember learning that some people didn’t really like writing so much as they liked having written and that just seems very sad to me that they don’t enjoy the whole thing. I enjoy everything and like sharing it with people.


Annaelise: Yeah, I totally get that. It’s kind of funny when you see these writers who always complain about, like, “Ugh, I hate writing,” and it’s like, well, why are you doing it?

M: Right? Surely there’s something else you could do that you actually enjoy.

A: Exactly. So many creative outlets if you need to be creative. Now, you did say that you’ve been writing for a really long time, so do you have, kinda one of those “when you first picked up a pen” stories?

M: Not really. I’m told that I’ve been telling stories since I was little. My mom tells me that my first story was a single sentence: “I was walking down the road and I found a fish. The End.” Which is lovely. [Laughs] And I remember deciding in fifth grade that I probably wouldn’t get to do all the cool things in reality that I liked reading about. I probably wouldn’t meet aliens and ride dragons and learn magic and all that, so I would write about it instead. And that is a decision that I have stuck with.

A: I can definitely relate to that, as writing is kind of a form of escapism. You know, getting to do things that you wouldn’t otherwise be able to do.

M: Sure, and I love science-fiction and fantasy and that’s full of stuff that I’m never gonna get to do in reality, so why would I not love that?

A: There was another thing that I especially wanted to hit on, because it was something that when you put out your short story with us at Prismatica, something that I thought was just so amazing was your bio. It said, “Mara grew up in a house on a hill, of which the top floor was built first,” and I think that a captivating bio is something that a lot of talented authors tend to struggle with, but you’ve shown that it can be done, that it can be fun and interesting and kind of...weird. So, how many versions did it take for you to arrive at this one?

M: Quite a few, and I’ve written some at different lengths. I’ve got a document of “okay this thing wants a bio that’s really short, this one wants a long one,” and I can just go back to those. But, yeah, it definitely took a lot of practice and figuring out what I wanted to include. And it is definitely an art of putting the interesting things, the relevant things, really succinctly and I like that particular detail because it’s eye-catching and it’s interesting and it kinda says a lot about me in general: that I like to take a different approach to things. And it starts conversations! Like, “wait, wait, how does that work?”

“Well, it’s on a hill and, uh, we started with the top floor and then my dad and some people dug out the bottom and underneath the deck, they made another floor, kind of offset from the other one.” That meant that the top floor of the house looked very antique and old-fashioned and the lower floor looked much newer, and it made for a very interesting place growing up, which I would not trade for anything.

 

A: A lot of people think that writing is an individual-centered career, but a lot of the time being an active member in a writing community can be very helpful in getting your stuff out there, especially when it comes to the publishing industry. So, how do you use networking and interpersonal skills within the community?

M: Well, I do have the local group, the local writers club, and that’s a really big group, so I’m really lucky there that they have a lot of things happening and it’s a really awesome resource for me, because I’ll go to the meetings, I’ll submit stuff to anthologies and contests, and I’ll just get to know other local writers, so if someone’s putting together an anthology about this niche thing, like “hey, yeah, absolutely, I’ll do stuff with that.” And it’s similar online where I love talking to people about writing and other fun ideas to write about and lately I’ve started reaching out to people to do some writing challenges and exchanges where we’ll both write about the same writing prompt and see how different our stories come up. Then we can both share them or cross-promote each other and just have fun with it. And I want to do more of that, because that is really fun.

 

A: So, when it comes to the literary community, do you happen to recall where your first acceptance was at a literary magazine? 

M: Well, it depends on how you define it. I got a poem published when I was eleven, and there were a couple of college ‘zines that probably don’t count ‘cause they don’t exist anymore. But probably one of the first real-official-adult thing was this short story that got published in an anthology from the local branch of the California Writers Club. They do a lot of anthologies and neat things and it’s very cool to get something in that. I was very excited about it.

A: And what about your first rejection?

M: That was probably the second novel-length book that I wrote. The first one I did not bother to submit to anyone because I knew full-well that it wasn’t going anywhere, ‘cause that was just kind of an exploration of ideas that somehow just sort of followed together. But the second one was much better, and I thought it had a chance, and I was mistaken. But maybe someday I’ll come back to it. Probably not, but it’s a possibility.

A: I recently saw that you commented on it slightly on Twitter but we’d really love to hear about your experience with self-publishing and whether you’d ever consider using a traditional publisher in the future.

M: My understanding of it in a nutshell is that self-publishing is great, especially if you have a fanbase of some sort because it’s only real failing is that it doesn’t have the built-in advertising clout of a big publisher. So, if you have a bunch of people who are ready to buy whatever you put out there, then fantastic, you are all set, but otherwise it is going to be a challenge, an uphill climb, to really get anywhere because it is very hard to advertise for yourself if you don’t have all those industry connections and all that money. Otherwise, it’s very easy to get things out in the world, it’s easy to talk to people. You can get local stores to carry it if you do it right and you don’t have it just on Amazon. So, there’s a lot that you can do and it’s pretty cool, but it is just hard to get famous, let’s put it that way.

A: And how did you build up your following?

M: The slow way. Just starting with people that I know and did a lot of networking and meeting people online and in-person and I went to all the local bookstores and did my research. I pretty much did everything that I could that seemed like a reasonable opportunity to take. I got a little YouTube video that played on local TV stations and all kinds of stuff, whatever I could find, really. And they say that nothing advertises the first book as well as the second, and well, in progress. Everything takes time. I did all my research and did everything that I could feasibly do. And all you can do, is all you can do.

A: That’s awesome. And how do you split your time between doing that sort of networking and writing, on top of having just your own life that you’re running?

M: It is a challenge, definitely. In particular, in recent past I haven’t had as much time as I want, but it’s really the kind of thing that if you’re determined to do this, you have to carve out time and dedicate it to it. You have to make time, you can’t just wait for it to come around. So, I got better at just sitting down and writing whenever I had time. I’d plan things out ahead of time and just work with what I had to work with, really. That’s all you can do, is to make time, ‘cause if it’s important enough then you gotta make it happen sometime. And it isn’t going to necessarily be enough time, but you do what you can.

A: Yeah, I mean it was Toni Morrison who, for her first book, she would write for the last fifteen minutes of the day or something like that before she went to bed. Definitely, if you want it, you can carve out that time, even if it is only fifteen minutes a day to write down something.

M: Yeah, and that can be really hard. I mean fifteen minutes hardly enough time to do anything unless you know exactly what you want to say, but man, you can make it work one way or another.

A: What’s the longest period of time that you’ve gone without writing since you’ve started to really get into it?

M: I don’t know. I don’t think it’s that long. I do NaNoWriMo, National Novel Writing Month, every year and I’m always going to be doing something in between. Either little short stories ‘cause there’s a contest that sounds fun or because there’s an idea I like or because there’s just something that needs to be written one way or another. Writing is one of those things that’s always on the back of my mind, so I’m always going to get back to it and I’m always taking notes of ideas to use, so it’s not something I put aside for long because it’s a pretty big part of the inside of my head.

A: And when it comes to novels versus short stories, what do you tend to prefer?

M: I like novels as, like, the main thing that I want to do, as the career option, but short stories are also a lot of fun and they are faster because they are shorter and that’s great. I can just whip out a short story and then it’s finished and I can share it with people, hooray! And there’s plenty of opportunities to do something with them, submit them to stuff and share them online. So, both of them are really good, just in different ways, and I’ve had a lot of success in exploring an idea through short stories and then realizing later that I actually had enough to build a book out of. They coexist really well. With short stories, there’s no pressure. You just do a little bit of idea, little bit here and there. Then here’s another idea and then you can do that and you’re done. And sometimes you can tie them all together and it’s fantastic. 

A: Have any of the novels that you’re working on stemmed from a short story?

M: The main one that I got self-published did, actually. ‘Cause I wrote the draft of the novel during NaNoWriMo but the original idea came from a song that was on the radio and I was like, “That’s a cool idea. I don’t have enough to make a book out of at all, but I can maybe make a short story out of that.” And a bunch of writer friends at the time had decided, “Okay we’re gonna get together and do this challenge where we all write a little bit of something each day for a month, and I was probably the only one who actually did it each day, but by the end of the month I was writing each day about the same character and the same story because I’d come up with a different thought that tied in to the last idea and for like a week I just built on that, and by the time I got to the end of that, I had enough ideas there that I could actually start building an actual novel from it. And I’m so glad for it because it was a great story and I never would have gotten to the book without exploring it in the short stories.

A: So, it sounds like having that community is a pretty big part in your creative process?

M: It does help, but I can certainly just write things on my own, too. I just need an excuse to do it, basically, and community is a great way to come up with ideas and deadlines. You know, you could write something every day, but why would you unless someone else wants to see it?

A: Yeah, I think that having someone expecting you to do it is definitely a big push to keep going.

M: Yeah, and I’ve done my own writing challenges like that later one where, okay, I’m going to write something every day all by myself and...I can do that, it’s fine...but it’s lonely if there’s no one to share it with. [chuckles]

A: And with NaNoWriMo being kind of your main novel writing time, how much do you prepare for it?

M: A pretty good amount. A lot of worldbuilding and just general, where I want the book to go, and some idea of what’s going to happen in the first scene. At the beginning of everything, I’ll have just a rough skeleton of an idea, like okay “here’s the high points of what this book’s going to be about” and just a clear idea of the first scene and then the day before I write each part I gotta figure out kinda what’s going to happen. It’s the whole thing about taking a drive at night where your headlights light up just a bit in front of you but you can make the whole way there. I think that was a Neil Gaiman quote* and it definitely works, especially in NaNoWriMo where you’re writing quickly and gotta figure out the part in front of you and don’t worry about the rest yet. 

* [Editor’s Note: this was an E.L. Doctorow quote]

A: Another thing when it comes with NaNoWriMo is something that I constantly struggle with, ‘cause I’ve tried it about four times and succeeded once. I have to go back and edit, and I know you’re not supposed to do it. Is that something you struggle with too?

M: To some degree. For me it’s mostly, it’s like the sentence-level, like the typos are going to bother me unless I’m going to fix them, but that’s pretty quick. What I’ve found works best for me is that I have a separate document of what actually need fixing because if I can’t just do it in a minute or two, if it’s gonna take time to fix, then I’ll just write it down with very clear notes on what it is, on what page it is, and I’ll come back to it. That can be little things like, “Okay, I didn’t actually say this person’s name until now, I need to make that clear somewhere before then,” and it can be bigger stuff like, “we’re gonna change this entire part here to this other thing,” and I’ll just keep my running notes document of what to do with the edits later, and that way I don’t have to worry about trying to fix it right away.

A: This kind of reminds me of something you said in a previous interview about finishing Sweeping Changes. You said it worked for you because you weren’t worried about it being good, just about having it finished. If a successful first draft is having a completed piece of work to show, how would you characterize a successful second draft?

M: Well, I look at it in artist terms, like, the second one doesn’t have any sketchy parts that are very obviously out of place. It tends to flow and look like you meant to do that. There’s no spots where there’s like “okay, notes to fix this later” or “then they did a bunch of stuff.” That’s a pretty good second draft.

A: And what is the most work you’ve put into a project that you ultimately scrapped?

M: Probably that second novel. I wrote the first draft pretty fast and then I spent a while working on it, making it longer. I added a whole detour to the plot, which is tricky. Just did a bunch of editing and all that and...it didn’t really go anywhere. But the nice thing about writing is that it doesn’t necessarily have to be done for good. You can just put it in the trunk, as they say, and maybe come back to it later, but not anytime soon.

A: Have there been any projects that you shelved that you eventually did take back out?

M: There’s one in particular, and it’s the one I just finished editing that I wrote the original a long time ago, but I was bad at it, apparently, because I came back to it and found all kinds of things that were surprisingly bad. It’s been very difficult to work on it when it was that old because it had a lot of flaws that I didn’t remember being there. Like, some little things are easy to fix, if it’s just punctuation, but if it’s larger stuff, like the structure of the story, that’s harder to change. I don’t know how well I’ve done it. Hopefully I’ve made it good enough but it’s been more difficult than I expected.

A: Yeah, I’ve definitely been there. There was one piece in particular that I tried to go back to, and I had no idea how bad it was. I was like, “what, I wrote this?” It was embarrassing to me and nobody was even reading it.

M: There’s also the surprises that get you. I went back to a science-fiction thing that I wrote, not that long ago, I thought, but the technology was outdated ‘cause they were talking about CDs and 3D printing. They were talking about something like 3D printing as if they’d never heard of it, because they hadn’t, because I hadn’t! It seemed very, very old fashioned and I didn’t think enough time had passed for that to be old fashioned.  

A: It’s pretty amazing, when you look at science-fiction from even the past ten, fifteen years, the amount of things that have become real; the different contraptions and whatnot.

M: I think we live in a time period where technology is just making incredible leaps all the time, which of course makes it difficult for science-fiction writers, but still it makes it exciting to see where everything goes. I was thinking earlier, “Hey, we have video phones.” When I was in high school, we didn’t have them and they seemed so far in the future but they’re very easy and casual and common now and we’re absolutely living in the future.

A: So, as a fantasy and science-fiction writer, what is a piece of technology that you predict is the most likely to come to fruition?

M: I’ve always liked hover-boards and hover-cars and things, and I know people are working on that, but I don’t think it’s going to happen any time soon. I know they’ve come up with things that are very loud and they blast all this air and there’re these things you can use over water but they haven’t come up with anything that’s really quiet yet. I know they’re working on it, so maybe that will happen. I would love a hover-board someday.

A: Like the pink Matel hoverboard from Back to the Future.

M: Exactly. Even if it’s a horribly childish color, I will be all over it.

A: Wasn’t that supposed to have taken place like a couple years ago?

M: I think that is the nature of science-fiction, to always get things wrong in terms of how fast things are developing and we always reach the day where the time was predicted to have all these amazing things and, well, we don’t have any of those but we do have this other thing that you didn’t think of. In Back to the Future, they did not have cellphones that can do eleven billion different things in your pocket. Like, no one thought of that one. We have gadgets that can do everything, and that’s pretty awesome.

A: Yeah, what is it, the computing power of your iPhone is more than what got us to the moon?

M: Right? There’s a long, long list of things it can do, it’s astounding. It can translate, it’s a flashlight, it’s a camera, all kinds of stuff. And it’s the biggest encyclopedia in the world that you just talk at and it tells you things. Old-style Star Trek would be jealous. I like to take note of all the cool things of this time period, because there are cool things, you just gotta notice them.

A: Yeah, a lot of people tend to look at technology as sort of a bad thing and it’s part of the evils of the world, but it’s so incredibly helpful.

M: Yeah, but they’ve always thought that. When books became a thing, when the printing press came out, people were up in arms about it because then people would, their memories would fail. They wouldn’t be able to remember as much stuff because they had this crutch. And, I guess that’s true, but on the other hand, look at all this knowledge we have written down that we wouldn’t have been able to keep otherwise. That’s always how it goes: someone complains and that’s the way of things.

A: It’s always older people complaining about the newer stuff but we’re always going to be there. Someday it’s going to happen to me. I’m gonna be one of those old people that like, “ah, nowadays!”

M: “You kids and your holograms! Do real things!”

A: How much research do you tend to do when writing these things that don’t exist?

M: A pretty good amount, not a huge amount, but I will invent an aliens species and base them off of existing animals and I’ll research that animal to come up with stuff I wouldn’t have thought of. That can be really fun, so I’ll read a bunch of articles and take all my notes and go from there. Like, I’m gonna base this alien species off of dinosaurs with feathers, the ones that are shaped like ostriches, so let’s research how ostriches live. Let’s see what we can do to build a species and a society from there. There’s so much interesting stuff in the real world that you can easily extrapolate from into speculative fiction.

A: Oh, definitely. It’s pretty insane when you see these creatures that just look like they should be aliens. Especially when it comes to stuff at the bottom of the ocean or in the jungle. Like, how is that real?

M: There’s so much that’s really interesting one way or another and it’s just a matter of taking note, like okay, that’s really interesting, I’m going to write that down for later […] I think it’s emus that are apparently bad parents and they lose track of which babies are theirs. The father emus are the ones that watch out for them and whenever they find another family, the father emus fight each other and the babies all scatter, then they follow whichever adult feet they find first. So, any random gathering, there will be a family with one father and a bunch of kids of all different ages ‘cause they’re not related. That is so absurd and so funny that I want to use it in something, so I write it down.

A: You know, that actually happened to me when I took my daughter to the park. I came home with, like, five other kids.

M: It’ll happen, yeah! Go to the store, they’ll follow you. [laughs] Now, I have not yet figured out how a civilized society will do that but I’ll figure it out.

A: Now, something that you do very well, which is difficult to do in such a short period of time with short stories, is the worldbuilding, and fantasy takes a lot. I often find that that is what most writers have the most difficulty with, is fantasy short stories because there’s so much worldbuilding within fantasy. So, what’s your approach to worldbuilding? 

M: It’s a lot like creating a species. I’ll do research and take notes of what’s relevant and make up my own stuff. It’s the kind of thing that you can get lost in and just build every little detail about the world but I’ve found, especially if you’re writing the first draft, that you don’t really need everything; you just need the basics. Some interesting details and build on that. 

Anything that seems fun, I’ll explore, and the stuff that doesn’t really matter, I’ll figure it out as I go. I always want to make the world interesting to me. It’s very easy to do something where, “okay, well, standard fantasy conventions, go.” That’s easy enough, but it can be more fun if you can add some little details from what people expect, and I very much enjoy taking tropes and turning them sideways.

A: Are there any tropes that you find annoying or are tired of?

M: Oh, tons. Prophecies are kind of annoying. I’m only going to write a prophecy if I can change it into something where the characters don’t think it is. Like, “no man or woman can defeat me,” okay, then that means it’s a nonbinary person who defeats you. Or, “I cannot be killed by any mortal-made weapon.” Okay, cool, you’re getting beaned in the head with a rock. I don’t like things that are boring or things that have been done a billion times.

A: What are some novels you like that are successful when it comes to worldbuilding?

M: I like stuff written by Wen Spencer; she’s done some really cool things. Two of her books in particular have really good worldbuilding. One of them is A Brother’s Price. It’s in a world where men are rare, which is an interesting premise that’s been done before, but the way she does this one is really impressive and fascinating. It’s not that men are the ones in charge, it’s more that they’re the ones that stay at home with all the kids and if one family has a brother in each group of sisters, they get to trade it with another family. They’d swap brothers, so that’s how marriages happen: one boy marries a group of sisters and each generation goes down to be a group of mothers. The whole society is very unexpected and interesting. 

The other one, Endless Blue, is a futuristic thing where spaceships disappear if they set their warp jumps to zero. If you put the coordinates in at zero, everything knows you disappear. And then you’re gone forever. Turns out, they actually go somewhere and that place is really interesting and the worldbuilding is very fascinating. It’s like an inside-out planet where the ground is on the outside and all the rules of physics and society are totally different and she had to make it up from scratch and it’s so cool. A lot of her stuff is creative and it’s been an example for me to follow.

A: I love that planet idea, like if M.C. Escher was to create his own planet.

M: Yeah, and you look up and you don’t see sky, you see more ground and the light comes from somewhere in the middle. And there’s aliens species in there, too [...] One in particular that really stuck out to me, ‘cause they’re a lot like minotaurs, and their society is built like cattle. For them, the only one in the group that talks to any outsider is the dominant bull and, at one point, we see this little family that crashed and it’s just a group of siblings that stole the ship and took it for a drive. The little boy of that group is pushed to the front to talk to everyone because he’s the only bull there and the only human that knows how their society works is this rather small female who has to pretend to be a bull and do all the body language and it’s really funny. 

There’s another thing where their society never really did livestock the way we do; because they eat plants, they didn’t need to have any actual animals living with them, so they understand humans’ relationship to pets. They don’t understand a lot of things that are just basic to how we live, because they never needed to have a pet or any animal in their society, and that’s such an alien view of things.

A: That’s probably one of my favorite things that science-fiction does. It’s more introspective on us as a society and I love that idea of looking at why do we do things the way that we do, and why do we think it’s weird when it’s not that way.

A: What is some advice you’d give to a writer that is trying to break into the literary scene?

M: I would say to expect it to take longer than you want it to, so be ready for the long hall and be determined and all that. Also, have as much fun with it as you can, remember why you’re doing this. The more about it you enjoy, the better the entire process is going to be. Obviously, if you’re having more fun, you’re having more fun, but writing tends to go better when you enjoy it. That’s absolutely been my experience. Particularly with all these writing challenges where there are no high stakes, it doesn’t have to be good, you just have to write it. That makes it so much easier to write something silly or something that’s just a fun idea, something that I enjoy, if it doesn't have to be deathless prose, very-important-stuff. It can just be funsies! And then the fun things tend to turn out really good because it’s something that I enjoy and others will enjoy [...] If you like it, you’ve made your first reader happy, and that’s the most important one.

A: On the flip side of that, what is a piece of very common advice that you see people give authors that you think should be ignored?

M: I think people misinterpret the “Write what you know,” advice, because, a lot of the time, people assume, “Okay, I need to write about a character living the exact life that I, myself, have lived and I shouldn’t write about experiences I’ve never had. That’s not the point. That’s writing what you’ve experienced, not writing what you know. If you research properly, if you talk to people who have had those experiences, then you can know about it and you can learn about pretty much anything to some degree. As long as you’re being respectful about people who have actually lived those experiences that you haven’t, as long as you’re doing it right, then you can write about anything and have it be something that you know. Obviously, you wouldn’t know it to the same degree as someone who’s lived it [...] I’d say it’s “Write whatever you want to spend enough time getting to know.”

A: I love that. “Write what you want to spend enough time getting to know.”

M: Yeah, you want to enjoy the headspace that you’re gonna be in one way or another.

A: The last thing I wanted to say is, you’ve got an anthology coming out. Can you tell us a little bit about that?

M: I don’t know if you’ve heard of the trope that has been popular in the last couple of years online where, in science-fiction, the humans are not the boring little weakling aliens, that humans are the interesting ones. It’s been something that’s been really fun to play with. Just the idea that it’s a multispecies spaceship and humans are the ones that everyone else is either befuddled by or afraid of or there’s just something that makes us exceptional, because there’s so many ways that we can actually work with this. On Earth, we’re actually really good at endurance for walking or running a long distance. Only dogs and horses can really keep up with us, and we used to hunt that way. We would follow a deer until it falls down in exhaustion and that’s how we would get food. And we’re really good at throwing things. Even other apes, their shoulders aren’t built the same way as ours, so on that spaceship, if there’s an invading alien, we can pick up a rock and throw it and impress everyone. Just extrapolating from real things and going with stuff like, we work with eyesight. What if we’re meeting a species that doesn’t do that? What if they see some other way? How do we explain this to them? Like, “I can look at that jar and see that the medicine is moldy.”

So, it’s a really fun idea to play with and a lot of people online have been exploring this and there’s already one anthology out there that is focusing on humans being valuable and showing how good they are. It’s a good anthology; I have a copy. But I want to put together an anthology to focus on specifically how weird we can be. Like, compared to the other aliens, there’s something about us that’s different than the others, and I want to explore the different ways that we can be strange. This is going to be open for people to submit to. The current thought is having May and June when you can submit things. With the state of the world being what it is, that may extend a little bit, we will see. I just put together a page on my website with details on it. Maralynnjohnstone.com has a section that has all the details. 

 

Mara Johnstone (she/her) grew up in a house on a hill, of which the top floor was built first. She split er time between climbing trees, drawing fantastical things, reading books, and writing her own. She has a master’s degree in Creative Writing an continues to write, draw, and climb things. To read more of Mara’s work, check out her website maralynnjohnstone.com or follow her on Twitter.

Twitter: @MarlynnOfMany


Chandra Montez (she/her), also known as Chandra Vess, lives in Tucson, Arizona, where she lives with her girlfriend as a stay-at-home partner. She is the co-founder of Lazy Adventurer Publishing and heads both press's magazines, Prismatica Magazine and Collective Realms Magazine as Editor-in-Chief and Publisher.

Her work can be found in the two magazines as well as Selcouth Station Press, Chaparral Press, and Theta Wave Magazine.

Twitter: @chandra_vess

Standardized

“This will be a test of your creative ability as wizards,” the proctor says, showing the four of us her gleaming fangs. “Now, as you ladies are all from Texas, I will put you together at a table. Take a few minutes, get your equipment out, and relax. It’s a simple timed test. You took these in third grade.”

I don’t laugh. It’s an old joke, and it’s not funny. There’s nothing simple about this test. The three other girls with me titter politely. Aside from Cameron, I don’t know any of them, and I only know her because she sits across the room from me in Advanced Spellcasting. She has long curly hair, perfect teeth, and she smiles a lot. She’s smiling now. All dolled up like a cheerleader with her hair in a bun and a pencil twirling like a baton between her fingers. We pick up our bags and follow the proctor to our table. They are hideous things, garish orange, and poorly made. All our testing materials are in it, and the seams strain under the weight. I’ll throw it away when the test is over. Or ask if there is somewhere in the school where they recycle them. I don’t need a souvenir. 

Cameron leans in and whispers in my ear. “Glad they are giving us our own table, aren’t you? Jesus, Ellie, I don’t know anyone here. Isn’t it exciting?”

I hate that nickname. And I know the bag is going to break.

The proctor gives us a long table with too many legs, like the guys in the Arts lab designed it to walk about on all eight. “Pull up a chair,” she invites, “and make yourselves comfortable. You can look at your examination book, but don’t go any further than the first page.” She wags a finger at Cameron, who is peeking. “Don’t make any marks on your sheet until the timer starts, and don’t make any marks in the book itself. You must use the issued pencils for the test. Don’t sharpen them. They’ll take care of themselves.”

I look at the blunt end dubiously. I can’t tell what it’s made of yet, but I have a way of finding out. I set the pencil in my mouth and nibble. Cameron gives me a look. I sit on the far side of the table in a folding chair that speaks. “Elspeth Lamiter. Austin Polytech. Weight one hundred and ninety-three pounds,” it snarls. 

Everyone titters. Cameron Moreland is a feather at one-hundred and fifteen, but she blushes furiously, and says something about salad for lunch. I risk a nibble of pencil again, and spit. Synthetic wood. Tastes like plastic beaver crap. I hate the feel of them, these self-sharpening pencils. Not worth the work it takes to mass produce them, not when it’s so easy for anyone to shape the wood into the tool you need with magic, like I do. I’m a mechanically-minded girl, or I wouldn’t be in Advanced Spellcasting. And if one hundred ninety-three pounds gives the chair a complex, just let it try to buck me off. I’m from Texas. I’ll fix it to the floor. 

The room is filling up with people I don’t know and never will. They chat together like old friends. It’s that strange camaraderie I can’t understand, but it seems to exist among average wizards with a unity of purpose and place. Their chairs announce them in big voices with big name schools for surnames. I think I even hear someone from Salem.

Damn, I wish I’d gone out and gotten shit-faced last night. I could have made a case for staying in bed sick at the hotel, instead of eating a stale bagel with peach jelly in the lobby, and washing it all down with bad coffee while Cameron declared she couldn’t eat a thing; she was that nervous. 

Cameron is picking through her bag. I do the same. The table jams me in the leg, but I’m not giving that chair a chance to weigh me again by getting up. I take out the test booklet, all slick with plastic to protect it from magical splash, and set the paper examination sheet on top. Next is a disc and a disc drive to play the stupid thing, since they won’t allow us to connect to a common server. Too easy to cheat for some of these guys. Everyone gets their own copy. It’s old school, but there’s no hacking. Next is a tablet with a cord to attach to the disc drive. I suspect it will show shape puzzles for magical manipulation. I pull out a set of earbuds and confirm my suspicions.

