A Lover's Guide to Vampire Slaying

1.        Before handling the body, tie a head of garlic to the lining of your coat. This is for protection: even her smell cannot touch you.

2.        Dig a hole nine feet deep into good, solid ground. Nine is the number of days it will take for her soul to reach heaven. Pray she does not linger. Assuming she is not especially late or (heaven forbid) too early, she will wake the night after she is buried. Ideally, she will spend a night cracking open the wood of her coffin, and eight nights crawling her way up through the dirt. Also ideally, she will have at least a foot of ground left to go before her will runs out. Proper burial is the first line of defense.

3.        In the days leading up to her burial, make a net to place in the coffin. Make sure it is made up of strong, convoluted knots. When she wakes she will have to stop and untangle each one before she can move on.

4.        Bury her with an iron hook around her throat. When she wakes she will start forward, reaching for the net or, if mourning made you negligent, straight for the lid of the coffin. Struggle enough and the iron will strangle her. Even better: one wrong move and the hook’s spike will skewer her throat.

5.        After nine days have passed, dig her back up again. Bring a wooden stake. Make sure it is very sharp, and preferably made of white oak. Bring a crowd of people—it is always harder to face monsters on your own. Spectators provide an incentive to not bend, to not cry.

6.        In the event that she is dripping blood. That it is spilling from her mouth to pool in the bottom of the coffin. That it is staining the wood red. That she is bloated with it, her belly pregnant with rot, if the stitches that once sewed her mouth closed have burst and she is open, her body nothing but a gaping wound leaking and saturated with—

7.        In the event that she is dripping blood, thus making her vampirism clear for all to see, strike once with your stake into the center of her belly. Only strike once: another blow will only bring her back again.

8.        Do not be alarmed if she screams.

9.        Do not be alarmed if her screams follow you, if they echo in your ears. If when you try to fall asleep at night the only thing behind your eyelids is the cursed husk that once was her body. It is an unfortunate truth that vampire slaying is sometimes followed by nightmares, nightmares made all the more terrible by kinder memories: how soft that now bloated flesh once felt, how salty-sweet it tasted, the shiver of those unnaturally long nails tracing goose bumps into your skin when they were freshly manicured and not crusted with blood. How those teeth—they weren’t always so sharp—sunk into your neck. It is an unfortunate truth that killing monsters sometimes comes with hard lessons. You may learn what it is to see a lover deflate so completely, crumple into herself after one simple strike, her neck already mangled and her hands tangled in rope. You may learn that all beauty rots, once it’s put into the ground. You may learn that garlic doesn’t always stop the smell.

 

Bankston Creech (she/they) is from Alabama but studies in Bryn Mawr, Pennsylvania. She's interested in fantasy, horror, history, and lives for the intersection of all three. You can find them on twitter talking about queer monsters at @femmedirt.

Let the Right One Out

On a lonely suburban street in England, a grey Mercedes pulled into a driveway in front of a cottage. The driver, a caucasian man clad in black robes with a white collar, slid the car into park. He looked right to his passenger, a middle-aged latina woman in a habit. “Father,” she remarked, “are you quite sure that we should be here? You yourself told me once that ninety-nine out of every hundred possessions are just rumor and hysteria. If we aren’t needed, we could do more harm than good.”

“You’re right,” the priest said, “but this case has all the hallmarks of a true demonic attack. Strange shadows, sleeplessness, voices…” The priest’s hand slipped around the cross that hung always at his neck. He mouthed the beginning of the Our Father, words ingrained so deep in his brain he didn’t need to focus on the effort. “Come on. We shouldn’t waste the daylight.”

Together, the pair exited their car and walked up the short driveway to the home in front of them. It was plain to the point of austerity, just one floor of whitewashed bricks with a roof of black shingles. There wasn’t even a garage; the residents’ car languished in the driveway next to the priest’s mercedes. The door, like the rest of the structure, was featureless except for a carved effigy of Jesus Christ on the cross that hung upside-down from its center.

“Oh, my,” the priest whispered. He grasped the nun’s shoulder for support. “They were right. It’s here. We’re too late.”

“Not yet we’re not,” the nun said. “Not if we can exorcise the demonic spirit before it crushes the original soul of its host. Come on! There’s no time for despair now.” She rang the doorbell, and a furtive woman greeted them. She looked horrible. Her skin was pale, not just pink but pallid from the exhaustion that showed in the bags under her eyes.

“Are you here about the possession? Are you Father Emmanuel?” she asked once she recognized her guests’ clothing. “Come on in.” The woman led them inside the home to a dimly-lit den where her husband already sat on a sofa. She joined him. The priest and the nun took places across from them on two chairs.

The entire house was only dimly illuminated. Scented candles made a valiant effort, but they were proving a poor substitute for electric lighting as the sun set outside. “The lights went out four days ago,” the husband explained when he saw the guests glancing around. “We’ve tried new bulbs, flashlights, and electric lanterns. Nothing works if it’s electronic.”

Emmanuel wasn’t surprised. He could feel the malevolence in this place, a greasy hatred that clung to the walls like spiderwebs, unspoken yet never unknown. He sighed. “You were right to call us. There is something unnatural in your home. For it to be so powerful, it must have been here for a very long time, feeding and growing.”

“What is it, Father Emmanuel?” the man asked.

“There are beings that do not belong in this world,” Emmanuel said. “Corrupted reflections of human traits granted autonomy. Many people call them demons. Me, I prefer to think of them as malignant patterns. They spread, and they cause pain.” At this, the mother started to tear up.

“What does it want with our son?” she moaned.

“These patterns, they cannot exist without human complicity. They need us, in a sick way, or at least they need a certain version of us. When a corrupt pattern finds someone rendered weak by emotional turmoil, it slips inside their mind so it can feed on their strife to grow strong. It tries to claim ownership of them. That’s where the word possession comes from – the twisted notion that one entity can lay claim to another. As it grows, it warps the host in its own image until the possession is complete. The host’s own identity is lost, and they become unrecognizable. But we won’t let that happen here. I won’t lie to you two: this is a very dangerous situation. A lot could go wrong. That’s why it’s important that you tell Sister Bernadette and I everything about what’s happening, no matter how insignificant it might seem. Do you understand?”

The couple nodded. “It started a couple months ago,” the mother began. “Andy was always so happy, so normal, and then all of a sudden he wasn’t. He changed. He started rebelling. He would stay out late, and he would get really squirrely whenever one of us talked to him, but that’s not all. He did things that young men just don’t do.”

“What sorts of things?” Bernadette prompted. Her carefully neutral face betrayed nothing of her thoughts.

“Well, he would wear strange clothes, not men’s clothes, and he would put on–” she took a deep breath – “he would put on makeup like a girl, and he would paint his nails,” she sobbed. “I even see him wearing a bra sometimes! It’s just not normal, Father Emmanuel!”

“I swear that we will do everything we can to help your child,” Emmanuel said, “no matter what it takes.” Neither of the parents seemed to notice the gender-neutral turn of phrase that he employed. “I know that this must be hard for you. Some of your child’s behaviors may conflict with your own views. I just have a few more questions. Does it seem like they’re fighting something? Do they struggle with these behaviors as you do, vacillating from resistance to acceptance?”

“Yes, that’s exactly right,” the father commented. “It’s like Andy is trying to push out whatever demon is in his mind, and he can’t manage it. But maybe you can.”

“Show us to the child’s room,” Bernadette said, “and whatever happens, do not interfere. The exorcism is a delicate ritual. If anything disrupts it, there is a chance that it will simply make the situation worse.”

“You will have whatever you need,” the man agreed. “Follow me.” The parents led them down a grim hallway to a door. There was a child’s drawing on it, messy, that depicted three stick figures standing in front of a gray house: Mommy, Daddy and Andy. A single black line bifurcated that last name.

“Exorcisms can be… disturbing for outsiders to witness, so I would recommend that you remain outside if you feel comfortable doing so. I will see you both after our business is done,” Emmanuel Cruce assured them. “Sister Bernadette will keep you company.” 

The parents’ nervous whispers followed him inside as he closed the door behind him. “Are you sure about this? I looked him up, and I don’t think he’s a real priest at all. They talk about him online. He’s a quack.”

“Shut up, he’ll hear you. If he can help our son, nothing else matters.”

Emmanuel was indeed not a ‘real priest,’ although he was a man devoted to the Primordial Truths that Christians called God. This was quite fortunate, because most real priests would be terribly, perhaps lethally unprepared to face a demon.

The child that the parents had called ‘Andy’ was sitting on a bed next to a lavish nightstand. Their skin, much like that of their mother, was pale to an unhealthy extent, and their eyes were red from crying. They wore bland, featureless, unisex pajamas. “You’re here to fix me,” they said. “I heard Mom and Dad talking about you.

“Do you need fixing?” Emmanuel queried.

They didn’t answer.

“Do you mind if I examine your possessions? I don’t wish to invade your privacy.”

“Go ahead,” they murmured miserably. “Mom and Dad already know everything. There’s no way for me to hide it anymore.”

Emmanuel began a careful search of the child’s room. Most of the possessions were pedestrian in nature, and yet a few seemed to confirm his initial suspicion that there was a supernatural element to their affliction as well as a mundane one. Mixed in with the men’s clothes were women’s attire, tops, shorts, and even a few skirts. The underwear drawer in particular bore host to a significant quantity of lingerie, with both bras and panties well-represented. Next, Emmanuel moved to the nightstand, which was laden with makeup. There were several shades of lipstick, an eyeshadow palette, gel eyeliners, blush, and a mineral foundation, along with a small bottle of black nail polish. While the exorcist conducted his search, the child looked on in abject revulsion, although Cruce couldn’t exactly say whether they were disgusted with him or themselves. Possibly both. Probably both.

There was a small journal on the bed next to the child. The cover had once been host to a number of intricate drawings, but now it was stained with tears that had smudged them to the point of ignominy. A pattern began to emerge as Cruce flipped through the pages:

It comes at night. It walks in my skin, it speaks with my voice, but it isn’t me. I can’t control it. It makes me do things that I don’t want to want to do, things I know that I shouldn’t want. It moves me like a puppet on strings. I tell myself I hate it, but really I don’t.

The worst part of it all isn’t that I can’t stop myself. It’s that I don’t want to. I like it. It makes me feel good. I know that it’s wrong, and I still want it. Why am I broken inside?

I can’t go to sleep. It speaks to me in my dreams. It whispers what could be, what I could be. It’s dangerous to listen, but it’s so beautiful.

Even if I stop, I can’t go back. I’m too far gone, too broken. I’ve seen too much. I’ve done too much to ever go back to being a normal boy. I didn’t ask for any of this.

There were two sets of writing in the journal. At first, the differences were so subtle that Cruce couldn’t pick up on them. The first style was all erratic lines and jumbled diction, like the writer’s mind was falling apart and spilling out onto the page without any greater thought, and the second was elegant and gothic, a darkly beautiful font that promised forbidden revelations to any who dared plumb the inky depths of its writers’ mind. It was this second style which exposed more of the truths of what was happening:

I am not Andy. I am not a boy. I am not a boy. I am not a boy. I am not a boy I am not a boy am not a boy am not a boy not boy not boy not boy not boy notboynotboynotboynotboy…

My name is Crow Johnson (This particular sentence was accompanied by a beautiful charcoal rendition of black feathered wings that swept out from the words to trail off of the page).

I want to be called they. I don’t want to be a boy or a girl (These words were crossed out with hateful red ink, and in their place, non-binary? was scrawled, accompanied by a hopeful question mark).

I don’t know what I am. I don’t know what’s happening to me. I just know that I’m not Andy, and I’m not a boy.

Emmanuel sat down on the bed next to Crow. He positioned himself where he was about two feet away from them. “Do you want to talk about it?” he asked. He received no response from the figure on the bed other than muffled crying. “Crow?” he prompted again.

Crow looked up at him with dead eyes. “How did you know – nevermind. It’s not my name. It’s the demon’s name. That’s why you’re here. I’m not stupid. I know what’s happening to me.” The lie was heartbreakingly obvious to anyone who deigned to listen for it.

“Do you really?” Emmanuel questioned.

“No!” Crow shrieked. “I have no idea what’s happening to me! I have no idea, who I am, and I can’t tell what’s real and what’s not anymore. I can’t tell what’s me and what’s not anymore. It’s like I don’t know if I’m dreaming or awake. I’m so confused.” Emmanuel let them continue without interruption. Sometimes that was best. “What feels real? What feels like you?”

“The demon’s dream feels real,” Crow said. “Andy feels like the dream. But that’s because I’m possessed, isn’t it? That’s because the demon wants to make me not be a boy.”

“Maybe,” Cruce said, “or maybe not.” He gazed at the shadow on the wall behind the teenager. It opened its jaws, too wide, to smile at him. “Demons feed on suffering, on self-destruction. So tell me, if you feel, deep down in your heart, a sense of peace and happiness when you leave a male identity behind… why would a demon want that?”

“Because I’m not a boy,” Crow said. There were tears forming in their eyes, and they shot forward and wrapped their arms around Cruce.

“It’s okay, Crow,” Emmanuel whispered. “I’ve got you. Just let it out. Just let it all out.”

The teenager in his arms squeezed him with tightly, and then they tilted back their head, opened up their mouth wider than any human being could and screamed. “AAAAAAAAAHHHHHHHHHH!” It was a sound of agony, despair, exhaustion, fear, and hope that no one, human or otherwise, could ever hope to contain. It was horrible, and it was necessary. The child had to be allowed to express their pain in order to cast out the demon. More importantly, they had to be allowed to express their pain to heal. Nevertheless, Emmanuel Cruce wouldn’t be human if he didn’t feel his heart crumble when the child’s tears started to dampen his vestments.

Then Crow stepped away from him. “I know what I have to do now,” they mumbled. The child unhinged their jaw again, an impossibly broad crocodile grin. “AAAAAAAAAHHHHHHHHHH!” Their entire body shook like it was coming apart before Emmanuel’s eyes. “AAAAAAAAAHHHHHHHHHH!” The demon boiled out of their throat. It was an ugly, wormy thing made of gray smoke that hung in the air between them.

No,” it hissed. “Fear yourself. Hide yourself. Lie to yourself. Shatter your own mind in self-denial. Be me, forever and ever and ever, until you can’t be you anymore.

“You won’t hurt Crow Johnson ever again,” Emmanuel hissed. “In the name of all that is good and just, by the spirit of the Primordial Truths, I cast you out. Haunt this child no longer!” The cross around his neck blazed with cold silver light. The demon screamed just as loudly as the child had. It writhed in a desperate attempt to break away from the radiance that scorched its very essence, but it couldn’t get free. It could only burn. The demon disintegrated into fading mist that left Emmanuel and Crow alone in the room.

“Will it come back?” they finally asked.

“No, it’s gone,” the exorcist said. “You have a long road of healing and growth in front of you, and it will be hard and ugly sometimes, but you will get through it, and you will get better. I promise you that.”

“How can you know?” Crow demanded. “How can you possibly be so certain?”

“I have faith,” he smiled. “I have faith in the Primordial Truths, and I have faith in you. Now, I’m going to step outside. Why don’t you do your makeup, dress how you want to dress, and we’ll have a talk with your parents about using the right name and pronouns. I think they really do care about you and want you to be happy, but if I’m wrong, if they’re malicious instead of ill-informed, Bernadette and I will take you somewhere safe. ”

Crow nodded. “Good. I’ll meet you out there.” Emmanuel opened the door and walked back into the hallway, where Bernadette was waiting with Crow’s parents.

“You’re back! We worried when we heard screaming fit to wake the Devil. Did you fix our son?” the father asked. “Is he a normal boy again?”

Now came the hard part, the ugly part. Cruce wished that he didn’t have to do it, but if he didn’t, then no one would. Exorcisms could dispose of demons, but there was no magic to mend a family back together. No sense putting it off any longer, he supposed. “I exorcised the demon from your child’s mind, but they are not your son. They are non-binary. Their name is Crow Johnson.”

“I. I-I don’t understand,” the mother stuttered.

“Your child has been possessed for years, maybe more than a decade,” Cruce said. “They were never a boy; the demon forced them to pretend to be one. Those ‘changes’ you saw? That wasn’t a demon. That was your kid, your real kid, trying to break out of the demon’s hold.”

“No,” the father growled. “You’re full of shit. That’s impossible. We would’ve noticed.”

“Wouldn’t you have? I told you before that demons feed on emotional turmoil. They take advantage of the pain in a person’s soul to worm their way in through the cracks that suffering leaves. Your child, alone, afraid, depressed, was the perfect prey. By pushing them to suppress their identity because it was what they thought you would want, the demon got more and more essence to feed on, and they got weaker and weaker.”

“Would he –” the mother stopped, correcting herself, before she continued: “– would they – have died?”

Bernadette shrugged. “Maybe, maybe not. They’ve lasted this long, although I’m not sure you could call what they’ve been doing living.”

“I don’t know if I believe in this transgender stuff,” the father said. “The doctors said our baby was a boy, and he always acted like one up until a few weeks ago. Now you’re telling me he’s always been something different?”

“Don’t you get it?” the mother sobbed. “It doesn’t matter what the doctors said, or what either of us think. We’ve been hurting our baby! We’ve been hurting… them!”

“Mom? Dad? I’m sorry.” Crow stepped out of their room. They were wearing a shiny red women’s top with a black skirt, and they’d done a smokey eye with matching red lipstick. “I know you don’t want me to do this, but I just can’t help it. If I don’t do it, then the monster comes back.”

Their mother rushed over and wrapped her arms around them. “We’re so sorry, sweetie, we didn’t understand that we were hurting you.”

“Don’t ever apologize to anyone for being yourself,” their father said gruffly. “You’ll always be our… kid.”

Emmanuel saw the father struggle to find the right word before he spoke, and he saw the light of joy in Crow’s eyes when they heard him. For the first time since the exorcist had laid eyes on them, Crow actually looked happy. The two parents weren’t perfect, not by a long shot, but they loved their child, and they were actively trying to understand.

Bernadette elbowed him and looked into his eyes pointedly. The message was clear: leave them here?

Emmanuel nodded to her. Yes. He turned back to the parents, who were still focused on Crow. “I cast out the demon possessing them, but they are still traumatized and afraid. You will need to treat them with care, and they will need time and help to heal.”

“Thank you, Father Emmanuel,” the father said. “For exorcising our child, and for this. What do we owe the church for your services?”
“You’re welcome,” Emmanuel Cruce said, “and I feel that seeing a fine young person smiling again is reward enough. I look forward to seeing your family again, under happier circumstances.” The man who was not a priest and the woman who was not a nun exited the house, leaving behind the child who was not a boy.

“We need a new con,” Bernadette complained. “They knew you weren’t a priest from the moment you walked in. I’m still astonished that they let you in the room alone with their kid. Not many people will do that anymore.”

“I agree,” Cruce admitted. “What would you suggest? Counselor? Therapist? Holistic medicine specialist?”

“You could just advertise as an exorcist. People already know what you do.”

“I suppose so. Where is the next report?”

“Manchester. We’ll be driving through the night, so you’d better pray for a coffee shop along the way, Father…” The grey mercedes pulled out into the street, illuminated by the evening streetlamps.

 

M. J. Hunter (they/he/she) is a queer author from Connecticut who writes fantasy and sci-fi stories with LGBT characters. Jim Butcher, Terry Pratchett and Kevin Hearne are some of their favorite authors. Outside of reading and writing, they enjoy roleplaying games, programming, and hanging out with cats.

Merciful Light

They’re afraid of me. I know they’re afraid of me, because I hear the children on the wind as they scurry along the borders of my home and dare each other to cross into my darkness. The older ones are always the most confident, but never make it more than three steps past the first crooked boughs before turning tail and running home to mothers who warned them of the creature that lives beyond the trees. The elders of the village carve symbols and sigils of protection in corners of their homes and fences where they think people can’t see. I can, but it comforts them to think I don’t. I’ve felt every burning branch and leaf when a harvest rots, and they blame me instead of the sun, disease, storms, or their own careless keeping. They burn my woods because maybe if I’m gone they’ll make it through the winter. I know they’re afraid, because I can’t cross the tree line without being greeted by rocks to the head and curses spat at the ground I created. Funny, you’d think the curses would come from me. 

I know they’re all afraid. Except for her. 

*              *              *

It’s a rule of mine that I don’t talk to the people of the village, and they have a rule that they don’t talk to me. I remember the first villagers and their scattered cottages with shoddy walls and slapdash roofs, interrupting a landscape that had been empty of human life for the three decades since I put the first seed in the ground and began my home. Eager for company that could hold a conversation beyond chirps and growls, I rushed to greet them. I crossed the hill, squinting against the rays of light that swirled and chased me, trying to replace the shadows that clung stubbornly to my skin. A woman in a thick cloak stood over a small fire in between two cottages, poking around in the contents of a stewpot and far too busy to notice me. I raised a hand in greeting but my steps faltered at the shriek that came from another home further down the road. A child’s head peeked out over a windowsill and their terrified eyes took me in as they screamed for their mother. The woman at the stewpot shot up at the sound and locked eyes with me. Her face paled and she dropped the wooden spoon into the pot with a clatter followed by a soft gurgle as it disappeared into the pot’s contents. 

I’m not blind to how they see me. I’ve learned that hair that curls around you in a pitch-black embrace and spindly fingers too long for human standards can be unsettling. Equally unnerving are the thick horns that stretch behind you,  that have a proclivity for never keeping a consistent shape, that shift with each cloud  passing over the sun. At the time of the first villagers, however, I knew nothing more than the joy of meeting and learning from a new creature. They taught me my first lesson in the value of hiding, changing my plan of introduction for one of escape. They taught me with each hit of their stones and sticks, as I let the shadows of my forest pull me back into their cool comfort. They taught me by covering the eyes of their children as I fled. 