“I’m so nervous,” Cameron chatters. “Are you?”

“I just want it over with.”

She shuts up. I should never have applied to take this test, but I let my physics prof'’ talk me into it. That’s what I get for being a wizard and an engineering major. I’m not going to pass. Magic at this level is for brilliant mathmagicians like Cameron, not visual-spatial hacks like me who only know it when they do it. 

When the proctor takes the stage, the chairs are still squeaking names, weights and schools. The noise stops when she pulls a cord and the curtains open to reveal a massive hourglass full of red sand, and a tiny, puff-cheeked demon holding the stopper closed. He’s got his face scrunched up like he needs to take a shit. My gut isn’t happy either. Stress sets me off. Next time the proctor swarms my way, I’ll ask her how bathroom breaks happen. I’ve tested plenty of times, but never at this level. Never for a fellowship.

“Students, we are pleased to welcome you to the final examination for the Michael A. Bourette Scholarship,” she says, smiling like she means it. “Only one student here today will be awarded this grant, and I wish you all the very best of luck. Some rules before we get started. First, no eating or drinking during the examination. You should have stopped off at Starbucks before you got here, kids.”

People laugh. I squirm. I wish I hadn’t drunk my usual gallon of coffee.

“Second, you must use only the pencils provided to you for this examination. They are self-sharpening, so you won’t need to adjust them during the testing procedure. You’ve all seen bubble sheets. Mark only the answer you want counted. Stray marks on the sheet could cause your answer to be disqualified. Don’t make any marks in the test booklet. Any calculations should be done on the scratch paper provided and turned in with your test at the end of the examination.”

I check through the bag for the paper and stick my elbow in Cameron’s hip. “Sorry.”

“Shh. I’m trying to listen.”

She has a point. Although the proctor is speaking loudly, the chairs are constantly complaining over her. I find the paper. 

“You have to be shitting me. Look at this.” I wave the index card shaped spiral notebook in Cameron’s face. 

“I can do it all in my head, anyway,” she says smugly.

“Lastly, although this is a timed event, the actual length of the test depends upon how long it takes for the Fellowship Board to tally the results and declare one of you has passed. While you may have three hours, time could be called at any minute if the board makes a selection, so don’t spend too much time on any one question. If you don’t know the answer, mark your best choice and go on to the next one. Once the sand starts to fall you may begin. I will be walking around the room to offer assistance with the directions, and to answer questions about the examination and the rules, but I can’t help you with the actual questions themselves.”

I won’t bother to ask about bathrooms. Cameron has the look of a racehorse, dancing in the gate before the bell rings. She’s so competitive, she’ll take the teacher to task for a technicality on a half-point deduction. I’ve seen her do it. More than once. My best bet is to answer what I can, and walk out when the urge hits, and I’ll just not come back. I don’t have a shot at this, not when the test could be called at any moment. Cameron might have a supercomputer for a brain, but I need to draw the geometry to make it work. I always have. 

“You may begin.”

The sudden shrill of chairs announces that over half the class has literally jumped in their seats. The demon in the glass is crushed by a wheelbarrow load of sand that smashes him to the bottom of the glass. He oozes out like a squashed wad of gum and rebuilds himself in a less sandy spot, then preens his scales back into shape. I open the booklet.

The page is composed of questions written in tiny print, with the possible answers below for the purposes of marking them on the sheet. I see somebody didn’t bother to listen to the instructions about not marking in this booklet; it looks like an inkblot test.

I set my pencil to the examination paper and wait while it peels away the layers to expose the blunt end of the lead. The first question isn’t even about magic. It’s basic arithmetic and, like Cameron boasts, I can do that in my head. But the pencil marks are very faint. I bear down harder. Nothing. I glance at Cameron. She looks as red faced as I feel.

“Sharpen your pencil?” I offer.

“Shh.”

“Don’t say I didn’t offer.” Under the desk, I give the pencil a good neck-wringing. It yelps, but with all the squeaks and grumbles in the room, nobody hears but me. It’s a lost cause, though. It dulls as soon as I set it against the examination paper, and I’m back to bearing down like a drill press.

The table knees me in the calf. I scrunch my chair around, but there’s no such thing as personal space at this table. Cameron is practically sitting in my lap. I would like that actually, but she wouldn’t, and she moves. She shoulders into the blonde next to her. 

I glance around the room. All the tables are built on the same lines as this one. Approximately six by four, with two students crammed on each side, and the legs serving as dividers below the hip in case anyone gets frisky. I pick up my chair, and plant it at the end of our table. There’s no room to spread out otherwise. 

“Elspeth Lamiter, Austin Poly—”

“Shut the fuck up.” I give it a good shove, but it completes my weight with triumph and adds an ounce to rub it in. My bladder is growing turgid, not yet miserable.

I settle down again and read. This one is interesting. This is magic. I get out the postage stamp scratch pad. It won’t open. The first page is stuck to the second, stuck to the third, the fourth, the fifth. There’s no tearing off sheets to make more room. I have to fill one full before I can use the next. I test this by doodling with the dull pencil until it gives me the next sheet. I tear off the first. Doodle the second page full. Tear it off. It gets wise to me around the sixth piece, but I’ve got a decent sized pile now, and I lay them all out and work out the details of designing a bridge to withstand the concussive blast of an elemental explosion.

Behind me, Todd Mathison, Northwestern, weight two-hundred one and change, shifts his chair to the end of the table. 

“Are you uncomfortable?”

Damn. The proctor is here, vampire teeth showing. She sets a friendly hand on my shoulder, cold as winter. 

“Yeah, I am,” I say boldly.

“Perhaps another table,” the proctor says, and moves to confront Todd the same way. “Are you uncomfortable? Yes? Another table.”

She turns back to me. “Put your things in your bag, you and you.” She points to Cameron, and then to Todd, who looks as embarrassed as Cameron. “Another table will be more comfortable.”

But it isn’t. They looked the same from where I was sitting, but I would swear they narrowed the new one by a good six inches on the end. Todd shoves in next to Cameron, and a Tennessee girl bumps shoulders with me, and we go at it again, knocking knees and excusing ourselves as we try to arrange papers and booklets to fit the space. All around us, chairs are announcing names again as more students are shuffled to new tables. 

“It’s part of the test,” Tennessee mutters. “See if we can stand it.” She buckles down to her work. Her notes are so tiny she has to squint to read them. 

Cameron dashes off a few more answers, reads the third page, and pulls out the machine and the disc. 

“Do you mind?” Todd grumbles. 

Cameron shoves her elbow into my examination paper. My pencil slips and a long line of black appears through the answer I was marking. Six pages of scratch paper in the garbage. 

The sun is streaming through the long glass windows of the examination room now, and a blinding glare falls on the screen Cameron is setting up. She angles it. I pull my pencil up before I lose another answer. I stand, grab my chair and turn it, back facing the table. I read a question, shut the book, and then use it as a clipboard to support my scratch papers while I work out the answer.

The proctor is there before I can work out the equation. “I’m sorry, but you need to have your examination paper on the table for your results to be recorded.”

“I’m not marking. I’m thinking.”

“Perhaps another table.”

This time Cameron doesn’t come with me. Todd and Tennessee glare at me, and I can see Todd’s relief as he slides his machine into the space where I was parked. About halfway across the room, the bag breaks. The proctor, with inhuman speed, reaches for the machine and the disk, but the extra pencil, the scrap paper, the examination and the booklet go flying. I have to stop and gather things again, but the paper notebook has split apart, and I only salvage a few pieces that didn’t crawl under the tables. 

“Here,” the proctor says, pulling out a seat for me at another table with three students. She points at the red hourglass. “Don’t run out of time.”

The other students regard me with the cordiality reserved for a scorpion in the laundry basket. It’s time for the spatial test, and I’ve got to use the machine. But the students here are in the same place, and there’s no room.

“We could share a screen,” I offer. “That way there’s more room.”

The two across the table shake their heads. They are well into their manipulations, but a red-headed boy with a California smile grins at me. “There’s an idea.” He shoves his screen in my direction and with a sigh of relief, I turn to the next page in my booklet. 

I can barely read the directions, let alone the problems. “Does your book look like this?” I whisper. 

“Yeah,” he says. “Some shithead drew all over it.”

“Part of the test.”

“Maybe.”

It’s a struggle to decipher the first construction, but California and I match our pace. He turns the shape one way, and I the other, and we reach our own conclusions.

“Excuse me?” Monster teeth appear in the monitor’s reflection. “Are you uncomfortable? Perhaps another table.” 

California sighs. He takes his screen and goes, and I have to pull out my machine and screen. It never hit the floor, but something isn’t right with it. It’s slow to load, and I have to wait minutes for my thoughts to register and turn the shape. The earphones are buzzing like fluorescent lights. I definitely need to piss.

I yank the headphones off.

“Are you uncomfortable?”

“Is it deliberate?” I confront her this time as she shifts me across the room again. Cameron, lucky girl, is still stationed almost at the front of the room. She is working frantically. In the hourglass, the demon is dancing on the sandpile, and kicking it up in the air while more grains fall like raindrops on his head.

“The Fellowship sets the examination parameters,” she says. “Do your best. And don’t run out of time.”

I have a moment to think as the table empties and students shuffle through the musical chairs. With no one sitting near me, it feels like I’m alone in the world. I don’t like it. Not like I’ve ever had a lot of friends, but I like the company. Helps me pretend I belong.

Briefly, I scan the room for Cameron. She’s coming my way, red-faced and guilty, supporting her bag with both hands. Wordlessly, I scoot over and she sits next to me. She looks like she wants to cry.

“It’s like a damned nightmare,” she mourns, but pulls out her examination sheet bravely. I do the same. In minutes, we are joined by two students and the battle for space begins again. 

“Don’t run out of time,” the proctor reminds us. I can’t tell if fifteen minutes have passed or a year. Cameron is biting her lip. She hurries, her pencil breaks, and a line appears where her answer should be. She squeaks like it’s the first time. I’ve got a damned page of the lines already. She sits back. Everything in her face twitches. 

“It’s okay,” I say quietly.

“I made a mistake.”

“Yeah.”

“I don’t make mistakes.”

I don’t argue with her. It’s worthless. There’s no more room and I find I don’t care. I turn around and stare at the frantic students fumbling through their mental calculations, with their dreams of earning the scholarship vaporizing as fast as their answers. I’ve learned that the squeak of the chair is an automatic eviction notice so I twist my body to evenly distribute my weight. I can see the whole room from my vantage place near the doorway.

I could get up, leave the stupid bag, the stupid machine, the stupid pencils, and the stupid paper wads behind. I never belonged here anyway. I’ve half a mind to take the examination book, though. I won’t take it out of the school. Just take it to the bathroom, piss on it, and leave it in the commode. When Cameron comes back to the hotel, I’ll go get drunk with her as she celebrates her win. I might even make a pass at her because I’ll be drunk enough to do that, and she’ll be drunk enough not to hate me for it. She’ll have other things to think about. Then I’ll go home. I’m a magical engineer. That’s good enough. The hourglass is emptying behind the desk where the proctor should be sitting, but she’s moving around the hall, shoving students around. 

I thumb through the examination book, glancing at the questions I won’t be answering today. I could do them all if I just had the space to work and a little quiet to do it in. This is ridiculous.

I stand. Shove my chair back. It sounds the alarm and the proctor looks my way.

“What are you doing?” Cameron says.

“Going someplace quiet to work.”

She snorts. 

“You want to come?”

She answers by shoving her chair into my spot. I pick up the torn bag, tuck it under my arm and march to the front of the room where the hourglass counts minutes and the demon dances the seconds. The proctor is on her way. I run the last few steps, jump onto the stage, and pull the comfortable leather chair out from under her desk and sit.

“Are you uncomfortable?” I yell as she reaches me. “Perhaps another table? No need to help me. I’ll help myself.”

All her monster teeth shine. “Time,” she says.

 

R. Lee Fryar (she/her) is a writer living in the Ozark Mountains of Arkansas. When she’s not writing stories, she works as a small animal veterinarian, homeschools her children, and acts as chief servant and personal attendant to three cats, two dogs, and six spoiled brat chickens. She also paints watercolors of her characters and settings whenever she feels inspired.

Roadtrip

Loud banging on the door.

You roll out of your too-small bed. Cheap plastic picture frames, empty of anything save a photo booth strip from six years ago, rattle over the water-stained walls with the force of the knocking.

“Alright, alright,” you grumble, shrugging on a ragged bathrobe. The townies at the bar last night were particularly loud, leering uncomfortably often and cracking jokes about fixing what’s about you isn’t broken, just far enough away that you can’t call harassment. The sun is pouring through your tangled blinds, dust motes dancing. As you swing open the door, more gray Oklahoma dust comes swirling into the grime-filled room.

“What, who is it?” you ask, shading your eyes and squinting against the glare of the sunlight beating down on the dust and the road. You sleep in a shed, really, just large enough to legally live in and just small enough to not require building codes. It’s behind the bar where you work, the only place that sells alcohol in this tiny, tired town you call home.

The girl standing in front of you is a blaze of color against the sunbaked, dusty ground and the black tarmac, bedecked in a loud orange blouse, complete with her usual pride pin, and riotous neon blue and black shorts. She’s got Jackie O sunglasses buried in her blooming cloud of hair, the white frames sharp against the black. Her mouth is swiped with vivid red lipstick; her eyes surrounded by streaks of yellow and blue and winged eyeliner sharp enough to draw blood. She saunters past you into the room, tossing a purse into your arms, and you swing the door shut behind her and turn to face your best friend.

“When did you get back in town?” you ask, surprised to see her at all. Last time she left, she vowed — screamed, at her parents — that the only time she’d be in the same zip code was when she was flying over it on her way to her next gig. Now that your eyes have adjusted from the switch from darkness to searing light to darkness again, you can see she has her guitar slung over her back, hands on hips as she surveys your room.

“What the fuuuuuuuck?” she says back, drawing out the word. “You live here?”

“Can’t all be stars like you, Atla,” you say, grinning in spite of yourself. “Thought you’d never come back here though.”

“Only came through for you, love” Atla says, eyes creasing as she smiles. “We’re goin’ on a road trip.”

“What? Now? I can’t, I have work, and—”

She’s grabbing things as you protest, toothbrush and medication and rumpled clothes, and shoving them all into a reusable canvas bag that appeared out of nowhere. Once she’s gotten several days worth of dirty clothes, she surveys the room again, pursing her lips, and grabs your well-worn copy of The Hitchhiker’s Guide to the Galaxy, tossing it at you. Like her purse, you catch it instinctively, and continue to voice increasingly mumbled protests as she picks up your wallet and phone from the nightstand and pushes you out the door.

“Listen, Atla,” you say firmly, locking your knees. “I can’t—”

“How about my car?” she says easily, grabbing your cheeks with one callused brown hand and moving your head towards the road.

This effectively stops your stream of objections. The car is gorgeous, a powder blue 1960s convertible with the top down, idling on the side of the road. Even from here, you can tell she’s made adjustments, changing out the engine for one with better horsepower and gas mileage, resettling the frame, and almost certainly installed a better sound system.

“Like it?” she says, ducking around you and tossing the canvas bag into the tiny backseat, already loaded with snacks, a few bags, and assorted trash. “It’s all fueled up and ready to go.” She twirls her keys around a finger and looks at you expectantly. “I have an extra pair of sunglasses for yooooou.”

You walk out to the car, drawing a hand along the top of the passenger door. The paint is smooth and almost soft under your fingers, and you can feel the engine rumbling through the car. She follows you, in surprisingly sensible boots, and slides across the front hood to the other side. You’re lingering, feeling the pull of the road trip against the dull ache of routine, when the door to the bar slams open and your boss storms out.

“Where do you think you’re going?” he hollers, waving a spatula. He’s fat, as faded as the landscape, skin cracked and dirty, balding on top, watery eyes and a sneering mouth. He encourages the jokes. “Who’s that in that car? You steal that car? Listen you lesbian bit—”

As he storms towards you, you look back at Atla, who’s grinning like a cat. Her eyes are twinkling as she offers you a hand. You reach out and grasp it, warm and alive, and turn your head back towards your (former) boss.

“Consider this my resignation,” you say, cutting him off, and leap over the passenger door, your shirt slipping through his fingers. You hit the seat just as Atla stomps on the gas. It’s lucky her hand is holding you back, because the car leaps forward with a glorious growl, leaving another layer of dust over the swearing, raging man.

You’re out of town before the two of you stop laughing, the wind whipping through your hair and great empty plains stretching out before you.

“Settle in, love,” Atla says. “We’re heading for New York.”

*                 *                 *

Hours pass.

The sun sets gloriously, you twisting in your seat to watch the blaze of color that almost matches the girl in the driver’s seat. She’s singing along loudly now. No radio out here, none that works anyway, so she’s been playing her old favorites. The album winds down and she looks over at you.

“Get some other ones out of the glove compartment, yeah?” she says.

You click open the glove compartment. There, nestled among old receipts, an out of date driver’s manual, and assorted cracked cases covering Panic at the Disco’s entire body of work, you find a stunningly maintained, pristine .38 revolver.

“What the fuck is this?” you say, not daring to touch it.

“What, that?” she glances over, not at all bothered by taking her eyes off the road.

“Yes, that! Why the fuck do you have a gun?”

“Call it insurance.”

“Atla, answer me seriously. Did you kill a man?”

She laughs and turns up the music.

*                 *                 *

Around six in the morning, the stars are beginning to fade in the light of the rising sun, and she pulls over to a completely empty rest stop. You get out, and immediately an eerie feeling washes over you. The silence is complete.

“This is weird,” you say, staring out over the empty picnic tables. They’re gray in the pre-dawn light, or are they always that color? You hug yourself and decide you don’t want to find out.

“I gotta pee, go stretch your legs,” she says, waving a hand with supreme unconcern. Of course.

You ignore the bathrooms and start tracing a circle around the rest stop. Sometime during the night, you entered the endless cornfields of the Midwest, and there is no boundary between the end of the rest stop and the beginning of the fields. Just stalks and stalks of whispering corn. You stop right next to the edge of the corn and something on the ground catches your eye. You stoop to look closely; a smooth, gray-red stone, nearly perfectly circular. You pick it up and as you slip it into your pocket, you hear a rustling from the corn just in front of you.

Your head whips up, eyes frantically searching, but all you see are the green-yellow stalks, waving gently in the perpetual breeze. Nothing there.

You stare into the corn, hard.

Nothing.

You start backing away, back towards the car, and the rustling starts up again, slightly to your right. You keep backing up until your legs hit the door, and you scramble in without taking your eyes from the waving corn, wishing for the first time for a roof.

The rustling eases back into the whispering of the corn as Atla emerges from the bathroom, grinning.

“Ready?” she says, twirling her keys.

“Yeah,” you say, drawing a shaky breath and feeling unnerved for reasons you can’t quite articulate. “Let’s go. And Atla?”

“Hmm?”

“Drive fast.”

*                 *                 *

Late afternoon. The sun is moving in and out of clouds. You’re driving, as Atla drowses in the passenger seat. She wakes up blearily and stares around at the endless fields of waving corn.

“Who the fuck is going to eat all this corn?” she asks.

You don’t have an answer.

She goes back to sleep.

*                 *                 *

Twelve hours later, you’ve left the bulk of the corn behind, only to have it interspersed with wheat and soybeans, the occasional ruined barn sprawled out in crumbling glory, vines and weeds growing in around the weathered boards and debris.

You’ve entered Ohio.

So has it.

You hear the rustling in whatever trees or corn or wheat is nearby when you stop for gas, and every so often you swear you see glowing yellow eyes, watching as you speed away. Atla switches off driving with you, and you’re going faster than even she was. She loves it, of course, hands dancing through the air as she revels in the speed. But she doesn’t know what you’re trying to outrun.

You pull into a tiny diner around midnight, exhausted and ready for dinner. The owner, a fat, middle-aged woman named Kate, smiles like a grandmother without it reaching her eyes. She gives you apple pie and thick, rich coffee without asking for your order.

*                 *                 *

You’re driving near a collection of small towns, farmhouses really, in a loose configuration but apparently enough to be counted as a town. At least, it counts as a town by the standards of the enormous fold out map Atla’s been using since her data ran out. There are signs and arrows announcing a fruit stand coming up. They’ve been there for miles, steadily counting down.

“Let’s stop,” Atla says, throwing her hands up and almost chucking the map out of the car. “I’m dying for some fruit.”

You shrug and pull over into the dirt circle, a wide, weather-beaten wooden stand in front of you. There’s a small girl playing in the dirt in front of the worn sign, the letters washed out almost entirely, a near middle-aged woman behind the makeshift counter, and an old lady dozing in a fold out chair next to the stand. The girl looks up as you approach.

The woman greets you gently. “Looking for fruit, dears?”

“Yes please, ma’am,” Atla says politely. She takes the fruit, something red and ripe, but unfamiliar to you, and bites into it, the juices running down her chin. Her eyes close silently as she chews and takes another bite. The woman continues to pass her fruit as you feel a tug on your hand.

It’s the little girl. You follow her insistent pull over to the old lady. You thought she was asleep, but her eyes are open and sharp. You’re not sure what color they are in the shade provided by her wide, faded sunhat. Green, maybe, or a deep, deep brown.

“Be careful of what you carry,” the old lady says, voice unexpectedly crisp.

“Sorry?” you ask, startled.

“It’s following you,” the little girl says, eyes eerily knowing. Her ragged doll dangles from one dirty hand.

“What?” you demand, a sick feeling in your stomach.

The old woman doesn’t answer, simply tips her hat down over her eyes. Stunned, you let the little girl lead you back to the fruit stand, where juice is still dripping down Atla’s chin.

“We should go,” you say. “Pay for those and let’s get back in the car.”

“Don’t want to,” she mumbles around a mouthful of fruit.

You put a ten down on the counter and take hold of Atla’s arm. You pull her away, with mild protesting.

You’ve been driving for a few miles, Atla staring out at the flat scenery.

“Atla?”

“Hmm?”

“What kind of fruit were you eating?”

She opens her mouth to respond and then stops, dumbfounded.

You don’t talk for a while after that.

*                 *                 *

Eventually, the car breaks down near a rest stop when you’re in the middle of nowhere Pennsylvania, surrounded by thick wooded mounds of earth that are too big to be hills and too small to be mountains. The sky is swiftly darkening, and Atla reports, after an annoyed ten-minute phone call, that AAA won’t be there until morning.

“So we’re sleeping out here?” you ask.

“Looks like it,” she sighs. “We can always put the top up.”

“There’s a top?”

She glares at the car as you wander towards the bathrooms, these also housing vending machines under a small pavilion. If the hills were cornfields, it would be identical to the first rest stop.

As you stand between the bathrooms and the vending machines, a low rustling starts up in the trees ahead of you. The space where you stand is open on both sides, and as you stand, frozen in terror, a creature steps out of the trees.

“What the fuck is that?” Atla asks, suddenly next to you.

The thing is huge, antlers brushing the top of the pavilion, ten or fifteen feet tall at least. It’s skeletal, horribly stretched out, with clawed hands longer and wider than your head. Its own head is a strange mix of a cow skull, maybe, or a horse skull, and something wider and nastier, with sharper teeth. The thing’s eyes glow a dull yellow, the same flash you’ve been seeing at restaurants and gas stations for days now. It’s too thin to be healthy, or even alive.

“Should I get the gun?” Atla asks.

“Shut up.”

The three of you stand silent, and then the thing extends one slow, claw-like hand towards you. You can feel Atla looking at you, but your eyes are fixed on the creature.

Slowly, slowly, you take the stone out of your pocket.

The air changes, the tension deepening, as you take slow steps forward and hold it in your palm, your shaking hand hovering over the thing’s claw, your frail human body dwarfed by its terrible tallness.

You turn your hand over and drop the stone.

It falls into the creature’s palm without a sound, the red flashing dully before it disappears into the darkness of the thing’s body. It holds your eyes for another few seconds before it slowly backs into the trees. There’s more rustling, and once a hint of burning yellow.

And it’s gone.

Not just out of sight, but you can feel that it’s gone, back to whatever hole outside of this world it lives in until someone else trespasses on its property. You back up to Atla and you wordlessly grasp each other’s hands.

Back in the parking lot, the car starts.

 

Kathleen Myers (she/her) is a writer of short stories and novels. She graduated with a degree in English Literature from Juniata College, and has worked in St. Louis, Northern Iraq, and is now based in Denver, where she teaches full time. "Roadtrip" is her first published work. 

The Quiet City

The ads turned the city into a war zone. 

Millie rubbed two fingers between her eyebrows. Today’s short run to the pharmacy would take hours to recover from. Even now, in the elevator, out of the onslaught, her head throbbed and her stomach heaved and beads of sweat hung heavy on her brow. She closed her eyes and shuddered. 

When she opened them again, an alternate-reality version of herself stared back, dead-eyed. Elevator Millie had a waspy waist, a fashionably flat chest, and bowed, needle-thin legs at least two shades lighter than her real skin tone. A strapless tiered dress, chiffon and mint green, flickered into place, and slinky white heels replaced her sensible flats. 

$339.97

ORDER NOW WITH ONE-TOUCH

Real Millie sighed and turned her gaze up to the ceiling. At least the elevator was consistently reading her as a woman these days. Unfazed by her dismissal, a deep blue dress appeared, this one all taut angles and asymmetric hems and a plunging neckline. A small cluster of gold fascinators levitated around her head like an abstract halo.  

MILLICENT FORD IS A WOMAN OF MEANS AND TASTE

The white letters unfurled with a flourish, as they did every day.

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She maintained her gaze. She was a woman of means and taste, and the blue dress would have looked marvellous on her, had she only a function to wear it to. But she didn’t. Millie clicked on her face filter mask as the elevator slowed, groaning as the fans inside sputtered to a stop. 

Mid-range body spray enveloped her like a neon shroud as the elevator doors opened. This one was different from this morning—the scent was changed daily—and smelled like a watermelon stand crashed into a jazz club. She pulled her sweater over her face and hurried to her apartment door. 

“Would you like to hear—” 

No,” she snapped, palm against the squawking door reader. She didn’t care what today’s coupons were. She craved only darkness and silence and once the door was shut, she had it. 

Millie sighed with palpable relief as she peeled away the mask, toed off her shoes, and padded across the thick, wine-red carpet. The apartment had every stimulation-reducing luxury that money could buy, from the dimmers on the lights to the acoustic insulation in the walls. The windows were fade-to-black solar paneled, and sound-proof, for good measure. In the living room, muted-gray furniture was dispersed through a calming minimalist space; sunset bulbs in every lamp provided a soothing, even ambiance. 

She flung herself onto a couch, pulled a thick weighted blanket over her head, and promptly fell asleep. 

*                 *                 *

Charlie and Louise were trying to be quiet, she knew, but the crinkle of paper bags and whisper of conversation from the kitchen roused her from her nap anyways. 

“...but Will won’t tell me anything about the blend, so—”

“She’s awake, why don’t you just ask her?”

Millie sat up on her elbows and blinked the sleep from her eyes. “Ask me what?”

“Oh! Do you know what’s in that new strain Will is growing for you?” asked Louise, sliding a stack of frozen pizzas into the freezer. 