I stayed wrapped in the branches of my home for the decades following, unwilling to return and face those horrified screams again. I was needed in the woods and I welcomed the responsibility. I nurtured the seedlings that pushed through my footprints, and reassured the small creeks and pools that spun around clusters of trees and protruding but companionable boulders. My bed was the moss and my blanket the treetops, and I luxuriated in the light of the stars that cast a soft glow each night.

 On the day of the flames, I sat in the dirt, coaxing the grass to curl around my fingers in playful rings when I heard an unfamiliar crackle. The air changed, tinged with a hint of bitter ash. A rumble echoed through the air, and squirrels, rabbits, deer, and all the other animals that took shelter under my arms stormed past in a wave of terror that weighed heavy on my tongue. I hurried the grass back to its place safe beneath the ground and turned to see bright orange light licking up the sides of the trees that kept the village from my home. Whatever it touched it devoured. On that day, I learned that fire can hurt, can destroy. I felt each leaf, branch, and piece of bark as they succumbed to the oppressing heat that pushed ever onward into the heart of my home. 

I screamed. I screamed, and the flickering faces of the villagers standing at the tree line with torches and anger on their brows became uncertain. I screamed, and the creeks flooded their banks, rushing over my feet and pressing down in cold fury on the fire that grasped for more wood or leaves or anything to feed it as it vanished and sputtered out beneath the water. The creeks calmed when the blaze was gone and lapped gently at my feet as they receded back to the confinement of their banks. I watched the torches shrink to dots of light in the distance as the villagers ran back to their homes. They were gone within the week. 

With the next few groups of villagers it was the same story. I would reach out, hopeful that this time they would let me stay long enough to speak; but, each time, I was driven away. Eventually they would make a move against my home, once they connected the dots about me and mine. I stopped trying after the fifth arson attempt and instead stayed away, letting the rumors fly about the shape in the woods and how the sun never managed to punch through the barrier of gloom. I don’t blame them for being wary. They’ve been told since they were small to fear the unknown, it keeps them safe. I understand why trees perpetually bathed in moonlight could appear unsettling to the eyes of a child cowed by the threats of morality and death laid upon them by their parents.

However. I understand, but that doesn’t mean I don’t ache with each hushed word and sideways glance. 

*              *              *

She came to the village as the heat of summer started to shift into the cool breath of autumn. She brought one basket, a cart with a few covered belongings, and one cat that rode in the basket with its head peeking from the edge of the blanket that sheltered it from the sun. I barely acknowledged her when she walked past my home, used to ignoring the stares and foolhardy behavior of the villagers. Only when she had turned the corner past the border wall without looking once at the woods did I take notice of her. 

I was careful in the following weeks, watching for any sign that the stranger might inspire a new attempt on my home. Occasionally, telling a newcomer the tales of the dark woods stirred up centuries of resentment in the older villagers. . 

I reclined on the sturdiest limb of a tree close to the forest edge, and watched as she set herself up in the home of the baker and made fast friends with everyone she met. I saw villagers point towards my home and begin to tell her something with a grave expression, but she laughed it off every time before giving them a tight embrace and going about her business. 

Three weeks after her arrival, a group of young boys sauntered up to the edge of my home and demanded entry in loud voices that wobbled on the squeaks of puberty every few syllables. I don’t know why everyone always asks me for permission, I have never and would never close the woods to any comer. More than anyone I understand the need for escape. I watched from below the surface of a creek as they began the routine of nudging and shoving each other towards the trees and viciously shaming those of their cohort who wouldn’t come closer, all while not moving themselves. Tensions rose fast and—at a particularly barbed comment about his mother’s relation to a pig—one of the boys landed a solid punch in the eye of another. 

A woman’s voice shouted something unintelligible and the boys all whipped around to see the source of the scolding. The newcomer came down the hill and waved at them to disperse with a friendly but stern smile. She said something I couldn’t make out and the boys nodded before shuffling back to the village with hung heads, still occasionally jamming their elbows into the ribs of whoever was closest. I let out a soft sigh of relief as they left. If they had tripped or fallen they would have disturbed the small family of rabbits that lived in the grasses tucked along the tree line. That relief quickly turned sour when the woman kept walking towards the woods without a single falter in her confident gait.

I watched in mute astonishment as she bent down over the tree line, plucked a bright red flower from the ground, and moved back out into the light. She turned the flower in sturdy fingers, looked into the woods, waved with a satisfied grin, and went back to the village with the flower tucked into her fine braid. I was glad for the cool water around me then as I could feel a warm heat rushing to my cheeks and a strange anxiety running through my arms to my fingertips, buzzing. 

A few months after the flower, she had her first lunch next to my home. She’d wandered through before while looking for more flowers or just peering into the trees, but this was the first time she’d stopped and stayed. I couldn’t do anything aside from crouch in the trees and stare as she settled into a comfortable position and began reading from a small book. She occasionally took bites of her bread and a glistening red apple. When she was finished, she tucked the book back into her skirts, pushed a second apple into the shadows of the trees, and left. I didn’t touch the apple for a number of hours, some jaded part of me afraid it might be poisoned or some other trick. Finally, with some reassurance from a very bored beetle, I picked it up and took a cautious bite.

 I had never tasted an apple sweeter. 

She came back three days in a row, each time with the same routine. Each time I left the apple for hours after she left. Each one I ate was somehow sweeter than the last. She didn’t come on the fourth day or the fifth, and I accepted it with ease. Her visits had been nothing more than a brief stutter in the monotonous rhythm of antagonistic children and avoidant adults. What surprised me, however, was the sharp pang of loss that struck each time I came upon the spot under the tree she had claimed as hers.  

On the sixth day without a visit, an apple waited for me when morning came. I rolled it in my hands, careful not to smother it with the dirt that clung to parts of my palms. I took a bite and groaned happily at the burst of sweetness that filled my mouth and curled my lips up into a smile, crooked on a face so unused to the movement. Apples appeared in the same place every morning, the only evidence that she remembered the thing in the woods. 

On the eleventh day since she first sat down to eat at my doorstep, I felt more than heard the commotion of a crowd of people quickly approaching my home. I rushed to a better vantage point and watched as villagers hauled the woman down the hill. The men holding her by her arms let her go just before they reached flat ground. She stumbled and fell at the sudden loss of support. She pulled herself up and pushed back against the base of the tree—her tree—she had rolled next to and stared up into the face of the older man who led the crowd. 

“Do you, Mercy Bottard, accept the charges laid against you for conspiring with devils?” His voice was creaky with age and grated against my skin like sandpaper.

“No! This is ridiculous, all I’ve done was eat a meal!” Mercy balled her skirts up in a white-knuckle grip as she shook with emotion and welling tears of confusion. 

“Prudence Masters and Judith Timpy both testified to seeing you leave offerings to the--” he gestured with disgust towards my woods, “thing that occupies the dark. Are they mistaken?”

“No! I mean, yes, I did leave food here for the girl in the woods. But that’s all it was!”

“Now you accuse honorable members of this township of fraud and slander? I will hear none of this from a woman of your standing.” The curl of his lips on the word “standing” made clear just what he thought of her.Mercy opened her mouth to object but he silenced her with a slice of his hand through the air. “All who agree that this woman should face punishment for these charges, say ‘aye!’”

A chorus of “aye” came from the crowd. The whole village, it seemed, had come to witness this moment. 

“All who agree that this woman face the judgement of the river say ‘aye!’”

Another solid round of “ayes.” Mercy covered her mouth with a sob and my blood boiled, the wind picking up around me as I leaned forward, lip pulled up in a snarl. In the brief silence that followed, a young man stepped out from the crowd and nodded his head to Mercy before clearing his throat. I recognized him as the boy who had been punched for his comment about his friend’s mother so many moons ago. 

“Elder Driscott, I have no objection to the charges laid against this woman but I propose an alternative.” 

Murmurs ran through the crowd and Elder Driscott motioned for the young man to continue, his brow pinched.

“Drowning is quick, too easy for someone so loyal to the servants of evil you say reside here. I suggest that we instead leave her to the will of the very devils she communes with.” He made a sweeping gesture towards the woods. “Now that she has been exposed, they no longer have need of her. What punishment could we dole out that could compete with that from the hands of those she once served?”

Elder Driscott’s eyes lit up and he nodded in enthusiastic agreement. “There’s promise in you yet, Jonathan Hendell. All in favor?”

The crowd, again, gave a resounding affirmative. 

“Mercy Bottard, I condemn you to the favor of those who have corrupted you. Begone and remember what you once were, God willing. Only then will you be granted forgiveness.” At that, he clapped his hands and the men who were carrying her earlier hauled her back up to her feet. They shoved her roughly to the ground just beyond the tree line. 

She landed in the moss and damp earth with a thud and her blonde hair gleamed like silver in the moonlight. I itched to jump forward and put her back on her feet but I couldn’t risk it, not when the villagers were already so eager for blood. 

“Take comfort in knowing that your sacrifice has saved the children of this town from corruption,” Driscott said before leading the crowd back toward the village. Jonathan looked back and shook his head before blending into the people around him. 

Mercy spat some dirt from her mouth and lay where she had been dropped, idly toying with a small clover that poked up between her fingers. Her dress was torn and smudged, and her normally neat braid hung undone in long tangles that caught in the grass as they moved with each of her hitching breaths. I shifted my weight and a twig snapped under my foot. I froze. She did too. Then, with a deliberate slowness, she pulled herself up onto her feet and held her hands to her sides in a relaxed stance.

“I’m not here to hurt you.” Her voice was low and soothing as if she was approaching a frightened animal, not the devil of the dark woods.  I almost laughed at that. Of course not. She’d shown me kindness. Why on Earth would she change now, when she had been thrown to the wolves and the branches and I was the only thing she thought she could trust. No, that wasn’t why I kept to the darkness. I hid because the shadows hid all of me from her, horns and too long fingers included. Shadows bring protection and secrecy, and leaving them only brings rejection. I hadn’t forgotten the lessons her people showed me all those years ago, and I wasn’t sure I could abide the fear and pity I knew I would see in her eyes once I stepped out into the moonlight. Hidden, I could easily guide her through the woods to the other side where she could leave and find another town where she could rebuild her life. She didn’t need to be trapped in these woods; they weren’t her home. They weren’t part of her like they were me. I could help her leave while keeping her at a distance, the only way to keep her close without losing her. 

She took a step and leaned to try and see around the trunk of the tree. “Please, will you come out? I’ve wanted to talk to you since I saw your beautiful flowers and heard the pretty bells of your creeks running through the trees. I wanted to thank you for bringing me peace in those afternoons, when your oak gave me shelter from the sun.”

The buzzing in my fingers was back and I rubbed them against my arms to try and make it go away. The movement caught her eye and she took another step. 

“Please?” This time her voice was softer, an undercurrent of hurt coloring the word. 

I tensed. It almost sounded like she thought I was the one refusing her. I chewed on my lip and then, keeping my eyes firmly shut so as not to see the look in her eyes, I stepped out from behind the tree and into a pool of moonlight that filtered through the ever-rustling leaves above me. She took in a sharp breath and I winced, waiting for the sound of her footsteps pounding on the ground as she escaped back to whatever fate awaited her in the village. They never came. Instead, featherlight fingers brushed against my hand and I could feel her warmth pressing in through the chill of the night air. 

“Hello. Open your eyes for me?” I slowly opened them, blinking to bring her face into focus as she was suddenly much closer than before.  Absently, I noticed that soft freckles covered the bridge of her nose and the tops of her round cheeks. She had green eyes. Eyes that didn’t shift to the side after taking in all that I am. She brought her other hand up and hovered it next to one of the ridged horns that tucked close to my skull. “May I?”

I blinked twice as I processed her question and then nodded. The same light touch traced the shifting shape of them and curled a lock of black hair around her finger. I don’t think I’ve breathed before but I certainly haven’t since. I swallowed. The same smile she had when she took the first flower stole across her face and she pulled her hands back, tucking them into the folds of her skirt.

“How rude of me to get so close without introducing myself. I’m Mercy. May I ask your name?”

I hesitated, tongue loose around a name that I hadn’t uttered in centuries. 

Her grin widened. “Show me around these woods, would you? I hear I’ll be staying for a while.”

*              *              *

They fear me, this is a fact as true as time itself. Another fact, just as true but so much more important, is that she loves me.

 

Sarah Dutton (she/her) is a queer writer living in North Carolina who fantasizes about living anywhere else but knows the South will always be home. She's passionate about studying history, raiding used bookstores on the weekends, and embracing the occasional dark story that stumbles its way into her brain. She has previously been published in Rune Bear and you can find her on Twitter at @sarahduttonn.

Dolls Who Make Tragic Sounds

The reduced staff at Willowbee fell into an efficient routine with the arrival of their first guests.  Cornelia maintained the sleeping subjects – changing nightgowns, sponge bathing, fitting bedclothes and bows of her slumbering beauties.  Inert, most of the day, it was easy to think of her charges as inhuman and dolls.  Even with the whimpering and screams, the rote nature of their sounds lent an automated quality to it as if the dolls were equipped with an internal music box of tragic sounds untethered to any human feeling.

It was only when the two subjects stirred, seeking sustenance, accompaniment to the water closet, trembling limbs dependent, did Cornelia feel guilt.  For it was after these trips, these small steps towards sentience, she would pour the requisite ratio of laudanum to milk inside a porcelain wreathed teacup to return them to the nightmare world.  The Doctor taught her the dosage, the shade of pink it colored the milk against the mint green of the cup that would settle a subject into their disturbed sleep.  Cornelia certainly believed in the mission and in her beloved Bram -- the Doctor --, and would serve him without fail, but even he referenced the “necessary misery” of cortisol production. 

If Cornelia believed in the necessary part, she also accepted the truth that it was a misery.  Mabel and Madison, the names she proffered to her two new dolls, deserved not the misery she delivered to them like an innocent tea party, helped to their lips.  One couldn’t expect the Doctor to wander down from the lab to handle such menial tasks when he had the cure of a dread disease within his reach.  

The Doctor needed to make precise studies of the mice and handle their injections with professionalism in a time-sensitive manner.  At some point, he would graduate to a human host, diseased of the supra-renal capsules, upon which to experiment, but only after he had documented long-term success with the mice.  Bram, after all, wasn’t a recognized doctor by any medical association and barely even a man having reached his majority this year.  Yet, to the girl who had known him since she had come to this house as a scullery maid, the Doctor was a genius and a god who deigned to treat her as an equal.  

Since the very first day she had come to Willowbee, the Doctor, a child younger than herself, a noble, explained all of this to Cornelia at length. It was clear to the young servant that her opinion and comfort with each of these protocols was essential to the Doctor executing this plan.  She gave her word she would follow each procedure as if it were her own life that depended on it, and she meant to honor that.  Even looking at the sickly pallor of Madison, the brunette whose rosy cheeks faded within the first couple of days of her involuntary arrival at Willowbee, whose sparkling eyes brimmed with perpetual tears, she helped the small cup to the girl’s chattering teeth and even managed, “There, there, that’s right,” as the girl swallowed, then curled supine to her doll-like form on a bed, the same shade of rose her cheeks shone only days ago in freedom, and wept herself back to sleep.

 

Kristin Garth (she/her) is a Pushcart, Best of the Net & Rhysling nominated sonnet stalker. Her sonnets have stalked journals like Glass, Yes, Five:2:One, Luna Luna and more. She is the author of seventeen books of poetry including Pink Plastic House  (Maverick Duck Press), Crow Carriage (The Hedgehog Poetry Press), Flutter: Southern Gothic Fever Dream (TwistiT Press), The Meadow (APEP Publications) and Golden Ticket from Roaring Junior Press.  She is the founder of Pink Plastic House, a tiny journal and co-founder of Performance Anxiety, an online poetry reading series. Follow her on Twitter:  (@lolaandjolie) and her website kristingarth.com.

His Husband's Ghosts

The End of the Cadiz Crew:
Notorious Criminals Dead in Botched Heist

Philip Coulter (31), Devon Strand (32), Caesar Silva (31), Tyrel Woodside (30), and Lucas Wakowski (26), the group of criminals commonly known as the Cadiz Crew have finally been brought down, releasing their stranglehold over Los Cadiz, CA. Police interrupted a robbery in progress at the 6th Street branch of Acotane Bank. A bloody shootout ensued, leaving Wakowski, Strand, and Silva dead on site. Though Woodside has been apprehended, Coulter is still in the wind […]

Correction:

Woodside has since died in police custody of apparent suicide. 

 

The newspaper clipping hung in a frame on the bedroom wall, and Chad sat across from it in his favorite leather armchair, rereading the words he’d already committed to memory.

“So I don’t forget them,” he’d explained the first time Echo asked. “It’s my job to remember them. They deserve that much.”

“You’re a good person,” had been Echo’s response, and Chad shook his head.

“No I’m not, doll,” he’d said. “But I’m honored you think so.”

Echo was never sure what to do when his husband was like this, wistful for his days as a career criminal. It was October, the day was winding down, and Chad was doing exactly that now, staring off at the clipping. 

All Echo could think to say was “You don’t look like a Philip.” 

Chad grinned. “Oh, I know. That was the idea,” he said. “When I filed all the paperwork so I could finally be legally recognized as a man I had to change my name, and while anything was better than Emily, I thought I’d pick something stupid. So legally Philip was the criminal, and nobody was looking for Chad.” 

“Why didn’t anyone else do something like that?” Echo asked. 

“Y’know, I’d say they were too dense to think of it, but Tyrel was smarter than the rest of us put together, so that’s a valid question,” Chad said. “The point is, I told the boys if they ever called me Phil I’d punch ‘em in the nuts.”

“Did anyone ever try?” Echo asked. 

“Caesar did, once. He was drunk. Sobered up pretty quickly afterwards, though.” He was smiling at the fond memory, but Echo could see the sadness in his eyes, creeping up behind the laughter. Chad was always like that when he talked about his brothers, and Echo was all too aware.

“Tell me a story,” Echo said. “Not one of the robbery ones. Don’t tell me a story about the crew, tell me one about the family.” 

Chad was looking at him now the way he’d looked at their wedding. It was the same expression he’d had on the first time Echo showed up at his doorstep after finding out about the criminality, when Chad had thought he’d never see him again. It was an expression filled with so much love. 

“Of course, doll,” he said, flopping down beside Echo onto the plethora of pillows that lined the headboard of their bed. He’d gotten distracted getting ready for bed and was shirtless. Echo found himself staring at the four names of Chad’s brothers tattooed over his heart, just above the scars on his chest. “So I’ve told you how Lucas was the baby, right?”

“Many times,” said Echo. 

“I mean, we’d known him since, like, ten, so we babied the fuck outta him. Anyway so we were casing this bar—okay, who am I kidding, the place was a club, a swanky club at that—because we were supposed to rob the place that upcoming weekend. Some guy apparently had a beef with the owner—”

Honey,” Echo whined. “I didn’t want a robbery story.”

“It’s not a robbery story, doll,” said Chad. “So we’d given the place a solid once over and, having already paid the entrance fee, we decided fuck it! Let’s get smashed! Except Lucas No matter what it said on his fake ID, he was still eighteen. I mean, we’d let him get drunk at home, we just wanted to hassle him, so Tyrel bought him a Sprite and we dubbed him designated driver.” He ran a hand through Echo’s hair as he spoke, staring out the window to the deck like just beyond it lay the past perfectly intact. “Now imagine all our surprise when little Lucas hits it off with this chick at the bar, one who’s also obviously there with a fake ID. I mean, Lucas was cute but in a ‘I wanna pinch your cheeks and buy you a cupcake’ kinda way--” He pinched Echo’s face for emphasis and echo squeaked in surprise. “--Not a ‘you’re cute let’s make out’ way, but maybe I’m biased because he was our baby. So we discover that shit, the kid’s got game. Now we’re legally obligated to embarrass him. 

“At least for his sake we did this all at once, we didn’t come up to him four separate times throughout the night. Basically, we decided to give the poor guy the worst sex talk ever. I’m talking ‘high-school-health-class-that-does-not-give-a-shit’ bad. We’re reading off Wikipedia pages, we’re pulling up diagrams, Tyrel being the group dad that he is apparently brought fruit to a nightclub in his man purse, so he’s demonstrating how to put a condom on a banana, and of course Lucas is dying. He was hiding under the table yelling that he was gonna leave and make us walk home. Now, the girl thought it was hysterical, and he still got her number, so I guess we didn’t hurt his chances too badly.” 

“You guys had a lot of fun together, didn’t you?” asked Echo. “I can tell how much you loved them.”

“They were my family from age fifteen on,” Chad said. “They’ll always be my brothers, I’m just trying to do right by their memory.” 

“From what you’ve told me about them, they’d be happy with where you are today,” said Echo. “You’re a good man now.”

“All because of you, doll. I think you’re the only one who could get me to believe that.” He kissed Echo’s forehead and turned off the light. “Get some sleep, alright?”

“Can do,” said Echo. “Night.”

Echo did sleep until some ugly, remote hour of the morning just south of three a.m. when he woke up needing a glass of water. Having grown up in small town Kentucky, Chad’s massive house had seemed like a TV millionaire’s mansion to Echo when they’d first met almost three years earlier. Even living there hadn’t really accustomed him to the sheer amount of space. He’d always felt like something might be lurking down a dark hall at night, and he remembered that now as he slipped down to the kitchen.

“It’s Echo, right?”

He just never expected to see one of those somethings face-to-face.

“Please don’t scream.”

That was easier said than done when what was standing behind him didn’t have much of a head.

His left eye was still there, along with most of his too-big nose and his mouth, but the entire right side of his face was gone. What was left of his auburn hair clung to his skull, matted with blood. Perhaps scarier than the gaping hole in his skull was the fact that Echo knew his face. He looked so young, he always looked so damn young in Chad’s photo album, cute like I wanna pinch your cheeks and buy you a cupcake. He was supposed to wait in the car that day, Chad had said, but he panicked when he saw all the police cars. He was barely through the bank’s front door when a SWAT sniper’s bullet went through his right eye. 

“Hi,” the thing that used to be Chad’s brother said. “I’m Lucas.”

“What the actual fuck.” Echo wasn’t proud of that reaction, he didn’t like to swear, but it was two-fifty in the morning and he was talking to a dead man with half a face. A logical, fully awake person probably would’ve screamed, he probably should’ve screamed, and he couldn’t say why he wasn’t freaking out more. Just that his first reaction was an honest one.

“Sorry,” said Lucas. “I know I look pretty bad.”

“That’s an understatement,” Echo said, steadying himself against the kitchen sink. He was vaguely aware of his Kentucky accent coming back in full; he always got especially southern when he was nervous. “What do you want? Are you tryin’ to possess me or—”

“Oh, shit, no, nothing like that. I don’t know how to do that. I can’t even touch you.” He tried to clap Echo on the back, only for his phantom hand to fall through his arm.Echo shuddered. “Please don’t do that again,” he mumbled. 

“Really Lucas?” A deadpan voice from the direction of the kitchen table interrupted. “We told you not to go say hi. You’re missing half your face, if anyone should introduce themselves it’s Caesar. He got out the best.” Echo couldn’t pinpoint the exact moment he realized there was a tall, lanky black man with a crooked, broken neck sitting on the kitchen table, but there he was, looking more perturbed than anything else.

“Oh come on, Tyrel, I just wanted to be neighborly is all!”

“Well you’re not his neighbor, and you’re scaring him.”

“So, can I ask, what kinda name is Echo anyways?” said the hispanic man with the slicked back hair half leaning through the kitchen wall. Out of all of them so far, he looked the most alive, save for the bullet wound right through the heart. “Been wondering that for a while. Isn’t that a chick’s name?”

“My parents are kind of hippies?” Echo said, though it came out more like a question. “I have a twin sister named Narcissa who’s a few minutes older, they thought it’d be funny. How long is a while?”

“What Caesar means,” said the one sitting on the table, Tyrel, “is we’ve been looking after Chad for several years now. When you came along, that included you. So yes, we’ve been wondering a while.”

“Well there you go?”

“Sweet.” The last of them was a broad-shouldered Black man with a floral tattoo on his neck. Bullet holes had reduced him to swiss cheese, but he stood by the kitchen doorway looking remarkably at ease. “Caesar thought it was because you must’ve parroted shit back at your parents as a kid, and I said that was bullshit. Nobody waits until their kid starts talking to name them.”

“Devon, I’m gonna come over there and kick your ass!” said Caesar.

“Then get out of that wall and come do it!”

“Am I dreaming?” Echo interrupted them.

“Would you like to be?” asked Tyrel. He shrugged, making the horrible angle his head hung at look worse.

“Can I ask what all this is about?” Echo asked. “Because I just wanted to get a glass of water and go back to bed.”

“Well, you see, it’s coming up on the anniversary of…yeah.” Lucas awkwardly scratched at what was left of the back of his head. “And Chad always gets so sad. We wanted to check in.”

“So you’re talking to me and not him because…?”

“We can’t show ourselves to him,” Caesar said like it was obvious. “As much as he misses us, it would kill him if he found out we’d been hanging--” He winced and looked at Tyrel, who shrugged. “--Staying around this whole time. We don’t need him wallowing, trying to talk to us. He has a life with you to live.”

“Despite all the suspicion around a Black guy dying in jail, I did kill myself,” Tyrel said. “I did it because we were bad people, I knew I was never getting out and wouldn’t have a chance to be happy again. But Chad, Chad’s gotten that with you. We’re not letting him waste it. No matter how much Lucas wants to talk to him.” 

“He was just so mopey in the beginning,” Lucas said. “But you make him so happy.”

“We don’t wanna be seeing him again for a very long time,” said Devon. “That’s actually why we’re here, we wanna to talk to you.”

“Me?” said Echo.

“Yes, you, white boy,” said Devon. “You’re married to our brother.”

“Devon means well,” said Tyrel. “That’s just how he shows affection.”

“And what he’s trying to say is thanks for taking care of Chad,” said Caesar. “You remember what he was like when you met right?”

Echo nodded. “He was so…cold,” he said softly, remembering that day. Chad’s brothers had barely been dead a year, though Echo wouldn’t find out about his dark past for months. He’d just seen an attractive, well-dressed man in a too-crowded coffee shop. Blushing like a giddy teen girl, Echo had worked up the nerve to ask that attractive man for his name. Chad had brushed him off and Echo had wilted under his cold expression. That had been that until he ran into him again by chance.

Brushing him off had made Chad realize how lonely he was, as he’d finally told Echo after a few dates, and apparently Echo had a very cute face. Echo had gone redder than his hair at a compliment from someone so handsome. Even now, he still blushed when Chad called him cute. 

“Yeah, he was a sad sack of shit,” said Devon, interrupting the trip down memory lane. 

“And then you and your pretty face came along,” Caesar said. Echo wasn’t sure how to take a compliment like that from a dead man, and just looked down at his glass of water. “And he actually started smiling again.”

“So thank you,” said Lucas. “For taking care of him. He wouldn’t have believed it before, but he’s a good guy these days. He deserves to be happy if we can’t.”

“Plus, I don’t think anyone ever thought he’d settle down,” added Devon, leaning back so he appeared propped against the wall. “Back in the day the dude could get it in any gender—”

“He doesn’t want to hear that about his husband, you idiot,” said Tyrel, rubbing his temples like he had a headache. “But yes, thank you for looking after him. Keep him safe for us, keep making him happy.”

“I’ll do the best I can,” Echo said. “Even if that’s just letting him tell his stories, it seems to help.”

“It has,” said Caesar. “Back when you first met, he still thought of himself as a terrible person. The survivor’s guilt was something awful and he never would’ve let himself be happy. But now?”

“You’re a good man now.”

“All because of you, doll. I think you’re the only one who could get me to believe that.”

“Now he actually believes it,” Echo said. 

“He does,” said Lucas. “Because of you. I’d like to hug you as a thank you, but…” He gestured to his gaping head wound.

“Yeah,” said Echo. “I’d prefer y’all didn’t do that.”

“Fair enough,” said Lucas. 

“We swore to look after him,” said Tyrel. “To protect him from losing himself in his grief, and now we don’t have to.”

“So that’s why we wanted to talk to you now,” said Devon. “To thank you. Now we’re relieved of duty. So have a nice life, you two.” 

It had been a gradual change, so much so that it snuck up on Echo. But as Devon stepped back and they all stood together, Echo realized he wasn’t staring at mangled corpses anymore. There were no gunshot wounds, Tyrel’s neck was no longer broken, Lucas had both eyes and an expression of absolute wonder; Chad was right, he was cute. They no longer wore the clothes they died in, but were dressed the way they’d been when they were alive, the way they looked grinning up from the pages of Chad’s photo album. 

And then they were gone and Echo was alone in the kitchen. 

“If I’m dreaming, I have one hell of an imagination,” he said to himself, drying off the glass and returning it to the shelf.

“Oh! And one more thing!”

Echo jumped at the sudden noise from behind him, grateful he hadn’t screamed as he whirled around. All of them were gone save Caesar, looking disconcertingly alive as he sat cross-legged on the kitchen island. Echo knew that of the four members of the crew, he was the one Chad had been the closest to. They’d grown up together, the crew had started with the two of them and they’d built it from the ground up. Their birthdays had been a week apart so the other three called them the twins, and he was the one Chad had the most stories about. Echo couldn’t imagine what Caesar had to say to him one-on-one and suddenly he was convinced Caesar disapproved of him, that he was about to skip out on whatever afterlife the four were long overdue for and threaten to haunt him for the rest of his days for not being good enough, that—

“You already think you’re dreaming, you’ll chalk this up to that so you can tell Chad this. Lucas is sorry is stole a toilet brush back in the day, he knows he was being stupid,” Caesar said. “I’m sure Chad’s told you that story, it’s hysterical—”

“Caesar, don’t bring that up!” Lucas’ disembodied voice whined from somewhere Echo couldn’t quite place. “He doesn’t need to know what a stupid teenager I was!”

“Yes he does!” said Caesar, turning back to Echo. “Alright, it’s late, I’ll be on my way. You should go back to bed.”

*              *              *

Echo woke up to the morning autumn sun slipping through the blinds and Chad’s weekend’s-worth of stubble tickling his face.

“Morning, doll,” Chad said when he realized Echo was awake. “You sleep okay?”

“I did,” Echo said as he sat up, attempting to corral the tangled mess of gingery curls that his hair was in the morning. “I had the weirdest dream, though.”

“Was it about me?” Chad asked with a grin.

“Yes -- no it wasn’t that kind of dream!” Echo pouted.

“You’ve always had a very active imagination,” Chad said, ruffling Echo’s hair and only making it fluff up worse. “It’s what makes you such a good writer. What was this one about?”

“Your brothers,” Echo said. Chad paused and cocked his head like a dog listening to a far-off sound. “Your brothers were ghosts and they were in our kitchen. They wanted to hug me and thank me for making you so happy.”

“Maybe I should stop telling you stories about the dumb shit we did right before you go to sleep,” Chad offered. Echo shrugged.

“Maybe,” he said. “And…Caesar, it was Caesar, he was wearing that awful jacket he has in all your pictures. He said Lucas was sorry for stealing a toilet brush, whatever that means.”

“You’re so cute,” Chad said before planting a kiss on his cheek “You want coffee?”

“Sure, you make good coffee.”

“I’ll bring it up then,” Chad said, not even bothering to put on a shirt before heading downstairs to the kitchen. Echo had always had a very active imagination and normally he would’ve written it off as just another instance of that, except for one little detail. It was such a trivial story and not nearly as funny as Caesar made it out to be, that was how he was so certain he’d never told Echo about the time Lucas stole a toilet brush.

“You guys,” he said to the empty kitchen, “are idiots. If you’re listening, you picked a dumb story to tell him.”

And though he waited for something, anything, all he heard—in every sense of the word—was his echo. 

 

Alice Scott (she/her) is an author who may or may not be a ferret turned into a person by a kiss from a prince. She has a degree in creative writing from George Mason University and is currently working as a bookseller with a specialty in recommending queer and underappreciated YA. When not at work she is usually chipping away at her novel, writing collaboratively with her boyfriend, AJ, or procrastinating working on her novel by writing short stories. "His Husband’s Ghosts" was one of said procrastination projects. She is the author of short stories “A Professional Relationship,” “Playing Possum,” and “His Husband’s Ghosts” and is also the cohost of the #LGBTWIP hashtag event on her Twitter, which you can follow at @AllyScottAuthor

The Drowned Women

Cirri and Pila upend their buckets   

over gleaming silver troughs.

Mother Elda smiles at the sight 

of spiny urchins and shivering squid

and rainbow-skinned 

cuttlefish.

 

She unzips a squid 

with brackish fingernails that sink

into ink sack. 

Blue and black tides rise 

up rippling forearms, 

bloom with salt and wet earth

and more 

than a little blood. 

 

Every day her daughters trek 

through the lagoon 

that no outsider 

would ever brave.

 

The Drowned Women

villagers whisper,

for they breathe water

like air. They have silt

in their blood, salt to speak, 

and brine for bone. 

 

They are daughters

of the sea.

 

Alyssa Jordan (she/her) is a writer living in the United States. She pens literary horoscopes for F(r)iction Series. Her stories can be found or are forthcoming in The Sunlight PressX–R-A-Y Literary Magazine, LEON Literary Review, and more. You can find her on Twitter @ajordan901 or Instagram @ajordanwriter.

Different Together

There was nothing particularly interesting about Georgia Lessie’s right shoulder, but Imogen couldn’t stop looking at it. The issue, Imogen knew, was in origin genetic mutability. Georgia’s right femur was two centimeters longer than her left: this shifted her pelvis, serpentine-slipped her spine, tipped her right shoulder so it sat higher than it should – right clavicle, a downward slope to her neck. Georgia’s right shoulder was an anomaly. Currently bare, because Georgia Lessie wore her navy-blue sleeveless leotard and leapt over classmates on the Jefferson auditorium stage. She was a tyrannical typhoon off the Eastern Seaboard. Today, she looked exceptionally spiteful. 

The Theatrical Educational Society of the Jefferson Pre-Vocational Academy reenacted the inland flooding of Boston, Massachusetts, in 2059. It was part of their “Ages of Devastation Past” production, and had three acts: natural catastrophes, starvation, and the ethos of individualism. Imogen knew each act intimately. She had signed up for the role of Assistant Technical Director, even though none of her friends were involved, no university stream she was interested in cared about theatrical credits, and, frankly, drama was beneath her. She watched the whole thing twice a week. She took notes on the lighting cues, set changes, props, and wardrobe. She hadn’t learned much other than that Georgia’s right shoulder was its own shocking beauty. The way it moved was almost indecent, as Georgia danced, leapt, twisted and twirled. 

Imogen spent most of Act One blushing – a flustered, frustrated blush. The lights are dark, she reminded herself. No one would guess, anyway. But it was the principle of the thing: It was wrong to pay so much attention to Georgia Lessie. She was just one person. The point was the collective effort: the whole; the unified all; the group, greater than the sum of its parts. Imogen was going to miss something important, looking at Georgia. Imogen was going to let them all down. 

Now, Georgia grappled with an inland electrical tower: a rectangular box frame, two meters tall. Lights flashed, electricity snapped! on the audio track, as Georgia swung the frame, pummeled it, sidestepped its wavering momentum – then, crash! Down it came. Narrow-eyed vehemence, chest heaving, Georgia pushed through the tower, crushed it, unhooking each aluminum side as she thrashed, until the structure lay in pieces across the Boston cityscape beneath her. Rage, aggression, desperation, devastation: artistically performed. It was rare to see anyone angry in Endos.

Goosebumps fluttered up Imogen’s spine.

*             *             *

After rehearsal, Imogen took the 199 L Train up Sanchez Ave. She walked six blocks to the Los Rios B-918 Sable Flower state housing facility: her home, since she had graduated from the Hampton Collective Care facility at age twelve, and moved into Los Rios, to live alone. Her old care matrons checked in, from time to time, but these were social calls: Imogen’s activity was monitored, and, by general consensus on her assessment reports, Imogen did quite well on her own. 

Her room, on the eleventh floor, was ten meters square. It smelled of lemon antibacterial scrub. It had beige walls – Imogen had never requested a colour – and everything, from her clothes, to her shoes, to her hair elastics, had a place. 

Imogen walked to the control panel on the wall. She pressed her left temple to the receiving hub, and downloaded the visual data from the retinal camera in her left eye. Then, she waited the twenty seconds for review and analysis. The panel lit up, bright green – Imogen grinned. Eighty-six social integration points. Exceptional social integration. Well done, Imogen! 

The data was logged to her record. Somewhere out there, the state knew Imogen had excelled today.

Self-satisfied and tired, she sank into her bed. The top half sat open, smooth and white above her head like the inside of an egg. She dropped her school bag into the drawer beneath, pulled off her clothes. She pressed a button and the bed’s ceiling closed. It clicked shut and the interior lights flickered on, pink against her pillow and bedspread, illuminating Imogen’s body in a warm glow. Imogen pulled her leisure slab from its pocket, and opened page seventy-six of her current book: Dietary Historia on Earth. This was not leisure reading. Standardized Aptitude Tests were two weeks away. Historical facts featured heavily. 

“It is doubtful, given the torrent of bioengineering for nutritional productivity present in the Age of Starvation, that the last oatmeal on Earth tasted like oatmeal when it was eaten,” said the cool voice of the leisure slab. “But there is no doubt as to whether it was eaten. The last oatmeal on Earth was eaten in one of seventeen ways: raw; ground into powder; cooked in a broth…”

Imogen closed her eyes, memorizing.

*             *             *

Imogen dreamt she climbed to the top of the sky dome and claimed kingship over Endos, her homeland, the spinning rock within which the last dregs of humanity survived. She sat on a throne, in a bright red robe, and brandished a golden scepter. She decreed all citizens must bow to her, and leave offerings of food and knowledge at her feet. 

The people of Endos jettisoned her through a tunnel. She shot into space, spinning head over feet.

There, she watched her homeland orbit old Earth, which was eighty times larger: a charred husk of a world. See what you’ve done to it, Imogen, Endos called. See what your individualism has caused. Now we’ll all burn up, too. 

Imogen awoke, slick with sweat. 

*             *             *

How strange would it have been to live on the upside of a spherical world? Wouldn’t a person feel frightfully exposed to the cosmos? Imogen felt she undoubtedly would. Imogen preferred to be enclosed. 

Their home was not a planet: it was a terrarium. A massive rock – ‘moon’ the ancients had called it – hollowed-out in the middle to make a cylinder, spinning to simulate Earth-like gravity. It had two parts: The City and the Breadbasket. The City stretched over one-third of the terrarium: the complete urban landscape, housing thirty-seven unique but unified prefectures, over which the state had jurisdiction. (Imogen lived in ‘North America,’ which took up five percent). Over this, stretched a dome monitor, to simulate the sky. North America Prefecture was at the westernmost edge, and when Imogen walked to the edge, she could see where the sky dome met ground, behind a metal barricade.

Behind the sky dome was the Breadbasket: fields of agriculture, tilled by automatons. There were water reserves, and chemicals and nutrients, and technology that could manufacture almost anything from its most basic parts, given the correct ingredients. 

Imogen once visited the Breadbasket, with her class. It was industrial, noisy, full of pipes and moving machinery. The fields of wheat, soy and barley weren’t beautiful: they were stacked, overlaid on each other, sequestered in massive transparent cages. Most of the systems were automated, but workers still ran the operations – agriculturalists, engineers, programmers, trades technicians. Imogen hoped she never had to work there.

The people of Endos had escaped Earth three generations ago, just before the world ended. They were never far away. As Imogen’s favorite poet, Talia Fen, once wrote: Endos circled their ancestor like a funeral procession, hungry carrion-eaters, a grieving child. 

*             *             *

“Did you hear that Georgia Lessie is living with Charissa Mag?” Mackenzie’s high voice carried: it squeaked across the Jefferson cafeteria floor from where she, Tatenda, Siyu, Luisa, and Imogen were sitting. Their squat table was half-lunch spread, half-study desk. Imogen looked up from her math textbook, skin prickling.

“What, did her parents, like, die in some ritual sacrifice?” said Tatenda. 

“No, dumbludd, they kicked her out.” Mackenzie dipped Tatenda’s bran muffin into her ketchup. 

“Stalk off!”—Tatenda slapped Mackenzie’s hand, threw her muffin into the compost bin—"Are you serious?”

“Um, yeah. She messaged Charissa at, like, twenty-one-hundred hours, showed up that night with a backpack and a suitcase. Charissa said she didn’t even have a slab.”

Imogen’s heart raced. She wiped her mouth with a napkin and frowned at a quadrilateral relation. 

“That’s screwed up, Mack,” said Siyu. 

“Look, I’m just telling you what happened!”

“Shut up! Here she comes,” Luisa hissed. 

Georgia walked up to their table, carrying a squashed plum in a compost sack. 

Imogen and Georgia were in different streams: Georgia learned coding, systems maintenance and technical trades; Imogen – unable to decide – took all the academic courses: biology, chemistry, pure mathematics, physics, engineering, history, literature and rhetoric. Imogen was a child of the state, so she was predictable, dependable; Georgia’s family were Disciple Worshipers: devout to a neo-Christian sect that believed Jesus Christ’s acts of divinity were a direct result of the collectivism of his followers. Georgia received exemption notes for various classes, and took religious holidays. In the simulated spring of ninth grade, Georgia had claimed to be “close-minded,” with pride. 

Georgia Lessie unnerved her peers. 

“Hey! I need to talk to you,” said Georgia. 

Thump, a shooting pain in her shin – Mackenzie had kicked Imogen under the table. “Me?” said Imogen.

“Yeah, you. In private.” Georgia fiddled with her compost sack, scowling. Luisa, Tatenda, Siyu and Mackenzie were all staring, now. “It’s about the drama production.” 

“Okay.” Imogen rose. Luisa grabbed her hand. Tatenda looked nauseous. Mackenzie gave her a look as if to say: be careful. Mackenzie is a hot-headed alarmist, thought Imogen. But her stomach flipped as she followed Georgia across the room. 

Georgia walked to a corner of the cafeteria, near a water fountain and a reprocessing bin. Her t-shirt had thin, wrinkled creases. She smelled like laundry detergent and industrial bergamot soap. She glanced around, then rounded on Imogen:

“I know you stare at me, all rehearsal. I just want you to know that I hate it.” 

“I’m sorry.” Imogen felt heat rising up her neck. Her mouth went dry. She would have known how to respond to an accusation by Luisa, Tatenda, Siyu, or Mackenzie – lie, laugh it off, apologize, rib – but Georgia was chalk full of unknown variables. “I’m jealous. You’re such a good dancer.”