“More importantly, is it working?” Charlie drummed his fingers intently on the countertop, having already forgotten the groceries. 

“I… I think he’s been experimenting with adding klonopin to the mix… I don’t know explicitly what’s in it. But yes, Charlie, it is working.” She rubbed her eyes and sat upright. “It’s been putting me under the reg-levels for three, four hours at a time.”

“Klonopin too?” Louise shook her head as she hefted a bulk box of spaghetti to the top cabinet. “With the crap that’s already in it? One of these days you’re going to give yourself brain damage—all so you can get that stupid—shit!” she exclaimed. The box slipped from her fingers and landed corner-first, sending a thousand strands of spaghetti in a thousand directions. “...all so you can get that stupid chip!”

“All so I can break that stupid chip,” Millie retorted, as she stooped to gather dry noodles off the floor. “Charlie, stop laughing and help us.” 

“Sorry—heh—I don’t like it either, Louise,” Charlie said. “But frankly, I’d try anything if it had a half-chance of shutting those damned ads off.”

The Maestro brain stem-to-machine chip wasn’t just an interface with the functionality of a supercomputer; it came with an ad-blocker. Not a good one, of course, because the ads mutated like viruses, but anything that could dim the cacophony had to be better than nothing. 

Not that Millie, and the other occupants of apartment 37A had a say in the matter: they were what polite society referred to as neurodivergent and what pharmaceutical companies referred to as a problem. 

The first, and as it turned out, only, test of the interface on a neurodivergent subject had gone… poorly. The atypical brain, the reasoning went, simply must not be sophisticated enough to operate a computer within itself. It was costly to redevelop the chip for accommodation—far cheaper to slap an FDA ban on the tail end of an unrelated congressional bill and call it felony possession of an unauthorized device. Besides, someone had to keep the dying cell phone industry afloat. 

“Millie knows what she’s doing,” Charlie continued, “...right?”

Will knows what he’s doing,” she said. “It’s his idea. I’m just the guinea pig that codes.”

“What, do you think that with the chip he’d be able to, you know, actually—”

“If he wants to, yes. That’s exactly what’s going on here, and why I’m willing to smoke up god knows what if it’ll make me seem ‘typical for a few hours.” Fists full of noodles, Millie stood and straightened them up a little more forcefully than necessary. Once she had a neat circle, she dropped it into the empty box with a satisfying thwack. 

“Just let her do it, Louise. She’s going to with or without your blessing.”

Louise huffed. “Fine. Fine! I’m just worried is all.” 

Millie didn’t need the reminder. 

*                 *                 *

Later, in the privacy of her bedroom, she peeled two flesh-colored stickers from her temples and scanned them into her computer. 35 unread emails, it chided. Mostly contract requests, she was pleased to see on her first skim. Far more than enough to keep the aircon on and food on the table.

There weren’t many workplaces willing to hire the neurodivergent these days—not since the subsidized chip came along, anyways, and divided society cleanly into haves and have-nots. Overnight, a neurological bottom-caste was born and watched in horror as careers, contacts, and hard-won tricks of social camouflage dried up overnight. 

Can’t make a phone call with your mind? Well, that’s all we do around here. Can’t add change in a millisecond? The other applicant for this job can. Can’t sign the rights to your ideas over to your employer? Then how do we know you can be trusted?

But Millie was lucky. Millie could code. And when you freelance online, and can play a terminal like a violin, no one is ever the wiser. And so it was that she financed not just the high-end tranquility of 37A but its occupants as well—Will: genetic botanist, non-verbal recluse, craft grower of hydroponic marijuana; Louise: knower of every aircraft that flew overhead and dishwasher at the Greek restaurant over on 3rd; Charlie: painter, sculptor, piano player and songwriter. The rich, comfortable silence of 37A contained them all: Millie’s stacks of trashed and salvaged hard drives, Will’s laboratory and grow room, and Charlie’s studios.  

On the screen, she traced the peaks and plateaus of the data and furrowed her brow with academic pleasure. Will’s new Klonopin-Indica strain had sent her synaptic activity plummeting to neurotypical levels for three hours and fifty-two minutes today. She leaned back in her desk chair as a shrewd smile worked its way across her face.

She was ready. 

*                 *                 *

Millie woke up late the next morning to sunlight streaming in through the window and a familiar tightness in her chest. She washed down the day’s pills: Abutrex for the anxiety-depression combo, Sedrin for the day’s upcoming headache, and Estradiol for that pesky testosterone. Then she put on a bubbly pink affair of a dress and her tallest heels, and strolled down the hall to Will’s lab. 

The humid, fragrant air greeted her as she knocked softly, three times, on the doorframe. Rows of shining glass canisters filled the sterile white walls and wooden benches of the lab. From the ceilings, lush bunches of greens hung from brassy hooks, their roots exposed to the open air or soaking in water-filled spheres.

Will sat behind a shallow tub of murky water and tiny green sprouts and regarded her warmly through curls of red hair. He handed her a perfectly rolled blunt as she approached. 

“Thanks, love—this one have a name?”

He set his jaw thoughtfully, then gestured with a finger to the floor.

“Down?”

He nodded.

“I like it. Straight to the point.” She kissed him on the cheek. “Try not to worry about me too much, okay? I’ll be back before you know it.”

He nodded and squeezed her hand, a worried, hopeful smile crossing his face. 

*                 *                 *

 “Millie, are you sure you’re ready for this?” Louise had foiled her plans of a quiet escape, and she stood, arms crossed, in the kitchen. 

Millie laughed. “Louise, I’ve been faking it for thirty-eight years, I think I’ll do just fine. It’s just an EEG test, after all.” 

“Ruth at work told me her husband just did it. She said it’s more than that, that there’s an interview, and a physical, and even a hand-writing—” 

“Ruth is ‘typical, she’s probably just trying to scare you.” Truthfully, Millie hated Louise’s supervisor. It wouldn’t be the first time she had messed with Louise. 

“No, I think she was trying to help me.”

Millie sighed. “Well, I’ll be careful. And look, I’m as prepared as I—as any one of us—could ever be.” 

“But what if it’s not enough?”

“Then it isn’t enough, and I get arrested and sent to jail.”

“That’s not nothing, Millie! We need you here!” Louise snapped. 

“Well you know what I need?” she snapped back as she spun to face her. “I need to be able to leave my goddamned house without having a meltdown. I need to stop hauling around a big sign—” she whipped out her cell phone and waved it flippantly— “that says ‘please treat me differently’ everywhere I go. I need to walk down the street without getting a migraine after half a minute. And do you know what you need?” 

“What do I need?” Louise sneered. 

“A good job!” Millie barked, sounding much harsher than she intended. “Someplace without any Ruths. If you had that chip, Louise, you’d be able to leave. You’re basically a prisoner at Kosta’s.”

Louise considered this, hurt plain on her face. 

“And Charlie would be able to do exhibitions again. And talk to clients. God, maybe even paint a sunset or something nice instead of those horrid, strangled cityscapes.”

“And Will? Will can’t even leave the apartment. We can’t live like this anymore, Louise. Something has to change. I don’t care if it’s illegal, I’m going to get that damned chip, and then I’m going to make it work. For us.” 

A tense silence passed.  

Finally, Louise shook her head. “You’re out of your mind, Millie,” she muttered. “I hope you’re right.”

*                 *                 *

It would have been a pleasant Sunday morning, with the churches full and the streets empty, but the pleasantry ended where the screens began: screens flat on walls, screens on bus stops, screens on trams and trucks and trolleys, screens up in the air that leered down at the populace; the higher, the bigger: perspective-bending, nausea-inducing. The advertisements were an all-out assault on the senses. A monotonous array of thin, white bodies, ‘shopped into oblivion, writhed over a sickening miasma of reds and blues and neon-pinks and electric-yellows like a disco gone mad. And the noise! Speakers embedded in every screen screamed and wailed and sang over one another in every direction, all competing for the listener’s attention. The whole act was a sprawling, hellish, never-ending opera; molten lead to the ears, fists of lightning to the eyes. 

Millie stretched a new filter mask over her nose and mouth, her admission ticket to the chaos. At least she was able to block the cacophonic odors of the motion-sensing perfume ads. 

FEELING FAT?” screamed an ad to her left. It was a man’s voice, not shouting, but nevertheless pitched at the volume of a jet takeoff, and Millie wanted to put her first not just into his bleached face but through the speaker itself. She ground her teeth instead. 

More faces and colors shrieked as she hurried down the street, ads for soaps and sodas and menswear, cat food and solar panels and sports teams, diets and trips to space and ladies deodorant, dating apps and cheating apps and therapy apps, gaming consoles and sexbots and VR skins, cheap cheap cheap!

“The Maestro 2.0! Are you worthy?” intoned a booming, sensual woman’s voice from high above. On a theater-sized screen, two women played tennis on an immaculate court, a young woman in a suit placed a folder on an important man’s desk, a race car blew past on a track. “The new Maestro comes with more options, faster speeds, and a full ad-blocking experience. Ping your local Maestro center today!”

No ads, huh? So they already figured out how to do it. Jesus, this might actually be simple. She lit up Will’s beautifully crafted joint and let the sights and sounds blur together. Just walk right in, claim a prior religious exemption, and voila. Peace and quiet for the rest of her days. 

Then for Will’s. And for Charlie’s, and Louise’s. And… then what? The chip was still illegal. The ads would still play. She sighed. What about others like her all over the city? They couldn’t escape.

*                 *                 *

Maestro Central occupied a building of the Classical Greek style that dominated the city’s Old Town. Inside, tall marble columns pressed in like they already knew her secret. Millie tightened her gait to a feminine sway, fooled with a strategically loose curl of hair, and approached the front desk. 

A woman with green eyes and a lilac buzz cut looked up from a high desk at the click of her heels. “G’morning, ma’am, what can I help you with today?” she asked.

“I’d like to get myself one of them fancy chips I’ve been hearing so much about.” She leaned forward onto the desk, resting her chin on her left hand and presenting her best charming smile. Show your teeth, she focused. Tighten the corners of your eyes. Drop your eyelids just a hair. It had taken years—no, decades—for her to produce a natural-seeming smile on command, but it was her best weapon, her most effective disguise. 

“Of course, ma’am, we’ll just need you to fill out some paperwork and take a physi-mental examination.”  

A what? “Delightful.” Shit, Ruth was right for once. 

The receptionist shuffled some papers together and handed them to her with a flower-tipped pen. 

“Thank you.” She squeezed the corners of her eyes together once more, graciously, and wondered how ‘typical people didn’t exhaust their faces doing shit like this all the time. 

Old-fashioned pen and paper, huh? Millie gripped the pen in her non-dominant hand and slowly filled in her information with sloppy print letters. She didn’t know what they were looking for, but they weren’t going to get her this easy. Millie flashed another smile for good measure as she slipped the papers back over the desk.  

Well, here she was, on the verge of the unknown. It was suddenly very cold in the room. What if Maestro was right? What if the chip really was incompatible with the way her brain was wired? What if neurodivergence was so far removed from normalcy that—

“Millicent May Ford?”

“That’s me.” She deftly navigated a handshake. “Enchanted to meet you.”

*                 *                 *

Head spinning, Millie sat up from the chair and nearly threw up. High up on the back of her neck, a point the size of a pinhead stung and throbbed. But it was there! She had passed!

And someone else—no, something else—was there with her, embedded in her consciousness like a browser window she couldn’t close. She concentrated, focused her thoughts, and reached out to touch it. What was it connected to? What did it do? 

Pure, unrefined digital logic swelled to meet her like a cresting ocean wave.

What could she do with it?

Even through the Klonopin-marijuana haze, the chip’s gates were clear. Sensory input. Analytics. Raw external interface. She pushed on the interface and networks materialized before her eyes like dust in a magnetic field. Medical equipment ran to outlets, outlets connected to circuits in the walls, everything was controlled by a router on the third floor, protected by a simple WEP-1024. 

Pff. A 1024? And the password was probably “password”. 

The system pinged back [0]. 

Millie recoiled, sat bolt upright like she had received an electric shock. Guess that’s a no. Then she tried again. 

12345678? MAESTRO? 

[0].[0].

Nothing. 

She scratched her head. A birth date, perhaps. She set her origin to 01011950. [0]. Now the trick: she grasped the set of numbers, felt their calendrical weight, and riffled through them like a deck of cards. 12232006 pinged back [1]. Suddenly the whole building was hers to command. She grinned. 

And then she jumped as the door swung open and the doctor walked through it. She dropped the connection and swore at herself for being so stupid.

“Ah, good, you’re awake,” he said. He carried a scanner in his left hand. “Have you had time to think about what OS you’d like?”

Linux, please. But should she know that? She decided she shouldn’t.

“What’s an OS?” she asked, innocently. 

The doctor smiled sympathetically. “It’s just like your computer, sweetheart. Does your computer have a black apple or four squares on the cover?”

I run Gentoo, fool. 

“Umm…” She searched the space above her theatrically. “You know, I think I have the apple.”

“Good, alright, we’ll try OSX.” He set a knob on the scanner and brought it to the back of her head. She experienced a sensation like chewing on radio static. 

Oh. There was an interface, now, a slick and shiny one she could see inside her mind just like a thought. All the usual icons spread before her, music and photos, a camera… no terminal. She cautiously reached for the networks only to hit a wall; smooth as glass, impermeable as stone. 

Shit. 

“This, um, doesn’t look familiar… I think I might have the other one,” she mumbled.

“Not a problem.”

A new interface, this one sleek and black, shimmering 3D icons hovering over a dark pool. She flicked through them to nearly the same results. This wasn’t a wall so much as an infinite void, but it was just as impassable. She shuddered at the vast emptiness inside her.

“Ah… you know, this one doesn’t feel quite right, either. Are there any other settings?” 

The doctor frowned. “Just these two for civilians. There’s another one, for scientists and such, but—hey!”

Millie didn’t need a chip to compute her odds of getting out of Maestro without an OS. She swiped the scanner and bolted out the door, making a wild, scrambling left and trying not to twist an ankle doing so. 

She was in a maze of identical hallways, green with gaudy floral carpeting, fluorescent lights overhead illuminating one shut door after another. She made random lefts and rights, footsteps always a beat behind, until finally a stairwell appeared. Off came her heels, and she leapt up the stairs three at a time. The footsteps thumped down. 

Hands shaking, Millie studied the scanner. It was fairly simple, with icons for OSX, Windows, Linux (tempting), and RESET. She set the knob to RESET, pressed it to the back of her head, and fumbled for the activating key. 

After the awful tingling in her mouth and jaw subsided, she stuffed the scanner into a garbage can and made her way down the stairs. Donning her heels once more, she adjusted her posture into something resembling collected and stepped into the lobby with her head held high and her heart pounding like an entire drumline. 

*                 *                 *

PIZZA! DISH DETERGENT!

ALTERED REALITY VACATIONS!

Millie stumbled and nearly fell at the new tsunami of- 

TEETH WHITENING!

- overstimulation the chip brought. Walking down the street, the ad bombardment wasn’t just- 

SUNSET CRUISES!

- in front of her but in her as well, popping up as-

GOURMET PASTRIES!

 - dancing icons or flashing landscapes, several overlapping at a time before-

LUXURY SANDBAGS!

- distorting, one-by-one, out of thought-existence. 

KITTENS THAT STAY KITTENS

 FOREVER WITH THE MIRACLE OF—

The ads were connected to one another by neat strings that cut-

SILVER STRAIGHT FROM THE

NEW REPUBLIC OF TEXAS

- across the street like a spiderweb of ones and zeros—and they all ran on the same network. 

FEELING FAT?!

The same man smirked at her from a different screen, and rail-thin, bikini-clad women paraded through her occipital lobe. 

JOIN UNIVERSAL FITNESS TODAY!

Enough of this. In her mind, Millie pushed through the flashing gym scenes, through the women, through the lingering odors of pepperoni and dish soap and saltwater until she grasped the grainy threads of the advertisement network. Unsurprisingly, they were better secured than the Maestro. She gritted her teeth and flooded the modem with random character strings until one pinged back. Some background process informed her the process had taken 56.7 milliseconds. She sifted through connections until UNIVERSAL_FITNESS_AD_96.MP8 appeared. Now, to sever it…

BLAM! The screen’s explosion showered the sidewalk behind her with glass, and liquid rainbows sizzled as they met concrete. Passerbys stopped-

LOW-INTEREST STUDENT LOANS!

 - to stare and Millie quickly hurried on. What the hell was that about? She hadn’t-

ESSENTIAL OILS HALF-OFF!

 - blown up the Maestro WiFi. But she had left the house at 11:30, and now-

MATTRESS LIQUIDATION SALE!

EVERYTHING—MUST—GO!

 - a large, floating clock face across the street indicated that it was 3:34 PM. The Down was wearing off, and-

NEWEST ARRIVALS AT

THE SUNGLASS SHACK

- she could feel it behind her eyes, a pressure fizzing at her sinuses like a fresh bottle of champagne, as the- 

NEXUS INFINITY

58-SPEED FOOD PROCESSOR!

- ads became clearer, brighter; nauseatingly sharp and hyper-real. She staggered and nearly screamed as-

VISIT THE MOULIN PARK REGIONAL ZOO!

- one projected a pride of lions into her path, their soft fur brushing her legs as they weaved around her. Make it stop!

THE FINEST PINOT NOIRS

She scrambled through-

FIFTY PERCENT OFF HOUSEWARES

 - the connections, found the-

MEET JEWISH SINGLES

 - zoo, and yanked. The faint crack of- 

FLOOD INSURANCE

- a high-up billboard barely registered as-

BATHROOM FIXTURES

- she snatched up a-

THE NEW MASERATI!

- hundred-foot radius of networks and-

—PING YOUR LOCAL—

 - snapped every thread.

*                 *                 *

Shattering, screaming, shaking; the cumulative explosion of a hundred screens and billboards rocked the ground under her feet and bathed the sidewalks with steaming, hissing jets of opalescence. The street’s occupants ran into shops, dove under tables, shrieked to one another as they dodged the torrents of wet, broken glass. 

But Millie didn’t notice the chaos around her. The inside of her head was finally, blissfully silent. And after the screaming died down… it was quiet.  

No, it wasn’t quiet, not all the way. A new presence announced itself, a calming, ethereal mesh that moved and thought and felt. People! She studied this new web. Each shimmering point a chip, each gossamer a connection, all laid out plain like a topographical map of humanity. Dozens of uniform strands from each mind linked people to others, to home networks, to sights and sounds and smells. 

Then she turned her gaze inwards and gasped at the map of herself. Thousands of strands, thick and thin, curling and twisting, some crossed, some knotted, some doubling back on themselves—all shimmered against the city of broken glass. 

For a moment, she stood unperturbed in the nexus of the beautiful, lawless flow. Then wary eyes turned as the ads began to congeal around their broken threads like a grotesque, living entity. Like a heartbeat, she felt a pulse of alarms surge outwards to the police.  

The delicate chip map disappeared as the ad network rebuilt itself.

Millie ducked her head and hurried down the road toward home, but the faraway trigger of a police drone fleet had already clicked in her mind. She let them get well airborne before she reached out, snapped their threads, and hastened her steps. 

What power, she contemplated. Disabling the drone fleet had been easier than a thought. What else could she do? Could she liberate the whole city of ads all at once? No, the network would just re-establish itself. And how long before she was caught? In the absence of wifi, Millie shone like a lighthouse beacon. She was just going to have to lay low while she came up with a plan. 

EXPERT LAWN CARE PERFORMED BY—

Not this shit again.

Millie felt the hum of police cars in the net.

GET YOUR MASTER’S DEGREE ONLINE!

 She pulled gently on their threads until- 

LISTEN ON SOUNDCLOUD AT—

- she felt the hum fade—hopefully, explosion-free. She shuddered and- 

NEW YORK TIMES BEST-SELLER

- tried not to think about-

THE NEW BACON-OREO MCFLURRY

- the license to kill she’d just been issued.

NEW BROOKDALE’S GRAND OPENING

TOMORROW AT—

Visions swirled in her head again: the smell of new books and a freshly cut lawn, watermarked images of some elite-looking brick building, the cloying taste of chemicals and cold vanilla. 

Her stomach began to twist and turn,

THAT’S BEEN CALLED THE WORLD’S

MOST EFFECTIVE WINDOW CLEANER

 - a pounding began behind her eyes, and- 

UP TO NINETY! FIVE! PERCENT!

OFF FURNITURE AT GALE’S

- she suddenly found herself grasping the strings of the local sphere again. 

I’m not going to make it home like this, am I? 

IONIZE YOUR HOME WITH

THE HEALING POWER OF

HIMALAYAN SALT LAMPS

She shielded her eyes, took a deep breath, and pulled without a blink, the glass falling and the people screaming all over again as she strode, heels clicking, down the boulevard. 

Sweet silence fell once more.

A smile curved her lips. Was she beginning to enjoy this? Perhaps. Maybe she could just yank this city apart. Maybe she could blow out every screen and speaker and scent-sprayer so bad that the network wouldn’t know what to do with itself. 

A future of silence; it sounded incredible, too good to be true. She pictured herself strolling through a quiet park, Will by her side, with only the whispering wind blowing; nothing in the sky but the clouds, nothing in the air but the scent of cattails and pond water.  

Maybe—

“Ma’am?” A hand set firm on her shoulder. She turned around and forced a smile.

“Yes, officer?”

The man cautiously eyed the space around her and she realized that, in the quiet, he must be staring at her net aura. And not just him, either, two officers stood behind him ogling its density and span as it reached out over the city. 

“Sorry to trouble you, miss,” he said genially. “But we can’t help but notice there’s something… wrong… with your implant.”

“We believe it may be interfering with the local nets,” added another. 

“Well, I never!” she exclaimed. Was this acting? She hated it. “What on earth do you mean?”

“It appears to be… over-connected. If that aura is correct, you’re directly processing a thousand things at once.”

Gee, officer, that sounds terrible! She shrugged. “Feels normal to me.” Say something else. “I guess I’ll just have to have it looked at.” She turned to walk away. 

“Now look here, ma’am.” The man grabbed her by the arm. “You and your malfunctioning chip show up and everything blows out all the sudden. We’re going to need you to come with us.”

Shit. Now she was in it. They would take her back to the station and realize she had no operating system. Then they would realize she wasn’t even supposed to have any sort of chip. 

“Malfunctioning chip,” one of the officers muttered from the back. “More like ‘malfunctioning head.’”

“You know, there’s a whole bunch of people—ain’t even allowed to get the things,” returned his partner. “Busted up brains or something. Can’t handle it.”

“Bet that’s what we’re dealing with here.”

Yes, it is, how astute of you to notice. 

She turned around and swatted the hand away. “You don’t know what you’re dealing with,” she threatened. 

 “Yeah? I think we do.” The officer smirked. “I think someone gave you a chip by mistake, and now your screwed up little mind is out to cause as much damage to normal society as you can before someone catches you.”

“Catches me? I believe I’ve already been caught…” she sneered. “Now try and stop me.” Empowered by the quiet, she laughed aloud, her aura growing stronger, brighter, as she summoned ever more connections. “I’m going to break this entire city. And then, you know what? We’ll all be free of these fucking ads. How does that sound?”

“Ma’am—”

The paltry threads of the officers’ chips shimmered in the late afternoon sun. There were so few of them, and they were all centered on her. It was easy, too easy, to simply reach in and—

In her mind’s fist, she released the city and instead gathered each thread she called her own into a small, neat circle, compressing, compacting, growing smaller and leaner until she had it—a fat, glowing cable of raw, white-hot sensation. With a mere flick she plugged it into the minds of the men before her. 

Their eyes went wide and they doubled over howling, strangled screams dying in throats. Their heads met the ground with a series of thuds and they lay twitching; eyes flickering, seeing all and none.   

She could do this to the world. 

Millie chuckled as she imagined millions of maladapted minds scrambling to recalibrate to thousands of new inputs. The entire population could feel as she did, could know the soaring heights of her joys, the profound depths of her sorrows, and every shade in between.  

But they didn’t deserve it. 

She would only do them one favor.

*                 *                 *

The wind was soft, warm, and fragrant with spring flowers as she sat in the scrubby green grass by the bank of the river. She leaned into Will’s shoulder and snaked her arm around his waist as they watched people pass by on the opposite side.

What do people look like to you? she asked digitally. 

Visions of elegant fountains shrouded in a golden mist filled her mind as his chip interpolated to her. 

That’s beautiful, Will. She laughed aloud. They look like spaghetti noodles to me. Of course, she had been arrested after the destruction of every advertising surface in the city. But suddenly, mysteriously, no one wanted them fixed anymore. In fact, there was a rather lot of noisy, stressful business in this city, wasn’t there? And shouldn’t someone do something about it? If only there was someone to recode it all…

Millie twined her fingers into Will’s as they watched the sun set on another day in the quiet city. 

 

C. M. Fields is a queer, non-binary astrophysicist and writer of horror and science fiction. They live in South Bend, Indiana, with their beloved cactus, Borne, spending eighty percent of their life shoveling snow and the other twenty writing a dissertation on the history of stars. They can be found on twitter as @C_M_Fields and @toomanyspectra. 

Val-Kerry

Noelle found the feather under the couch. She held it up to the light. She ruffled the vane apart, as one does with feathers, and it bit her. It was too light to drop and hit the ground. She shoved her bleeding fingers in her mouth and prised open the vanes again, gentler. She unhooked a tiny barb from the rachis, and the whole thing turned into dust for a shocked second before reforming off-white and brittle into her hand. She had not slammed the door coming in, only shucked off her sandals. The house groaned. It was too early for this heat. Too early for the suffocating stillness of summer. The crushing weight pooled to the rafters. Noelle’s feet stuck to the floor as she walked out to the porch. 

Kerry had put a plastic bedsheet on the couch downstairs and then, over that, she’d pinned a topsheet patterned with B. Kliban cats. They slept on that -- or rather, Noelle did. Kerry didn’t really sleep much. But Noelle woke up in the middle of the night to read the thin scrawl of nibble on they tiny feet repeating around the cat drawings. She’d sit there reading til she found a pocket of cool wrapped in the plastic on the side. She’d drown herself in that and drop off again.

“Flap for me,” she said to Kerry on a particularly broiling night. She flicked out her fingers like a magician. 

Kerry, perched on the couch end, naked and dripping sweat: “Absolutely not.”

“Why not?”

“Because it’s not a party trick, you dumb turtle.”

“I’m melting.”

“Good,” Kerry said. “Less to carry away.”

*                 *                 *

Outside, the sky boiled blue. The clouds curled in parched wisps. Noelle kept her fingers in her mouth. The grass thirsted enough that one could mistake it for the brown of winter. Easy to miss the bright green fumbling at the roots. Kerry knelt over their wild-jungle flowerbeds on a battered foam board. She scratched at her shoulder to pull down the spaghetti strap. She gleamed. Besides her, the detritus of the locked seasons. The broken thorns. She didn’t wear gloves. She never wore gloves.

Kerry had explained it to Noelle once, explained the math of her adaptation. The concept of the battle is ageless, but it is far-spanning and does not insist on sword and shield. The battles here in the new shining world are against beetles and seasons. They are against rust, fungus, mold, neglect. The battles are hard fought, they are against varied enemies, and they do not stop. They, the flowers, are thus worthy.

“That’s bullshit,” Noelle had said. She was tired and she was wet and she had been planting daffodil bulbs all day. Kerry was serene and it annoyed her. Noelle threw her soaked gardening gloves on the kitchen table. “That’s bullshit and you know it.”