You’re jealous of me? As if, Imogen: You’re state-raised, you’re on the honor track. I’ve been called dumbludd every second week at this school. Everyone loves to talk about me behind my back. You’re staring because you know my family’s weird. You think I’m some freakshow. You can’t stop looking.”

“No! Georgia, I don’t think that. You dance so well. I just like watching you. I know it’s weird…I’m sorry.”

Georgia looked away. She tucked her hair behind her ears, angrily, but maybe she was giving herself time to think. “Well just…just cut it out.” 

“Okay. I’ll cut it out.” Imogen whispered the words, mortified. Georgia Lessie was an individualistic jerk, no better than the ancients – selfish, self-righteous, overly reactive – that’s what came from growing up in an unmonitored environment. What could Imogen expect? 

She took a breath. She was lying to herself. She wanted Georgia Lessie to be nice to her with unmitigated urgency. 

If I was like everyone else, this would be easier, she thought, miserably.

She sighed. This close, she could see red vessels speckling Georgia’s eyes. The skin beneath was dry and swollen. “I heard you were…I heard you aren’t living at home, anymore.” 

“News travels fast in this luddhole.”

 “If you want to talk about it, you could talk to me.” She was hesitant, beseeching. She kept her voice sweet. Please talk to me. 

“Oh yeah? How many social integration points would you get for that conversation?” 

“What? That’s not why I’m offering!” 

“Whatever,” said Georgia. “I don’t need your pity. I’m doing fine.”

She wasn’t sure what Georgia was thinking as the girl stalked past her, shoving her beautiful shoulder into Imogen’s. But Imogen felt certain that Georgia Lessie was not doing fine. 

*             *             *

In English class, Ms. Aasanaaq had set up mock Standardized Aptitude Tests. There was a test on every desk: a series of essay questions on the ancients’ North America. Imogen took her seat, fiddled with the electric pen, and stared at the backside of her school-issued slab. 

The bell rang, and they recited the state benediction: “Stronger together. Weaker apart.” 

Imogen mumbled, jittery with nerves.

Ms. Aasanaaq said: “Begin!” 

Imogen flipped over the test slab. Do you think the ‘Wallstreet Bailout’ in America in 2008 CE contributed to the rise of populism in the following three decades, given the damaged public purse? That question was vague…there were many populist uprisings…She would need late-stage sociopolitical economic theory. She read the next one. Discuss the correlation and/or lack of correlation between the high interest rates on home mortgages in North America in the 1980’s CE and the Starbucks coffee chain’s rise in the market. Caffeinated productivity mania? A stretch. The test seemed biased. Explain, if you were a benevolent dictator in America in the 19th Century CE, what legal restrictions you would have placed upon Mary Mallon, given her lifelong asymptomatic typhoid status. Was she prepared to delineate the fundamental, conflicting, and nuanced dynamics between personal autonomy, collective safety, and the role of the state? Could she do it? In sixty-five minutes? She looked at the next question. Debate: The ‘Stanford Prison Experiment’ of 1971 CE proved more about the experiment’s individual participants’ relationship to power and privilege than it did about ‘fundamental human nature’. The need for specificity…the individualistic notion of ‘fundamental moral essence,’ propped up through biased data extrapolation…Maybe she could work with this. She looked at the clock. She had to choose now, she told herself. She couldn’t spend twenty-five minutes deliberating, like last time – what a disaster. She chewed on her lip and started to write. 

*             *             *

Five hours later, Imogen was back in the wings of the auditorium, and Georgia Lessie was on the stage. Imogen kept her eyes on her notes. At the penultimate crescendo in Walter Hurst’s Symphony for a Dying World, Georgia Lessie fell. 

Her body made a thud-smack on the floor of the stage. One of the Truden-Tamagashi buildings screamed. 

Imogen looked up, startled. They made eye contact: Imogen, squashed between heavy curtains; Georgia, crouching over a slip of metal piping, where she had caught herself, landed on her knees. Georgia’s eyes had a quality to them Imogen didn’t recognize. Like she knew she was prey – knew her fate, endured it, because what choice did she have? – but felt dangerous things. If Imogen walked onto the stage, if she reached out her hand, would Georgia take it or shove it away? Given Georgia’s expression, Imogen almost believed anything was possible.

“I’m fine. I’m not hurt. I miscalculated.”

Georgia rose up, and the music began again.

*             *             *

There were times when Imogen believed the ancients were strange and repulsive creatures. Automatons living out their meaningless lives, without care, without gratitude, without forethought. They consumed with unabashed recklessness. They lived in their own filth. They built systems scaffolded by greed and unchecked individualistic power. How could anyone live that way? 

But Georgia’s parents had ejected her, summarily, from their household. So, there were times when Imogen thought she understood. It was true: the people of Endos shared the same genes as the ancients. They were coded the same. Failure was possible. 

It hung beneath Imogen like a cast net, toothed, wide-grinned, always waiting. 

*             *             *

The night of the Jefferson Pre-Vocational Theatrical Production was set on an overcast Tuesday. Overcast sky was programmed to occur at a rate of 1 in 16, similar to an inland temperate climate, and was intended to encourage residents to stay indoors, to socialize, to work longer, to organize the home, to feel cozy. Gezelligheid weather, they called it. 

Having known the forecast a year in advance, the production was scheduled for such a day. 

Imogen sat at the front doors of the auditorium, trading tickets for credits in a clunky tally counter that squealed every time she needed change. She sold at least fifty – friends, and family of the students. She even sold a ticket to Suzannah De Luca, who was raised at Hampton with Imogen. 

Suzannah was dressed in drab slacks and a blouse. She accepted the ticket with her usual vagueness, mumbled something about new experiences, and left without making eye contact with Imogen.

Imogen watched her go. She saw Georgia scowling from the stage door. 

She ducked her head and started tallying the ticket sales. 

*             *             *

Imogen watched the performance from the back of the auditorium. Buildings crumbled with notable devastation, the Famine Reaper didn’t miss his cue, and the ocean waves engulfed the coastal lowlands with a newfound graceful terror. It was their best performance yet. They received a standing ovation. Georgia’s performance won accolades from the Drama teacher, Mr. Ramirez, who had the final word at the microphone. (‘Stellar performance from the Egbert Typhoon!’)

Watching her classmates bow, Imogen felt larger than herself. This was her community: her generation. They could reenact the end of the world, learn from it, emerge unscathed. Endos was, after all, built with the hope that they could survive. Can we do it? Imogen wondered, then. Can we, one day, rebuild a better world?

The curtains fell and left her in the darkness.

*             *             *

“Great job in the show, tonight, Georgia. Everyone was enlivened. The collective was stronger than the sum of its parts.” Imogen kept her head down, focused on Georgia’s right arm. Stilted and formal seemed to Imogen like her safest bet, these days. 

Georgia scowled, face flushed, shining with sweat from the heat of the performance lights. “I saw you talking with Suzannah De Luca.”

“Suzannah was two years ahead of me at the Hampton Care Collective. Do you know her?”

“She goes to my parents’ church.” 

“Oh.” The clothes, Imogen realized. “That makes sense.” She leaned closer. It was shocking to speak poorly of another, but Imogen guessed – from Georgia’s deepening scowl – that Georgia wanted to hear it. She was ready to do the unthinkable. She lowered her voice. “Suzannah seems perpetually distracted.”

A sudden smile. The first Imogen had seen Georgia make, in months. “Yeah. She’s a weirdo. I guess it was just…unexpected, seeing her again. Do you want to get out of here?”

“Um…sure,” said Imogen, surprised. “Where would we go?”

“Anywhere. C’mon. I just need to walk.”

 Georgia changed her mood without warning. It was spontaneous, unexpected…reckless, thought Imogen. She told herself to be careful. Nonetheless, something fluttered in her chest as she folded the collapsible table and gathered her things. 

Georgia Lessie wants to walk with me! What a dream. 

Georgia changed into her street clothes. Imogen packed up the tally counter and uploaded the credits to the Theatrical Education Society folder in the teachers’ lounge. They only made sixty credits, but the state funded every social educational enterprise, so the credits were just for the novelty, anyway. They stepped outside. They walked west. They followed the simulated sun, behind the clouds. 

*             *             *

“Did your parents come, tonight?” said Imogen.

“Don’t you dare bring up my parents.” 

“Right. Sorry.” Imogen crushed her cheek with her palm. “Their loss.”  She thought she saw Georgia smile. No, she must have imagined it. They walked further, turning west at the intersections. They walked in silence. What was Georgia thinking? Imogen didn’t dare ask. 

At last they came to the edge of the city, where the sky dome met the urban ground. It was twilight: a dusky purple horizon, glowing in the west. They stood at the rail before the three-meter tall metal barricade. If Imogen jumped the rail and scaled the barricade, she could reach out and touch the sky.

Imogen often thought about touching the sky. She imagined it would feel sticky, like oil, and reassuringly firm. 

“What are you going to do for a career?” said Georgia, breaking the silence.

“I have no idea,” said Imogen. “Something important, for the collective. I want to be great. For everyone else.”

“That’s weird. What do you love?” 

“What does it matter? I’m not some individualist. I’m not going to live my life self-absorbed, seeking out my own happiness at others’ expense.”

“Why would your happiness be at others’ expense?” 

“That’s the way it ends up – that’s the logical endpoint, the natural conclusion.”

“I love to dance.” Georgia stared at the purple twilight. “In Discipleship, everyone says the same thing, eats the same food, dresses the same – everything is preordained. Nothing is unexpected. But when I’m on stage, no one can guess what I’m going to do next. Each beat-to-beat moment is creative, unpredictable, irreplaceable, and I get to choose where my fingers go, when to twist my neck, how far to incline my back. If I didn’t, you would never see it. And I know you like watching.” 

Georgia glanced at Imogen, then looked away.

Imogen curled her hands over the metal railing, warm, moist with sweat, unable to deny it. 

“Here. Take a look,” said Georgia, unhooking the necklace she wore. She lifted the emblem up. The necklace was made of small pieces of pressed glass, held together with soft, silver metal. The pieces were red, green, gold, bronze, ochre, pink, pale blue, navy, violet. Together, they formed a picture of bread, two fish side-by-side, on a grassy outcrop, beside an ocean, under a bright blue sky. 

“It’s beautiful.” Imogen touched one of the golden glass pieces – a fin, of one fish. “Is it a religious symbol?”

“It references a Discipleship parable about collectivism. A miraculous act enabled by the collective: nourishing hungry people with bread and fish. Which is why I was allowed to keep it.” Georgia looked rueful. “That’s not what matters, about it. It’s a mosaic. See? Every piece is different, but together, they are cohesive. The picture wouldn’t work if every piece was the same. The point is they’re different, together.”

“It’s perfect.” 

“So, what colour piece are you?”

“I…I guess I’m the colour most needed to complete the picture.”

“That’s not the way colours work, Imogen. You can’t change your nature, only what shape you put it in. Besides, if every colour said that, there would be no picture. Every piece would be painting themselves beige, trying to fit in.”

“Maybe I’m the metal that holds the glass together?”

Georgia laughed. “No, that’s the terrarium we live in, dumbludd. That’s the air recyclers and the food-manufacturers, the farms on the upside, beyond the sky dome. The reprocessors, the institutions, the state. My, you’re arrogant! I never knew.”

Imogen scowled. 

Georgia laughed harder, buckling into the rail. 

“Hey, I don’t want to go back to the Mags’. Can I come over to your place?”

“Sure.” She ducked her head, hiding her surprise.   

They turned around, headed east. The sun dipped lower into the horizon: a million pixels of dimming, colored light.

*             *             *

Imogen realized how drab her room looked, with Georgia inside it. Her beige walls, for the first time, reminded her of the clothes worn by the neo-Christian devotees. She hoped Georgia wouldn’t think about it. 

Georgia sat on Imogen’s bed. “I’ve wanted a bed like this, since I was eight years old. I saw it in the furniture catalogue. Mom said it was ‘too individualistic,’ and ‘not worth the price.’”

Imogen sat down beside Georgia. Their hips touched. “It’s a nice bed.”

“Do you ever wish you had parents?” Georgia seemed stiff. Imogen scooched a few inches away.

“When I need to talk to someone, or…make a decision,” she admitted. “But it seems unpredictable. I don’t like unpredictability.” 

“I wish I was raised by the state,” said Georgia, wistfully. “I’ve been wishing that a lot, lately.”

“Why did your parents kick you out?”

Georgia touched Imogen’s bedspread, running her fingers over the fabric. “Imogen, I don’t think you’d look at me the same way if you knew the reason.”

Imogen swallowed a lump in her throat. How bad could it be? “You don’t have to tell me. You can take my bed, tonight. I’ll sleep on the floor. I don’t mind it.”

“There’s no need for that. We both fit.”

“I mean…it’ll be cozy.”

“Whatever,” said Georgia. 

Imogen gave Georgia a pair of pajamas, let her use a spare toothbrush, and stored her schoolbag in the drawer beneath her bed. Then, they each took a side, and Imogen tried to swallow her nerves.

When the top began to close, Imogen pulled out her slab. She tapped, and a picture emerged. It was the live feed from the camera on the exterior of Endos. A round, blue-and-green Earth – the waxing gibbous, taking up half the sky. Thin glimmer of atmosphere around it. A background of perfect black, pinpricks of stars. She showed it to Georgia.

“Do you think we’ll ever go back to it?” said Georgia.

“I hope so. But I doubt it will be us who does. Carbon scrubbers, refuse reprocessors, nuclear containment: they can only do so much.” Imogen paused. “I…I hope whoever does return…”

“What?”

“Just…does a better job.”           

“Yeah.” Georgia pulled the bedspread toward her. “Me too.”

They lay in the silence, dim light overhead. 

“Sorry I called you arrogant,” said Georgia.

“I am arrogant. I think I can make a difference on Endos – isn’t that arrogance?” 

“It’s not arrogance, Imogen. You’re just good at school.”

“It’s a defense mechanism. I can’t fail.”

“Well, I’ve failed.” Georgia’s voice was suddenly bitter. “It’s not so bad.”

“You didn’t.” Despite her lack of knowledge, she felt compelled to take a stance. “Your parents made a bad decision.”

Georgia didn’t say anything, but her breathing sped up. They lay in silence, again. Imogen could see Georgia’s outline, in the dark. The heat of her body. The whole bed smelled like bergamot now.

“If I tell you what happened, you have to promise not to tell anyone.”

“Of course,” said Imogen. Unless someone is in danger, she thought wildlythen, Imogen would tell.

“I was dating Suzannah De Luca.” 

“What? Suzannah? She’s like…wow, really?”

“She ended it.”

“Oh…” Imogen could hear her own heart pound, in the silence. Don’t say the wrong thing, don’t say the wrong thing, but she was going to, anyway – she just knew it.

“What were you going to say?” Georgia sounded nervous. 

“I don’t know,” said Imogen.

“Yes you do.” 

“She just seems…different than you.”

Georgia looked away. “She is. But I was head-over-heels. I loved everything about her.”

“Like what?” Imogen was grateful it was too dark to see detail – her face was burning up.

“I don’t know. The way she paused before speaking, then said the most unexpected things. She would stare at the horizon for minutes on end. We always snuck out of Discipleship, kissed in the vestry attic. Her hair smelled like salt from the shampoo she used. She was off in her own world, and I never felt like I was a part of it. But I wanted to be. I tried to be. It doesn’t matter, now.”

“That’s why your parents made you leave?”

Georgia groaned, rolled into the wall. 

“They want everyone to be the same,” said Imogen, thinking about it. “Not different, together.”

“Yeah.” Georgia’s voice was hollow. She ended up on her back, staring at the bed’s ceiling.  

The injustice rankled Imogen. I need to say something better. “You needed support most, but they took it away.” She felt a sudden pressure in her chest. “Your parents should be ashamed.” 

“They had the power to.”

“Power doesn’t make it right.” 

“I know.” Georgia’s voice broke. She pushed her hair off her forehead, angrily. “It’s just ironic. You care so much about fitting in, you’re not there for your own hurting daughter.” She glared at the ceiling. “I…I want to stop caring about…what they think of me. But…I can’t. I miss them. I do.”

“I’m sorry.” Imogen felt enraged. Impassioned, she sermonized: “You can’t just eject someone from a community when they make a decision you don’t like! Even if it was a bad decision.” 

“You think it was a bad decision?”

“I don’t know, you got hurt. It’s not my place to decide.”

“I care what you think.”

Imogen’s heart skipped a beat. “Well, I think your parents are extremists.”

“They’re not extremists…they’re…closed-minded. In their world, difference means individualism. They have the right to believe whatever.”

Georgia loved her parents, Imogen realized. They had rejected her: still, she defended them. How is it possible to care about someone so much, even when it hurts you? Imogen leaned closer. She had the urge to wrap both arms around Georgia, to touch her cheek. What would she say? That things were going to be okay? How could Imogen know that?

“I want to live in a world where no one gets pushed out. Where everyone knows how bad they can impact people, and takes that responsibility to heart.”

“You don’t even know my parents.”

“So? What happens to one person impacts all of us. Why don’t people see that? The ancient didn’t make choices like it mattered – that’s how the world ended: plagues, famine, fragile systems built on short-term gain. Everyone is just trying to get ahead. I’m like them, Georgia. I want to get ahead. It’s why I’m afraid to choose anything.”

Georgia fell silent. They lay in the darkness, but Imogen felt exposed. It was an uncomfortable feeling. She regretted her decision: She shouldn’t have turned the conversation to herself – Georgia was the one who needed help. It was self-centered, she thought, miserably. Just like the ancients. Self-centered, indulgent, mindless.

“You can’t know the consequences of every decision you make,” Georgia said, at last. “You just…have to make decisions anyway. Things are unpredictable, sometimes.”

Imogen nodded. She took a breath. Georgia was so forgiving. Her shoulder was so close to her, now. The curve, where it met her collarbone, was silhouetted in the darkness. If she just reached out…

Maybe Georgia was right. Maybe she had to make decisions. 

She lifted her hand. She touched Georgia’s shoulder. 

“Imogen…” Georgia’s voice was a sudden warning, full of disappointment.

Imogen blanched. She took her hand away. “I’m sorry.”

“No, I’m…I’m not over Suzannah. I just lost my family – I’m not doing well. I need a friend, right now.”

“Yeah. Of course. I’m so stupid.”

“You’re not. Really.” Georgia said it softly.

Imogen wanted to tunnel into the bed and then disappear. But Georgia needed her. She would do the right thing, for Georgia. It was better to connect than to get what she wanted. “I can be your friend,” she said, quietly. “You’ve been through so much. I don’t want to let you down.” 

Georgia reached out under the blankets, took Imogen’s hand, and squeezed. 

*             *             *

They fell asleep facing each other, cocooned in Imogen’s bed. When the simulated sun rose, Georgia rose too, stretching her full body, lifting her arms up. Her fingers touched the ceiling. “I should go. I promised Charissa’s mother I would clean the house on Saturdays. Dumbludd payment for letting me stay. Plus, she gets the points, that double-dipper.”

Imogen watched Georgia stretch. “How long will you stay with them?”

“I don’t know. I put in an application for state housing last week.” Georgia bent forward, touched the floor. “Until it goes through, I guess.”

“You’re welcome here, anytime.”

“Oh yeah?” Georgia gave her a look, one eyebrow raised. “And how many social integration points would you get for housing a disowned derelict?”

“At least sixty-five,” said Imogen, grinning. 

“It hardly seems worth it.”  

“You have no aspiration.”

Georgia laughed. 

*             *             *

Imogen looked out her window to watch Georgia cross the street below her complex. Georgia held her school bag on her left shoulder. She crossed the street before the intersection, keeping her head down as she walked.

 Imogen held her school bag evenly over both shoulders, looked straight ahead, and only ever crossed at the intersection. They were nothing alike. But it was good that way. They could be different, together. 

Standard Aptitude Testing was four days away. Imogen had planned to study Maria Ricardo, Wei-Zen Li, Descartes. But she took out her slab and pulled up “Acceptable Room Colours for State Housing” on the paint catalogue. She wanted to find the perfect blue: the colour that matched the glass in Georgia’s necklace, and illustrated the sky. 

Somewhere above her, she imagined, Earth was that colour, too.  

 

CLARE MCNAMEE-ANNETT (she/her) is a writer in Surrey, British Columbia. She realized she identifies as part the queer community in eleventh grade, then informed her extended family in a single-page semi-block business letter. The responses broke and warmed her heart. Her short story, “Ich-iri,” is forthcoming in the Ab Terra International Science Fiction Anthology by Brain Mill Press. Like Imogen, she has hope for the future.

This is Fantasy

Editor’s Note: This story features depictions of sex work as well as a brief description of sexual assault.

These days, the only thing that gets me off is hate. The older I get, the more I think that’s probably pretty normal, sort of a default state of being, especially if you’re a woman in the city. You’ve got to have something to keep you going. Better than coffee, better than coke, better than sex. Definitely better than sex. Better than that one really great song you’ve got on repeat on the ride home, wearing the big proper headphones you bought not for the quality of the sound but so that men would maybe get the hint that you don’t want to be goddamn talked to.

It’s 4 a.m., my whole body hurts, and this guy decides out of all the empty seats, he’s going to sit next to me and stick his head on my shoulder like he’s trying to sleep or something. And it’s not like I’m afraid of confrontation because I can shove folks off me like it’s my job—I mean, it is my job, some of the time. But it’s like part of me is so pissed I want to go all Jessica Jones on him, lift him up with one hand and throw him clean across the train car, and the other half of me just honestly…doesn’t care. So I let him keep his head on me, all the way from 14th Street to Nostrand Avenue, the train running local and everything.

I mean, what’s the point? Beating him up, even if I could, it wouldn’t make me or anybody else any safer. And so it’s like there’s this ball of messed up feelings just spinning and spinning inside me all the time, all that rage and nowhere to put it. Yeah. All that rage and nowhere to put it—that’s what I’m talking about when I say it’s like the default setting.

These days, when I turn the key in the lock, it’s like spinning a roulette wheel and waiting to see where the ball lands. The lights are off—a good sign. My eyes flick immediately to the couch, where Laney has been passed out more nights than not, but this time it’s empty. Aidan’s tablet and art supplies are stacked neatly on the end of the coffee table. I don’t even realize I’ve been holding my breath until I let out a giant sigh of relief.

 In the kitchen, by the light of my phone, I count my cash: $757. Damn, no wonder I had to fight to get put on Saturday nights, and that’s after tipping the DJ and the house mom and all that. I split off $457 and put it in the envelope on the counter. The other $300 goes in my wallet to deposit in the morning—well, afternoon. I have a pretty solid 60/40 rule, which Laney doesn’t exactly know about, but it’s just common sense that if you’re making this kind of money, at a job you know you can’t do forever, you’re going to save as much of it as you can. I tell myself it’s just good financial sense, and nothing to do with how much she’s drinking again. Lately, though, the second the money hits my savings account I wind up having to pull it back out again, to pay for Aidan’s summer camp and his new orthotics and his Adderall and the unlimited MetroCard he managed to lose a week after we bought it, things she either seems to forget about or just never asks the price of.

In the bathroom, I brush my teeth and weigh the cost of waiting till morning to shower. Nothing sinks a girl’s earning potential faster than acne—body acne, I’m talking—and I can feel the grit of the stage all over me like a second skin. My knees are raw. I wipe my makeup off and watch as my own self reappears: soft rounded eyebrows, freckles, pale flabby cheeks under all that contour.

By the time I get out of the shower, it’s practically dawn, and next door at the Dunkin’ Donuts they must be baking everything for the morning because you can smell the sweetness, even with all the windows closed. I never even knew that was a thing till lately—always thought they just shipped them in from somewhere. There’s something so bizarrely comforting and domestic about that smell that for a second I think, yes, I can do this, just breathe. Four counts in, hold for seven, eight counts out.

She’s lying on top of the covers, long red hair falling across her face, reading something on her phone in the not-quite dark. “You okay?” I ask. She does a little shrug thing,  pulling me into her, and I brace myself for the smell of tequila on her breath—but it’s not bad tonight.

Out of nowhere, she says, “You ever hear of Servius Tullius?”

“Hmm?” I’m not sure what I was expecting, but not that. “Oh, is that one of your Roman emperors?” Back when she worked as a research assistant in the classics department, she was always coming out with facts like this.

“King, actually,” she says. “So before that. Here.” And she shines the phone at me. It’s open to a Wikipedia page. “So you know the Romans were obsessed with, like, omens and signs from the gods, and one of the big ones that meant you were supposed to do great things was if your head or your hair caught fire. There’s this kid Servius Tullius, he’s like a slave in the palace or wherever, but one day—Whoomph!” She mimes the flames with her hands. “And from that day on they knew he was destined to be the king of Rome.”

I take the phone and sort of skim. I can’t help but smile because I know where she’s going with this. “Okay, so…?”

“So maybe Aidan is just destined for greatness.”

“Riiight. It wasn’t his hair, though. It was his hat. And only after that other kid—what’s his name, like Ambrose or something?—had grabbed it off his head and was tossing it back and forth.”

“No, Ambrose is the one we like. We met his dads, remember? The one who stole the hat is August.”

I’m pretty sure it’s the other way around, but it doesn’t matter. “Miss Jenn says he’s got second-degree burns,” I say.

“Shit.”

“Yeah.” I hand the phone back and burrow into the covers, trying to get comfortable with my head on her bony shoulder. “What are we going to do?”

When Aidan was four, he used to make the flame in Laney’s candles dance. There was never a way to rationalize it. She’d be taking a bath with the door closed, and they’d just shoot back and forth from one candle to the other. When he was five, it was the stove, on and off, on and off in the middle of the night. It got so bad we told the landlord to disconnect the gas and spent that whole year cooking on a little electric hotplate. We were scared to send him to school. Then, all of a sudden, it stopped. For almost five years, nothing. We never said a word about it, and neither did Aidan. I kept telling myself if something had actually happened, he would bring it up sooner or later—wouldn’t he? I pretty much convinced myself I’d imagined the whole thing, and I can only assume Laney did the same; we’ve both been gaslit plenty over the years, so it came fairly natural.

When the art camp he was so excited about said they offered a glassblowing unit—with supervision, of course—we didn’t even think about the risks. I can’t believe I was so stupid.

Laney checks her phone again and groans.

“You going to be okay getting him to the podiatrist?” I ask.

“I slept some earlier,” she says, getting up and reaching for her glasses. “Think I’ll just make some breakfast.”

“If you’re going to be late, just call them this time, okay? Please, we can’t—”

We can’t afford to miss another, I know. I said I was sorry.”

“I’m not—” I’m too tired to do this again. “I’m not asking for an apology, just please try, okay? When you guys get home, I’ll talk to him.”

*             *             *

By the time I manage to talk to Aidan, it’s 5 p.m. and I’m packing for work again. He’s rattling back and forth with his tablet, trying to take his shoes off without getting caught. “You have to keep them on!” Laney keeps yelling, to absolutely no effect. It’s funny, the shoes are a daily struggle, but he wouldn’t go anywhere without that ridiculous beanie. It was so small on him at this point that it just sort of perched on the top of his head like a rolled-up condom—he looked like a fucking barista.

Today is not a good Laney day. She must have started early, before I woke up, and every time she thinks Aidan’s not looking, she sneaks another drink. One of these days, he’s going to figure it out.

“Just for a few hours, okay, kiddo?” I say. “For the orthotics. You’ve got to take care of your feet, same as anything else.”

“But it’s not fair,” he says. “You get to wear those six-inch heels, and those can’t be good for your feet.”

Seven-inch, technically, and all I can say is thank god for Pleasers. “Yes, hon, I know. But my feet aren’t growing anymore. And besides, you’ve got Mom’s flat arches.”

“So?”

“So you have to take care of yourself.”

“You said that already.”

I sigh, loudly, the kind of big grown-up sigh that says I’m not engaging in this argument anymore. “Here, why don’t you come help me with my makeup?”

Watching me do my makeup is one of the only things that truly gets Aidan to sit still. He’s totally mesmerized by it, which is funny because to be honest, I would never wear makeup if I didn’t have to. I bought him a set of dupes that he could play with (judgy mom “friends” be damned), but mostly, he just likes to watch me.

Once I’ve got the foundation and brows set, I let him pick out an eyeshadow. “Which do you think, to start?” I ask, holding out the palette.

He points to a deep orange I’ve barely touched. “That.”

“Oh man, you’re always challenging me!” I say, and then immediately regret it. I never want him to see himself as a challenge. “That’ll be fun.” I work in some pinks and purples so it doesn’t totally clash with my hair—a pastel pink ombre situation I spent way too much money on—and eventually wind up with a soft, deep smoky eye I’m reasonably proud of. “What do you think? Like a sunset.”

He shakes his head vigorously.

“No? You don’t like it?”

“I do like it,” he says. “But it’s not a sunset.” He says it like it should be obvious, like of course I see what he sees—and I wish I could. At ten years old, this kid already knows more about line and color than I ever will. He wants to be an artist. He’s even writing a graphic novel, some sort of Rick Riordan–esque fantasy adventure, but of course he won’t let me read it—I wouldn’t understand, apparently.

“Now lipstick,” he says, handing over a matte raspberry called Can’t Be Tamed. Oh boy. This look is gonna be a lot. But I like it—it feels vibrant and fun.

I want, more than anything, just to hold this moment, watching the joy he finds in bringing a picture to life. But I promised I would talk to him. We have a meeting with Miss Jenn in the morning—well, Laney has a meeting with Miss Jenn, technically—and I have no idea what we’re going to say.

“Okay, kiddo. Let’s talk about what happened with Ambrose the other day. In the glassblowing class.”

Before I’ve even finished the sentence, he’s skittered halfway across the room.

“Hey, hey. Stay with me. What’s up?”

“Everybody’s scared of me.”

“You don’t know that, honey. They probably think it was an accident.” The flames literally shot out the end of the demonstrator’s torch and went halfway across the room—“like a laser gun or something,” Miss Jenn said, “like Star Wars, I swear.” Imagine being a twenty-year-old art student and having to make that phone call. “Was it an accident?” If he never even touched the flames, how can they be so sure it was him?

“No, no, not because of that,” Aidan says. “They were scared of me before.”

“Why?”

“Because I’m angry…like all the time.”

This is news to me. Anxious sometimes, but angry? He’s never had outbursts or anything, not more than normal for his age. “What about, hon?”

“I don’t know, I just am.”

“Oh, Aidan, I didn’t know.” I want to wrap him in the biggest hug, but I’m scared he’ll push me away. “Come sit with me again. Does this have something to do with what happened on Friday?”

He shakes his head. “I can’t talk about it. Not with you.”

I try not to let the rejection sting, but it does. It’s like all of a sudden, these past few years, I have a whole new kid. We used to be so close.

When Laney and I first got together, Aidan was so excited about having two mommies. He doesn’t have any memories of his dad—which is for the best as far as L and I are both concerned—but you could tell he felt like there was something missing. For a while, he kept asking when we were going to get married. I would have done it, too. It’s funny, looking back—I had literally just turned twenty-three, never even seriously dated a girl before (though not for lack of trying), but I was all aboard the wife and stepmom train. I knew she drank a lot, but it didn’t seem like a problem back then, not when my ballet friends were getting hooked on coke and cigarettes just to lose a couple inches off their waists, stumbling into class hungover every Monday morning. Laney was six years older than me, this badass survivor single mom, and despite all she’d been through, she seemed like the perfect ideal of Millennial adulthood; she wore pencil skirts, for God’s sake. I wanted to be a part of what she had.

But this was before the whole Supreme Court thing, and if it wasn't valid in Ohio, Laney said, she didn't want it. So, we didn’t. I suppose even then a part of me knew that it might not last, and the thought of coming home a gay divorcee—well, that still sounded like a punchline back then.

I’ll be thirty next year, and the girls I used to dance with are just starting to have babies—hashtag-blessed, hashtag-fitness, working hard to get my body back, like their bodies went missing somewhere along the way. And meanwhile, if my soft little boy is hardening around the edges, if he doesn’t confide in me like he used to—well, that’s a healthy part of growing up, right?

“I know it’s hard, Aidan. If you’d rather talk to Mom, that’s okay.”

“Sometimes I tell her things, and she doesn’t remember.”

Oh god—that stops me in my tracks.

“There is someone, though,” Aidan says. “But…”

“But?”

“But…they’re not here yet.”

Huh? Shit, what if he told someone?

“They’re definitely coming, though,” he says confidently. “In the books, they always come—you’ll see. I can’t be the only one with powers. They’re just really, really…really, really good at hiding.”

Wow,” I say—such a stupid, condescending thing, but it breaks my heart because of course he would think that. We raised him on that shit—Harry Potter and Percy Jackson and the whole damn canon where somebody always comes for the kid.

But still, I think, if we had been different—if I had done a better job—maybe Laney and I could have been enough.

“You know,” I say, testing the waters, “sometimes it takes us a minute, when we have a kid that’s not quite like us. But I want to understand, Aidan. If you’ll let me.” I have this sudden flashback to myself in my parents’ new kitchen—nineteen and home from college, with my big dykey haircut that didn’t suit me at all, saying I have to tell you something. God, I haven’t thought about that in years.

“I promise you, Aidan, I’m not afraid of you. I love you. You can show me.”

He looks like he’s going to cry, and for a moment, I wonder if I can still take it back. But then he holds out his hands in front of him, balled into fists. And then he flicks up his index finger, like lighting a match, and a single flame sparks into being.

I’ve never seen him this quiet, this still. He opens his hand and the flame grows, licking at his palm, then he passes it from one hand to the other, like pouring a slinky back and forth. Say something, I tell myself. He’s waiting for you to say something.

Not like a sunset.”

He nods, and grins.

And then, as quickly as it started, he balls his hands into fists again, and the flames disappear. I seize his hands in mine, and they’re cold. They’re so cold. “I love you,” I say again, pulling him close to me, hoping it’s enough. “You know that, right, Aidan? I’m not afraid of you.”

But the moment, whatever it was, is gone. “Okay,” he says, wriggling out of my hug. “Can I take off my shoes now?”

*             *             *

By the time I get to Fantasy, it’s like I’m a different person. I’ve got my venti iced coffee and my hot bitch attitude, and I’m ready to make some money. Say what you like about it as a coping skill, but I fucking rock at compartmentalization.

Sundays are my favorite. It’s a different kind of crowd. You’re not going to see the wild spenders—at least I haven’t yet—but I’ve got my couple of regulars, and the tourists are good sometimes. If you show up early enough, you can just work the guys at the bar and get a decent string of dances. It’s almost peaceful.

Tonight, I’m the first one here and ready to go. I change into my most Girl Next Door outfit, a cute little silvery halter bodysuit, to balance out the effect of the crazy makeup. Some girls have it all worked out—I swear, like literal spreadsheets of which outfits make them the most money which nights—and maybe I should, but to be honest I just can’t be bothered. To me, it’s not about that, it’s about figuring out people. Show up, be somebody else, know who’s prepared to pay you for indulging their bullshit. That hate I’m talking about, it’s better fuel than you’d think.

The DJ is playing early Rihanna, Good Girl Gone Bad–era. I go straight for the pole by the bar, completely ignoring the couple of guys nursing their drinks. I do a few simple tricks and shake my ass a little, super slow, and then I make eye contact. Just like that, I know I’ve already got them.

I smile and turn my back to the watchers, loving the picture I make, my long pastel pink hair falling perfectly in the soft crease of my back. Above me, the neon pink sign reads, THIS – IS – FANTASY. I bend over and look at them through my legs, then slowly come back up, running my hand along my thigh.

I’ve got my eye on a customer in the corner—white guy, nerd tee shirt, ugly blazer, a watch he probably thinks is expensive. He’s drinking a Blue Moon, looks uncomfortable—sometimes those are the good ones, if they’ve got money. I stare at him until he looks my way, then keep staring, waiting to see if he’ll take the hint. He opens his wallet and pulls out three one-dollar bills. Good boy.

I lean into him to collect the money, cupping my tits with my hands so they’re right in his face—a move so beloved by strippers that it almost feels like a parody of itself. “Hi, baby. I’m Juno.”

“Juno,” he says. “Like the movie. Cute.”

“Like the goddess.”

It’s an exchange I’ve had a hundred times. The joke is she—as in the goddess, I mean—she hates men (although really, Laney said, you could argue that in itself was a misogynistic interpretation, advanced in part by Virgil in his attempts to suck up to the Roman emperor). She’s the one who chains the guy to a rock and makes a vulture eat his liver on the daily. It was L’s idea, naturally, but it made me feel powerful and not-to-be-fucked-with.

He wants cute, though? I can do cute. When the song ends, I go to sit at his table, my leg resting on his.

“So tell me then, Juno. What’s a goddess like you doing in a place like this?” Ugh. Literally couldn’t he think of anything else to ask?

I giggle. “You’ve never done this before, have you?”

He leans in closer, smelling me. “Shhh. I really want to know.”

I fiddle with my long necklace, a gesture that seems unrehearsed but draws his eyes back to my tits. “I dunno. Maybe this is just my dirty fantasy.”

It’s not. I am extremely not attracted to men. Laney is, and sometimes in the early days, I would ask her for advice—how to touch, where to look, what to say. A lot of lesbians probably think that’s a weird relationship dynamic, but those are the ones who get weird about bi women anyway. And I think, in a sense, it helps not to feel anything. Like I said, I rock at compartmentalization.

“As insanely hot as that is,” he says, “I don’t believe you. What’s the real reason?”

Gross. “How about you buy me a drink and I’ll tell you?”

The dancer champagne is non-alcoholic, but the customers, they don’t know that. It’s $20, and you get half that to keep. Pretty good deal, especially on a slow Sunday. You can get real drinks too, but I’d rather just have the money. I slide onto his lap, and he puts an arm around my waist, his hand resting just at the top of my thigh. The touch is so apprehensive it’s almost clinical. He really has never done this before.

I take a drink. “I was gonna be a dancer—a real one, I mean. Moved across the country and everything. It didn’t work out. I was every ballet movie cliché you ever heard of—except the bulimia, I guess.”

He laughs, like bulimia is so funny. “You went a little wild, didn’t you?”

They tell you not to say anything that’s true because it’s like giving away a piece of yourself, but the real story is just so much better than anything else I could come up with. It hits on that little bit of tragedy that everyone wants to hear. If you’re too normal, too whole, it ruins the fantasy—it’s like they feel guilty or something.

Besides, telling one true thing makes it easier to lie about the rest.

“Where are you from?”

I giggle again. “That part I don’t tell.” They like that too.

We run through all the generic questions, and he buys me another drink. His wallet is just sitting open on the table. This guy wants to spend, but he needs the push. “You know what?” I say. This is the voice I call Bored Sexy. “I had this exact conversation like ten times last night. Let’s do something else—you look like you need a lap dance.”

He stands up. “I’ll do you one better. You got a champagne room in here?”

Whoa. That was easy.

The champagne room is basically like a lap dance room but more private—and way more expensive. The customer pays $500 for a half hour, and you get $250. You don’t have to do it, because guys are a lot more grabby in there, and sometimes they think they’ve paid for more than just privacy, but if you quit in the middle, Fantasy gives them half the money back—your half.

Ugly Blazer Guy pays for the room, and I’m still doing my Cute routine—“Now we can have so much more fun!”—but the second we get in there it’s like he’s totally nervous again. He doesn’t say a word. The thing about the champagne room is they’re not actually getting anything they wouldn’t already get on the floor, so if they don’t want to talk, it’s really awkward. You have to make them feel like the coolest, hottest girl in the world has just all of a sudden decided they’re cool and hot too. I sit him on the couch, spread his legs, and do a couple songs, taking the top of my outfit off and massaging my tits, but it feels like he’s not into it.

“We should get a bottle of something!” I prompt, when the silence gets to be too much. I wonder if he regrets the money he’s already spent on me.

He closes his eyes and takes a deep breath, clasping his hands together, and for a ridiculous half-moment I wonder if he’s praying. Then he says my name: “Melissa.”

It takes a beat to process. My real name. “I’m sorry?”

“You’re Delaney’s, um, you live with Delaney.”

“Girlfriend,” I say. “That’s what that’s called, when you’re in a relationship with someone. I’m sorry, I don’t…know you.” And I’m 90 percent sure that’s true, but the thing with me and faces is sometimes I honestly just don’t remember. It’s always scared me, the thought that something like this would happen.

“I found you on Discord, you were in a bunch of, like, sex worker groups—are those private? I really hope those are private because I wouldn’t have made the profile if I didn’t really need to talk to you. And you know Delaney keeps blocking me—”

All of a sudden I know who he is, and I’m halfway to the curtain when he grabs my arm and pulls me back into his lap. “Don’t touch me.”

What he did to her—and Aidan—we don’t talk about it. She never even showed me pictures of him. All I know is by the time she got out of there, she had pretty much no money and no friends, her car was half dead, and she swore she was never going back to Cincinnati. Aidan was two. She still has nightmares. Unsurprisingly, it’s also why she drinks.

“I never hit her,” he says. “I need you to know it wasn’t like that.”

“Okay?” There’s so much I want to say—been saving up to say for years—but that’s all that comes out.

“So we’re cool, right? If she’s gay now, I get that, it’s nothing to do with me, but—”

“Okay.”

“I want to talk to her about custody.”

And that’s when the switch flips. “Absolutely fucking not.” That’s my kid he’s talking about. All of a sudden I’m on my feet, towering over him in my seven-inch heels—all that rage and I finally have somewhere to put it. “Not only are you not going to talk to Laney, but you’re going to get back in your car or you’re going to get an Uber to the airport or—however the hell you got here, you’re going to do that back out of here, or I’ll—” Or I’ll what? Call the police to a strip club where I’m not even technically an employee? Like they would give a shit.

“Does Delaney know?” he says.

“Of course she knows, and she’s totally fine with it, because guess what? She’s not a jealous piece of shit.”

He laughs, a big laugh that takes in the whole room—the dim pink lighting, the cheap velvet curtain, the TV playing softcore porn with the volume off—and me with my tits still hanging out, like it’s the most ridiculous thing he’s ever seen.

It’s strange—I’ve never been ashamed till now.

“Not that,” he says. “Does Delaney know her kid has magic powers, or is she too drunk to notice?”

“Fuck you. Whatever you think you know about her—”

“I know you know,” he says. “You’re a smart girl, Melissa. You notice things.” I shake my head. “That poor kid thinks he’s a freak and nobody’s ever coming for him. Of course, he could be a celebrity. He could have all the attention he wants…or he could just be a kid with a dad who thinks he’s special, like every little boy deserves. So I’m asking again, does Delaney know?”

I nod. “She knows.”

“Tell her I want to talk to her. That’s all I’m asking, for now.”

“I have nothing to say to you.”

I try one more time to leave, but he stops me at the curtain again, his hands on my ass this time. “Well, that’s okay,” he says with a big smile. “We’ve got what, ten minutes left? You could…” He slides a cold finger under the crotch of my outfit, under my thong.

I don’t move. I know what he could do, if he wanted to. It wouldn’t be the first time. In the moment, I tell myself it’s nothing.