“It’s a metaphor,” Kerry said. She tsked. “You have no poetry in your soul, turtle.”

“I’m not doing the weeding.”

“Neither am I.”

Noelle growled. 

“That’s the point, I mean,” Kerry hastened. She came over to Noelle. Kerry worked security at the meat-packing plant and her hands were cool. She smelled like iron. They stood together, Noelle dripping, rocking her cheek against Kerry’s rough palm.

“I’m not being lazy,” Kerry said, soft. “I promise.”

*                 *                 *

Kerry did the dishes for the next month. Noelle kept forgetting to take out the trash. 

Kerry leaned over onto her hands. Her back shone. She grunted and showed her teeth. The wings burrowed out from under her skin, leaving rifts where they crept out. She held the trowel against her mouth and it glinted. It sparked. It sharpened.

Noelle held the feather between her thumb and forefinger. “Dropped this.”

“Oh.”

“You okay?”

Kerry grunted.

“You feeling okay, Kerry?”

“Yeah,” Kerry said, and coughed.

Noelle winced. “You need your inhaler?”

“Nahhhh,” Kerry said; she coughed again, with less of a wheeze this time, and slapped the gloves together. “’m good.”

“Your hands are bleeding.”

“Yah,” Kerry said, and she bent towards the beds.

The sun beat down. Kerry should be shifting in tandem with seasons, at the leaving of darkness and at the dying of the sun, but the world had changed since the days on the banks of the Sea of Wolves. She had migraines now instead of battles.

“Honey, you’re gonna dehydrate.”

Bathroom floor, cold white tile, and Kerry with her head in the toilet.

“Nina’s an ER nurse at Dell General,” Noelle said. “I can give her a heads-up we’re coming, and she can put you on IV fluids, and then you’ll feel better. I’ve done it before.”

“Oh, God, no. Why we need to do that?” Kerry set her forehead on the bowl and breathed like bellows. “It’s a headache, turtle. I promise, I have done this before.”

Noelle tried again. “You look half-dead.”

“So’s the year.”

“What?”

Kerry roiled over and puked. Noelle patted her on the shoulder and cooed til Kerry lifted out again. Kerry’s eyes were bloodshot and the tendons on her neck stood out but she was very calm, and her deep, unbothered stillness made the thought of bothering Nina less palatable. Noelle rubbed the bright knob of tension on the back of Kerry’s neck.

“Equinox,” Kerry gasped. “Go get me some ginger ale?”

Kerry’s blood crusted black and Rorschach-patterned down her spine. The wings worked out all the way. They rattled to be shaken out. Noelle walked three steps on tiptoe to lean over the railing. She rubbed the bony feather over her palm. Kerry was okay, even if she was wheezing a little. Kerry turned out to be right about the stupid weeding. The battles are hard fought and must keep being hard fought, so Noelle shouldn’t use plant food either, and the earth must provide its own bounty of flesh. They had a wall of seedlings in jars in the bedroom, and they called the shelves Valhalla. Or Kerry did. Kerry thought that was funny. Noelle wasn’t sure sometimes. 

* * *

Second date, except at this point it wasn’t a date. It was a threshold. An inevitability. Noelle sitting naked on Kerry’s kitchen floor, drinking cold hot chocolate and whiskey out of a red Solo cup. The start of the second date had been twelve hours ago. It was six in the morning now, a blizzard howling up against the window. Kerry had said on the first date last week that she didn’t celebrate Christmas. Noelle, about four hours ago, had had the thought well, joyeux Noelle, Christmas celebrates you. She hadn’t said that out loud, partially because it was dumb and partially because her mouth was full and partially because Kerry had the skull of an enormous stag in her bedroom, draped in mistletoe and oak leaves. The stag sat on top of a sword hilt, and the tip of the sword’s blade sat in a flowerpot of black earth. The earth had been harvested from the field where all the gods had died. The flowerpot was from IKEA. Noelle wouldn’t push her about midnight mass.

“Do I get to go to Valhalla?” she asked, instead.

“Depends,” Kerry said; she was drinking the whiskey straight out the bottle. Kerry was in love with Noelle, and Noelle knew that because Kerry had said it out loud. Kerry drew her fingertips across Noelle’s bare shoulder. The whiskey bottle was cool on the back of her neck. “Depends on where you wanna go. And, and. ’s hard, when you’re a mortal.”

Noelle spluttered. “When I’m a what?”

“Mortal?”

Noelle laughed so hard that she spilled her cold hot chocolate. She tried to swipe it up, lost balance, and rolled on the sticky floor. She looked up at Kerry, who was laughing too. Kerry’s wings nearly touched the ceiling, and she had a faded Rammstein tattoo on her ribcage.

“I thought you said turtle,” Noelle wheezed.

Noelle folded her hand. The feather cut at her palm. She had no calluses. Kerry had calluses. Kerry had bone-shards, shaped for a swan. Noelle licked at the cut. She watched Kerry sort through all the winter death. Her wings brushed at the lilac bushes. Noelle felt a splinter working its way into her sole.

“I’m fine,” Kerry said.

“Just turning early?”

“Yep. Can you make dinner?”

“Maybe.”

Something caught Noelle’s eye. On the pile, on the heap of bracken, a daffodil. A daffodil. A long white feather.

Kerry flapped. Just once. Noelle smiled. She went inside.

 

Colin Fisher (he/they) is from the American Rust Belt and currently lives in Reykjavík, Iceland, where he studies folklore and procrastinates on everything else. He has had poems published in Pithead Chapel and Pidgeonholes. You can bother him at @bear_euphemism on Twitter.

The Keepers of Miller's Grove

Miller’s Grove, like many towns, excelled at secrecy and hidden things. It was the kind of place that served two purposes to the outside world: when hipsters would pass through, they would take pictures, stick a sepia-toned or black-and-white filter on it, and post online about how beautiful old towns used to be (a hollow nostalgia for something that was never their own). When someone who stood to make a profit passed through, they’d talk to newspapers all over the state about how the town could thrive again, if— No one ever stopped to talk to the people of the town, not really, and the general assumption was that the residents weren’t considered interesting enough for conversation. And so this is how, even with the occasional stranger passing through what they considered to be the dull opening scenes of The Wizard of Oz, the mysteries of Miller’s Grove were allowed to remain intact.

The locals themselves were guilty of never looking closely at the strange abundances of the town—the particular sheen of the apples in one of the orchard’s trees, the surplus of sunflowers, the one wheat farm that had been out-performing the others for nearly two years, the thriving bee and butterfly populations. People certainly ignored the unintelligible whispers they heard by the train tracks. Even if they had stopped to notice, no one would have suspected the source of all this good fortune. For their part, the neighbors ignored the existence of the five teenage girls responsible, except to occasionally offer some Christian concern about their health and circumstances. The residents of Miller’s Grove never once thought that it was these young women who kept together the very fabric of their town, and if they ever did catch on, then the glory would prove more trouble than it was worth.

*                 *                 *

Sometimes, Madeline Garrison wished she didn’t have such a talent for hiding things. As she stood outside the grand, renovated Colonial, she rolled a sycamore leaf between her fingers, crackling the long-dead piece of tree until it dusted into nothingness that the wind could carry away. Madeline remembered a time when all the leaves of Miller’s Grove looked like this and the wheat and the corn, too, even in the middle of summer, until they figured out a solution to it all. Madeline watched that window, watched, trying to tap into a place in her mind where she might will Camellia Hamilton to come out. But, try as she might, Madeline could never figure out the trick to being seen. She’d never have said this out loud, but she was convinced in the most tucked-away alcoves of her mind that this quality was her most attractive trait to Camellia.

It was then that Madeline saw a blur like sunshine on wheat in the upstairs window. Madeline immediately brushed her hands together, and when that wasn’t enough for the most stubbornly clinging reminders of dead leaf, she scraped her palms against the sides of her jeans. Right now, Camellia would be turning some music on to fill the void of her absence and locking her bedroom door. The routine was always the same, this delicate, meticulous process of keeping things hidden. Once, Camellia’s older sister had tried to open her door while she was out and Camellia had to tell her parents she’d locked the door and fallen asleep. As this failed to convince her parents, they watched her too closely for the next two weeks for Madeline to see her, nonetheless for Camellia to make it out to their place. 

Madeline had spent those two weeks with their friends in their disheveled little shack of a cabin, first reading through nine enormous novels about time travel and romance in the Scottish Highlands, then a collection of random magazines from the library that were about anything—from native Kansan birds to unsolved mysteries that were supposedly true.

Madeline tugged at the bottom of her simple gray blouse just to have something to busy her hands. She watched the downstairs windows, but nobody was in the living room or salon. So, when Camellia opened the window and crawled out of it, edging down the shingled slope to then safely hop onto her front lawn, Madeline knew that they would not be caught. With one cautious glance over her shoulder, Camellia bolted across the silent street to the sturdy sycamore where Madeline was always waiting for her. Camellia didn’t even slow down; she grabbed Madeline’s hand and they were running, first in between houses but eventually along the train tracks that seemed to whisper. It was here that Madeline tugged back on Camellia’s hand to slow her down.

When Camellia turned to face Madeline, Camellia’s cheeks were flushed, her long hair swept into her face as she giggled. “Hi,” she finally said.

“Hello,” Madeline replied. She reached forward, combing Camellia’s hair out of her face. Camellia returned the favor for Madeline’s tight black curls. Finally free, the girls moved toward one another, kissing gently, lingering on the softness of it all. When they pulled apart, they continued along the railroad track hand in hand, walking instead of sprinting like they were trying to outpace the wind.

Madeline continued to watch Camellia as her head hung back and her chest swelled with the deepest inhale. Camellia had total faith in Madeline’s ability to lead her along safely. Camellia’s parents never let her go anywhere without a chaperone, usually her brother or sister, and they always knew where she was. 

Well, almost always.

As Camellia exhaled, she seemed to hum along with the meadowlarks and warblers and chickadees. The short skirt of Camellia’s yellow dress—speckled with pink flowers and definitely not parent-approved—swung along the middle of her thighs as though Camellia were dancing. “God,” Camellia gasped, watching the whole world around her with big, awe-struck eyes. “How can people listen to birds sing and still think that we’re the only ones who can make art?”

Madeline did her best to fight her own laughter; still, when Camellia turned to her, Camellia detached their hands and clicked her tongue.

“I’m serious!” she said, and the warblers sang back to Camellia in response as she seemed to float along, sprite-like, next to the train tracks. “Do you realize they probably pass these songs down for generations, improving them just a little bit, leaving their own little mark along the way?”

Camellia stopped suddenly, tossing herself down against the ground. For a moment, she became a chameleon, the color of her dress and her hair and her barely sun-kissed skin becoming one with the stiff, straw-colored grass. For a moment, Madeline lost her. But it was, of course, temporary—a trick of the eye. Madeline lowered herself to the ground more carefully, her head resting next to her girlfriend’s. They listened, then, to the ebb and flow of the birds’ songs getting tangled up in one another, first gentle and peaceful, then furious, hungry, and then so soft they were nearly silent.

“You’re a wonder,” Madeline finally said. They grinned at one another, and as they kissed and listened to nothing but their breathing and the birds, Madeline felt their heartbeats sync, felt the turning of the Earth below them, the weightlessness of every feather around them, and it felt like they were chanting a spell together—them, the birds, the Earth—like they did with their friends in their secret place. When they parted, Madeline couldn’t help adding a teasing “My little hippie.”

Camellia playfully rolled her eyes before turning her attention back to the blue-gray sky, so big, so empty, so possible and impossible at the same time. “Tell me about school,” she said, her voice sounding more like an echo than an original; that tone meant that Camellia’s mind had returned to her family. She needed a distraction. “How’d that test go?”

Madeline leaned her cheek against Camellia’s so that she felt every movement of her words: “Did well. Scored higher than average.”

Madeline felt Camellia grin. “You want to retake it for a higher score, don’t you?”

“What?” Madeline said, her voice unusually high-pitched. “I know that I can do better. The admissions people should know that, too.”

“Well, either way,” Camellia said, “they’d be downright stupid not to want you. And throw scholarships at you. And give you a free single dorm room that I can secretly move into.”

Madeline smiled, but only just. For all the many birds that she could hear, she didn’t see a single one up in the sky. She knew they must be hiding in the grass all around them. “Bad family day?” she asked.

“Oh yes.”

Madeline took a deep breath, her exhale sharp. “You want to talk about it?”

“No,” Camellia said, but since Madeline was very familiar with Camellia’s tones of voice, she waited. “They had Becca set me up on an arranged date. Again.”

Madeline fought down the first four curses that came to mind, and then the urge to offer to actually curse them with a literal spell. Camellia was a sophomore, Madeline a junior, and Camellia’s older sister, Becca, a senior. But, since Madeline was in all the advanced classes, she shared many of her school hours with Camellia’s sister. Her sister was the kind of person who made fun of the teacher with a cane, who only allowed herself sycophants for friends and who only wore modest pastels. Becca didn’t like that Madeline was smart or the plain way that Madeline dressed, but most of all she couldn’t stand for Madeline’s lack of adoration—that lack of adoration was due to, more than anything, Madeline’s secret insider knowledge of how Camellia’s family treated her.

“Which guy is it this time?” Madeline asked instead, because it was always a guy. Madeline had a theory that Camellia’s family was panicked about her lack of red-blooded American interest in men by age sixteen and this was why they had her brother and sister arrange these dates.

“Trevor Carraway.”

Madeline shot up. When she sat with rigid back and bent knees, she heard nothing but the crows cawing and the slight pumping of blood in her ears. “But last year, Alisa Miller said—”

“I know,” Camellia replied. Her fingers fidgeted together like she was playing a version of “Itsy, Bitsy Spider” where it got caught in a web and couldn’t go anywhere. The light and wonder had completely gone from her face, her lips now pale pink and so tightly wrought that they wrinkled.

“You can’t go,” Madeline said. When Camellia didn’t respond, she pushed. “It’s not safe.” Madeline hadn’t expected her voice to break. What was the point in all of them helping the town to thrive when she couldn’t even keep her girlfriend safe?

“I have to,” Camellia said. Her voice was so small that it was barely audible over the rustling of the dry yellow grass. “You know I do.”

Madeline wanted to argue with her, but they had a similar fight so many times before that she knew how it’d turn out. Camellia got a special pressure from her parents to do whatever it took to make them happy and, as she’d told Madeline, her average grades already made her a failure in the school department. Some days, Camellia had confided in her, her parents’ frowns and lectures and disapproving glares made her feel like they regretted adopting her, and they never dispelled that fear when she brought it up to them, instead insisting that she “do better.” So, even though Camellia was not bi like Madeline and had less than zero interest in boys, she entertained the dates to satisfy her parents’ demands for “normalcy.” Madeline never understood that whole dynamic, not really. Madeline’s mom and dad never pressured her to date, and they tried to get her to take breaks from studying. The worst thing that Madeline and her mother ever fought about was whether or not she’d try on some pink clothes at the store.

A black and blue butterfly flitted past right then, seeming to appear out of nowhere and head toward their hidden place.

“Come on,” Camellia said, forcing herself to stand and then brushing off the back of her dress. “I think that’s Mary’s way of saying that we’re late.” She reached out a hand, helping Madeline to her feet.

Madeline kissed Camellia’s forehead. They walked, hand-in-hand, along the railroad tracks once more. Camellia rested her cheek on Madeline’s shoulder, and Madeline could feel the weight of every little sigh. Though they continued in silence, Madeline’s mind buzzed the entire way, devising spell after spell that might protect Camellia. Even if her girlfriend refused it, Madeline decided she could manage it with Talitha in secret. After all, no one owed Camellia more than Talitha did.

*                 *                 *

The house had grown so silent in the absence of her mother’s signing that Evaleigh Yates could hear the bees for miles. She tugged on the ties at the ends of her two thick dark braids before bounding down the steps, the thundering weight of her boots crashing against each stair until she reached the bottom. Her father came in from the other room, eyebrows raised.

Evaleigh shrugged. “If you didn’t want a horse-girl for a daughter, then you should’ve been more specific with the stork.”

Her father’s blue eyes crinkled with his laughter. Evaleigh couldn’t take credit, though—she’d heard the joke in her mother’s voice among the sunflowers the other day. It was a memory, a haunting, a vision. Those were frequent among the sunflowers.

“Heading out?” her father asked.

“Yeah, if that’s alright,” Evaleigh said as she started to button her green plaid shirt from the bottom up. She stopped about halfway, leaving her tank top exposed. “I was just gonna go for a walk.”

“Be safe?”

Evaleigh laid a hand on his shoulder and kissed him on the cheek. “Always.”

And, with that, she was out the door. The sun was too bright from the south, and Evaleigh had to cup a hand over her eyes against it. She turned right, stopping first at her mother’s old sunflower garden, which had been one of her mother’s conditions for moving out here and letting her father take over his family’s wheat farm. If the sunflowers were in her periphery, Evaleigh would swear that she could see her mother’s figure slipping between the stems—her close-cropped hair against the rich brown of her skin, the humming so vivid that Evaleigh wasn’t convinced that she was imagining things. She reached her hand out under a sunflower, held a breath until she could feel something like a heartbeat inside of it, and, as she exhaled, all of its seeds spit into her palm. She tucked them into the pocket of her jeans for later, for Mary’s butterflies. 

Evaleigh took just a moment to admire the explosion of yellow petals, towering over her, reaching toward the sun. It was almost harvest and Evaleigh knew that this year it would be at least as bountiful as last; she had personally made sure of that. She turned around to pass by the wheat farm on her way out. Things with her father had not always been this easy. He felt a lot of pressure, her mother used to tell her, to provide for them, so he hadn’t played with Evaleigh as much as she would’ve liked. Then, just as her mother got sick, the crops started to fail. It was happening all over town. Some blamed the loss of bees, others the overabundance of rainstorms, and those who listened to public radio pointed to the overall effects of climate change. Whatever the cause, when her mother died among the withering crops and her father had fewer resources to pay off the medical bills, he and Evaleigh could hardly be in the same room without fighting about something or another.

Then her father had started talking about selling the farm. That night, Evaleigh had run outside, kneeled in the dirt of her mother’s languishing sunflowers, and cried the hardest that she had ever cried. The soil soaked with it. Then something—deep, like an instinct—guided her to touch a flower, just one. As Evaleigh breathed, it was as though she was breathing life right into it. Its browning holey petals brightened, the decay falling away and making room for new life. The stalk, which had been soft and bowed in places, seemed filled with the will to stand again, taller than before. Even as Evaleigh thought it all a dream, she repeated this again with each flower. When she woke up in the garden the next morning, new sunflowers had even sprouted around her as she slept. She heard buzzing from the wheat fields; Evaleigh knew this was where she needed to direct her green thumb next, and when she finished a week later, she followed the bees to an old cabin in a bare, unremarkable field. This was how she had met Mary.

Evaleigh had the shortest walk out to the cabin out of any of them and, of course, Camellia and Talitha always had a hell of a time getting out. Evaleigh wondered, sometimes, how they managed it, always thanking whatever stars in the universe that prevented her from being a part of that family. Even having so many siblings sounded daunting. Holding out a single finger after passing the wheat, a fuzzy bumblebee landed on it, humming against her skin and making Evaleigh smile. She continued the whole way to the cabin with her little travel companion. She found herself nostalgic as she watched the sun dip low over the yellowed grass.

It was hard to say who started this little group. Camellia had discovered her talent with her healing apples, which she made exclusively for Talitha to help her cousin manage her illness, but they needed somewhere to hide the apples after they picked them. Madeline had heard of an abandoned little shack not too far from the train tracks, but when she and Camellia arrived, Mary was already there. Madeline kept their place hidden, and Talitha knew how to bottle the essence of their secrets. Evaleigh did know one thing: her talent with plants was the last piece of the puzzle. Magic healing apples were more invisible in an otherwise thriving orchard; a well-fed town didn’t have the willpower to be suspicious, either. And Evaleigh’s talents matched Mary’s so well that their friendship, and their work together, seemed inevitable.

The bee left Evaleigh’s fingertip as she found their hidden little sanctuary. It was a pile of warped and weathered wood in the heart of a flat, plain field and, to outsiders, it looked like even less than that. No one, outside the five of them, had bothered looking deeper.

*                 *                 *

They called Mary Alvarez “The Butterfly Girl.” She would have been surprised if a dozen people in Miller’s Grove knew her real name. When her parents first moved to Miller’s Grove a decade earlier, before either of her brothers were born, Mary had attended the local elementary school. That was when the rumors started. Rumors were like secrets in reverse—un-truths widely shared. No one had bothered to ask Mary herself why she didn’t talk; instead, they guessed that she was too stupid, or that she couldn’t speak English, or that her parents were abusive—none of which were true, in line with the grand tradition of rumors.

One day, when Mary felt herself about to cry, she slipped out of the kindergarten room and out to the playground. The teacher found her an hour later, playing with a yellow butterfly that didn’t seem afraid of her. Mary’s teacher suggested she wasn’t ready for school yet and her parents took care of her education ever since.

Now, Mary sat on the floor of their ramshackle little cabin, her legs folded like a pretzel. Some of the butterflies gathered at her knees, sitting prettily on her white dress, but most of them adorned her hair and flitted around her yellow shawl, their yellow and brown wings finding a kind of camouflage. Mary knew that Evaleigh was on the way when an orange and black Chlosyne gorgone landed on the page of her open book. Mary’s parents did whatever they could to encourage Mary to learn; for years, this had meant finding every etymology book for her that they could manage. Mary’s inclination toward butterflies was rooted more deeply than knowledge, but still she delighted in knowing all their Latin names and their favored flowers as they fluttered around her.

The door opened, and Evaleigh walked in, her smile bright and beaming and peaceful. Mary swore that her best friend was the most well adjusted of any of them. Mary waved.

“Am I the first one here?” Evaleigh asked.

Mary nodded. Evaleigh walked around the one-room shack, placing a hand on each potted plant she passed by, little green shrubby things that had no flowers to attract Mary’s butterflies. The place likely would’ve horrified their parents. When Mary had first started coming here, she’d needed to replace some of the molded wooden planks, and she didn’t do a perfect job of it, leaving gaps here and there. Whoever the former resident had been, they’d left behind their entire life in this place—painted ceramic vases, old wool shawls and throw blankets dyed with different patterns, walking sticks with all sorts of knots in their wood. Once, Mary had even found a taxidermied skunk that she later buried in the woods. When Camellia first found this place, there was only one space on the floor to sit and Mary had been occupying it.

Camellia’s arrival was when Mary first started hearing the bees. Her friends all thought it was another aspect of Mary’s innate talents, but she remained unconvinced. As each member of their group found this place, as they all performed their magics to keep this town alive, Mary heard the buzzing get louder and louder, and her legion of butterflies swelled in numbers, but it wasn’t until Evaleigh showed up, the final piece of their puzzle, that the bees actually seemed to manifest, to be able to do good in the world.

When Evaleigh’s tour of the plants in the room came to its conclusion, she sat on the little woven rug across from Mary, legs crossed in the same way. The orange and black butterfly on Mary’s book did not move. Evaleigh’s face scrunched up as she leaned to her side, reaching into the pocket of her jeans. When she opened her palm, it was overflowing with sunflower seeds. Evaleigh split them between both hands, which she held palms-up in front of her. When Mary leaned forward and fitted her hands under Evaleigh’s, the Chlosyne gorgone lifted itself from the book, flitting between the two girls. The buzzing of the bees became so loud that they would not hear anything else until they were done. The rest of Mary’s butterflies swarmed all around them, creating a protective shield that Mary could see if she squinted hard enough.

Then, one by one, the sunflower seeds began to transform. One would take on a strange iridescence and then, when it almost glowed, it would evaporate. This happened again and again, the movement of the butterfly’s orange wings growing only more urgent with each seed’s disappearance. When the last seed vanished, the Chlosyne gorgone became a blur of orange, darting out of the cabin more quickly than seemed physically possible. The other butterflies calmed, returning to their perches on Mary’s knees and to the dark waves of Mary’s hair.

“Thank you,” Evaleigh said. Her smile after one of these rituals was always some strange blend of relief and disbelief, like at any moment Mary would revoke her part in helping to keep the Yates family farm alive.

Mary simply squeezed Evaleigh’s hand. The fields of Miller’s Grove would continue to prosper.

It was then that Madeline and Camellia walked through the door, bringing with them a tension so strong that the bees were silenced to a barely audible hum.

“Hi, guys,” Evaleigh said. As she got to her feet, she seemed not to notice the shift in the atmosphere of the room at all. “Madeline, I heard you did really well on that test.”

Both Madeline and Camellia spoke at once:

“From who?”

“I knew it.”

The two of them looked at one another, standing side-by-side, and things were easy again for a moment. As Camellia turned to Evaleigh, a frown carved onto Madeline’s face, her eyebrows low and worried. Mary was the only one who seemed to notice. She could sense something in Madeline, too, something that went deeper than the surface expressions of her displeasure. It was like watching a bird fly backwards inside of her—she, who was so good at hiding things, needed to bring something into the open. Mary would offer to help, but she was almost certain that there was only one of them who could. Mary turned her attention back to the conversation.

“Speaking of cousins,” Camellia said, “has anyone seen or heard from mine?”

Mary and Evaleigh shook their heads as Madeline’s eyes wandered toward the door. Mary took this as confirmation that, whatever she needed a secret exposed for, Talitha was the woman for the job. Madeline watched Camellia as she moved around the room, absently searching through the accumulated odds and ends while very actively avoiding any sort of physical or eye contact with Madeline. Evaleigh moved toward one of her shrubs, the power snapping off of her like the morning when she’d first found their place, after she’d first blessed the sunflower garden and wheat fields with life. Evaleigh found a ball of gauzy teal fabric under a hanging shrub and picked it up. When she walked over to Camellia, she finally looked up. Evaleigh draped the fabric—a scarf—around the back of Camellia’s neck, trapping her dark blond hair with it.

“For your collection,” Evaleigh teased. 

Camellia had been doing this for a long while—salvaging vintage pieces buried in this place. Evaleigh grabbed Camellia by the hands, then, swinging her hips and leading her in a momentary, giggly dance. Camellia eventually got into it. Even Madeline, who leaned against the wall with her arms crossed over her chest as she thought deeply, couldn’t help but smile; Mary found herself doing the same. As her friends continued to chatter, Mary held out her left hand. When she breathed deeply, a bee landed on each finger. Mary twitched, one-by-one, from thumb to pinky, sending each bee off to mask the noise that Talitha made as she tried to escape her home. Mary could feel their buzzing in the depths of her ribs.

For the most part, they passed the time until sunset in a comfortable silence. It was dark by the time Talitha walked in. Talitha shrugged off her father’s old army jacket, tossing it onto a pile of junk on the floor. Underneath, she was dressed in a long, frilly blue dress. Her long dark hair, stark against her pale skin, was tied up halfway in a blue bow. Her jaw was set hard, her cheeks tight.

“Well that outfit’s a big ol’ ‘yikes,’” Camellia said before anyone else could even greet her.

“Freaking tell me about it,” Talitha said. 

First, she yanked the ribbon from her hair. Then, without a word, Camellia moved to her cousin’s back, unbuttoning the dress until Talitha could toss it to the floor, where it fell with the shuffling, crumpling sound of some fancy fabric like taffeta. Underneath, Talitha wore a slick black jumpsuit too cold for their unheated cabin, so she picked up the army jacket again and slipped it on. Evaleigh handed Talitha a spare hair tie, which she used for a ponytail.