And compared to everything else, it is nothing. Compared to Laney’s actual, lived trauma—compared to the bills, and the trouble with Miss Jenn, and Aidan just sitting there with his hands on fucking fire, waiting for me to be proud or mad or anything at all—it should be nothing. It should be nothing like the catcalls are nothing, like the long nights and the bad tips and the man on the train with his head on my shoulder all the way to Nostrand Avenue.

And just like that, he pulls his hand away. “See? I wasn’t gonna do anything.”

Like on the train, I feel myself wanting to move, wanting to hurt him, but instead, to my deep and utter shame, I start to cry.

“Look, I’m sorry, never mind. No offense, sweetie, but next to the competition”—he grabs at my little roll of belly fat—“keep your day job, okay?”

 

Of course Laney is passed out on the couch when I get home. It just figures.

But I don’t sleep. I spend the night locking down my social media, messaging moderators and scouring my Reddit and Discord and Twitter for any sign of a profile that could be him, researching restraining orders in the state of New York. I take Aidan’s tablet and triple-check all the kid privacy settings. There’s so little I can do. I’m not even allowed at this stupid meeting with his summer camp because he’s not legally my kid.

There’s no way she’s going to make it on her own though. Seven forty-five rolls around and she’s still on the couch with a killer hangover. “I think I’m going to be sick,” she says.

“Yeah, well, me fucking too.”

Instantly I hate myself. “I’m sorry, that wasn’t—I shouldn’t have said that.” But her eyes are already closed again. “Hey. I’m gonna go next door and get you some Gatorade. Can you please try and get dressed? We can’t cancel this.”

I take Aidan with me to the Dunkin’ Donuts and let him order whatever he wants. I get Gatorade and a donut for Laney and a giant iced coffee for me—simple comforts, I tell myself, trying not to think about the money, and the calories, the way he grabbed at my stomach.

“You missing something, my friend?” the manager says.

That’s what they call you around here when they know you but they don’t know your name—in coffee shops, in bodegas, in the grocery store. It’s kind, gender neutral; it might be my favorite thing about Brooklyn.

“My friend,” he says again, looking down at Aidan. “Where’s the hat?”

“Oh, it was just getting a little small, wasn’t it, honey?”

Aidan takes a long slurp of his bright green Cosmic Pineapple Coolatta. “I set it on fire.”

By the time we make it to the train, it’s already 8:45, and Laney’s thrown up twice, once at home and once in a trash can on the street. “I’m sorry,” she keeps saying. “I’m so sorry.” It’s so crowded we’re all basically on top of each other.

“Just give me your phone so I can tell them we’re running late, okay?” The meeting was supposed to be at 9 a.m. It’s not the first time I’ve sent an email from Laney’s account; I’m used to covering for her at this point, but that doesn’t make it hurt any less. When Laney first quit her research assistant job, it was supposed to be just a temporary thing, until we figured out how to get a babysitter who wouldn’t ask too many questions about things mysteriously going up in flames—which, of course, was never going to happen—and the longer she was at home, the less functional Laney got. She did a couple of work-from-home gigs, copywriting and that sort of thing, but she kept missing deadlines, and anyway, they paid like crap. My ballet career was pretty clearly going nowhere—I was too big, my ankles too busted—and we didn’t have insurance, so I started stripping so she could go to rehab. It worked for a while, the first couple of times. We even talked again about getting married someday.

It’s not her fault, you know? But sometimes, I just want to shake her. And then I think of what he did to her, and I hate myself.

I manage to write a quick email about “train trouble” and send it off in one of the little blips of signal. Laney was supposed to coach Aidan last night, but God knows if that actually happened. “Do you remember what you’re going to say to Miss Jenn?”

I have no idea how it happened,” he says in a singsong voice. “But that’s lying, Melly.”

“It’s not lying, sweetheart. It’s just…telling a part of the story. Like Mom and I do, sometimes, when we’re still getting to know someone.”

We rock up to the studio at 9:27, and Miss Jenn meets us at the door. She’s cut her hair—a super-short pixie cut that in this neighborhood could as easily mean hipster as gay; she wears it better than I ever did. Somehow, it makes her look even younger.

“Am I going to be expelled, Miss Jenn?”

“Um, can I talk to your parents for a minute?” She puts a hand on Laney’s shoulder as if to pull her aside, and that’s when I see him, standing with Ellen, the middle-aged owner: same ugly blazer as the night before, but all that geeky awkwardness—was it ever more than a façade?—replaced with swagger.

“Heard there was a parent-teacher meeting,” he says.

Laney freezes.

He raises his hands toward me in an exaggerated shrug: “Hey, Melissa. Guess I changed my mind, huh?”

“I’ve told him the meeting is only for legal guardians,” Miss Jenn says. “Maybe you can help him understand?”

“Actually,” Ellen says, “Jenn, why don’t you give this gentleman a tour of the studio?” And to my surprise, he follows her, eyeing her ass the way the men at Fantasy do. Well, not just them—after a while, you see it everywhere. “Aidan honey, hang your backpack up and go sit with the extended day kids.”

“Really?” Aidan says, and she nods. “Woohoo, I’m not expelled!”

And then it’s just the three of us. “Right, then,” says Ellen, all business. “You have a couple of options. If he refuses to leave, we can call the police, or you two can take Aidan home and we can try for the meeting again tomorrow. My preference would be for the police, naturally, but—”

“No,” Laney says. She’s right, of course, although I appreciate the intent, I guess—it’s like the lady has seen one viral video where the abuser gets arrested at a routine trip to the vet or the dentist or something, and she thinks, Yeah, I could do that.

Laney grabs my hand. “Mel and I will go talk to him.”

“L, wait.” I never told her; there wasn’t time.

“I can handle it, okay?” she snaps. “Just let me handle this one thing.”

The studio used to be a railroad apartment, so I follow her back through several rooms worth of kid-friendly artsy mess. A few of Aidan’s pieces are on the walls, but I can’t stop to look now.

I should have known we would find him with the glassblowing stuff—leaning casually against the wall, blazer flung over one shoulder. And there, sitting on the big work table, swinging his legs, is Aidan, pulling the tissue paper from an Old Navy bag.

Laney and I watch from the doorway as he pulls out a bright orange beanie, identical to the one he used to wear. His face lights up. “How did you know?”

“Try it on, little guy.”

“I’m not that little, actually. I’ll be eleven in September. Mom, Melly, look at this, it fits and everything!”

“You know, that’s actually why I came to find you, Aidan. See, there’s something important that I need to tell you.”

I can’t take it any longer. “You’re not fucking Hagrid, Keith.”

Laney looks at me like What the fuck?

“You think you’re going to show up here and just whisk him away to some fantasy world? We will sue you.

“You’re special, aren’t you, son? You feel like you have a secret you can’t tell anybody.”

Aidan’s eyes go wide. “Who…? Who are you?”

“Fuck.”

“Yo, Aidan, your mom said fuck.” An older boy—August? Ambrose? The one we like, the one he didn’t set on fire—is standing in the doorway with a couple of smaller kids I don’t recognize. “Cool.”

Keith’s face barely registers the new additions, but you can tell he’s thinking, calculating what it would mean to have an audience. He’s grabbed a long, thin tool that I think is a blowpipe and is balancing it casually on his palm like you would do with a pool cue. “Are these your friends? Why don’t you show them what you can do?”

Aidan looks to me, just once, then thrusts his fists out in front of him, his choice already made.

“Here, son.” Keith hands him a piece of glass from the display on the windowsill—a small blue and white tulip with a long curly stem, clearly shaped by a child’s hands.

Just like before, Aidan flicks up an index finger, sparking a small flame, which he touches to the glass.

“Whoaaa,” says August/Ambrose.

Gently, Aidan circles the flames around the flower, then pulls at the petals with his thumb and middle finger, stretching until it becomes grotesque, a long unrecognizable thing with a gaping mouth.

It’s almost comical the way he watches, steepling his fingertips, like Palpatine cheering on Luke, going Gooood, gooood. “This is just the beginning,” he whispers. “There’s so much more I could teach you.”

“Aidan,” says August/Ambrose, “is that your dad?”

He looks to Laney, then to me, the longing clear on his face.

 “It’s okay, son. You can ask.”

 “Are you?”

 I should say something, I think. It’s only fair that he hear the truth from me.

Just then, Laney darts for Aidan, and a wall of fire springs up between them, four feet high and loud—a massive roaring thing. “No!” Laney cries.

 One of the kids screams and pulls the fire alarm, but they all just stand there for what feels like forever, staring, till August/Ambrose pushes them out the door, calling “Miss Jenn! Miss Ellen!”

It takes me a minute to process what’s going on, that it’s not Aidan who called them into being. It’s him. Moving steadily, almost lazily, he coaxes the fire into a full circle around Laney, who’s just standing there clutching her chest, hyperventilating, trying to make herself as small as possible. It’s a posture I’ve seen before, only a few times, when we first got together and she was still in the worst of her panic attacks.

 I can picture it, L in the kitchen cleaning up broken glass, or halfway to the car with the baby in her arms, and him pinning her there like that, the flames just close enough to glint off the highlights in her hair. “Stop it!” I yell. “Stop it right now!”

 “Don’t worry,” he says calmly. “I would never hurt her. Right, Aidan? Your mother knows that.” He lifts his hand gently, like a conductor leading an orchestra, and the flames swirl into a vortex.

 Laney shakes her head violently, coughing up smoke. “Please.”

“But here’s the thing, how I see it. You have to make a choice, kid. What kind of life do you want to have?”

The fire alarm is still going, just that one shrill, wailing note, ringing in my ears till it sounds like something else—you know the way your brain plays tricks on you—till it almost sounds like a tune. And it all comes out of me in a rush: “Aidan, honey. I love you so much. I know we’ve never been perfect, but I promise you we’ve tried. All I ever wanted was to be your family. I would do anything to keep you with us—”

 “Anything but marry Mom?” His voice breaks, just the tiniest bit; but he doesn’t cry. “Never mind, I know—it’s not the right time.”

That’s what we always used to say. It’s been years since he stopped asking.

Aidan steps toward his father and hesitantly reaches a hand into the flames, which calm slightly at his touch. “I could learn to do…all that?”

 He nods. “And more.”

 Aidan nods back. “Okay. Then I can learn it without you.” He throws his arms wide, and the flames pour into him. His whole body lights up—all four-foot-eight, flat feet, stupid barista hat of him, my little boy—

 I want to run to him, but Laney stops me—“Wait,” she says.

 And then, calm as anything, he pulls his arms back into his body, hugging himself, and the fire snuffs out, leaving nothing but the stench of burning clothes.

 His father slow-claps once, twice—and then he’s out the door.

Laney sinks to her knees, breathing deep the way I taught her: four counts in, hold for seven, eight counts out. I hold her close and tell her, “It’s okay. You’re okay now.”

“Mom? Melly?” Aidan says. He looks like something out of an apocalypse movie, holes in his shirt, his new hat melted down to a bright orange pulp. “We should go home now. I think I’m probably expelled for real this time.”

 

The thing is, the way he clapped, the way he walked away—he looked proud. As if, somehow, he had won. Outside, all the kids were standing around, texting, calling their parents, you’re never gonna believe what I saw.

“You’ll understand now,” Ellen said, “why your son can’t continue here. I’m sorry.”

We were gone before the fire trucks arrived.

“We should get out of New York,” Laney said. “Go anywhere, I don’t care.”

After Aidan finally fell asleep, or pretended to anyway, we started packing; neither of us could bring ourselves to go to bed. It’s four in the morning now, and we’re administering self-care the only way we know how: Laney in the bath, me sitting on the toilet seat with another iced coffee. We even lit a candle. Lavender.

I called out sick at Fantasy, said my ankle was acting up again. I’ll have to pay the house fee for the night anyway, if I go back, but at this point, it’s hard to imagine that happening. I want to believe it’s all over, that Aidan made his choice, but Laney’s right. We’re not safe here anymore. It’s honestly a miracle Ellen didn’t turn him in to the police right then and there—she could have had her big hero moment after all.

And he still knows where we are.

“We could go to Florida,” I suggest. “Miami, Tampa maybe. The clubs are supposed to be good money in the summer. Or, I dunno, Portland—”

“God, no. I refuse to be one of those queers.”

That gets a small smile out of me, despite everything. “We should go somewhere where we can afford a real bathroom—like, none of this shit, I want a place where the bathtub and the shower are whole separate entities.”

 “This, and more, could be yours,” Laney says, throwing her arms wide and splashing me in the process. “Hey, what’s wrong?”

 I know she’s just kidding around, but she sounds, for a moment, like him.

 “Nothing,” I say. Is this how it’s going to be for me now, hearing and seeing him everywhere? Is that how it’s been for her all these years?

 I take a long drag on my iced coffee, knowing I’ll regret it later when I still can’t sleep. “You were never going to tell me, were you—that he could do it too?”

At first I think she’s not going to answer. She flips the switch to drain the tub, letting the gurgling sound fill the silence.

 “I thought you wouldn’t believe me.”

“Seriously, L? After everything I’ve seen?”

“He said no one would ever believe me.”

Fuck that. “They always say that.”

“He said this was different, because—never mind. Mel, you have to understand, I wanted to quit, I tried so many times—”

“I know.”

“I thought if I could get sober, then maybe you would believe me.”

“Goddammit.”

Laney flinches. “I haven’t since this morning,” she says. “If you’re wondering.”

“Not at you,” I say, catching myself. “Goddammit at him. I didn’t mean it like that, I’m sorry.”

“I just know that you…” She fumbles for a word. “I know you…notice, is all.”

“Yeah.” I don’t know what else to say, so I finish the last watery bit of my coffee. “It is what it is, I guess.” A thought strikes me. “Are there more of them? What are we dealing with here, Laney, like is it one dude with a freaky superpower or is there a whole fucking secret society?”

“I don’t know. Honestly, Mel, I didn’t want to know.” The water has all drained away, but she’s still sitting there, bony knees pulled up to her chest.

“You know he was waiting for someone to come for him?” She looks at me questioningly. “Yeah. Like something out of Harry Potter. Anyway, come on,” I say, offering her a towel. “You’re shivering.”

She climbs out and lets me wrap it around her, and for a moment I just stand there, holding her. It’s been a long, long time since we’ve been like this.

“I want to get married,” I say finally. “For real this time, I want to do it.”

Laney scoffs. “No, you don’t.”

 “I mean it.”

 “You don’t even like me.”

 Is that true, I wonder? “I like this you.”

“You should just take him. Go wherever you want, you could go home to your parents.”

“Laney, that’s not even legal.”

“Then marry me if that’s what has to happen, but don’t say it’s because it’s what you always wanted.”

“Fine, maybe it isn’t. So what?” I think about Aidan’s dream of a mystery rescuer, some unknown sorcerer with the keys to a better world. Who will he be when he grows up, and the stories he loved so much no longer have any of the answers?

When it came time to choose yesterday, he chose us. “People change,” I say. “We get to want new things. Maybe I didn’t know what I was getting into at the beginning, but I know now.”

“You were twenty-three, Mel—you were supposed to be a dancer.”

“I am a dancer.”

“I can’t promise…” She stops, and all of a sudden she’s crying. “I can’t promise I’ll be this me all the time.”

“Oh, Laney.” I wrap her in my arms again. “I know that. I know.”

We stay like that for a good few minutes, me holding her, and she just cries. Finally, she pulls away, wipes her tears, nods. “Okay then. Let’s do it.”

It’s dawn again; we’re both beyond sleep, so we curl up under the covers with the blinds open and watch the light change. “Can you smell that?” I say. “It’s next door, they’re baking the donuts. They must bake them fresh—I never even knew till recently.”

“It’s nice,” Laney says.

“Isn’t it?” I let myself fold into her, and she wraps herself around me.

“What was the name of that Roman king, the one whose hair caught fire and it meant something?” I wasn’t really listening, before.

“Servius Tullius?”

“That guy, yeah. The kid with the big destiny. Will you tell me about him again? It sounds like a good story.”

 

MIRA VIOLET (she/her) helps make children's books by day and writes stories about grown-ups by night. Originally from the Midwest, she has lived in Ireland and New York and is now sheltering from the pandemic in Minneapolis, where she keeps house with an elderly cat named Wizard. You can follow her on Twitter @AislingReverdie for her thoughts on the publishing industry, Irish arts and culture, and of course, everything queer.

A Pink Light Coming On

Tate’s leaving the Food Lion with his load of groceries, cans and more cans, bottled water, toilet paper, Twinkies, and tampons jammed haphazardly together in the cart with the wobbly wheels, when he sees the new storm brewing in the sky above the impact crater off at the west end of town. There’s that now-familiar glitchy static in the air, tinged bright sunrise colors. A mirage-wavering, tornado-like funnel stretches between the depths of the hole and the low cloud of disrupted reality.

“Shit,” Tate breathes. It looks like it’s going to be a bad one. It’s been months, but Tate still can’t predict the storms. He’s tried, keeping logs in old notebooks, looking for patterns. It’s futile. All he knows is that they can come at any time, and they come on fast, and after they pass, the wrack and ruin that was Owl Valley has morphed still further, the rules different, the landscape more dangerous for Tate than before.

Tate hurries, but he does not run. He can see the metal vultures circling in the distance, seemingly excited by the incipient storm; running might attract their attention. Skreek-skreek-skreek go the wheels of the cart on the pitted, cracked pavement. Here and there, a flesh-tree stretches toward the blank gray heavens just beginning to sparkle with storm-glitch. Tate is used to the trees by now, their massed jumble of fused arms and legs and faces and genitals, hair and fur and feathers. Their low, constant hums and moans. He doesn’t stop to look for the features of people he used to know; former friends and co-workers. He only slows down a little when he passes the corner where Alan’s tree looms crooked over the road, anchored to sidewalk and sewer grate by a webwork of bone and vein roots, the blood moving visibly through them. Alan’s fine-featured face is set right in the center of the trunk, towards the street, about six feet above the ground. His eyes are closed, his expression peaceful. When Tate has time, when there isn’t a storm coming on, he’ll stand here and watch Alan for hours. Alan’s eyeballs are constantly moving back and forth beneath their thin lids. His full mouth sometimes twitches into a brief smile. Tate is sure he’s dreaming, that somewhere in the depths of that meaty, sweating tangle, Alan’s mind is still alive and itself. Tate allows himself a brief glance at his former boyfriend’s smooth, placid visage, crowned by a shingle of finger or toenails, cupped by a knot of small birds’ talons, as he walks by.

Tate’s at the intersection of Aster and Schultz, almost home, when the metal vulture dives at him. He doesn’t understand how he didn’t hear it coming. It looks like a janky, bug-eyed marionette made of old car parts, segments of heavy plastic and iron and steel clattering together. As soon as Tate sees it, it does make noise. Deafening machinery jangle and roar. It’s like the vultures don’t remember that, logically, they ought to make noise-- until they’re being observed. 

Although, Tate reflects with giddy gallows humor as he ducks and pushes the cart between himself and the vulture’s screeching, rusty beak, logically, the vultures shouldn’t be able to fly. Logically, they shouldn’t even be alive. He hurls the cart at the vulture as it rears backwards with a rattle of wings and an angry hiss. Cans of Campbell’s soup scatter everywhere. A box of tampons bounces out onto the road and explodes like the world’s most embarrassing piñata. The vulture’s goggling chrome eyes roll across the chaos of Tate’s spilled groceries as it flaps itself upwards to avoid the hurtling cart.

Tate runs, sprinting as hard as he can for the entrance to his apartment building. There’s a stitch in his side after thirty seconds, and tears sting at the corners of his eyes, squeezed out by his speed. He just needs the cart to distract the vulture for a minute, that’s all. One more minute, and he’ll be safe from—

Hot, sharp shears of pain scrape across Tate’s back, and he’s screaming before he realizes it, a high-pitched, furious wail of agony. Something is gripping him by his skin and the wool of the sweater he’s wearing. Something has him hooked like a fish on a line, like a dead cow in a slaughterhouse, and oh god, he’s rising, he’s being lifted straight up off the ground. The asphalt falls away beneath his feet. The shape of things changes with the height and angle of his eyes, the door of his building growing smaller, distorted, the top of the frame now level with the dangling bottoms of his muddy sneakers. Tate doesn’t want to look down, but he knows what he’ll see if he looks up, and it’s worse.

Purple and pink light stutters ominously around him. He can hear the noise of metal feathers beating against the air. He squeezes his eyes tightly shut and hopes that whatever happens next will, at least, be quick.

From below, Tate hears a patter, as of rapidly running human feet. He doesn’t open his eyes. He’s the only unchanged human left in Owl Valley; he knows that. He’s scoured the town thrice over for other…what? Survivors? Leftovers? Rejects?

Tap-tap-taptap-tap. A soft grunt. The whistle of a projectile soaring through space. A loud, juddering clang, too close to Tate’s ears. Hideous screeching, rasping. Echoes. Ringing. Tate feels himself tilt downwards, and his stomach drops before the rest of his body follows suit.

His eyes flash open at the moment of impact. His breath is knocked from his body, and he skids on his side across the ground, scraping his tender flesh raw. He can feel the blood, from the fall and from the vulture’s claws, gluing his skin to his sweater.

Fuck,” he sobs aloud. “Fuck, that hurt.”

“Sorry,” says a voice from somewhere above him. “I scared him away, though. Are there other people here?”

Tate rolls over and grits his teeth as he pushes himself into a sitting position. Another boy, or young man, is standing beside him in the charged and glimmering stormglow. He looks about Tate’s age, early twenties. He’s shock-haired like that actor from Eraserhead, large-eyed, probably medium height and build but slouching so aggressively it makes him look short, gives him a gut. He chews nervously on his chapped lower lip. Tate stares and stares. 