“Parents being dicks again?” Camellia asked.

“Always,” Talitha said. Her lips seemed suddenly paler, and her stance unsteadied. “They decided I was in no condition for our fake Bible study group. So I had to wait until they went to their stupid church fundraiser.”

Mary stood, walking toward a half-disintegrating wicker chair, clearing her and Madeline’s books from it. She sent one of her yellow butterflies into Talitha’s line of vision and, once she had her attention, motioned toward the seat. Talitha complied, the old wicker creaking under her as she sank into it. She pulled an apple from her pocket, red with a special iridescence to it. As Talitha bit into the apple, the entire cabin seemed to be filled with the heavy crunching sounds of her bites. Camellia watched her cousin eat, a wrinkle deepening just above her nose. Then Camellia looked around the room at each of them, searching. Her gaze lingered on Mary the longest, but when she caught a glimpse of Evaleigh tending to a plant, Camellia touched Evaleigh’s forearm to get her attention.

Camellia whispered something to Evaleigh; Mary only caught the words “orchard” and “help.” Evaleigh whispered back, “Of course.”

“Guys,” Camellia said to the group, “we’re going to go for a quick walk. Check up on things.”

The harvest would be soon. Talitha would need to make the apples from Camellia’s tree last all winter, and into spring, too, even if they could spell the tree into budding early. Mary waved to the pair of them.

“Have fun,” Talitha said, her cheeks beginning to soften and a light pink returning to her lips. Still, she remained seated.

Madeline walked to Camellia, kissing her on the lips before saying, “Be safe. Please.” Those three words were loaded with meaning.

“I love you,” was Camellia’s only reply. Then she and Evaleigh were out the door.

Madeline waited, her head tilted as she listened. It was only when their voices vanished, when nothing but crickets and crunching and flapping filled the void, that Madeline moved toward Talitha. Madeline squatted down, elbows on her knees, and looked Talitha in the eye.

“I need your help,” Madeline said. “Camellia needs your help.”

“Who do I have to kill?” Talitha said, studying her apple’s core as she feigned nonchalance, her voice full of daggers at the same time.

“Becca set her up with Trevor Carraway.”

The revelation made the air feel solid. Mary had no context for what was happening, but the bees’ hum intensified, and the butterflies flapped their wings around her head as though they expected something to eat them alive at any moment. So, while Mary didn’t know exactly what was happening, she trusted the emotion of the room.

“But she can’t.” Talitha was sitting forward in the seat now, the angles of her body harsh. She clenched her apple core so hard that its healing juices seeped down the sides of her hand.

“I know.”

“You don’t understand,” Talitha said, her voice high with panic. The core fell away from her. “The number of secrets I’ve collected that—”

“I know.” Madeline sat back on her haunches. “We need to do something.”

“Like what?” Talitha asked, and suddenly she and Madeline looked up at Mary for an answer. Mary looked at the floor of their cabin first, their sacred hidden place, then up to the ceiling. She thought of all those whispers by the train tracks.

“I’ll try,” Talitha said, sensing the direction of Mary’s idea before Mary had even fully formulated it. “I can’t guarantee anything. I’ve never done it before.”

“I know,” Madeline said. “If I could do it myself, I would.” She rose to her feet, fidgeting with the hem of her blouse. “Hiding things is much easier than revealing them. Believe me, I get it.”

Talitha chewed her lip, taking shallow breaths as she stared down at her feet. “I think I can do it,” Talitha said. She held out her hands, cupped as though she might gather water from a river. “Mary, can I borrow one of your friends?”

Mary nodded. She coaxed the Papilio glaucus from her shoulder to her finger, and then from her finger to the heart of Talitha’s joined hands. The butterfly sat there, contented, its wide yellow wings with black edges unmoving.

“I promise I’ll be gentle,” Talitha said, getting to her feet as smoothly as possible. Starting at the Papilio glaucus, Talitha added to Madeline, “And I’ll try to be back before they are.”

“Don’t rush it,” Madeline said. She swiped a hand over her curly hair. “It’s more important to make sure that it’s done right.”

Talitha nodded. Without another word, she headed slowly for the door; Mary knew she was trying to keep her promise about the butterfly. When the door closed behind her, a shudder shot through Madeline’s body. Mary guided her butterflies with a nod of her head to fly up above them, making their own swirling patterns in the limited sky that they were granted. Mary wrapped an arm around Madeline’s back, resting her cheek on Madeline’s shoulder. She felt Madeline rest her head on Mary’s in return, letting herself rest, letting herself be vulnerable, while no one but the butterflies were watching.

*                 *                 *

Talitha Campbell was not the china doll her family thought she was; in fact, she was most at home like this—as a woman on a mission. Mary’s yellow butterfly had taken off, flying in front of Talitha toward the train tracks. She was sprinting now, away from her friends, away from their hidden place. Night had settled, cold and humid, and Talitha felt like she could drink the stars. She hardly ever ran anymore, hadn’t in years for the most part, but with Camellia’s apple in her system she felt untouchable.

As much as Talitha tried to keep the memories of home locked away, they surfaced like flashes in her mind’s eye: her six older sisters going out to teach Bible classes, to take ballet, to meet up with friends. Talitha had to fight her parents not to be homeschooled. She’d started showing symptoms when she was fourteen—weakness, paleness, dizziness, fainting. They’d taken her to doctor after doctor, but no diagnosis helped.

Talitha pushed her legs harder, chasing the little yellow glow in front of her even as her mouth began to taste of blood. Talitha’s mother and Camellia’s mother were sisters who ruled with iron fists; Camellia’s mother had leaned into secular strictness, where Talitha’s had turned to religion more than ever, their whole family praying over Talitha for her recovery like she was a cracked porcelain doll to be fixed. They didn’t take the time to learn who she was, to learn who she was becoming, and if they knew what she was capable of, they would’ve called in the minister for an exorcism so quickly that Talitha wouldn’t have even had a chance to tell them that she was helping people.

And she was helping people. The butterfly stopped and so did Talitha, collapsing to her knees. She could feel it in the soil—feel them in the soil—the secrets seeping through her clothes, her skin, finding a way into her bloodstream and beyond. It had started small—Talitha would scribble her own secrets on scraps of paper and bury them here, in the soft rich soil next to the rusted train tracks. Then she was keeping Camellia’s secrets, and Madeline’s. And, as though the secrets had taken on a life of their own, people would come to Talitha, asking her to lift the burdens of the unspoken. Talitha took a deep, slow breath to steady herself. Everyone thought they were special, that they were the only ones to come to her. Talitha never told them otherwise. Holding her hands out, Talitha let the yellow and black butterfly float down to her palms like a gossamer strand of spider’s web giving in to the wind. 

There was power here—the power of secrets. Talitha had been collecting secrets for so long, burying them on the town’s edge marked by out-of-use train tracks, letting the people who needed it feel some relief. It was fulfilling work, natural. But what Madeline expected her to do…

Talitha took another breath. The butterfly’s wings stilled as it sat poised, waiting. She felt like this sometimes—frozen where she’d stopped to take a rest, at the mercy of inertia, at the mercy of the pity of others. Breath in—she could hear them, the secrets, talking all at once, whispering, desperate, afraid, so afraid. Breath out—the secrets’ voices wove together slowly, transmuting into one thick thread that Talitha could pluck for her own purposes.

Talitha knew the secrets about Trevor Carraway, and she would not let her cousin bear the burden of such a secret herself. She channeled the power of the secrets, careful to protect their integrity so that there would be no consequences for those who had confided in her. Instead, their hidden power became fuel, energy to convert, and Talitha did convert it. The power of the secrets made the butterfly glow brighter, a brilliant gold in the darkness.

This was a spell for the truth to be known.

When Talitha was done, the butterfly left her. It flew straight up, unevenly at first, weighted by its temporary magical addition. But still it flew, and it took the truth with it, ready to make itself known to the world.

Talitha leaned her head back, watching, imagining the freedom of flight. One of her first secrets was still buried here, the desire to leave this place. It was before she’d met Madeline and Mary and Evaleigh, before their joint services to help the town thrive, but that secret was still buried deep inside. Talitha wondered, as the light of truth finally flew so high that it became one among the stars, how many of their group would leave this place in search of somewhere less suffocating. She wondered, too, if anyone would ever make the connection between the absence of these young women and the town’s sudden and steep deterioration. But, of course, she knew the answer as well as she knew every chirp and rustle of this field: no one ever suspected young women of power.

 

Audrey T. Carroll (she/her) is the author of Queen of Pentacles (Choose the Sword Press, 2016). Her work has been published or is forthcoming in peculiar, Glass Poetry, Vagabond City, So to Speak, and others. She received her BA in Creative Writing from Susquehanna University and her MFA in Creative Writing from the University of Central Arkansas. She is a bisexual and disabled/chronically ill writer who serves as a Diversity & Inclusion Editor for the Journal of Creative Writing Studies.

She can be found at http://audreytcarrollwrites.weebly.com and @AudreyTCarroll on Twitter.

Factotum

My first memory of being inside that house was me awaking to the sounds of two voices.

“I think he's waking up.”

“Yes, he looks to be coming around.”

“Give him a few minutes.”

Before I fully opened my eyes I was lost in the sensorial assault on my body. I was bathed in the coolness of crisp clean linens, feeling the delicacy of sheets covering me, their scent of cleanliness a mixture of laundry detergent and fresh air as if they had been hung out on a clothes line to dry. I could barely distinguish my skin from those sheets, feeling scrubbed and aired out also. Also were the scents of apples blowing in an open window, and other aromas, fresh baled hay and cow manure from a grassy pasture and the sweetness of moisture from a recent downpour. 

Beneath the lightness of the sheets my body felt weighted down, not by any mechanical means, but by the muscles that defined it. They were foreign, those muscles; a change, no matter how subtle, in my physical structure. My fingertips were pressed against the sheet on which I lay, and they too felt foreign. As I opened my eyes completely they were massaged into focusing by a soft hazy white glow. Staring into my face were three other faces; young men of similar age and appearance. 

“How do you feel?” the one with baby blue eyes asked, looking into mine.

“Where am I?” I asked, my throat raspy but not sore. My words sounded different, not unfamiliar, just different, as if I hadn't spoke them for some time and was on the verge of forgetting their simple meanings. The men around me each smiled differently giving me the impression they had each interpreted the question a different way and were trying to compose in their heads a friendly response.

“You're in a safe place,” the one with the gray-blue eyes said. “Are you in any pain?”

I didn't know why I would be. Although other than the opening of my eyelids and my fingers feeling the sheet, I hadn't voluntarily moved any part of my body.  I didn't ache or have the sense that I had been injured in any way. I wriggled my toes slightly beneath the sheet and felt relief that my stillness was not paralysis. In thinking about my body, the entirety of it, I was aware that I was naked and that my skin felt like new clothing; its surface was courser and the hairs on it more numerous. I looked down the length of my body and while it was the same length that I recalled, the terrain was different. I had become mostly a flat plateau from my neck down. 

“I'm not in pain, but I'm thirsty,” I said.

“Of course,” said the one with the gray-blue eyes as he raised a glass straw extending out of a glass of water to my lips. I sipped on the cold water watching the condensation on the outside of the glass turn to drops that slid down over his fingers.  The two men stood silently watching as I drank. When satiated I pushed the straw away from my lips with my tongue.

“Where am I?” I asked again

“An outpost,” the one with the bright baby-blue eyes said.

“Then it's done?” I said.

They both nodded their heads. The one with gray-blue eyes put his hand on my arm compassionately then quickly pulled it off as if he had overstepped his bounds. “You can stay here and rest for a while or you can get up and get dressed,” he said. We put some clothes on the chair that we were told ahead of time would be the right size for you.”

I glanced over at the chair, at the pants, shirt, underclothes on it and a pair of work boots placed on the floor in front of it.  “Give me a few minutes,” I said.

“Certainly,” they said in unison and started to leave the room. “If you need anything we'll be downstairs,” the one with gray-blue eyes said. Then they went out the door closing it behind them.

Staring up at the ceiling for several minutes I was immersed in the thoughts of how smooth it was, without a bubble, crack or imperfection. It was like a field of painted silk that stretched from wall to wall, corner to corner.  I pulled one arm out from under the sheet and reached toward the ceiling, stretching and wiggling my extended fingers noting the stark contrasts between the tan of my arm and the perfect white of the ceiling. Then there on my forearm I saw the small blue tattoo. I pulled it closer to my eyes and read: David.

I sat up and swung my legs around to the side of the hospital bed I had been lying in. For just a moment I felt dizzy and briefly closed my eyes and allowed what felt like sand in my brain to shift into a level plane. When I opened my eyes the room seemed barren, with nothing on the bright white walls except recessed lighting that beamed out diffused light. There were no marks on the wall; clearly nothing had ever been hung on them. The open window was the only thing other than the closed door that broke up the monotony of the room. I pushed aside the sheet that had been covering me and stood up. Looking down the length of my body I saw the changes: no breasts, the addition of male genitals, hair on my legs, subtle changes in my musculature. Naked, I walked to the window and looked out.

Sunlight bathed a bright green lawn that stretched to a two lane road. The lawn, this house I was in, was bordered by a white rail fence. A huge tree heavy with foliage was on the left side of the lawn. On the right side where the fence was open, a gravel road branched off from the road and led up to the house. On the other side of the gravel driveway was a horse paddock where a large palomino stood at the rail around the paddock, its head hanging over it and nibbling on blades of grass longer than the rest of the lawn. A large black crow and several robins were on the lawn hopping about from spot to spot.  On the other side of the road there was a forest, thick and dark. There were no other structures in sight.

I turned and put on the clothes left for me, and other than being aware of the heaviness of the boots, the clothing made me feel no different either. I had gone to sleep on my home planet a woman and awoke a man on this one. They had prepared me well for the change, but I worried that I should feel different at least about who I was, but I didn't. I was now David, the same person with a different name and different body on a different planet. There were no Davids on my planet. There were no men.

I opened the door and went out into the hallway. It was a world apart from the room I had just left or the world I came from. Along both walls heads of wild animals affixed to smooth and shiny wooden plaques were mounted along the walls. Some I was familiar with, like the lion, tiger, deer, moose and buffalo, but others I wasn't, but all stared from their taxidermied heads with black marble eyes. In between the heads were photographs in 8 x 10 mats and frames of hunters on safaris holding an assortment of weapons, most posing with broad smiles with their foot on a dead animal. The photographs ranged from early twentieth century to present day. 

The shift from the sterility of the room to the environment of glorifying ritual slaughter of animals couldn't have been more profound. My heart beat hard against my chest and I became conscious of the thudding sound of my boots on the wood floor as I went to the top of the stairs. As I descended the chairs a cloud of noxious odors hung in the air; stale smoke, sweat and alcohol.  At the bottom of the stairs I entered yet another world.

The room off to the left of the bottom of the stairs was a combination living room and junkyard. Along the walls in stacks as tall as I was stood everything from empty beer bottles to used auto parts. Paintings in cheap frames on black velvet of nude women were hung above the junk piles. In the center of the room five battered, worn overstuffed chairs faced the only wall not covered by a painting.  The two men who had been with me when I awoke were each seated in a chair looking at a large flat screen television. Image after image of war scenes with dead bodies, ruined cities and blasting armaments of all kinds flashed into view then out. There was no sound, just the images. The two men turned to me as I entered the room.

“Did you find your name?” the one with gray-blue eyes asked me.

“Yes. I'm David,” I said.

“I'm Nick,” he said holding out his arm for me to see his tattoo.

“I'm Jake,” the other one said. 

“What is this place?” I said sweeping my hand about the room and up the stairs.

“It's a place of men,” Nick said.

“Not of all men,” I said. “It can't be.”

“That's true, but it is representative of the men they want us to be,” Jake said. “It's part of our training.”

*              *              *

In late evening as the sun began to set behind the forest on the other side of the road the shadows behind the house grew longer and darker. I walked among fallen apples from trees whose branches were thick and weighed down with them. The aroma of apples, rotting and fresh, perfumed the air. Nick and I had placed the palomino in the stable for the night and gave it fresh hay and water before locking the stable and walking out into the cow pasture. There were no cows in sight but the fresh piles of manure that spotted the grass we were walking through was clear indication they had been there recently.  A flock of wild turkeys noisily made their way along the edge of the pasture bordered by another forest. Nick carried a rifle, its long barrel resting on his shoulder, the butt in the palm of his hand. He looked like one of the pictures of the soldiers in the photos in the upstairs hallway, only with jeans and a flannel shirt instead of a uniform.

“This isn't what I was expecting,” I said.

He put his finger to his lips and looked about nervously. “Not so loud, they have listening devices everywhere, even in the ground.”

“So what if they do?” I said just a little quieter. “It's not as if they're going to send me back home. Men, especially the version of it that they want us to be, wouldn't fit in on our planet.”

“You saw the same videos before you volunteered that we all did,” Nick said.

“Those were about how they wanted to change our bodies so that we would fit into this world's image of men, not that they wanted to change our personalities.”

“You can't change one without changing the other,” he said taking the rifle from his shoulder and aiming it at the turkeys but not shooting. 

“Maybe, maybe not,” I said. “But how do we affect any change on this planet if we're engineered to be the same as everyone already here? We were all told we were to be pioneers in the mental evolution of man as a species, not become caricatures extolling the worst traits of the human male species,” I said, my voice rising.

“Don't you get it?” he said. “Our planet intends to see to it that the society of mankind doesn't advance beyond where it is at present.”

“You know that and you don't fight against it?” I said. 

“Hush,” he said looking around nervously again. “I only have two days more here at this outpost before I go out among them and I don't want any trouble.”

“Nick,” I said, “there are thousands of outposts just like this one all over this planet and have been for many generations. Each outpost has those like us who became men to unknowingly perpetrate a lie about what it means to be a male. Doesn't that disturb you at all?”

“Not as much as being vaporized for treason,” he said, turning and walking back to the house.

*              *              *

In the middle of the night I was wide awake trying not to look at the walls of my bedroom covered in pornographic photographs. Staring up at the ceiling I was feeling hopeless about my future and despondent about having made the choice to commit to an irreversible mission to come to this planet. Through the open window of my bedroom a steady breeze carried in the scent of farmland. It was being awake that saved me most likely. 

As the ship from my planet landed on the lawn in front of the house I jumped up from the bed and hurriedly slipped on my clothes and shoes and went to the window and watched as several females walked down the ramp from the ship toward the front door of the house. As they weren't bringing a new male to transition with us here at this outpost I surmised that only one thing would require such a visit, me. We had been overheard after all. I opened my bedroom door and ran down the hall, down the stairs, and out the back door into the forest beyond the pasture and hid among the trees, watching.  

Even from that distance I could hear voices within the house, but not what was being said. When two flashes of light went off like quickly exploding light bulbs I knew Nick and Jake had been vaporized. I had been overheard after all. My home planet couldn't risk the threat of contagion spreading from me to them. I wanted to weep, not just for what had happened to the two men, but in realizing that while we had  been given new bodies, we weren't acceptable as men unless we adhered to preconceived ideas of what men were on the inside as well as outside. We had been brought to this planet to maintain a status quo not to change it. From the forest I watched as the machines flew out of the ship and burnt or vaporized everything growing on or standing around the house, then scraped the earth clean, removing any sign that other than the house, no one had ever been there. Then the ships flew off into the night sky.

I haven't traveled far from the house which they left standing for reasons that I can't completely fathom. The sheen from the window glass hasn't dulled. The scars left behind by the machines that scraped away the lawns and gardens that once surrounded the house are dug deep in the earth like bloodless cat scratches.  Dead leaves and other flora debris are piled on the porch, carried there by the wind. Now, in its second summer of isolation, it is neither landmark or signpost.  But as I drive by it and see it there never aging, its white paint not altered by the seasons, I worry that it has been abandoned only for a short while. 

 

Steve Carr (he/him), who lives in Richmond, Virginia, has had over 370 short stories published internationally in print and online magazines, literary journals, reviews and anthologies since June, 2016. He has had six collections of his short stories, Sand, RainHeatThe Tales of Talker Knock and 50 Short Stories: The Very Best of Steve Carr, and LGBTQ: 33 Stories, published. His paranormal/horror novel Redbird was released in November, 2019. His plays have been produced in several states in the U.S. He has been nominated for a Pushcart Prize twice.

His Twitter is https://twitter.com/carrsteven960 His website is https://www.stevecarr960.com/
He is on Facebook: https://www.facebook.com/steven.carr.35977

Stars Like Teeth in Summer's Dark Maw

Tristan’s been sweating. He wipes the droplets from his forehead, now clammy in the relative cool of late twilight, and the salt falls into his eyes, stinging and greasy. Tristan’s skin is riddled with mosquito bites, sunburned on the back of his neck. His t-shirt has yellow stains in the armpits and a big wet patch on the back where his pack’s been resting all through the long, sticky, humid day. Not much luck hitching; this county’s half-past the middle of nowhere. Tristan’s been trudging for miles. He has seen fields and pine woods and farms with threatening signs posted over their front gates. He has seen deer by the roadside, and vultures congregating to peck at a dead armadillo, and, once, an owl swooping low among skinny, needled branches. He has seen all kinds of trucks roar past him without stopping, all manner of ancient, rustbucket cars.

Tristan is uncomfortable, and Tristan is lonely, but there is a happiness in him too. It’s a joy to be on the road, untethered to anything, seeing new pieces of the world every morning and every night. He sighs as he lets his legs fold beneath him at last, dumping him on his ass on the soft grass beside his pack and bedroll. He lowers himself so he’s lying down in this safe place he’s found.  A deep, verdant quarry with a shallow blue lake at the bottom, a lake and wildflowers and a gnarled tree to watch over him. He looks up through the tree’s twisted limbs and matrices of leaf, and he sees the stars above him. They seem to go on forever. The moon is a sharp sliver of fingernail amidst their thousands— millions, billions— of tiny fires, flickering through the oxygen of Earth’s atmosphere. They are so bright and distinct and densely packed into the Florida night sky that Tristan can almost convince himself he’s moving towards them and through them, falling upwards. 

Tristan smiles. He listens to the night sounds of the quarry as he stargazes; Tristan’s got good ears. He can hear the rustling of small creatures in the underbrush, the myriad humming and whirring calls of insects. He hears a quiet splashing sound coming from the lake, maybe a fish jumping or a dead, dry branch falling into the water. He even hears the faint, distant drone of an occasional truck making its way down the rural road. 

Tristan does not hear the sound of footsteps approaching, and he does not hear the skitteringof pebbles that fall when a person makes their way down the rough-hewn path in the quarry’s steep side. He doesn’t hear breathing, or fidgeting, or the slap of a hand trying to crush a mosquito too late to stop it sucking blood. Maybe there are no such sounds for Tristan to hear.

Whatever the case may be, the stranger’s voice takes him entirely by surprise. 

“It looks like you could reach out and touch them, doesn’t it? The stars, of course.”

Tristan makes a sound that’s half shout, half gasp, with a kind of gargling undertone. It’s not intimidating; it just sounds like he’s about to be sick. He pulls himself into a crouch and whirls around, frantically scanning the dim quarry floor behind him for the source of the words. He was sure he was alone, and he had been sure he would remain alone all night long. Remembering the path down the rocky cliff, maybe that was a mistake. People must have made the path; people come down here. 

There’s a dark shape standing several feet from Tristan. It’s a woman, he thinks, or maybe a short man, or a boy. It has two legs, two arms, and a head. Short, straight hair. It seems to be wearing tight pants and a loose, baggy jacket. (Who wears a jacket in Florida in summer, even at night?) 

The figure’s face is entirely in shadow. Tristan can’t shake the unnerving impression that there’s nothing at all in the space between the hair and the collar of the jacket, that the area where the figure’s head should be is filled with an oily, inky void. No features for any light to bounce off. 

“Hello?” calls Tristan, straightening up, trying to sound calm. “Hello? Who is it?” His voice rasps from dehydration and disuse.

“A traveler,” says the voice. “Like you.” It is smooth and androgynous, with a faint lilt of unplaceable foreign accent. 

Tristan manages to keep from stepping backwards as the figure moves closer to him. 

“You didn’t answer my question,” he says. He means to continue along these lines, but then the figure comes into view. It’s almost like the shadow covering its face was a heavy curtain, and some invisible pulley has now drawn the curtain away. The face seems spotlit, luminous. But of course, Tristan thinks, it’s only a trick of perspective. It must be. Nothing has really changed— even standing in the dark, the figure must have had this same beautiful, pale face.

The other boy (and Tristan can see that he is another boy now, with fine stubble on his chin) is eighteen or twenty, about Tristan’s age.  He smiles hesitantly, revealing gapped front teeth, and extends a small but long-fingered hand. Feeling very large and bulky compared to the stranger— a feeling that both reassures him and makes him a little self-conscious— Tristan takes the hand and shakes it. 

“I’m Tristan,” he says. The stranger’s smile grows wider, but he says nothing. The stranger stands in front of Tristan, so close that Tristan can see the slight flare of his nostrils when he breathes, and he looks Tristan directly in the eye, and he smiles.

The stranger’s eyes are a very light gray, almost silver. 

After a few long seconds of this, Tristan continues, rather brusquely: “Well? You aren’t oing to tell me your name?”

The stranger puts his hands in the pockets of his baggy jacket. He shuffles his feet in the grass; when Tristan looks down at the rustling sound he notices, with surprise, that the stranger is barefoot. His toes, like his fingers, are very long, with somewhat overgrown nails. “What’s in a name?” asks the stranger.

Tristan snorts. “Not a whole lot,” he says. “Mine means ‘sad’, and it’s the name of some romantic hero from, like, an old play. Not what I’d’ve picked if it was up to me. But I’ve got to call you something, so don’t be cute.”

As though this boy could be anything but cute. Tristan feels the back of his neck grow hot; he tries to convince himself it’s just the sunburn.

“You can call me…hmm.” The boy clicks his tongue against the roof of his mouth and rolls his eyes towards the stars. “How about Arcturus?” 

“Like the star,” Tristan says, shaking his head. A smile creeps across his own cheeks. “You are something else, man. You an astronomy nerd?” He looks again at the boy’s bare feet, somehow unscathed despite the rocks and nettles and small, sharp twigs he must have had to step through to get to the bottom of the quarry. He looks at the boy’s silver eyes, gazing upwards, rapt or vacant. A terrible thought occurs to him. “Or are you one of those sci-fi people? One of those New Age types who’s all into aliens?” He tries, and fails, to make the question sound flippant, teasing.

Arcturus looks down. “All of the above, I think,” he says, straightfaced, and Tristan has no idea how to reply, so he spreads out his stuff and he asks Arcturus if he wants to sit for a minute or what.

“I don’t know about you, but my legs are sore as fuck,” Tristan says, uncapping his thermos with a squeak. He holds it out to Arcturus, who kneels hesitantly to take it. “I don’t have any food, but I got a little water, at least. Guests first.”

Arcturus grasps the thermos and lifts it to his mouth as though he’s never used such a device before and is afraid he’ll mess up. He takes a polite sip, swallows audibly, and returns the thermos to Tristan, who downs most of the rest of his water in one long gulp.

“Aaah.” Tristan leans back, looks into the salt crystal road of the Milky Way. “That’s the stuff. I don’t drink anything but good, clean water,” he tells Arcturus.

“Isn’t that unusual for a person your age?” asks Arcturus. Then, perhaps seeing Tristan begin to bristle, he adds, “Although I suppose it’s better for your body.”

“Body, nothing. Better for my mind, more like.” Something flickers in the corner of Tristan’s peripheral vision, a phosphorescent flare. He turns quickly, but it’s only Arcturus, sitting beside Tristan on the sleeping bag with his chin on his knees, his hands tucked under his ass. It’s a weird, childish position. Tristan can’t help but flash back to June sitting the same way, long ago, her eyes gray, too, but dark and threatening to overflow with sloppy, drunk tears. “I mean, it’s good for my body. That just isn’t the reason…”

Arcturus blinks at Tristan like he expects some follow-up, but Tristan’s not going to give him any. “So, why Arcturus, huh? Why not Pollux, or Polaris, or…or, I dunno, you could’ve picked a planet, right? Like Neptune. I had a cat named Neptune as a kid. God of the sea.”

“Your cat is the God of the sea?”

“No, Neptune. You know, that’s where the name comes from.”

“Planets. That’s true. I could have chosen…” he makes a tongue-clicking sound again, followed by a wet cough. 

“Bless you,” says Tristan. Arcturus laughs. It’s a sparkling noise. Tristan almost thinks he can see the laugh, shimmering out from the gap between Arcturus’s teeth like a swarm of minute fireflies. He blinks rapidly and rubs at his eyes. It’s been a really long day. A long year. A long life, even though it hasn’t hit the two-decade mark yet. He’s just tired. That’s all it is.

“You misunderstand,” Arcturus says. “That’s the name of a planet.”

“In what language? Klingon?” Tristan shifts uncomfortably. The sleeping bag makes a swishing noise underneath him. The insect hum all around the quarry seems to rise in volume and urgency.

“In my language. That’s the name of the planet I come from originally.” Arcturus is calm and matter-of-fact. “Although I can’t say it properly when I’m inside this body. Arcturus is your name for my planet’s star, I believe. That’s why I chose it.”

Tristan grits his teeth and tries not to think of June, about her episodes of excited, rapid-fire rambling or dreamy, whisky-sodden whispers: Tristan, my son, sad-eyed son, my body is lying on the sofa but my soul is off flying through space. I’m approaching Europa now, with its ice-encrusted oceans. Six-finned ghost whales call across its barren surface to their living cousins in the deep, and I am a ghost, too, Tristan. Trapped outside the moon with those alien behemoths. The traveling part of me is tethered to my skull with a silver cord for as long as I’m alive. As long as I’m alive, Tristan, I’ll always come back. I can’t help but come back.

Tristan has learned that it’s best to play along with crazy people’s delusions, but he hasn’t been comfortable doing that since his mother died. Instead, he tries to gently guide Arcturus back to reality. “Consensus reality,” June would’ve said with a snort. “Bleak mundanity, Tristan.”

“You’re not an alien, Arcturus. I mean, I can see you sitting there. You’re a boy, like me. A human being.”

Arcturus blinks rapidly, a flutter of silver Morse code. “No.”

“Listen, I feel different from other people, too. I feel that all the time.” A surge of mingled jealousy and attraction courses through Tristan, looking at Arcturus’s lithe, angular form. Tristan is a fat, lumbering giant, his long hair— tied back in a ponytail— ridiculous. He is ashamed of his desire. Tristan remembers middle school, when the popular term of derision for everything uncool was “gay.”  Poetry was gay. Astronomy was gay. Tristan’s hair was gay. His threadbare tie-dyed sweatshirts were gay. His nutty mother with her psychedelic-painted Corolla was gay, never mind her son and her rotating cast of sketchy boyfriends. Tristan shakes his head, getting the memories out. All that was a long time ago.

“I mean,” he continues, “ I can see that you really are different.. But pretending it’s because you’re from outer space is only going to hurt you in the long run, believe me. What’s real is this. Here. Earth.” Tristan points to Arcturus, to himself, to the grass and the lake and the rock walls towering above them.

“And that?” asks Arcturus, pointing up at the stars.

“Also real. But we’re never going to get to go there.”

“No.” Arcturus is smiling again. “I’ve been there, and I will return. And a part of you will be with me, maybe.” He leans in close and softly caresses Tristan’s cheek, then withdraws before Tristan can decide how to respond. 

Tristan wonders if it’s morally wrong to make out with an insane person. He examines Arcturus, who is, in turn, examining a hole in the top layer of Tristan’s sleeping bag. Fluff is poking out through the hole like the bud of a tooth rising from red gum. 

Arcturus is clean, Tristan realizes for the first time. He’s really clean, all over. His hair is glossy. He smells of flowers and soap. His clothes look high-quality, not Wal-Mart stuff. He must be local, Tristan decides. His family must live nearby, or someone appointed to take care of him at home. He’s too shiny and perfect to be a fellow vagabond, and if he’d somehow escaped from a hospital, he’d be wearing, like, pajamas or sweats. He definitely wouldn’t have a belt. Tristan thinks he can see the leather slung around Arcturus’s hips when he bends over to pull more fluff out of the tear. 

“Hey,” Tristan says, putting his hand tentatively on Arcturus’s shoulder. “Are you all right?”

Arcturus nods without looking at him.

“So, what’s Florida weather like in winter? You live around here, yeah?”

“For too long. Too long. I haven’t found a suitable essence to incorporate into my psyche.” Arcturus peels himself away from the leak in the sleeping bag, sighs, and leans into Tristan. Tristan rubs his new friend’s skinny bicep, not quite believing his own daring. 

“Florida’s nice enough in winter,” says Arcturus. “Not so cold as other places. Fewer mosquitoes. You wouldn’t sweat so much.”

“Well, sorry,” says Tristan. “I can’t exactly take a shower out here.”

“It’s all right.” Arcturus seems oblivious to sarcasm. “I appreciate the smell.” 

Tristan squeezes him in a brief side-hug. They both watch the stars in silence for a moment, and Tristan manages to find the one he’s almost positive is the real Arcturus, shining very faintly orange.

“I should get to ask you a question,” remarks Arcturus-the-boy, who shines white as the sleeping bag’s polyfill guts. “Since I answered one.”

“Sure. Shoot.”

“What happened to your cat, Neptune?”

“…Oh. Her.” Tristan attempts a chuckle, but he’s trying not to remember. Again. “Well. My mom accidentally backed over her with the car one night. She was probably drunk, or stoned. Crushed Neptune’s poor skull, and that was the end of that.”

“How sad.” Arcturus sounds like he means it. “And you couldn’t save any part of her at all?”

“What, like her tail or something? Like taxidermy? Fuck no. I’m not a ghoul.”

“I mean her essence. Her…mind? Spirit? To eat and absorb.”

June would have loved this guy. “You’re fucking bizarre, you know that?”

“Yes.” Arcturus snuggles into Tristan more aggressively. One of his hands wraps around Tristan’s back and tugs on Tristan’s ponytail. His silver eyes are so close, Tristan can see shards of moon and stars reflected in their dilated pupils.

“Arcturus…”

“Tristan. Can I kiss you?”

Tristan says yes before he can think about it, before he can remember that this is another boy, that this is probably a mentally ill boy, that he has never kissed anyone in his life. He wants Arcturus to kiss him, yes, so much, and Arcturus does.

Kissing is wetter and more muscular than Tristan had imagined. Arcturus seems to be probing around the inside of his mouth with a tentacle, a deep-sea creature’s feeler, and Tristan almost gags before he gets the hang of things. After that, it is like floating away on a sea of warm spit. It is like falling through a field of stars. 

After a short infinity, Arcturus pulls away. Tristan leans towards him again.

“Wait.” Arcturus puts a hand on Tristan’s belly. A small furrow appears between his eyebrows. “Tristan. I need to show you something.” 

Without waiting for a response, Arcturus unzips his jacket and casts it aside. He isn’t wearing a shirt underneath, and Tristan, nervous and excited to the point of physical discomfort, is about to make a bad joke about Arcturus’s inability to enter convenience stores when he registers what his eyes are seeing.

First, the two thin, pink lateral scars underneath Arcturus’s nipples, traveling back to somewhere below his armpits.

That must be why he feels like an alien, Tristan thinks, sympathy springing up anew. He remembers what Arcturus told him earlier, about not being able to do certain things “inside this body.” It makes more sense now.

But that sense is fleeting, because the second thing Tristan notices turns everything else about the night upside-down and backwards. 

It starts as almost nothing, just a scar, or a series of scars, on Arcturus’s breastbone. Three small, raised nodules of tissue. They have a crinkly texture, like burn marks. 

Something is spreading from those scars, though. Dark, vine-like plant matter sends up shoots from those three burned places and, finding the air nourishing, grows and spreads like a time-lapse movie of kudzu. It is the yellow-purple-black of bruises and storm clouds. It is as thick as a rope, sinewy and dripping. It blooms from the scars and twists down and around Arcturus’s chest, down and around both his arms. 

Tristan cannot accept what he’s seeing. He cannot deny what he’s seeing.. Small sparks, or chromatophores, or tiny fireflies twinkle from within the damp, dark, writhing mass of vines. 

“Arcturus,” Tristan says, his mouth suddenly dry. Has this boy, this creature sucked up all his spit?

“I told you,” says Arcturus. His face, his voice, are still the same. “Now, Tristan. You have to make a choice.”

“W-what?”

“I won’t do this to you against your will, Tristan. But— please. Your essence is so sweet. This body hasn’t allowed me to travel much upon Earth, but you have by far the most complex soul I’ve ever tasted around here. The most sharp and poignant. Let me take more of it, and I’ll have fulfilled my mission and renewed my energy; I’ll be able to move on. You and I both will. A bit of you will see the stars with me, through my eyes.” He smiles dreamily. “All my myriad eyes. The real ones.”

“Y-you want to eat me?”

“No! No! You won’t die. Goodness. You won’t even lose much. A…a fragment of you will become part of me, and part of me forever, but almost all of you will continue just as before. It does not hurt.”

“Says you!” Tristan is trying to maintain his fear, his anger, his disgust. He knows these are the only rational responses to this impossible thing that’s happening, to the predatory monster before him. A wreath of ichor-dripping filaments frames Arcturus’s head like it’s an egg in a rotting bird’s nest. There is no way for Tristan to process what he’s seeing except through metaphor and simile, and nothing he can think up truly suffices. The word “monster,”he remembers June telling him once, originally meant a portent. An omen to warn, or a herald to show the way. June was crazy, there’s no doubt, but she wasn’t wrong about everything. Tristan’s heart swells and he fights the urge to reach out towards Arcturus again, to touch his alien coils. June did have some insight into the way the universe really is after all. 

“Please,” says Arcturus, plaintive and gentle. “I’ve waited for such a long time. This body is almost used up, and I do not feel at home here.”

Tristan looks back on his life. He thinks of days, weeks, months on the road, of his mother’s grave back in Pennsylvania, of the run-down house she left to him, where he cannot stand to live. He thinks of his friendlessness. No one has ever kissed him before. Hardly anyone has ever even touched him in kindness, apart from June. June is gone. Arcturus is here. And Arcturus claims that this won’t hurt Tristan, or kill him. Tristan has no reason to trust the other boy, but he does. He does.

Cicadas whirr. Somewhere far away, a lone coyote howls. Tristan slaps at a mosquito, suddenly aware once more of the bites speckling his arms.

“All right,” he says, and his voice shakes only a little. “Yes, Arcturus. Come here.” He opens his arms, not sure this is how the process works but trusting his intuition. 

Arcturus comes to Tristan, leaving a trail of black stickiness on the sleeping bag. There’s a burned-sugar smell rising off him, drowning out the soap and flowers. His tendrils, vines, tentacles, whatever, wrap around Tristan’s body, and around him again. Again. Tristan feels a series of sharp, burning stings across his flesh from neck to groin, like a thousand bees piercing him and injecting their venom all at once. He almost screams, but as quickly as the pain appeared, it vanishes, leaving behind a cool, soothing numbness. His skin is prickling with something not unpleasant, a sleep sensation.       Arcturus brings his face close to Tristan’s, lips parted for a kiss, and Tristan puts his own lips upon them.

Something that is not a tongue twines its way into Tristan’s mouth, and up. The stinging returns to fill his sinuses, followed by the cool numbness, but Tristan thinks he can still sense small, glowing threads infiltrating his eyes, his skull, the gray crevices of his brain, growing into him and over him. Arcturus moans a little. Tristan cannot see, cannot breathe, and he cannot pull away.  He feels a kind of draining, a lightness and a suction, a swirling pleasure that swells until it blocks out all his other senses, too, and all his memories, all his thoughts, all else that Tristan is or ever has been…

*        *       *

The merciless sunlight blares through Tristan’s closed eyelids, waking him. He groans and sits up straight. It can’t be that late in the morning, and he seems to have fallen asleep on top of his sleeping bag instead of inside it, and still he’s covered in sweat. He can smell himself. Disgusting. Maybe today he’ll find a YMCA or a truck stop with shower facilities and clean up. 

In the daylight, the quarry is as beautiful as it was at night. The foliage is jungle-green; the water in the lake is swimming-pool blue. Shoals of silver fish are clearly visible in the shallows. Tristan frowns and rubs his temples. Something about the light glimmering off their scales reminds him of…what? A dream he had while he slept. A bizarre, intense dream. Already the details are scattering, slipping away from him, leaving him with nothing but a headache. He’s pretty sure he fell straight into a deep slumber as soon as he arrived in the quarry and set his stuff down. All that walking yesterday must have taken more out of Tristan than he’d thought. He didn’t even make his bed properly; the mosquitoes have feasted on his unshielded flesh. He scratches ruefully at a big bite near his navel. 

There’s something lying beside the sleeping bag. It looks like a pile of clothes, but they’re not Tristan’s. He frowns. A pair of trendy gray jeans, much smaller than Tristan could possibly wear, and a large, crumpled black windbreaker that might conceivably fit over his shoulders and gut. He didn’t notice these at all last night. Tristan wonders idly if it would be alright to take the windbreaker, in case he needs one when he leaves the south. He’s reaching out to touch it when he sees what’s inside the clothes. It’s something flat and leathery, fish belly white. There’s a stringy, silky tangle near the top, above the windbreaker, that looks like— oh, god, it’s hair.

Tristan jerks away. He blinks several times, but the mass on the ground remains. It looks  like a human skin, emptied of all the muscle and bone and meat. It’s lying in a facedown position, like a cast-off sweater, and Tristan imagines that if he were to flip it over, he would see dark, empty holes where the eyes should be, and a dark, empty hole inside the mouth. Discarded costume. Halloween mask.

Tristan shudders. He doesn’t know what it is, and surely there’s some logical explanation, but no way is he touching that thing. 

For some reason, seeing this lump of rubbery stuff lying next to him makes him remember June, finding June curled up beside his bed as though she’d fallen asleep telling him stories, the way she had when Tristan was a child. But Tristan had just turned eighteen, and June was not asleep. Her face was puffy and bluish. Vomit leaked from the corners of her mouth. There was an empty bottle of pills in the pocket of her dress, a half-empty drinking glass of whisky leaving a ring on the floorboards beside the limp, spiraling mass of her long hair, so like her son’s.

Tristan shakes his head and looks away from the empty skin, resolving not to pay it any more attention. Thinking about June feels more remote than it usually does, less emotional. Tristan realizes he can no longer recall how her face looked when she was alive, and then he realizes that this doesn’t bother him that much. It’s as though something has been taken away from him in the night, a burden of care lifted. Tristan thinks about the long day ahead of him, and for once he feels nothing, not happiness, not excitement, not sadness, not grief, not regret.

He stands, stretches, and begins to pack up his things. He is a little hollow now, but then, so are most adults. He won’t turn into that skin on the ground, he reassures himself, the one he’s not looking at. He can live this way. It will be easier to live this way. That’s what sanity is all about. 

Tristan hikes back up the stone path to the top of the quarry. 

 

Briar Ripley Page (they/them) writes fiction, nonfiction, and poetry in Central Pennsylvania, where they reside with their cat and a lot of spiders. They have lived and traveled extensively in the American Southeast; the overgrown quarry described in this story is a real place, although Briar never saw any aliens there.

Briar Ripley PageMarch 2, 2020

Worship

The city is suffocating me. The smoke, the cold, the hatred--there is nothing good about London in 1870. Nothing good except for one little pond on the outskirts, in a park where nature survives and lovers meet, including me and my dearest. I wait for her, shivering, on the edge of the water, praying for her, laying flower petals on the tender surface as gently as my cumbersome body can, awaiting her fingers, looking for the gentle way she clutches them.

It took seconds before she awoke, just as eager to see me as I am to see her for some unbelievable reason. She says nothing for a moment, only breaches the surface, her head of perfect curls pulled by the weight of the water, her eyes of the fresh honey they sell in the square.

Every day, I am underdressed, never keeping up with the fashions, not having the money to even if I desired to. But, when I am with my lover, I am suddenly donning too much. Despite the frost, she is cloaked in nothing except one thin white sheet, transparent from the rippling water she rises from, with intricate green details around the edges like I’ve never seen before. Her feet bare, wearing no jewelry, not a hint of wealth to her, she strolls out of the pond like royalty. I know she is. 

The first day I saw her, I asked who she was.  She showed herself to me wearing an intricate crown placed above her brow and a cloth of green so bright it looked as if it were made of the fresh, springtime leaves from the tree she rose from. She seemed sorrowful to answer, but she did so with no hesitation—

“I am the mother. I have been your beloved for every one of your lifetimes, although you don’t remember. My name is Gaia.” 

I rolled the name on my tongue for a week, remembering her beauty and her grace. I went back to the lake after seven days and asked her to be my beloved again. She said she would, but I have to learn to love her fully before I can join her. Every week I came back, told her I loved her even more—that it was time for me to be her eternal bride. She’d laugh, her burning hands caressing my cheek. 

“You’ve learned to love me so much since I met you, but you still have a good distance to go,” she told me one evening, while leaves were falling off the trees. She had tears in her eyes when she told me our story, about how we’ve been together for thousands of years. I used to hate her, as I hated her creation. There was nothing I gained joy from, nothing I cared about. Then one day I saw a flower, then a pond, then a snowflake, then the stars. Children’s laughter, the joy a person can experience, the gentleness of all life forms.  Lifetime after lifetime, I learned more and more about how to love my world, my Gaia. She says I am so close to understanding. My passion for people, for nature, for love--she says these things mean that I love her. But I’m missing a piece. I kick myself over it every night, searching and yearning. She frowns whenever I tell her this.

Tonight, I assure her when she reaches the shore that I will not pester her about it and she smiles, probably relieved although she’d never say so. Her hands are warm despite being wet, gentle as they hold onto me. I put my heart at her feet, trusting her to not hurt me, and she never has. When she speaks, everything stands still to listen, but my heart pounds. 

All she has to say is that she loves me, but I find myself sobbing before she even finishes. 

I know she loves everybody, but the fact that I am spectacular to her always astounds me. My love is almost two meters tall, towering over me, with dark skin. Sometimes her hair is long, sometimes it’s short, but it’s so long today that when I gently pull on a strand, the curl releases a hair that stretches down to her waist. My skin is only a little bit lighter, but we look nothing alike. She tells me we are both beautiful, but I’m hesitant to believe her. How can two people so different be equally pretty? 

My Gaia summons two separate snowflakes in her hand and explains that they are both wonderful even though they are vastly different, but I argue that they do still look very similar. She laughs at me, then smiles sadly. She says I’ll understand in time. I don’t believe her, so I roll my eyes and ask her to tell me about her life. She talks about how she used to be a goddess; she’d officiate weddings, sit in temples, answer prayers, help raise children, and devote herself to her creations. 

Over time, empires fell and things changed. Other gods arose. She was still the mother of it all, but now there were a few more gods with the same title. She says I was the only person who prayed to her these days. She didn’t do it for the glory, it didn’t hurt her, but I know it would hurt me if I were in her shoes. I’m glad that even if she doesn’t have thousands of people devoted to her, she has me. What her church lacks in number, it makes up for in passion, I believe.

When she finishes her stories, I run my right hand through her hair and then place it on her heart. I feel it skip a beat. I whisper in her ear something about how I want to worship her and red rises high on her cheeks. She loves me; I know because the more I kiss her, the more out of breath and flustered she becomes. I can’t believe I’m someone that could make a goddess flush. Her hand tangles in my hair and I know that I could stay here forever without complaint. Her lips, so soft and tender; I can feel the love she has for me through them. 

She holds me close until the sun starts to set, then she helps me into my carriage. 

“Priya,” she whispers my name into my hair when she embraces me goodbye, “you are more capable of love than you even know.” With that, she dissolves back into the earth from whence she came, leaving me to ponder her closing statement the entire ride home. 

That night, as I brush out my hair, I look in the mirror, contemplating. My hair is soft, my lips are plush. I kind of know that I am beautiful, I can see it in my darling’s eyes—the more I look at myself, the more I see what she sees. My brown eyes shine, my smile is bright. I have beautiful energy. I love with my whole heart. According to Gaia, I’m even more able to love than I know. I sit and ponder that again. The only person I have ever not been loving towards is myself, I think. But why would that matter? I love every other person so deeply. 

I dream that night of her. Her hand in mine, being in her arms, being the one to hold her at night. I wake up longing for her, mourning the knowledge that I won’t get to see her for another long while, as my father only lets me leave once a week. I open my doors and start working immediately, washing and hanging clothes, sending my younger brothers to deliver my finished laundry to my customers. Work is mind-numbing and slow as usual, but I am satisfied with my work as I go along. A few people can’t make their payments, but I let it slide when my father isn’t looking. When the day is done, I settle with my knees on the ground and my head resting on the side of my bed, and I tell her that I love her. I’m sure she knows, but I like to remind her. I ask for her to explain what she means by what she said before--who am I not being loving to?--then I crawl into bed and wait for an answer.

She shows up shortly, coming up behind me in an unrelated dream, guiding me over to a bench she has made out of vines. I find myself unable to talk to her, but she doesn’t seem surprised. She’s a goddess, but she doesn’t make the rules anymore. There are other gods who control dreams now, she can only do so much.

“I’m sorry I confused you with what I said. I don’t want to hand feed you the things you need to figure out for yourself, and it’s hard to balance that with not wanting to keep anything from you.” She looks genuinely upset, so I hold onto her hand to let her know it’s okay. “What I’m trying to tell you is that...well, think about the kindness you show others and why, that’s all.”

I wake up even more confused than before. I show others kindness because everyone has good in them and everyone is important and deserves love. My dearest taught me that lifetimes ago. I love everyone because my goddess made them with her careful hands. 

In front of the mirror, I frown at myself, angry at why I have to be so stupid, when I finally get it. I would never think of someone else like that, not even the worst person on the planet. I know all people all serve a purpose and were all made by her. I imagine her frown every time I complain about myself and I’m certain that’s what it is. I just need to learn to love myself like I love others! How hard could it be? 

Over and over again during my work, I see myself in the reflection of the soapy water and smile, as I was made by my god and I know that I’m perfect. I am kind to a stranger and remember that I deserve the same kindness. When my thoughts are cruel to myself, I gently correct them. I dream of her every night--she is so proud, so happy. I know I am doing the right thing. The days pass and, with my hard work making life more loving, they come quicker and kinder. Finally, the time comes where I can see her again.

I bathe in lavender and dress myself in heavy wintertime clothes, simple as always, but cleaner than normal. I put my hair up in braids and curls to form a crown, making sure it’s easy for my love to take down, as she always does. I start to put powder on my face, but frown as it makes me too pale, and wash it off. The world says I must wear powder, but I don’t see the point in altering the beauty that my love bestowed me. I kiss my brothers goodbye and head to the park, coat clenched in my arms.

The tread to the pond is almost painful, I’m so giddy. I barely resist running the whole path, the only thing stopping me being the bag of flowers from my mother’s overgrown garden weighing me down. When I reach the edge, I settle down with the sack, scattering petals across the water’s surface. I wait to pray until the scene is perfect and I am dramatically perched with my hands grazing the pond ever so slightly. Of course, after all my hard work, she comes up from a patch of snow to the right of me instead of her usual path. I can feel her presence and her warmth before she touches me, but her hand on my shoulder sends tingles down my spine anyway. 

She looks as beautiful as ever, her black ringlets in a mane around her, a crown on top of her head just like the first time I ever saw her. She was glowing, radiating joy. I hardly got to admire her before she lifts me, sweeps me up in her arms, and spins me around until I nearly faint from giggling. When she sets me back down, she doesn’t let go, burying me in her arms. I can feel her tears landing on the top of my head.

“You love me…” Her voice is choked, softer than I’ve ever heard it. 

“I always have,” I jest, giving her a hard time.  She pulls back, cupping my face between her gentle hands. Her joy melts any urge I have to poke fun and I melt into her. Ecstatic, she twirls me around to a tune she hums, dancing with me so gracefully while I struggle to do the most basic steps, then leads me to sit with her. We talk for hours. She’s maniacally happy, praising me with every word. She says she’s proud of me, she loves me, she knew I could do it. 

I make sure she knows that my journey is far from over, that learning to love myself fully is going to take a long time. She asks if she can be an active part of my exploration for now on. I tell her I’ll allow it, but only if I get a kiss every single day. With a laugh, I’m promised as many kisses as I want, forever. I accept her offer. 

When the night starts to fall, I do not make a move to leave. In fact, we stay still all throughout the night, kissing and loving, her keeping me warm. I fall asleep in Gaia’s arms, safe with my dearest. 

Dawn breaks and she’s standing in the water, asking if I am ready to be her queen, extending her hand. I take it. Together, we walk into the deep, in equal love of ourselves and each other, our hearts glowing. She promises me that she will worship me until her creation ends and I tell her I’ll treasure her even longer. The crisp water closes above us and I am able to breathe for the first time.

 

Esme Fenn (they/them) is a first-year double major in creative writing and journalism & professional writing. They are based in Ohio, although they have lived in a wide range of states. Their passions include cats, embroidery, Mamma Mia, and frogs. This is their first time publishing, but it won’t be the last! For any updates, follow them on twitter @esmefenn.

Twitter: https://twitter.com/esmefenn

Caller

Waves roll in as the sun dips below the horizon; hues of yellow, orange and pink illuminating the sky in a brilliant sunset. Secluded from echoes of children’s laughter and patronizing stares of inquisitive people, this makes the private Southern California beach the perfect place for a date.    

Robyn Davies, a 17-year-old teenager with cerebral palsy, stares at the sunset in awe. Sitting on a bench, hot pink crutches propped up beside her, she tucks a strand of thick brunette hair behind her ear. 

“I wish we had more days like this.” 

Robyn’s gaze shifts to her girlfriend, who sits beside her in a power wheelchair. Dark eyes catching the glint of the setting sun, Paisley Mills offers Robyn a wistful smile. 

“Your gelato is melting.”

Glancing at the brownie batter gelato turning into soup in the paper cup, Robyn tosses the leftover mess into the trash can next to them. “Sometimes, I think about how much easier it would be if all I had to worry about was whether or not I’ll ever pass that AP English exam or the next Pre-Calc test or what I’m wearing to senior prom.”

Moving her wheelchair, Paisley grabs Robyn’s hand and pulls her closer. Robyn inhales the scent of lilacs and honey, the mist of perfume lingering on Paisley’s skin. Just as Paisley is about to kiss her, a loud scream shatters the serene moment. Down by the water, a teenage boy struggles in the tight grip of a tall, cloaked figure who opens a portal in front of them, a swirling chasm of teal and green, and steps through. In the next moment, the portal closes, vanishing into the air. 