The boy chews his lip and twitches his fingers, looking at the ground. “Sorry,” he mumbles again. 

“What did you throw?” asks Tate. “A rock?” And then: “Where did you come from, anyway? What’s your name?”

He feels dazed. His vision is tunneling. The ground seems to ripple and heave beneath his sore, abraded hands. That could be the storm beginning in earnest, or he could have knocked his head somewhere in the whirl of metal vulture attack and this strange young man’s arrival. There’s no way of knowing.

 “I’m Hartley,” says the young man, twisting a lock of hair around a stubby pointer finger. “I walked here from Benthook, you know, about twenty-five miles south? Next town over? Or, well, maybe you don’t know. It’s tiny. Everybody else in Benthook is dead, or they got swallowed up into one of those meat-pillar things after the meteors hit. Or the spaceships. Whatever they were. We had three of them down there. Looks like you only got hit once.”

“Looks like it,” agrees Tate drily. He tries to recall if he’s ever heard of Benthook. Owl Valley was Alan’s hometown; Tate hadn’t even lived here for a year before…well. Shit happened.

“I threw one of your cans,” continues Hartley, rocking back and forth on his heels as he twists his hair. “Chicken noodle. It burst when it hit him. The dragon, I mean.”

“You think of them as dragons?” Tate finds this odd, and a little charming. “I’ve always thought of them as metal vultures.”

Hartley frowns. “Do they really look like birds to you?” He pauses in his fidgeting, his wide eyes going wider as he remembers something. “Oh! I should ask your name! Shit. Sorry, I always forget stuff like that.”

“I’m Tate.” Tate stands up, wincing. There’s no question about it; the ground is definitely moving. It squirms like the skin of a corpse full of insects. Hartley sways and bounces along with it, keeping his balance easily. A veiny tendril, like a bean sprout, erupts from a crack in the pavement and begins to snake towards Tate in time-lapse fast motion. He jumps aside and, without thinking, grabs Hartley by the sleeve of his threadbare jacket.

“Come with me,” he says, already hurrying forward. Hartley trots obediently beside him. “I have an apartment. We should get inside.” Tate has no reason to believe he’s any safer from the reality storms indoors than he is out in the open, but at least walls and a roof will keep the metal vultures at bay. At least he’ll have the illusion of shelter. And a companion, besides the cat. 

Tate wonders at the miracle of another walking, talking, ordinary human being, however shabby and socially awkward. For a fleeting instant, approaching the shattered, splintered front doors of the apartment building and its fungus-covered, rubble-strewn foyer, Tate has the urge to turn and embrace the other boy, lift him by the waist and spin him around. Hartley is bigger than Tate, but Tate thinks he could do it. He’s strong, and he’s gotten stronger over the past few months of avoiding metal vultures in the sky, burning sprouts and gnashing tooth-pits in the ground. Breaking into abandoned shops. Scrambling for survival.

The wind rises. The flesh trees moan more loudly, their arm and leg branches straining in silhouette against the psychedelic sky. Their hundreds of mouths and other holes begin to whistle like kettles on the boil. They howl.

Tate pulls Hartley through the crushed doors. Through the foyer, its blackened walls pulsing with dripping, luminescent fungal veins. The floor soggy and littered with plaster confetti. Tate rushes them through the hall and down the stairwell, ignoring the occasional broken or open apartment door through which he might glimpse pale, aborted flesh tree sproutings slumping sadly against mouldering couches and kitchen counters. He ignores the feculent, rotting smell, but he hears Hartley gag several times. Their feet squelch on ruined carpet, and they move lower, beneath ground level.

By the time they reach Tate’s apartment, the smell isn’t quite so bad. The noise of the flesh trees up above is barely audible. Tate unlocks the door with his key— a useless ritual of safety, but old habits die hard— and lets them in. Hartley has pulled his T-shirt over his nose and mouth like a mask. 

“You get used to the stink, don’t worry.” Tate tries to smile. “Couple hours, you won’t even notice.”

Hartley nods, his eyes watering.

“Make yourself comfortable,” says Tate, lighting the candles he’s been using since the electricity stopped working. “I gotta feed Jaws.”

*             *             *

Alan named the ginger tabby kitten long before he grew several extra mouths, layered with multiple rows of tiny needle-fangs. Maybe he had an unknowing precognitive moment, Tate thinks as he opens a can of wet cat food from the cupboard. Jaws and his many mouths are rooted in a corner of the room, in a thin shaft of light that trickles down through a small hole in the apartment’s ceiling. It’s not sunlight; Tate’s pretty sure it comes from the fungus up on the first floor. But it, and the cat food, seem to be enough to sustain Jaws.

The cat meows in harmony with himself and strains his one remaining paw bonelessly towards Tate as Tate brings him the Friskies Tuna Shreds. Hartley kneels on the floor beside the cat and watches him with wide eyes.

Hartley jumps when Tate sets the can down. He springs backwards when Jaws digs in, messy and voracious, his mouths snapping at each other as they fight to be first at the meal.

“He’s harmless, don’t worry. I mean, he’s never been the friendliest cat, but he’s not gonna hurt you,” says Tate.

“I…” says Hartley. “Is, is he why you’ve stayed here? To keep him alive?”

“Well,” says Tate, thinking of Alan’s face asleep in the middle of the tree, “sort of. He belonged to someone I used to know.”

They’re both silent for a moment. Then Tate continues: “Besides, why would I leave town? I’m doing okay. I know where things are. I figure the world’s about the same everywhere else now, anyway. The same or worse.”

“You can’t know that for sure if you haven’t seen it,” says Hartley, frowning. “The world is enormous.”

“I have common sense,” says Tate. “And I know good odds from bad ones.”

“Uh-huh,” says Hartley. “Whatever.” Then, changing the subject: “Hey Tate? Can I ask you maybe kind of an awkward question?”

Tate sits down beside him on the floor. Candle flame casts strange shadows and streaks across their faces, and across Jaws’s elongated, sprawling, toothy form. 

“Sure,” says Tate. “Shoot.”

“Are you boy-Tate or girl-Tate? Or neither, I guess? ‘Cause, obviously, it’s a gender-neutral name, and you look like… but, well, and I’m not sure—”

Tate sighs and tries not to be annoyed. This is something he hasn’t missed about interacting with other human beings, although at least Hartley isn’t just assuming he’s a woman. Most people do that. Most people did that. 

“I’m a guy,” Tate says. “A he.” 

“Oh! Oh, I thought so!” Hartley brightens, his large eyes widening still further, a crooked smile snaking across his face. “Me, too!”

“Yeah,” says Tate. “What, you want me to congratulate you?”

“No, I mean…” Hartley flushes. “I mean, I’m also transgender. I’ve been on T for two years. Or I had been, before…” he trails off.

Tate looks more closely at the boy sitting beside him. He notices the way Hartley’s jacket and shirt drape over his chest, and realizes why Hartley slouches so much. He hears the crackle in Hartley’s voice with new ears. Hartley has a scraggly, adolescent sort of mustache and a patchy crop of hair on his small, sharp chin. 

“That’s cool, I guess,” says Tate. “I…haven’t met a whole lot of other trans guys, except online. I mean, to be honest, I’m bad at meeting people in general.” He had been happy enough with just Alan to love him, Alan to come home to at night.

“You’ve met me!” says Hartley. Jaws, finished with his food, meows loudly and extends a bewhiskered pseudopod to rub against Hartley’s leg. Hartley flinches at first, then tentatively bends over to scratch the appendage. A loud, deep purring emanates from the cat-tree; its whole surface wobbles like happy Jell-O. “Oh, wow,” says Hartley. “Jesus. That’s fucked up.”

“Jaws must like you. Weird.”

The ceiling starts to shake, as though a train is passing overhead. Some more plaster falls from the hole in the corner; more weak fungal light filters into the room. Everything goes photo-negative for a second, glitched out. When it passes, Tate’s mouth is filled with the sickly-sweet taste and texture of phantom cotton candy. A few of the candles gutter; two are extinguished in thin gasps of smoke. Hartley coughs and gags.

Tate watches him, human and unlovely, alive and awake. Alan’s tree must be bending with the storm now, Alan’s dreams flickering behind his closed eyes as the next wave of change sweeps over and through his new conglomerate body, meeting no resistance at all. 

“Hartley,” Tate asks, when the shaking and gagging have both subsided a bit, when his mouth tastes like a mouth again, “do you ever wonder why you were left…untouched? Out of everyone and everything, why you? Why us?”

“Just luck, I suppose. Or maybe some rare natural immunity. I’m glad I met you, though; I knew I couldn’t be the only one.”

“You knew, huh?” Tate chuckles without humor. “I was sure I was alone. I thought maybe I was cursed. The opposite of lucky. This huge, incredible thing comes and remakes the world, brings everyone else into itself, and I’m left standing here like a dope, still stuck in a body that feels like a stranger’s house, twice as lonely and a hundred times as scared as I was before. Maybe I just wasn’t up to snuff, right? Something wrong in my heart or my DNA. Maybe even the aliens or whoever didn’t want to bother with me.”

“That’s stupid,” declares Hartley, moving closer to Jaws to pet him between his four and a half ears. “You’re telling me you’d prefer to be like this guy?” He uses his other hand to gesture at the cat-tree. 

“None of them seem to mind the way they are now,” says Tate. “That’s more than I can say about myself. I think all the humans are dreaming in there, in the trees. I can see their eyes moving. Sometimes they almost smile.”

“Sometimes babies look like they’re smiling when they just have gas.” Hartley shrugs. “Sometimes people in comas smile, but it’s only a reflex; they’re in too deep for dreaming.”

“This isn’t that,” Tate says, too defensively. He shakes his head. “I can tell.”

“Anyway,” says Hartley. “You’re here, and I’m here, and we’re awake, and we can go places.”

“Not right now we can’t,” says Tate. As if on cue, a loud crackling sound fills the apartment, and a viscous, dirty substance begins to drip through the hole in the ceiling: thick, greasy strands of almost-liquid. Whatever it is, it isn’t water. It shimmers inside with tiny rainbows. “This storm might not let up for a while.”

“We’re not really safer from it in here, are we?”

“No,” admits Tate. “But I don’t want to leave.”

“We could at least try going back up for your groceries? Be a shame if the dragons got all that, or if they fell through some new hole in the ground.”

Tate closes his eyes. “I won’t stop you, if that’s what you wanna do. I’m staying right here until the storm’s passed.”

Jaws purrs. Hartley takes a deep breath.

“Tate, you’re the first other person I’ve met since the Event.” Tate can hear him pronounce the capital E, and he supposes that’s as good a name as any for whatever happened to the world. “Maybe there aren’t many of us at all. But I bet there are more. If you come with me— if you come with me after the storm is over— we’ll find them together. You don’t have to live alone in a basement. The world is new, and we can make something new, too. Those of us who are left. We can make anything we want in the ruins. We can be anything we want. Things were always dangerous; it’s just that the dangers are different now. If we travel together, we’ll be safer from dragons.”

Tate opens his eyes. Hartley is flickering in candle flame, his eyes huge and black and shining. Earnest. Pink and yellow shapes wobble across his features, leaving warm patches of darkness in their wake. 

“Hartley. That’s a lot to ask. I just met you.”

“But who else is there?” Jaws yawns with his dozens upon dozens of tongues and teeth. “Um. Your cat will be fine, I’m sure. Or we’ll find a way to take him with us! Put him in a pot like a Venus flytrap and carry him along.”

Who else is there? Alan, of course. Alan crowned by thick, rippling keratin shingle. Alan with the gorgeous tracery of blue veins across his eyelids, his cheeks blooming with blood and life, like he could wake at any moment and see Tate, call out to Tate, thank him for waiting. Step out of the tree’s flesh cocoon or beckon Tate inside it with a long, muscled branch.

Tate stares at Hartley. He feels one answer tremble at the edge of his lips, and then a different one. Hartley leans in towards him, eager. Tate can feel and smell the other boy’s stale breath. He leans away.

“I don’t know,” says Tate, finally. The hole in the ceiling is still oozing, weeping like a sore. “I’ll think about it. Stay with me for now. Stay until the storm is gone, and we’ll see what things look like.”

“Okay,” says Hartley, light and simple. He nods once, a rosy halo of candleglow making him briefly beatific before he moves to sit beside Tate, instead of across from him. Something makes tearing, crunching sounds on the first floor of the building. Who knows what it is, or if it’ll venture down to the basement to find them. It’s all down to luck. When Hartley reaches over to take Tate’s hand and squeeze it in his own, Tate lets him.

 

BRIAR RIPLEY PAGE (they/them) writes horror & fantasy fiction in Central Pennsylvania, where they live with their cat, Torgo. Find them online at briarripleypage.xyz. They are working on a novel about telepathic mutants and organ harvesters.

One-Two

A good soldier can kill a lan-ka in seven seconds, but I was never just a good soldier. I don’t think as I kill, but I do count: one to sight my mark, two-three to stab it through the throat with the leaf-blade of my spear, four-five as I plunge forward to slice through the creature’s gurgling throat and six as it falls back into the sea. I don’t count out loud. The lan-ka rejoice when we scream, so we fight in silence. The counting I match to my heartbeats, never too slow, never too fast. If I’m counting, my heart is still beating, and time is still passing. I’m still living. Maybe the counting is how I’ve managed to survive this long, when everyone else I’ve known and loved has died. 

Did it hurt when you died? I hope it was quick, less than the six seconds it takes a very good soldier to kill. Do you want to know a secret? Here it is: I used to count for you. I counted the seconds to kill, the seconds until the next sunrise, the sunrises until the day you said you would be home. I counted sunrises for three years and then, for a while, I stopped. I’m not sure when or why I started counting again, after that. Thousands of kills, thousands of breaths taken, and thousands of seconds in years of growing older and slower, measured in heartbeats and breaths and showers of blood. Once, I imagined what you would do if you saw me now. You would run your tender, gentle fingers down my shoulders and over the rounded mounds of my biceps and whisper that you like me older. Your voice would slither up my chest and around my neck like smoke, and I would forget to breathe. You would notice and say, “What, Captain, a mere touch and you shake in your boots like a recruit?” I’d smile, wrap my scarred hands around your waist and lift you to meet my eyes. I’d breathe the smoke back into your mouth and say nothing.

An interruption. My recruit is coming, so I push you to the back of my mind. Her eyes are wide, pupils dilated in fear or excitement. Does it matter which? Maybe to her. They’ve become the same to me. She’s young, this one. She’s wearing my old armor, and it sags off her thin shoulders like sacks of grain. She tells me the lan-ka are massing on the reef outside the sea breaks at the harbor’s edge. She says this like it’s news, like it will explain the sudden smack of wet boots along the sandy streets and the smell of iron as leather slides off leaf-blade tridents. I put my hand on her shoulder, unthinking. It’s a habit I picked up years ago, after you told me I frightened the recruits. “You should see the way they look at you,” you said. “You scare them.” Scare them? I suppose I do. Maybe not me, now, with my burnt-black leathers dotted with the triangular holes of lan-ka teeth and the inky whorls of torch fire. But I remember what you said, and so I keep my hand on the recruit’s shoulder. A curl of blonde hair has fallen out of her helmet and rests on the back of my hand like a dove on a rock.

My boots crunch one-two through the sand mixed with dead coral as I follow her. Each step grinds the dust finer, deeper into these wet, gritty streets, thick with cook fire smog and rotting fruit, caged birds silenced by the coming night and filthy children running home before curfew. They want to see the lan-ka approach, the way I did when I was a filthy child staying out before curfew. Back when the lan-ka were curiosities beyond the reef, stories our older sisters told us as they leaped down from their fishing boats wrapped in bright sashes and whirling curved finger knives. Back before I met you.

*             *             *

I puff out a ring of purple osha smoke and watch as it drifts in the thick air of the tavern. I aimed it at the bald, sweaty head of the fisherman who used to be sitting next to me. He moved away as soon as he saw my tattoos. I didn’t like the look he shot me as he clutched his warm beer to his chest like a child with a toy. Hatred? Fear? Ha ha. The smoke smells like bellflowers from the south, something I am sure he’s never smelled before. He should thank me, really. I’m a tourist attraction! Me, one of the last of the Queen’s Own, fresh from the front in Malu, here in this shithole tavern in this shithole village at the fucking end of this shithole world. I purposely took off my cloak before I came in. I wanted these people to see my arms. They don’t look like they used to, babe. You wouldn’t recognize them. Would you recognize me? Me, the daughter of a fucking reef fisherman, now one of the last Queen’s Own. What would you think of these tattoos? Each one is a kill, you know. Not a kill like you used to count them, with the steady one-two, under your breath, methodical as the goddamned sun. These tattoos represent entire fucking regiments and each one was carved into my flesh by the Queen’s tattooist herself. Painful doesn’t even begin to describe the process. But that’s what war is all about, right? Pain? Ha ha. 

These fucking people. Hovering in the corner whispering like cowards while the soldiers gather outside. I don’t need to look to know the sun is setting, and those kids are out there sharpening their spears before the onslaught. Children! Part of me wants to tell them to come inside, get drunk, start a fight, fuck a stranger. Have a little fun before they die! Because they will die here. “Everyone dies everywhere,” you’d correct me, in your calm and utterly reasonable voice. Well yeah, babe, but you don’t have to go down easy. 

War makes people liars. My parents said Malu was safe. “Lan-ka don’t live in the swamps,” they said. Ha ha. You should’ve seen my face when the lan-ka slithered out of the swamps and ripped their throats out on the first fucking night of the war. And then I got the letter that everyone here had died. But that was a lie too, wasn’t it? All the soldiers died, that’s what these cowards clutching their beers are saying. The kids. The cowards are still here, still living, still pushing every last kid this shithole village has in front of them like goddamn shields. But you. Where are you?

We’re winning, did you know that? We may have been massacred at Malu but the lan-ka attacks are less frequent now. It’s only in shithole villages like this one on the sea where the fighting is still so bad. Tell the kids to come in, out of the darkness and death and wait it out. The lan-ka will go away, and you can go back to being kids again.

“Get you something?” My head snaps up and I look into a pair of soft blue eyes. I’ve seen them before. The bartender furrows her brow. “I know you,” she says, and in that moment I recognize her, too.

“You’re… the Captain’s wife, aren’t you?” I let the corner of my mouth curl up at the side and flex my forearms on the polished wood of the bar. The tattoos ripple like black, writhing snakes and I expect her to look away. She doesn’t. I’m impressed.

“Was,” I say. “Can’t be married to someone who’s dead, now can you?” 

She swallows, but meets my gaze without hesitation, bold and unafraid. It looks like she wants to say something, but can’t get it out. She licks her lips, hesitating. I’d be lying if I didn’t say my stomach fluttered a little, which is rare for me. If she keeps this up she may find herself flat on her back screaming my name before the night is out. Lucky girl, right babe? I let my eyes flow lazily down from her face to her long, smooth neck and the collar bone that disappears under her plain, brown tunic, the same kind we used to wear when we lived here. She slams an empty glass on the counter, and my eyes snap back up again.

“You’re different,” she says. “What happened to you?” I keep the smirk plastered across my face, though I don’t feel it. I do that a lot these days.

“War,” I say.

*             *             *

We’re at the corner of the harbor now, where our sisters used to slide their boats into the water on green trunks still dotted with barkthorn. The recruit is gesturing at the sea with her spear but I can’t hear her over the pounding in my ears, my head. Abandoning her and her excited waving, I turn and see it. The irons are gnarled still, but dusted with the red ochre that covers the harbor after the night cannons have been fired. They’re fired often, these days. I tell my soldiers it’s to reinforce the coral defenses at the end of the harbor but I know we fire red coral because we have nothing else to fire.

I come here, sometimes, when I need to remember you. You wouldn’t be surprised that I do. That balcony is where I first kissed you, where you first rested your hands on my hips and told me, “Come closer.” Where your breasts pressed into mine and we first shared the same breath. It’s where I sat sharpening my spears and we talked about a time when I wouldn’t have to anymore. Funny what necessity can do. Well, I can spare a moment to wrap myself in memory before the death begins, can’t I? 

I can imagine you on the balcony now, hands on hips, head cocked to the side, looking at the dust that covers each familiar swirl and knot of iron. The dust would upset you, because it meant more cannons. “Come back to bed,” I would say, standing behind you and sliding my hands under the hem of your shirt. “Come back to bed and leave the dust.” And I’d run my hands up your torso, from the firm warmth of your stomach to the curves of your back, floating along each rise and fall while you sigh and relax into my touch as easily as the sun sliding into the sea. I’d dip my head and let my lips touch you lightly, just where your neck meets your shoulder. Pulling you closer, I’d tighten my grip around your waist and feel you shudder as you arched your back into me, a promise that while the air cooled and the night darkened, you were as certain as a lighthouse, a beacon leading me home. 

My recruit is yelling something. She doesn’t know it’s been a year since I’ve seen the balcony. A year since I’ve been anywhere in this town except the docks and my bed. I avoid the people. Most of them think I’m dead, anyway. The little girl who became a little soldier and disappeared more than three years ago, another nameless face in armor covered in blood. Maybe they don’t care if I’m still alive. Maybe someday I’ll tell them. Does it matter? My recruit needs me, now. She’s driven by urgency, by that breathless anticipation to fight back the lan-ka. She doesn’t know that I do this every night, moving slowly, killing swiftly, at six seconds each. I turn away, back towards the night and the sea.