“What was that?!” Paisley exclaims. “I thought we were alone.”

Robyn sighs. “It was a portal. Guess we’re not alone after all. I need to talk to Catherine. She’ll want to hold a Council meeting tomorrow.”

Now, this special place that had become a sanctuary to them for months was destroyed by the ever-present reminder of Robyn’s duties. Her life as a Caller.  

*              *              *

Inside a nondescript warehouse, a private meeting commences. Dull grey walls and hard cement floors adds to the gloominess of the building’s interior. A long table occupies the middle of a large room with people sitting in chairs on either side. Robyn sits next to her parents, Mark and Leslie Davies. She’s been attending these meetings with her parents since she developed her abilities as a Caller when she was 14 years old. 

The leader of the Council, Catherine Delacorte, a Black woman in her mid-fifties with dark red lipstick and an elegant burgundy dress, sits at the head of the table.

“Thank you all for coming on such short notice,” Catherine begins. “Peter could not be here today, but he just informed me that his son, Nathan, is trapped in the Depths. It’s suspected that a rogue member of the Callers kidnapped him and left him there. Since Peter is distraught, I suggested that someone else should go into the Depths and rescue his son.”

As one of seven members of the Council, Peter Carr ranks just below Catherine. If something happens to her, Peter will take her place. A burly man in his early sixties, Peter has the ability of clairvoyance. His son is 16, only a year younger than Robyn. Nathan hasn’t shown any burgeoning signs of being a Caller or inheriting his father’s clairvoyance. Just an ordinary teenager.  

And now he’s trapped in the Depths. Alone. 

Robyn looks around the table. The Council sends Callers into the Depths to retrieve specialized items for them, usually with the help of certain inanimate objects, like teleportation crystals and amulets, that Callers have summoned from their vivid dreams. Sometimes Callers have even summoned small animals. 

“I’ll go,” Robyn declares, breaking the silence in the room. She meets Catherine’s fierce, imposing gaze. “I’ve been training, honing my abilities. I can do it.”

“Robyn—” Leslie starts to protest, but Catherine cuts her off. 

“You think you can do it?” Catherine challenges. “Go into the Depths alone? My child, you’re far too—”

“I’m not a child,” Robyn retorts, keeping her voice even. “I’m 17. I turn 18 this summer.  I’m perfectly capable. Besides, I was the only Caller who witnessed him being kidnapped.” Robyn shivers. She knows about the shadowy alternate dimension. Some people are lured there with no hope of escaping on their own. 

 “Then how do you propose to get him out?” Catherine asks.

“I don’t know yet. I’ll figure it out once I’m there. But I won’t be alone. There’s a white wolf that keeps appearing in my dreams. If I can call the wolf to me before I go through the portal, we can go together.”

“A wolf?” her mother questions, touching her daughter’s arm gently. “Your father and I have been able to call small birds, butterflies, a squirrel… but a wolf? They’re dangerous. What about something else from your dreams?”

“I’m not Little Red Riding Hood. We have a connection. I can’t explain it, Mom, but it feels right.”

Her father sighs. “And you trust the wolf? To protect you, not hurt you?”

Robyn stares into her father’s worried eyes. “You don’t have to trust the wolf. I don’t expect you to. But you can trust me.”

“Very well, then,” Catherine says, studying Robyn as if trying to slice through her invisible defiance. “Robyn will call upon the wolf. They will go through the portal that leads them into the Depths. There will be a full moon, providing the amplest time to travel to and from the Depths once the sun sets…”

Even though Robyn tries to focus on Catherine’s instructions, her mind wanders to her dream about the wolf from the night before.

Feet unsteady beneath her, she grips her crutches even tighter. Sweaty palms be damned.

Her gaze remains transfixed.

A magnificent white wolf stands several feet in front of her, eyes dark brown and curious. 

Robyn finds her voice. “Why do you keep showing up here?”

She’s never felt threatened by the appearance of the wolf in her dreams. In fact, quite the opposite. Its presence brings warmth and comfort. 

The wolf moves closer, whimpering. White fur gleaming in the dim light. 

Magnetism and piqued curiosity draw her closer as she reaches out to touch the soft fur…

“Will that be a problem?”

Robyn blinks, brow furrowing. 

“What… When did you say it was?” Robyn asks, caught off guard by the sharp intonation of Catherine’s voice. 

“Two days from now. This Saturday right after sundown.”

Robyn pales. Bile rises in her throat. Saturday is her senior prom. The one memorable night her and Paisley will have together before they graduate. 

Although they planned on staying together, Paisley had enrolled in a musical theatre camp in New York City for the summer while Robyn planned on staying in Southern California to mentor disabled kids at a day camp. In the Fall, Robyn would attend the University of California, Berkeley, while Paisley would attend the University of California, Los Angeles. 

“Ms. Davies, will that be a problem?” Catherine repeats, impatience lacing her tone. 

Robyn wishes she could slink lower into her chair and become invisible. Any day but that one. The day meant for her and Paisley. 

“No,” she manages, holding back tears that burn her eyes as they threaten to fall. “No problem at all.” 

*              *              *

Something cold presses against her cheek and she opens her eyes. The large white wolf looms above her, unthreatening. 

Adrenaline rushing through her, she sits up slowly, noticing her crutches beside her. The wolf nudges her arm gently with its nose. Unafraid, she reaches out and scratches behind the wolf’s ears and strokes the top of its head. This is the first time she’s touched the wolf, the first time she’s run her fingers through its soft, white fur. Excitement courses through her. She’s bonding with this animal now, building trust. 

“You want to show me something?”

The wolf’s ears perk up, nudging her with its nose before backing away and giving an encouraging howl-bark. 

“You want me to follow you?”

The wolf whimpers, trotting ahead. Robyn grabs her crutches and stands, following the mysterious creature. They’re surrounded by thick brush and darkness. She squints to see the wolf’s shape ahead of her, feeling like Dorothy following Toto straight into the center of a whirling tornado. 

“Well, this isn’t the Yellow Brick Road,” she mutters under her breath. 

The wolf moves farther away, now completely enveloped by the darkness. 

“Hey, wait up!”

Cold air bites at her skin as she shivers, an unsettling feeling washing over her. 

Suddenly, she hears the faintest whisper. A teenage boy’s voice.

“Help me…”

*              *              *

“…Robyn?”

The voice startles Robyn awake. She finds herself on her bed with a spiral notebook open in her lap and Paisley staring at her, a worried expression on her face. 

“What?”

“Are you okay?” Paisley asks. “You’ve been out of it for, like, an hour or so. I know Pre-Calc is boring as hell. I don’t blame you. Should we switch to another subject?”

Robyn sighs, running her hands through her hair. “No, just… Maybe a study date was a bad idea.”

Paisley closes her Pre-Calculus textbook. “Movie, instead? I could always use a re-watch of Finding Dory. Or how about a Crazy Ex-Girlfriend marathon?”

Robyn tears her gaze away from her girlfriend, trying not to cry. She doesn’t want to break Paisley’s heart, but she knows she must tell her about her imminent journey ahead. “Paisley… we’re not going to senior prom tomorrow night and it’s all my fault. I’m going into the Depths. There’s someone trapped there and I—” 

Color drains from Paisley’s face. “Wait, what? On the night of our senior prom?”

Robyn meets Paisley’s gaze. “I told Catherine I would go. That was before I knew it was the same night.”

“And when exactly were you planning on telling me this, Robyn? Prom was supposed to be our night. One last hurrah before we graduate.”

“I’m so sorry, Paisley, but I have to do this. I need to show Catherine that I’m capable enough to—”

“So, that’s what this is about?!” Paisley exclaims. “You’d rather kiss Catherine’s self-righteous ass than go to prom with me! I bought a prom dress months ago!”

“I know, but—” 

“No, you don’t know, and you obviously don’t care enough about me or about us if you’d rather play up to some woman who doesn’t even like you. It’s fine. I’ll just go solo to our senior prom and drown my feelings in fruit punch and Sarah McLachlan.”

Paisley shoves her textbook in her backpack, zips it up and rolls to Robyn’s bedroom door.

“Paisley, wait. Don’t do this. Please…”

She doesn’t look back. A minute or two later, Robyn hears the front door slam. 

*              *              *

Hands sweating and heart pounding, Robyn tries to calm herself by taking deep breaths and shifting her weight from one leg to another as she balances with her crutches. 

She stands in front of the portal that will take her into the Depths to find Nathan. But first, she must call forth the wolf. 

“Are you sure about this?” Catherine says, looking at Robyn with skepticism. “We can always have a more experienced member of the Council—”

“No,” Robyn insists. “I’ve trained for this. I’m ready. The wolf will come to me. I know it.”

Gripping her crutches tightly, Robyn closes her eyes and focuses on nothing but the image of the beautiful white wolf. Its dark brown eyes and gleaming white fur. Its cold nose pressed against her bare skin. 

Come on… come on… 

A cold breeze wraps itself around her. Then, the air seems to still. 

A familiar whimper. Opening her eyes, the wolf stands before her. No one says a word as they stare at the beautiful creature in awe.

The wolf trots over to Robyn and nuzzles her side, wagging its tail. 

“It’s good to see you, too,” Robyn murmurs. She lifts her right hand to scratch behind the wolf’s ears. 

“Well done, Robyn. But before you go, here are two teleportation crystals that will help you return to our world.” Catherine places the crystals into her hand. Robyn tucks them into the pocket of her jeans. “Now, are you ready?” 

“Yes, I’m ready.”  

With a wave of her hand, Catherine opens the portal, a swirling vortex of purple and black. 

Determined, she steps through the portal as the wolf follows beside her.

She doesn’t know what she’ll come back to, what her relationship will be like with Paisley upon her return. They haven’t spoken to each other since their argument, which was days ago. But she wants to make things work between them.

Before she’s swallowed into the dark abyss, a final thought tugs at the edges of her mind. Barely a whisper. 

I’ll make things right for us again, Paisley. 

*              *              *

She lands on her back, moaning in discomfort as black spots cloud her vision. After a few moments, the world around her stops spinning. The wolf licks her cheek gently.  

“I’m okay. Good… wolf. I’ve been thinking about what I should call you. How about Mist? Do you like that name?”

The wolf whines, nuzzling against her in confirmation. 

Robyn grabs her crutches and stands. She looks around, terrified. The Depths is a forest-like environment shrouded in trees with twisted branches and dirt paths that lead to who-knows-where. 

Maybe this wasn’t such a good idea after all…

“Where do I go?” she says aloud to no one in particular. She glances at Mist. “Do you know where Nathan is? You were going to show me in my dreams when I—” 

Something snaps behind her, but she can’t turn around fast enough to see what it is. 

“Hello?” she calls out tentatively. “Who’s there?” 

Nothing. 

Following Mist further into the darkness, she pushes forward, feet and crutches stumbling through the dirt. Suddenly, the wolf darts off the path. 

“What is it? What’s wrong?” Robyn asks, as she keeps moving. “Do you see something?”

Mist barks, large paws digging into the earth.

“What—Ahh!”

Robyn sinks into a soft patch of quicksand-like dirt. Twisty branches tangle around her legs. Around her crutches. Pulling her into the ground. Waiting to swallow her whole. 

“Shit! HELP!”

This is it. She’s going to be trapped here forever. Just like Nathan. What if it’s already too late for him? 

Laughter erupts and echoes around her, coming from somewhere unseen. 

“It’s about time you showed up here, Kendrick,” a menacing voice says. “I’ve been waiting for you to come back just so I could—Oh, fuck!”

Robyn stares at the familiar face of the teenage boy from the beach, dark hair a tangled, matted mess. He brushes it away, cerulean blue eyes going wide with surprise. His shirt and jeans are ripped at the knees and elbows, caked with forest grime and dirt. 

“You’re not Kendrick,” he mutters. 

“Help me!” Robyn struggles.

“How do I know I can trust you?”

“I’ll explain. Just help me first. Please!”

Mist growls at the teenage boy who glances at the wolf with apprehension. 

“You know this creature?” he asks her. 

“Yes, he came with me to find you. Now, will you help me?”

“He doesn’t seem to like me very much,” the boy replies. “I’ll help you, but tell your snarling dog not to bite me in the ass.”

“His name is Mist and he’s a wolf,” Robyn says, and looks at Mist. “It’s okay, Mist. He’s going to help me.”

Mist stops growling, but both boy and wolf regard each other with caution. 

Carefully, the boy frees her legs from the tangled branches and she fumbles with her crutches, hoping she can find purchase on ground that won’t sink beneath her. As Robyn struggles to stand and he finishes untangling her, Robyn loses her balance again and lands directly on top of him. 

Robyn’s eyes sear with curiosity and determination. An awkward moment of tension passes between them. Robyn pushes herself away from him and grabs her crutches, standing up. 

The boy gets to his feet, still staring at her.

“I saw you get kidnapped on the beach. You are Nathan, aren’t you?”

“Why does it matter?” he counters. “I still don’t know who you are.”

“My name is Robyn. I’m a Caller. The Council sent me.”

He studies her for a moment before answering. “Yeah, I’m Nathan.” 

“Who’s Kendrick? Was he the one who kidnapped you?”

Nathan pales. “He’s… he’s no one. Let’s not talk about him, alright?” Robyn notices dark shadows fall over Nathan’s eyes. 

“Look, I just want to help you.”

“Why should I believe you? Don’t get me wrong. You are cute and all. Not exactly my type, but we could—”

“You know what?” Robyn interrupts. “The Council left out the part about you being a giant dick. Guess I’ll just have to find my way out on my own. Come on, Mist.”

As they begin to walk away, Nathan’s voice stops them. 

“I’ll tell you about Kendrick.”

This gives Robyn pause. Even if she doesn’t like this obnoxious douchebag, she wants to know more. Shifting her weight, she turns to face him. “…If? There has to be an “if,” right?”

He smirks. “If you tell me more about you. You just waltzed right in here wanting to save my ass. I don’t need you to save me when I’ve been surviving just fine on my own. Time works differently here. It’s already been three weeks.”

“Catherine said your dad’s really upset.”

“You don’t know my dad the way I do.”

“Okay, we won’t get into your daddy issues right now,” says Robyn. Nathan huffs indignantly in response. “Who is Kendrick and what does he want with you?”

“It’s not about me. Kendrick is a rogue Caller and he had a major falling out with my dad.”

“So, we are going back to your daddy issues.”

Ignoring her, Nathan continues, “Dad and I haven’t always seen eye-to-eye. Kendrick told me he made a deal with my dad. It backfired on Kendrick, so this was his way of getting revenge.”

“By kidnapping you and trapping you down here?”

“Yup. Lucky me,” Nathan replies. “Come on, I’ll take you to my hideout. It’s not good to be out here in the open for so long.”

*              *              *

“Wow,” Robyn says, looking around Nathan’s hideout. Leaves and twigs are woven intricately together, creating makeshift furnishings inside the cramped space. Some furnishings, such as the bed, are made from unpolished wood, rough but sturdy. 

“Like what you see?” Nathan jokes. “You know I only have one bed.”

“I thought you said I wasn’t your type.”

“You’re not, but that doesn’t mean—” he starts. Robyn rolls her eyes. 

“I have a girlfriend,” she replies. Then,  without missing a beat, “You made all of these things?” 

“I learned quickly,” he replies. “You have to make do with what you have.” Robyn sits on the floor and Mist lies down beside her. 

“Tell me about Kendrick. Why did he trap you here?” 

“Dad never liked working under Catherine. You know how she can be.”

“Yeah, she’s difficult. So, what did your dad do?”

“He’s been working on honing his clairvoyant ability since I was little. But he wanted to find a way to manipulate it, make it more powerful. He came here to see if he could find others to help him strengthen it.” Realization dawns in Robyn’s mind. 

“But he never told Catherine…” she said. Nathan shook his head. 

“No. But, according to Kendrick, my dad found him. They made a deal. My dad would help Kendrick become a member of the Council and Kendrick would help him strengthen his clairvoyant ability. But my dad was too afraid of being kicked out of the Council if he fulfilled Kendrick’s request, so he betrayed Kendrick.”

“Then Kendrick kidnapped you to get revenge on your father.”

 “Pretty much. That’s why I keep waiting for Kendrick to come back, so I can trap him myself. He comes into the Depths to make deals with other rogue Callers. He has a Golden Key that can get us out of here. It can create a portal that would allow us to return to our world. It’s risky, though, because Golden Keys have dark magic and are typically used by rogue Callers to go between worlds. But, I thought, if he trapped me here to begin with, then using the Key is my only way out.” 

“But I got caught in one of your traps instead.”

“Sorry about that.”

“You’re so not,” Robyn says. She reaches down to scratch Mist’s ears.

“So, I told you my story,” Nathan says. “Your turn.”

“What else do you want to know?”

“You just seem defensive,” he says with a shrug. “Like you put up walls around you.”

“Around you, maybe,” she half-heartedly agrees. “But if I wasn’t saving your self-righteous ass, I’d be dancing the night away with my girlfriend at my senior prom.”

“Your senior prom?”

“Yeah, it was happening when I left our world. The one night I promised my girlfriend would be just for us. I’ve missed many of our date nights because of Caller training. When I told her I had to come here instead, we got into a fight and haven’t spoken since,” she sighs. “Anyway, are we settling in for the night? We need to make a game plan for Kendrick’s next appearance.”

“Sounds good to me. Kendrick deserves to rot for what he did.” Nathan’s face softens in the dim light. “I’m sorry about screwing up your senior prom.”

“Goodnight, Nathan.”

*              *              *

They spend the next two weeks setting up various traps for Kendrick around the Depths. One is a fishing net with a pulley system. Another is a metal bear trap. 

“We’re definitely gonna need some more wood,” Nathan tells Robyn as he fiddles with one of their makeshift traps during their second week of trap making. 

“The better wood is in the deeper part of the Depths. You told me not to go there. I might not find my way back.”

“I’ll go,” Nathan says. “Someone needs to stay here and keep watch.”

“And you trust me to do that?” Robyn asks. 

Nathan smirks. “Does that surprise you?”

Robyn licks her parched lips, but doesn’t answer. She glances down at the wolf standing beside her. “At least take Mist with you. He’ll keep you safe.”

Nathan’s gaze shifts from Robyn to Mist and back to Robyn. “Shouldn’t he stay with you?”

“You’re trusting me to watch your hideout. I’m trusting you with my companion,” Robyn replies. “Hey, Mist, go with Nathan for a bit, all right? He needs you.”

“Come on, Mist,” Nathan says. “Let’s go get some more wood.”

“It’s okay, Mist,” Robyn says, giving him a quick scratch behind the ears. 

Mist looks at Robyn longingly before Nathan slaps his thigh. “Come on, boy!”

She watches as Mist trots to Nathan’s side and the two of them disappear into a deeper part of the Depths. 

Some time later, Robyn carefully walks along the dirt path, several feet away from Nathan’s hideout. A gentle gust of wind makes the leaves rustle around her, tree branches swaying low in the semi-darkness. Her thoughts drift to Paisley, imagining the way she’d look in her new dress, hair curled in a fancy updo, body swaying to the beat of the music… 

SNAP! Robyn freezes. 

“Nathan? Mist?”

Silence. 

As she heads back to Nathan’s hideout, someone grabs her from behind. Losing her balance, she falls back on her assailant who wraps an arm around her waist, a knife gleaming in the dim light against her throat.  

“Well, well, Nathan never told me he had a girlfriend,” the leathery whisper grates against her ear. Hot breath sears into her skin as a man’s tall frame towers over her. His raven black hair and piercing emerald green eyes emit a menacing glow in the semi-darkness. 

She gulps. 

Kendrick. She struggles in his grasp, unable to find purchase on the ground with her crutches. 

Damn it.  

 “I’m not his girlfriend!”

“Likely story, sweetheart,” Kendrick sneers. “I saw you two earlier. It’s noble of you to want to save him but, when I slit your throat, all he’ll find is your blood on the ground.” 

“Let her go, Kendrick.” Nathan’s voice echoes from behind them. Kendrick turns around, eyes landing on Nathan. 

“Why should I?”

 “You don’t really want her. I’ve been your target all along, right? You’re the one who trapped me here. So, why don’t you just kill me instead?”

 “Nathan—” Robyn chokes. 

“Killing you right away is too easy. I’d rather watch you suffer, then I’ll kill you,” Kendrick taunts, pushing the knife’s sharp blade closer to Robyn’s neck. “So, why don’t you watch me kill her first?”

Suddenly, a white blur comes out of the darkness and launches at Kendrick. All snarls and sharp white teeth. 

Mist! 

The wolf’s teeth sink into Kendrick’s arm, the one holding the knife against Robyn’s throat. The knife falls from his grasp as he tries to shake off Mist. He drops Robyn, who crumples to the ground, moaning in discomfort. 

“Robyn!” Nathan rushes to her side. “Robyn…”

“I’m… I’m okay,” she manages, struggling to sit up. “Just gonna have a few bad bruises and scrapes.” She watches as Mist drags Kendrick towards one of the traps Nathan set, causing him to stumble and fall, a metal bear trap clamping itself around one of his legs. He howls in pain. Distracted by his leg, he doesn’t immediately notice Nathan digging his fingers into the pockets of Kendrick’s pants in search of the Golden Key. Nathan moves just out of Kendrick’s reach once he finds it. Too quick for Kendrick to grab him. 

“I believe this is mine now,” Nathan tells Kendrick.

“Get back here, foolish boy!” Mist releases Kendrick and returns to Robyn, licking her cheek with his large pink tongue. 

“You saved me,” she whispers into Mist’s thick fur. “Thank you.” Nathan helps Robyn stand and steadies her while she gets her balance. Leaving Kendrick behind, they head back to the exact same location where Robyn and Mist had entered the Depths. 

Robyn reaches into her pocket and pulls out a teleportation crystal. Throws it to the ground. 

They wait. 

Nothing happens.

Robyn throws another crystal to the ground. 

Still no portal. 

“It didn’t work. Why didn’t it work?” Robyn wonders aloud, glancing at Nathan and shifting her weight uneasily. 

“We’ll have to use the Golden Key,” Nathan says. 

“You want to risk using dark magic?” Robyn asks.

“The crystals didn’t work. We don’t have any other choices, do we?” he says. Robyn considers this. 

“All right. But I think we should hold onto each other as we go through the portal. Let’s get out of here.” Nathan places the glowing Golden Key in her open palm. She carefully draws a large circle in front of them, opening a portal. A swirling vortex of burgundy and silver. 

Nathan places an arm around Robyn’s waist. Mist remains pressed lightly against Robyn’s other side as they step through the portal. All three of them connected. The shadowy world of the Depths evaporates.  

Plunging into an abyss of darkness, an unseen force propels them forward and rips them apart. They land with a loud thud on familiar ground. The Council’s warehouse. Groaning, Robyn sits up, noticing Nathan a few feet away. He glances at her, getting to his feet. Next to her, Mist nudges her arm with his nose and whines softly. 

“We made it,” Robyn says, giving Mist a quick pat on the head. She stands up, regaining her balance and Mist remains by her side. She smiles softly at Nathan before looking around at the others in the room. 

Catherine, Peter, Robyn’s parents, and other Council members are there, waiting. Even though she’d spent about two weeks in the Depths, only two days had passed in their world. Robyn’s parents rush to her.

“I’m fine, I’m fine, I promise,” she whispers as they embrace her. 

“We’re just glad you’re okay,” Leslie replies, pressing a kiss into her daughter’s hair. 

“But you need medical attention,” Mark adds, noticing the purple bruises that mar the sides of her face as well as the scrapes on her arms. 

“I know,” Robyn says as she pulls back. “But I want to talk to Paisley first. We got into a huge fight before I left and I need to fix things between us.”

“Sweetheart, your mom and I would feel much better if you got checked out at the hospital first. We’ll take you to Paisley’s house tomorrow.”

“Okay,” Robyn concedes, her heart sinking in disappointment. 

As Robyn leaves the warehouse with her parents, a momentary shiver runs up her spine. It’s so brief she barely notices the uneasy feeling of something calling to her. 

As if some invisible presence lingers around her. A whisper of temptation. The seductive pull of dark magic. 

Waiting.  

*              *              *

The next day, Robyn finds Paisley in her room, both hands clenched nervously in her lap. She’d texted Paisley earlier that morning telling her that they needed to talk and Paisley had reluctantly agreed. 

Paisley maneuvers her power wheelchair, turning to face Robyn standing in the doorway. 

“I’m sorry,” she says. “I should have never said those things to you. I just wanted—”

“Paisley,” Robyn interrupts. “We’ll be on opposite sides of the country this summer and we’re both going to different universities in the Fall. But I’m here now.”

“You’re hurt,” Paisley says, noticing Robyn’s injuries. 

“Just a few scrapes and bruises. I was examined at the hospital last night. I’m fine.” Robyn takes a few steps forward while Paisley stares at her, unconvinced. 

“You’re sure?” she asks. Robyn nods. 

“Absolutely sure. Now, how about a re-watch of Finding Dory?”

A small smile flits across Paisley’s lips as she rolls forward, closing the space between them. Without hesitation, Robyn kisses Paisley passionately. She smells like lilacs, honey, and home.  

 

Lara Ameen (she/her) is a screenwriter, fiction writer, disability activist, and PhD student in Education with an emphasis in Disability Studies at Chapman University. She received an MFA in Screenwriting from California State University, Northridge (CSUN), and a BA in Film Studies with a minor in Disability Studies from UC Berkeley. She has given lectures and presented on panels with prominent actors, writers, and showrunners about disability representation in the media at the Writer’s Digest Novel Writing Conference, Skylight Theatre, American University, Chapman University, CalArts, CSUN, and UCLA. Her scripts have placed in Screencraft’s Bahamas Screenwriters Residency Program, Austin Film Festival Screenplay Competition, and Fresh Voices Screenplay Competition. She is a 2018 recipient of the NBCUniversal Tony Coelho Media Scholarship. Her next piece of short fiction is forthcoming in Disabled Voices Anthology (Rebel Mountain Press) in March 2020. Passionate about intersectional disability representation, she hopes to publish a short story collection as well as Young Adult and Adult fantasy novels about queer disabled characters who save the world. As a screenwriter, she wants to become a showrunner for a supernatural/sci-fi/fantasy TV drama series featuring a diverse cast of disabled characters portrayed by disabled actors. “Caller” is her first published short fiction story.

Twitter: https://twitter.com/trucherrygirl
Instagram: https://instagram.com/trucherrygirl

At Your Dream's Edge

You’ve had the Nightmare app installed for months, but all you’ve ever done is create an account. It’s not that the service is pricey, even though it is. 

It’s because you haven’t needed to use it.

Until now.

Deep breaths. Deep breaths. You have to do this tonight, before you can face your family tomorrow. Before you can spend a day trapped with them. You tap the black-and-white icon. The screen fills with a map, a blue dot pulsing over your apartment. Arcane symbols drift around in a five-block radius of your location. Your thumb hovers over the single button centered at the bottom of the screen.

REQUEST NIGHTMARE.

You want to chicken out. Turn your phone off, get some sleep, face tomorrow as it is, even if you shake the entire time. You’ve never had to deal with your family on such a large scale, but you’ve gotten through one-on-one interactions dozens of times. Surely tomorrow won’t be so different.

But you know it will be. Even the thought of tomorrow makes you feel nauseated.

You have to do this. You have to show yourself that you can deal with worse.

You tap the button.

USER AGREEMENT: YOU AGREE TO HOLD NIGHTMARE, INC. HARMLESS FOR ANY LASTING PSYCHOLOGICAL EFFECTS THAT MAY ARISE FROM CALLING A NIGHTMARE…

Your eyes glaze over as you scroll through the legalese and tap AGREE. You don’t care. It doesn’t matter. 

You need to do this.

CONFIRM REQUEST.

Tap.

CANCEL? 5… 4… 3… 2… 1… 

You let out a breath as the cancel button goes gray, disabled. A circle with an icon of an eye spins on the screen as the app finds you a match. The screen refreshes and centers a single arcane symbol. A line connects the Nightmare and your home.

YOUR NIGHTMARE WILL ARRIVE IN 3 MINUTES.

You swipe up and view the Nightmare’s profile. Gingko. It’s a surprisingly pretty name for a Nightmare. Five stars, twenty-three ratings. They’re new.

You hope they can deliver.

Gingko finds you moments later popping an anti-anxiety pill. Hydroxyzine. Mild, but effective enough to kick in quickly.

Hello.

Their voice makes your bones buzz. They are simultaneously void and not void: a black so deep it transcends color, an emptiness that creates a presence outlined by everything it displaces. They have two pairs of horizontal eyes and one vertical eye centered above those two rows of eyes. Purple-deep irises rimmed with gold turn to focus on you. They are many-limbed and multi-winged, the column of their body fading into a star-dusted nebula of unbeing.

“Hi,” you reply, your throat hoarse. “I’m Em.”

I know.

“This is my first time calling a Nightmare.”

I know.

You tug at the too-tight collar of your shirt. You’ve thought about what a Nightmare would be like before: in the moments when panic consumes you, in the moments when you dissociate and let your mind wander to protect you, you’ve thought about what you’d have a Nightmare do to you, exactly what kind of catharsis you seek, exactly how the Nightmare would tear you asunder.

“Please,” you say. “I’m ready.”

The Nightmare shifts, as if tilting their head and nodding.

Very well.

Reality distorts subtly at first. But that’s always been how it is, isn’t it? An overwhelming feeling of wrongness displaces the calm in you like a stone spilling water. It’s suffocating. You can’t breathe. You can’t breathe.

Gingko watches.

You hold your hands up before you. Is this Gingko’s power? Or is your mind pushing you to unreality again? These are your hands, but they aren’t your hands. You splay your fingers open and shudder—how bizarre it is that electricity crosses synapses and transverses your body to create this instantaneous movement, transverses this husk, this cage. The familiar becomes unfamiliar. The lines on your palms—have they always been twisted and braided as they crease your skin? Forks and branches, wrinkles creating canyons in the membrane of your being.

The realization strikes you then: this is not you. This is not you. You don’t know what you should be, but this is not it.

You want to tear your skin off, claw your way out of this prison. When you catch your reflection in the darkened glass of your windowpane—your crazed, wild eyes, your heaving chest, your clammy, sweaty skin—you don’t recognize it.

This is not you.

Shall I begin?

You turn your gaze back to Gingko. They’re so close now, pressing into the bubble of your space, unblinking.

You nod.

A tendril of void-black reaches out to wrap around your wrist. You expected to feel nothingness, but instead it’s a myriad of contradictory feelings: cold so cold it feels as if it’s burning you, pain so fierce it short-circuits your brain and becomes something else entirely, purely sensation.

You throw yourself into Gingko.

You are a stampede of horses, manes wild and brilliant as they stream out behind you, your many-legged herd rampaging the plains. Twin suns shine down on you and splinter over dozens of racing hooves. Everything is sweat and spit and stink flung into the air; the grass gives way to gravel, gives way to rock, until one by one each horse-you dives over the precipice that appears and falls, falls, falls. You feel the gravity in the pit of twenty stomachs, each leap hooked behind your navel and tugged by a line. The ground is coming up at you and there is nothing you can do to save yourself. The wind tears whinnies from your throats. The first of you hits the ground. The air fills with cracks like gunshots, like fireworks. Over and over and over again, but you never die, only scream from the bedrock as your fifty legs jut out at wrong angles, as your eyes roll wildly from heads stiff on broken necks.

Gingko closes their eyes, then opens them again.

You are tied to a stake and being shot through with arrows. Someone releases a bowstring, the twang its own assault, the whoosh as the arrow cuts through the air mirroring your own intake of breath. The arrowhead buries itself into your side. You arch your back to meet the pain, your ribs straining against muscle and skin. The fletching quivers as you weep. Again: the twang, the whoosh. Another arrow pierces you. You can only take and take and take. An arrow pierces your neck. An arrow pierces your eye. Stop, you want to say, but the word will not come as blood pours from your mouth. Stop, you want to say, but they will never stop. 

You have so much blood to give.

You are an egg now, your shell thick with years and years of calcium. If your shell were cut sagittally, you would see the rings forming your fortress: thin some years, thick during others. A palm touches either side of your shell and begins to press. You are tiny and soft within the egg, embryonic and malleable. You push back against your walls with your translucent hands, your fetal bones so small, so delicate, thinner than a pin. The pressure builds. You will crack. You will crack, and you and your amniotic fluid, you and your tenderness, will spill out and die, thick and coagulated on the ground. The hands push. The hands squeeze. Let me be, you want to demand.

But you haven’t learned yet how to form words. 

The hands want to break you. You can do nothing but yield. Your shell breaks. You are clay with palm prints indenting your form, every finger-skin ridge masking the blueprint of your self.

“Please,” you choke through the fugue, the haze blinding you, “tear me apart.”

I shall.

You are young again, virgin enough that a boy, a man, could cup the curve of your hip in his hand and call you his, and you would be his, the whole of you. You open your mouth.

“I’m not…”

Not what? There are eyes everywhere. Eyes in the sky. Eyes embedded in every wall. Eyes on his hands. Eyes in his mouth.

Eyes all over, and all of them are looking at you, but none of them are seeing you.

So what are you then?

Gingko cradles your jaw in their void tendrils. You don’t remember when you started crying, but tears are streaking your face now, salt abrading your soul. You don’t remember when you fell to your knees, but here you are now, the hardwood digging into your bones. You look up and meet Gingko’s eyes. Each of them blinks at a different time. Their pupils widen as if to devour you.

I will see you.

They do. They see you. They see the fear, the panic, the anxiety whirling in your gut, scrabbling at the walls of your stomach, desperate to unmake you.

You know what you are.

They begin to pull you apart then, their tendrils leaving a wake of devastation on your skin: they rip away your fingernails and expose the tender beds of flesh to the air. They yank your teeth from your skull. They pry your eyes open impossibly wide.

I will see you:

They claw your mouth open, tear your uvula from your throat as if pulling the root of your skull away, the center of your head in their grasp. They open their mouth, rows and rows and rows of dark teeth, and swallow your uvula like bitters.

You are not the monster.

They gouge rivers in your flesh. Carve you away until you’re bone and carnage. Until all you can do is scream and sob, too wracked with pain and horror to do anything else. You’re clinging to Gingko and the void is burning your fingertips away, and you welcome it, oh God, you welcome it.

You welcome it.

Reality fades back in slowly. Bit by bit, piece by piece. Your throat is raw and you have no more tears to offer as libation. You’re shuddering, heaving. You think you might throw up. Gingko watches you from across the room.

You are here.

“Yes,” you croak.

You have survived this.

“Yes.”

You will survive more.

“Yes.”

Your phone buzzes. Your mother is calling. You close your eyes, brace yourself, and tap the icon to answer.

“Emily?”

“Hi, Mama. I told you, it’s Em.”

“Don’t forget to bring a side dish tomorrow.”

“I know.”

“You don’t sound excited. Your auntie Jennifer will be very excited to see her niece again after so long, you know.”

You swallow. Not a niece, you want to say.

“Okay.”

“Cover up your tattoos and don’t be difficult. Love you, Emily.”

“Good night.”

You hang up and stare at the screen.

“It’s Em,” you say after a moment.

I know, Gingko replies.

“She’s going to introduce me to everyone as Emily. They’re all going to use the wrong pronouns.”

You survived this. You will survive tomorrow.

A notification pops up for the Nightmare app. Gingko has concluded your session. You pay the bill and leave a hefty tip and a five-star review.

Thank you.

“No,” you say, wrapping your arms around yourself. “Thank you.”

Gingko disappears as silently as they arrived.

You know what you are.

You survived this.

You will survive tomorrow.

 

S. Qiouyi Lu (they/them) writes, translates, and edits between two coasts of the Pacific. Their fiction and poetry have appeared in Asimov’s, F&SF, and Strange Horizons, and their translations have appeared in Clarkesworld. They edit the flash fiction and poetry magazine Arsenika.

You can find out more about S. at their website, https://s.qiouyi.lu

First published in The Magazine of Fantasy & Science Fiction, March/April 2019.

The Sea of Faith

The Sea of Faith
Was once, too, at the full, and round earth’s shore
Lay like the folds of a bright girdle furled.
But now I only hear
Its melancholy, long withdrawing roar,
Retreating, to the breath
Of the night-wind, down the vast edges drear
And naked shingles of the world.

— Matthew Arnold, “Dover Beach”


The gates to the City of the Dead were rusting despite best efforts to maintain them; when the deadbolt was broken they swung inward, clanging and creaking. Peridot flinched at the sound — anyone for miles could have heard it. She dropped her bolt cutters and switched off her flashlight, and moved blindly into the labyrinth.

The North Mausoleum rose high above her, display cases rising six feet high and what seemed like a mile long. It wasn’t a mile, she knew. It was only a quarter of that, as it currently stood. In the dark, though, everything loomed larger.

The roaming guards swept through the Mausoleum before she could get seven yards in; she lay down in the grass and waited for them to pass, still and silent as a stone angel. They passed without so much as a glance in her direction.

After a few beats, Peridot switched the light back on. The next sweep would come by in a quarter of an hour. She had exactly nine hundred seconds to move.

Alastair’s moriai was housed in the West Mausoleum. Row 3, Column 10, to be precise. Peridot knew the number by heart, but it would be hard to find in the dark. All lights were kept off in the City of the Dead, due to the superstition that said spirits were drawn to light. Peridot didn’t believe in spirits — if Alastair was still around, she would have come to visit. It was impossible to imagine she wouldn’t.

She veered right, breaking into a run when she hit grass. Benches and thorn bushes rose up to meet her, narrowly missing her shins. In the shadows, clusters of In Memoriam trees and flowers looked like the grasping hands of revenants.

Peridot skidded and stumbled entering the West Mausoleum, tile squeaking under her feet. Her heart was pounding. Without a crowd to follow, it seemed so much easier to be swallowed up by the labyrinth.

Seven minutes had passed. Eight minutes remained until the next sweep — still, there was always a chance that someone could see her, a custodian maybe, or a chaplain keeping vigil. Being caught in the City of the Dead after dark meant being chained to a tree and left for the spirits. The penalty was a scare tactic more than anything, and it didn’t scare her. No one had ever been killed by spirits, though some reported scratches and bruises. What scared her more was the thought of being caught later, with Alastair’s moriai in her hand. The punishment for stealing from or defiling the City of the Dead was total erasure. She would be sunk into the Sea of Peace, her thread of life with her, and mention of her name would be forbidden.

Four minutes remained, and lost in thought she’d come closer to her destination than she realized. She switched off her light; she could find the case she wanted by memory now, even in the dark. She visited often enough.  She walked faster.

She cut through the edges of the glass with a jewelry knife, or started to anyway -- halfway through, she heard the sounds of footsteps. The next sweep. She cursed.

Peridot ran to the tree planted in the center of the hall, and she jumped into its branches. The branches held her while she prayed.

Ten minutes she remained there. Guards came by with flashlights, stunners on their belts. They didn’t find her — by the way they ambled, by their chuckling conversation, Peridot suspected they weren’t looking that hard. It was a lazy hour of the night, close to the changing of the guard. They were going through the motions, waiting to be sent home.

Peridot took a breath and dropped down once they’d passed. The nine hundred seconds began. This time, she didn’t dare turn on her light.

When the glass panel came free, she let it fall and shatter as she seized Alastair’s moriai. Let the guards find it on their next sweep — she would be long gone by then.

*              *              *

What modern historians knew as Olympia began, as so many of history’s dark chapters have, with roundups. It began with trains. It began with walls.

People from Tucson to Helena saw the walls go up. Flimsy sheet-metal things they were at first (soon they would be reinforced), but already taller than three men standing on each other’s shoulders. Too tall to see over. People whispered, but they didn’t protest. They had a good idea what the walls were there for.

The trains went east first, emptying the cities of survivors. They emptied Boise, Salt Lake, Phoenix and Olympia — the Columbia of the future, the city where a new nation would one day be declared. The once-bustling streets of Sacramento, San Francisco, San Diego and Los Angeles were left empty, cities of dreams no longer. Provo and Reno, Great Falls and Twin Falls, Portland and Seattle — no city was spared. Scientists hadn’t discovered the so-called scarab gene, yet; they had only just designated the illness sweeping the nation as Marjorie Gilbert’s Disease, after the news anchor who bravely announced her diagnosis to the world on live TV. They knew that there was a pandemic, and that some miracle of the Goddess Nature kept some people immune to it. That was all they knew.

Mutations on the Hemoglobin-Beta 11 gene make their carriers immune to malaria. They also cause sickle-cell anemia. Human genetics are often a double-edged sword and the scarab (named for a symbol of health and death in Ancient Egypt) was no different. When a new wave of whooping cough hit the United States of America in the mid twenty-first, our bodies dutifully transformed to stop it. Sighs of relief all around — that is, until recovery turned into a raging fever, and seizures, and sudden death. There was no identified Patient Zero. No one could be sure when it began. More of the population got whooping cough, and more recovered, and about half of them died soon after.

No stone was left unturned in search of the carriers of this unnamed biological time bomb, and more importantly, in search of people who weren't carriers.

The carriers were left behind. The loved ones who refused to leave, who wished to stay with their sick relatives, were brought along kicking and screaming. It’s all for the future, the soldiers said. Think of your children. Think of the generations to come.

Once the last train had come east, the first went west. These trains were much fuller, loaded to their brims with the sick and dying. Lieutenant Nikitha Morris of the National Guard told her wife, years later, about the one patient who stuck out to her among the anonymous hopeless faces: an old black man singing Sister Rosetta Tharpe in a melancholy baritone. This train is bound for glory, this train.

*              *              *

Malachi roused her at noon, after she fell asleep at her workbench. Thankfully, Alastair’s moriai was hidden behind her toolbox, under the scrappy old shirt she wore to clean or paint.

“You know you’re working with the lights off?” ze greeted her.

“Hm?” She rubbed her eyes. “Oh — oh, God. How long did I sleep?”

“I don’t know. I don’t even know when you got out of bed and came down here.” Malachi sat down beside her. “How are you feeling?”

Peridot didn’t meet her sib’s eyes. She didn’t like meeting people’s eyes, even the people she knew; she looked at their moriais first, despite how impolite it seemed. She’d been taught over and over not to make judgements based on what was on someone’s life-thread, and she didn’t make judgements. It was just easier to look at the beads than to analyze someone’s face. People’s faces were complicated and difficult, a language she didn’t speak.

Malachi wore hir moriai pinned to a bright red patch of fabric on hir jeans. Nineteen beads, all the red-tinged white of California. A Mercury symbol hung on the end, engraved with hir name: Malachi Yew Bradstreet. Plus a tag designating hir a student of the San Angelo School of Mechanics, and a similar one for the factory ze worked at on the weekends. Malachi didn’t have a religion symbol, or a religion for that matter. Their parents belonged to the Temple of Moroni — most people in their state did — but they had never pressured either of their children to join. Peridot joined the Church of the Goddess when she married Alastair, but Malachi seemed content with where ze was. Ze’d always been a thoughtful and a happy person. Maybe it wouldn’t last forever, but at the moment, it seemed ze had all the meaning in life that ze needed.

“What did you come down here for, anyway?” ze asked.  Peridot shrugged. 

“I couldn’t sleep. Aren’t you supposed to be at school? Don’t you have a class right now?”

“Not today. Prof’s having a baby. Why are you working with the lights off?”

Peridot furrowed her brow and looked around, like she hadn’t noticed the lights were off. (She had. She felt safer knowing nobody could look through the little basement window and see her.) “Was I? Fuck, I guess I was.” She ran her hands through her hair, and her agitation wasn’t false. “Switch them on for me?”

Malachi rose, and wordlessly flipped every lightswitch.

“Thanks. I know I’m acting off,” Peridot said. “And I’m sorry. It’s just…I’m just….” Her eyes filled with real tears. 

“Hey, sis, I get it. We all get it. I miss Alastair too, though I know it can’t be nearly as much as you do.”

“Can I ask you something, Malachi?”

Ze shrugged. “Sure. Anything.”

“We haven’t talked about her since the funeral — about what happened, I mean. Do you…I mean, have you thought about it at all? Do you think Alastair killed herself? Do you think she’s dead at all? I mean, all we found was her moriai by the seaside. We never found a body.”

Peridot saw hir heart jump into hir throat; it wasn’t a question ze had expected, or wanted. “I don’t know, Peridot. I really don’t. That’s something I try not to think about it.”

She nodded. “Okay. You don’t have to have an answer. I just wanted to ask.” She should know better, she thought, than to go looking for answers to the unanswerable. Alastair should have known better.

Some things were better left as questions.

*              *              *

The first Temple of Moroni was much smaller in Peridot’s day than it had once been. When the trains first arrived, those who had never seen the Salt Lake City LDS Temple had thought it was a castle.

The Temple itself was closed off, but a field hospital had been set up just beyond. Similar hospitals had been set up in the big cities -- Phoenix, Vegas, LA, Portland, et cetera -- but also in suburbs and small towns and out in the middle of forests or fields. The relief was spearheaded by the Catholic Church, the JDC, a few secular relief groups and the UN. The UN was the first to be ushered out. The Catholics were the last to go. The camps emptied out except for the dying and the dead.

A woman known only as Tali O. left behind a diary, describing the sense of foreboding she felt in the empty days. I think about the trains and I think about my Oma’s stories, I think about Nuremberg and death. I thought it was a horrible thing to think, I shouldn’t put such dark motives on the people who wish to save the lives of everyone out there, but I can’t help thinking that death waits here. I can feel it here. You have dealt goodness to your servant, O Lord, in accordance to your promise. Teach me the goodness and wisdom of the Torah’s reasons, for I believe in your commandments. Tali O. was halfway through transcribing Tehillim 119:834 when her writings end abruptly — presumably when the first bombs began to fall.

*              *              *

Alastair’s moriai was short, too short — only thirty-two beads, twenty the blue and gold of Oregon, the rest California-colored. The Venus symbol on the end read Alastair St. James McKinley; Peridot remembered what a headache it was to convince the Department of Living History that Alastair didn’t want to change her name, she only wanted it set on a Venus symbol instead of a Mars. She liked her name. She didn’t intend to change it because that’s what was the tradition when one transitioned. Tradition in general meant jack shit to Alastair.

Her work tag was from the San Angelo Office of the DLH, something Peridot was pretty sure wouldn’t have lasted long. Alastair never stayed at one job for more than five years. The demand for archivists was too high, and she was too restless. Her religion marker, the same expertly polished steel as her gender marker, was the three-moon symbol of the Church of the Goddess. And her wedding ring hung on the moriai too. She’d taken it off her finger, just before she died, and attached it to the thread. That more than anything told Peridot that Alastair had known she was going to die.

And now the detritus of her life lay scattered across Peridot’s workspace.

Peridot Bradstreet was a jeweler, and had been since she turned fifteen — old enough to apprentice. On the other side of the walls, that would afford her little prestige. She might make good money, depending on her clients, but she would live out her days as an anonymous craftsperson. Not so in Olympia. Here, jewelers were deeply valued public servants. The moriais they created were a record of every new birth, a record that would survive after every death.

Alastair had been an archivist, a curator, a librarian — positions that afforded her the same amount of respect as Peridot, though her job was more about the long-dead than the newly born. Alastair’s job gave her access to tools most people weren’t afforded. She could use the computers in the archives, something that made her the envy of technophiles all across San Angelo. She still wasn’t allowed a personal computer — that was a privilege only afforded to a few elite officials — but there was, nonetheless, one hidden in a closet within Peridot’s workroom. 

A family heirloom, Alastair had claimed. I’ve kept it up all these years, I don’t see any reason to let such a useful thing go to waste in some junkyard.

Inside her hollow Goddess charm, now in pieces, Alastair had left a note, containing a single word. The password to her computer.

Answers, maybe. Peridot wasn’t sure she wanted them.

*              *              *

History is easier to comprehend, Awiti Bremischer thought, when broken down into numbers. The end of the world was easier to comprehend, that way.

327,200,000: the number of people in the United States of America when the whooping cough outbreak began.

100: the amount of people who died from the cough before Gilbert’s Disease.

Approximately 13,000,000: the number of Gilbert’s-related deaths before an emergency order closed off the states of Utah, Arizona, Idaho, Washington, Oregon, Nevada, California, and parts of Wyoming and Montana.

Approximately 25,000,000: the number of people who fled the United States during the outbreak. Many moved north to Canada or south to Mexico before the borders closed. Many more went back to ancestral homelands — China, Poland, Belize, Vietnam, France, India, Nigeria, Jamaica — by plane or ship, before the airports and seaports were both closed. Many more found their way out after that, one way or another. There’s always a way out, depending on what you’re willing to sacrifice.

9,936,000: the number sent to or sealed inside the newly-built quarantine country.

4,510,000: the number that died of Gilbert’s behind the walls.

Approximately 2,560,000: the number that died when the US took a dramatic final step in ending the fever’s spread. Firebombs weren’t enough to stop another 2,000,000 from succumbing.

331,200. Three hundred thirty-one thousand, and two hundred. That was how many survived after — mercy of mercies — a vaccine for Gilbert’s was developed by Olympian doctors, who couldn’t be saved by their own invention.

Awiti’s secret job gave him access to material most people never saw or dreamed of. He was one of the few people in Olympia allowed a personal computer and access to the Internet. The Internet showed him everything from American news to world news to unedited Bibles and history books. He’d read the documents from the Olympia, Washington conference that officially gave rise to his country.

It made perfect sense to him that the US firebombing of the quarantine country wasn’t in Olympian history books. In fact, those books make no mention of a quarantine at all. They say that Olympians are descended from the only survivors of a totally devastating plague. Everyone to the east was wiped out.

It made perfect sense, from an isolationist standpoint: telling the people that there was nothing beyond the walls kept them from going looking. It kept Olympia from being exposed again to the harm Americans could inflict on them. It kept them from realizing what they truly were.

But, to Awiti, it also made sense from a personal standpoint. 

We’re dead to them, the last living ones thought. Might as well make the best of it. Might as well build a nation in this graveyard.

*              *              *

Now Peridot understood.

Alastair had killed herself, maybe. She had known the risks when she followed her map outside, and she determined that the rewards were worth it. Alastair could be dead. She could be alive, too, but Peridot didn’t allow herself to focus on that. Easier to keep her dead, for now.

Olympia was surrounded on all sides by vast expanses. To the west was the Sea of Peace, an expanse of salty green water, endless. To the north and south were expanses of nothingness — Canada and Mexico, if those places still existed. They were sealed off by barbed wire and landmines; what was beyond remained unknown, unknowable.  Here there be dragons.

To the west, beyond the walls, there was the desert. A sea of red Earth, stretching as far as the eye could see, with more unknown beyond it.

The United States. The United States was a place that still existed.

The only things Alastair had saved on her computer were a map of that nation and a history book that taught her the truth.

The United States was where Alastair was, in soul or body. It was where she waited for her wife.

*              *              *

“Alright, thank you, Mr. Bremischer. See you next week,” River Hesse concluded, professional as a therapist with a client. River didn’t talk to his own therapist about Awiti Bremischer, of course. That name, that man and his information, were highly confidential. But everyone knew at least some details of the Olympia Project, so he felt comfortable speaking of the stress his involvement in the hundred-year-long endeavor put him under.

He shut off the computer and sighed, deeply.

River hadn’t yet told Bremischer that he was to be the last of the Project’s interviewees. When he died, America would land a helicopter in Olympia and offer to let the lost states rejoin the Union. No one had any idea how it would go. It could kickstart a war — a war that would inevitably devastate the smaller, newer country. But “forward with reckless abandon” had been the direction of the US for three centuries at least--and maybe since the nation’s birth--and it wasn’t about to stop or turn around now.

Keeping the survivors of the ill-advised bombings sealed off from the world had originally been a safety measure, to stop the spread of disease. Soon, though, scientists realized the opportunity they had in their hands. The quarantined had split off from the American way of life entirely. They were writing their own history books. They were forming religions. They were building a culture from the ground up, from dust. No anthropologists had witnessed this happen in real time. It was unlikely they would ever get another chance to do so. Was it unethical? Hell yes, it was unethical. And yet three generations of River Hesses had jumped at the chance.

River packed up the dregs of his day and clocked off. He was thinking of making an emergency appointment with his therapist.

River Hesse longed for Olympia. He’d met the refugees; he knew there were people desperate to get out. He knew it was a poor place, much of its land barren, with a government that withheld information and executed people at the smallest provocation. But the lives that trans people like him had in Olympia were something he would kill for. He wanted to jump that wall, just to get a taste of that effortless acceptance.

Halfway through his walk home, River pulled out his phone and dialed Dr. Murray’s number.

*              *              *

There had been no attempts to maintain the walls, and they were rusted to Hell. The area around them was desolately empty. No one came too close, for those walls marked the edge of the world. Guards manned towers spaced a half-mile from each other, but a lone person at the base of the walls was a rare sight.

Peridot didn’t wait for night. The guards and bystanders wouldn’t stop her, wouldn’t try to save her. If anything, she wanted to be seen. She wanted to inspire their awe.

She removed her moriai and hung it on a nail. Whether she died out there or not, her grave would be in Olympia.

She placed what was left of Alastair’s moriai beside it, their stories intertwining. Peridot didn’t believe in spirits. She didn’t want to take the chance. If she died, she would be beside her wife.

She climbed.

A small crowd stopped to watch, but most people passed on by. As if it was bad luck to watch a crazy person too closely. As if the suicidal impulse might be catching.

Peridot kept climbing.

Her fingers were bleeding by the time she reached the top. She couldn’t look down; the dizziness was nearly enough to make her lose her grip. When she crested the wall, the only way to look was out.

A sea of red stretched out beneath her. In the heat of the day, the air rolled and jumped like waves.

Peridot had only seen the real sea once before. It staggered her then, just as this desert staggered her — the hugeness of it, like the sky fallen to the ground. It could swallow you, it could swallow millions, and still have space between the bodies.

The climb down was easier than the climb to the top. As she climbed, the crowd on the other side dissipated, counting her as lost. They murmured, but still they were afraid to speak too much of it; they dreaded having to break the news to Peridot’s family. Her deadly curiosity wasn’t something to be spread.

Peridot reached the ground. With one step, and then another, she let the newly-glimpsed sea swallow her.

 

K. Noel Moore (they/them) is a writer of fiction (mostly genre) and poetry from Atlanta. Their work has previously been featured in Twist In Time Magazine, Homology Lit, Bewildering Stories, and many more; their most recent book, the fantasy novella Incendiary Devices, was released in December.

Twitter: https://twitter.com/mysterioustales
Website: https://knoeltales.wordpress.com/