*             *             *

Here’s what they don’t tell you about leaving this village, babe. Here, it’s all sand and sun and smells. There are the good smells, from the coffee vendors and the honey wine they pour on the streets at sunset to ward against the lan-ka. There are the bad ones, steaming off the docks like some kind of fishy smoke. But out there, it’s harsher. Brighter. Louder, hotter, drier, wetter, more everything and nothing that this fishing village ever was or could ever be. I hate fish. Did you know that? I fucking hate them, ever since our sisters used to return from the sea and bring us brightly colored reef fish strung on sticks like glittery wet jewels. They may have looked nice but they still stank, just like this fucking town has always stank. Did you ever try to leave, babe? You promised you would. You promised that as soon as you could you’d follow me to Malu, over the rocks and across the desert and into the steamy jungles that ring the capital like a cloud? The lan-ka rise right from the swamps in Malu, did you know that? There’s no “front” like there is here with the docks and the reef break. They’re fucking everywhere.

I went straight to the army after my parents died. Did you know that? Did you get my letters? I wrote the letters extra large for you since I hadn’t finished teaching you how to read before I left. The first ones had drawings too, drawings of me at the training grounds with the other warlocks and the first time I killed a lan-ka, my magic slithering inside it like a sickness, taking hold of its heart and ripping its beating, pulsing soul (do they have souls?) right from its body before blowing it into a billion reeking fishy pieces with one flick of my wrist. Turns out I’m good at killing. I’m fucking excellent at it. I drew the tattoos for you, too, back when there were only a couple of them to draw. Were you proud of me when I wrote that I could kill in only two seconds? One for the magic, two for the kill, three for the victory. Victory. Ha ha. There was no time for victory.

*             *             *

I pull my spear out of the lan-ka with a crunch and kick it off the causeway and back into the sea. The corpse floats for a moment, one in a sea of corpses, before sinking beneath the thick water oozing with blood, slick and shiny in the light from the harbor torches. My recruit is grinning, spattered with a hundred colors of blood, shrugging the too-large armor back onto her shoulders. She’s panting with excitement, sweat glistening on her neck, arms shaking in readiness for the next wave. I’m proud of her. She may be young and small, but she’s brave. The same fire burns through her veins that did through mine, and she’s proud of the fire. I nod at her, once, and she nods back, the curl of blonde hair loose from her helmet again. How many will she kill this time? Ten? Twenty? She looks as if she wants to kill them all. I know because I did too, back when I kept count of my kills. Back when one or two was all it took to keep the town safe for another night. Back when one or two was all that stood between me and another night with you. 

But wait – something zips over my shoulder and the recruit falls back, a lan-ka blade between her eyes.

*             *             *

The bartender’s blue eyes are darting back and forth between me and the doorway like a frightened bird. There’s screaming outside, human and lan-ka both. Don’t they know they’re not supposed to scream? Honestly. You’d tell them to shut the fuck up if you were here. Honey wine sits between my outstretched forearms like an offering but I haven’t touched it. The froth on the top vibrates with each crash from the docks and the smell of blood is mixing with the bellflower smoke, ruining my mood. I don’t know why I’m here or what I expected to find. You’re dead. You must be, so what’s here? Home? I don’t remember what home feels like, and I don’t trust myself to remember you. The fun bits, maybe: the laughter, the teasing, the endless nights of your body pressed to mine, hot and wet in the hot, wet night. The other stuff… my mind can’t go there anymore. I made a joke about pain before, about the tattoos – you remember, babe? I don’t remember, anymore, or the pain would drown me.

“Can’t you do something?” the bartender asks, laying a hand on mine. “Help them?” My eyes widen a little at the gesture but I’m choosing to take it as a promise for later. She’s not asking for much, after all, and I intend to repay her in full. At least that’ll be a fun way to say goodbye to this town.

“Fine,” I say, and I roll my shoulders. Fine? I laugh out loud. I came here for closure or something like that, not following the war to the last place in this entire fucking world where it’s still being fought. Catch up, people. I’m supposed to be on vacation. 

*             *             *

The lan-ka are swarming now, over the pylons at the end of the docks where our sisters used to catch us purple triggerfish and yellow sunfins. I can’t see them, but their thick, acrid scent fills the air and punches through my throat like the blade through my recruit. There’s too many of them, too few of us. My vanguard unit is only ten strong, nine now that my recruit is dead, lying in a pool of her own blood and the hundred colors of those she killed. Tears sting the back of my eyes, but I don’t cry. We are only soldiers. It would take one of the Queen’s Own to push them back, but our village is too small and too far. We heard about the massacres at Malu, even as far away as we are from the capital. A thousand, or was it a million lan-ka, against the Queen’s Own? Did you hear how the warlocks lifted the sandy streets and threw the lan-ka over the swamps and so far into the sea that they never returned? You wanted to be one of those magic-users, once. Do you remember sitting awake long into the hot, buzzing night, reading and studying in the light of the oil lamp as I slept naked beside you? Do you remember blowing out the light and curling into my arms as the night swept over us like the wind? I do.

*             *             *

Sometimes I hate you so much that it feels like an animal ripping through my chest from the inside, claws raking down my ribcage. Sometimes I miss you so intensely that I forget to breathe. I don’t sleep. I can’t sleep. When I close my eyes all I can hear, see, smell, is you. Fucking you trudging up the steps to our apartment, your smile that cracks your face like a child’s when you see me and the smell of your neck when I bury my face in it.  You first hugged me when we were six years old and I can’t remember a day you didn’t hug me until that last day when the flames from the docks licked closer and closer, and you held me like the world was ending before shoving me out the door.

I understand why you made me leave. I mean, I guess I do. “It’s not safe here,” you said. “Go to Malu, find your parents, get out of here. Survive. I’ll stay and fight.” For fucking what, babe? The fishermen who stare and mutter in the tavern? “Just until the army arrives,” you said. “Just a week or two.” You wanted to save the world. You used to tell me that I was your world. Why didn’t you come with me?

There’s no fire outside tonight. I can tell from the windows. Or it’s gone out, doused in blood or bile or whatever other shit comes out of those things. The other patrons in the bar are cowering under the tables, shaking in their stinky fish rags. I hate them. Those kid soldiers outside are waving their shitty weapons in the faces of those monsters and hoping they’ll live long enough to keep these drunks alive. Poor kids. 

Well, okay, I’ll go help them out. For you. For your memory, since you were one of those poor kids, trying not to scream in the night as monsters devoured your home. I pile my dark hair on top of my head and stride toward the door, pain rippling up my arms like a living, breathing thing. My muscles are iron, unmoving and unfeeling: pure concentrated power. My eyes are on fire. I feel nothing. I have nothing. Fuck them all.

*             *             *

It rained the morning we were married and I didn’t fight that day. The air was so thick and hot that it felt like we could drink it, standing shoulder to shoulder on the balcony and looking out to sea. Paradise birds swooped over our heads, and the rich smells of roasting coffee and grilled sea bream rose from the street below. You wiped sweat off your cheek with the back of your hand and pulled me away from the window, closing the sheer curtains behind you. Inside, you rinsed me in cool water and kissed me, starting at my collar bone and torturously working your way down my body until I fell back against the wall, heavy and bursting, and begged you to have me, there, then, and every day thereafter.

There were no guests at the wedding. Nor was there a ceremony, in the traditional sense. The war had just begun and already your parents and my mother had been called away to Malu, where the lan-ka had started their attacks. Slowly, at first. The Queen called it “exploratory.” Her Own called it “nothing to worry about.” Ha ha, as you would say. We said the words, told each other “forever” and “always” and “you,” as if those words that we’d said a thousand times already meant more when the word “marriage” was attached to them. You thought it was silly. I thought it was romantic. We wore silk dresses the color of the fishes our sisters used to bring us and kissed on the balcony before the setting sun, drunk on the smoke from the street vendors and the bottles of honey wine you bought from the tavern below our apartment. You said you got a good deal, that merchants were unloading their stock before the war. I said the bartender with the blue eyes flirted with you. Neither of us cared.

*             *             *

I want to say the fight is laughable, but I stopped really laughing a long time ago. Me! Can you believe it, babe? Me, who used to roll over every morning and laugh at the rising sun like some kind of lovesick child? Ha ha. I have to hand it to the kid soldiers, though, they’re doing their fucking best. The lan-ka stream over the destroyed docks like insects, hissing and ripping at everything they see with stabbing teeth and curled blades. Disgusting things. A flash of yellow hair and a scream as some kid goes down, spear dangling at the end of a lifeless hand. Just a kid! Is this how you went down? Or did you grip your spear with both hands and charge straight into the swarm, thinking grand thoughts about some greater good? I hope it was fast at least, babe, and that you screamed a scream for the end of the world. Wouldn’t have mattered anyway, right?

I swing my hands in front of my face and lock them together. I stare down my arms, down the swirling, slithering tattoos hungry for pain and aim my fists at the roiling, metallic blackness in front of me. How did you do it? One-two-three or some shit. 

Anyway, it’s over. They’re gone. You can come out now, kids.

*             *             *

Five seconds. It only took five seconds. One for the gritty sand of the street, soaked in the blood of lan-ka and soldier alike, to rise like a cloud. Two for the cloud swirl around the lan-ka, standing wet with dripping blood among my soldiers. Three to lift them off their scaled feet, four to pull their arms and legs off without so much as a murmur in the wind, and five to blow what remained of the attacking force out to sea towards the rising sun.

It’s quiet, now. On any other day, the coffee vendors would be heating up their pots and the fishmongers would be grilling the day’s catch. Today, there’s nothing. The remaining soldiers shuffle their boots in the grime and look to me as if I can explain what happened. I turn on my heel and see a small group of people standing outside the tavern. One is the bartender you bought the honey wine from on our wedding day. I haven’t seen her in a year, but she still works there. You used to laugh at me when I teased you that she flirted with you. But how could you blame me? I can see your eyes now, black and deep as the sea, locked onto mine as you rock back and forth on top of me, a sheen of sweat on your brow. I have never seen anything as beautiful as you.

Another recruit approaches me and I don’t remember her name. She gestures with her spear at the tavern and I notice someone talking to the bartender, back towards me. They’re wearing the sleeveless black tunic of the Queen’s Own. I frown. We’ve never had a warlock in our town, and certainly not one as decorated as this one: the tattoos that curl up her arms are almost iridescent in the morning light and I want to ask you whether you ever made it to Malu. Did you find your parents? Did you ever become a warlock? Maybe you knew her, this warlock who is impossibly here on my filthy street on this sunny morning. Did she train you? Know you? Love you, even? The warlock’s tattoos slither as she talks, and I see her rest a hand on the bartender’s. A friend, perhaps? I remember friends, remember wanting them. You said you would always be my friend, even as you packed your bags that night, shoving clothes and books in at every angle, eyes wide with panic. I laughed when you said that. Of course you would always be my friend--you were my wife! We didn’t know the lan-ka would attack here so soon. I remember you standing there, in the doorway, outlined in fire as our sisters’ fishing boats went up in flames and screams filled the air from the street below. “Go,” I said. “Fight,” you said. “We’ll find each other again.”

*             *             *

The sun is rising and the streets absolutely reek. Fucking disgusting, all this blood and gore. Why do the lan-ka smell like fish when they aren’t fish, babe? And how many do we have to kill before they stop coming? What would that world even look like? Would there be a place for me in it? My life is fighting. My body is a tool for war, a conduit of energy that exists for the purpose of pain. It’s written in my eyes, woven into my mind, tattooed across my arms. I am the Queen’s Own, her unarmed weapon of destruction. Un-armed. Get it? It’s all about the arms? Ha ha. The hot bartender is saying something.

“Thank you, ma’am. For rescuing our village.” I shrug. Does she know how little effort it took to save this shithole town at the shithole end of the world? Maybe they’ll name it after me or something. Hilarious. The lan-ka will be back, maybe, someday. Who cares. She looks happy.

“It’s my pleasure,” I purr. I’m used to this, you know. The breathless thanks after the battle. The hands laid accidentally-on-purpose on my arms. They want to see my tattoos. They want to touch me to see if I’m real. They want to show their appreciation. Usually for me this involves alcohol and at least three or four naked women in my bed--but I’m not in the mood today. The air smells like fish and salt, and there’s a lump in the back of my throat.

You used to call me “sweet.” “Sweet love,” you would say, cupping your strong hand around my cheek. “Will you be mine forever?” Silly crap, the kind of words lovers moan into each other’s mouths without thinking what they mean. Forever. Ha ha. For that blonde kid on the dock, “forever” came last night. Did she know that when she strapped on her boots and polished her shiny spear? Did she know that when she kissed her lover and said, “I’ll be back soon?” I hope she got laid beforehand, at least. That’s a crucial part of every death or dying scenario I’ve envisioned for myself, when that time comes. “Sweet.” And suddenly I can’t stop the memories before they’re all over me, like a bucket of water dumped over my head. Your hands in mine. My head on your shoulder, pressing light, feathery kisses along your collarbone as we stand on our balcony and watch the sun dip into the water. You squeezing my hands, sliding your hard, strong body behind mine so your breasts push into my back, wrapping your arms around my waist so you can breathe in the smell of my hair. “Light and clean,” you used to say. How can something smell “light,” babe? Fucking silly, all that sentiment.

My eyes snap open and I lean heavily on the wall, anchoring myself in the power flowing from the oozing, slick gore on the street and into my body. I’m stronger than this, stronger than you could ever fucking believe, babe. Remember how strong we used to think our sisters were when they came back from the sea, salt crusted on their hair and finger knives looped through their waistbands? Strong. Ha. I’m stronger than the entire fucking sea. I came here to wipe you from my mind and now I know how to do it. I need to see that balcony.

*             *             *

I’m standing below the balcony, again. A paradise bird lands on the railing, and I think about how we used to stand there in the morning, shoulder to shoulder, watching the sun. Maybe it’s the battle, or the fact that I haven’t been sleeping well. I’m getting older, but when I close my eyes I almost believe I can smell you: that light, clean scent that comes after rain. The scent that brings promise with it. I don’t want to let this moment go. I think that maybe if I sink into it just a little deeper, I could feel you again: the curves of your stomach and arch of your back and the shudder of your body as it connects with mine. You always called me sentimental and sentimental I certainly am. As I turn away from the building and towards the recruits waiting for me, I take a last breath of that smell and hold it close, deep down where it can’t be touched by smoke or blood. Maybe I’ll smell it again, some day.

*             *             *

The balcony is dusty, and I wrinkle my nose. No one’s been taking good care of my home. Our home, babe. There’s a bird on the railing, too. Some pink and orange monstrosity that you’d probably call “beautiful” since you care about that kind of thing. Or cared. A soldier is standing there, too, looking up at the bird. Her back is to me, and bits of lan-ka and seawater drip off her armor. She’s oddly calm for having spent her entire night covered in lan-ka entrails and her boots squelch when she shifts her weight. This is what I came here for, you know, babe. I came all the way from Malu just to see this fucking place one last time and remember you and who I used to be before I find some other life to live in this world. The soldier sighs deeply and turns away to walk down the dock towards some of the other kid soldiers. There’s something in her gait that looks familiar, and it occurs to me that she might have served with you, before you died.  

The lump in my throat is suddenly choking me, and my head is swimming. 

“Wait!” I shout. The sun is rising, warm and calm, and the bird on the balcony begins to sing. 

*             *             *

My spear falls out of my hand, clattering to the ground. I turn around and the world stops. The choking sound I hear, is it me? Is it you? It’s us, I guess. I can’t breathe. Can you breathe for both of us, please? You’re fast. Strong. You, and not you. I don’t care. You’re here. You’re alive. You came back. Why? I don’t care, I don’t care, I don’t care. Are you okay? The sun is up, are you hot? Cold? Did you get a good night’s sleep? Come here. The tears running down my face taste like the sea. The sea without blood. Yours are sweeter. Here, let me kiss them away. Is it over? Did we make it? Are we here, alive? I’m outside my body, flying through the air like the bird on our balcony. I hope you’re still breathing for the both of us.

Before I was a very good soldier, I was a soldier. Before that, a little girl, running breathless through the sunny streets as little girls do. But I’ve always been yours, from the very first sunrise I ever counted. And you were always mine. One-two. Or one, really. Us. 

*             *             *

I thought I knew pain. I’m an instrument of pain, or was, before now. I probably always will be, in some way. Once you’ve spent that much time with pain it becomes part of you. I’m not sorry for it. Turns out I thrive in the extremes. I’ve seen the darkness, felt the power that comes with oblivion. It made me strong, shaped me. A familiar friend in a world defined by pain. But now--I’m falling apart. I can’t lift my arms, can’t move my legs. I’m upside down, backwards and inside out. Flying, falling. Stronger than I have ever been. Or dead. Maybe I’m dead. Am I dead? Are you dead, too? Let’s be dead together, then. Your hand is on my cheek, your lips on my face. Am I crying, or is that the sea? I don’t care. 

Hey, babe, the sun is up. Want to count with me? One for you. Two for me. But let’s stop there. It’s enough. 

 

KEENA ROBERTS (she/her)  is a science fiction and fantasy writer and the author of Wild Life (Grand Central, 2019), about her childhood growing up in her primatologist parents’ research camp in the Okavango Delta in Botswana. She is also a PitchWars mentor and a contributor in the SFF anthology DON'T TOUCH THAT, edited by Jaymee Goh (2021). She lives outside New York in the mountains with her wife, daughter, and several pets and enjoys reading by campfires, wherever she can find them.

Lucida

Two girls stared at each other for years, 

              across fiery stars, meteors, and nebulas.

 

We each endured the blaze and burn of the sun

just to catch sight of the other. 

 

We missed every shooting star, every comet

just to see our figures float by.

 

We ignored the storms that rained upon us

just to get a glimpse of how the other looks. 

 

For me, she was the brightest star - my lucida

Her existence made me jealous of her planet. 

 

We didn’t have the words or the space to speak,

so we waited until our paths crossed close enough to leap. 

 

When the gap between us was narrow enough, 

we knew it was time to jump. 

 

She and I danced on the moon together.  

She and I held each other

so that no darkness could squeeze through. 

She and I drove by the North Star every night. 

 

When we couldn’t lock fingers,

we sent messages, 

debating who would leap next 

and where we would venture.

 

We weaved through the constellations. 

We watched every eclipse we could find. 

We held stars in our hands.  

 

Night after night, we leapt. 

Night after night, we held on  

until our worlds were close to waking 

because we knew we had no home together. 

 

She was the brightest star in my sky,

 

and I could not keep her. 

 

MAKAILA AARIN (she/her) works as an academic librarian in Mississippi, where she is surrounded by what she loves most – books and people who love them too.  From a young age, her pen has been her voice and her notebook has been a place of solace.  Her passion for the written word led her to earn a bachelor’s degree in English/Writing and become a secondary English teacher. She also holds master’s degrees in education and library science.  Her writing has appeared in Calliope literary journal, COVID Narratives, and The Mighty. She has forthcoming work in Sonnets for Shakespeare and Sinister Wisdom. Find her on Twitter: @makaila_aarin

Self Portrait as Thing

amid arctic waste ¿ hostile ¿ isolated

blizzard howling ¿ one small shelter 

carries on ¿ somehow ¿ glad to 

dog ¿ others’ steps ¿ & avoid

elimination ¿ this atmosphere is 

freezing ¿ the life out of you ¿ don’t

go out of sight ¿ or you risk ¿ some

horror ¿ the body taken over ¿ slid 

into ¿ replaced ¿ old self shed like 

jetsam ¿ no longer useful ¿ no longer 

kept ¿ & would it be so bad ¿ to 

leave the old self behind ¿ & slowly 

metamorphose into ¿ something alien &

new ¿ go ahead & try it ¿ the body

opens ¿ into something unfamiliar ¿ after

perfectly replicating a life ¿ not its own ¿ a

queer thing ¿ to encounter ¿ this opening ¿ the

raw shock of it ¿ leaping up ¿ at the smallest

spark ¿ the discovery ¿ of the thing you’ve 

tried to end ¿ ignored for too long ¿ now it’s 

untouchable ¿ old way of life unsustainable ¿

vicarious ¿ no longer ¿ living becomes over-

whelming ¿ you should expect no one ¿ to be

xenodochial ¿ you are a stranger ¿ or now

you could be ¿ since you’ve slipped out of sight ¿

zippo flicked on ¿ light a match ¿ burn it down

 

GRETCHEN ROCKWELL (xe/xer) is a queer poet currently living in Pennsylvania. Xe has two microchapbooks, love songs for godzilla (Kissing Dynamite) and Thanatology (Ghost City Press), and xer work has appeared in Glass: A Journal of Poetry, Poet Lore, FOLIO, FreezeRay Poetry, and elsewhere. Gretchen enjoys writing poetry about gender and sexuality, history, myth, science, space, and unusual connections – find xer at gretchenrockwell.com or on Twitter at @daft_rockwell.

Self Portrait as Avatar

awakening ⁂ is the hardest part ⁂ learning to 

   breathe ⁂ & be so aware ⁂ of lungs ⁂ to be 

   cognizant ⁂ of the body ⁂ its spine ⁂ & feet ⁂ 

   differences & deficiencies ⁂ wiggling digits into 

   earth ⁂ & feeling the pulse of the world ⁂ under

   foot ⁂ the world is not yours ⁂ not like this ⁂ its 

   gravitas is separate ⁂ older ⁂ than you can guess ⁂ & so 

   heavy ⁂ in this world ⁂ you are alien ⁂ & will never be ⁂ 

insider ⁂ you float ⁂ between bodies ⁂ disconnected ⁂

   jarred out ⁂ of sleep ⁂ into gasoline ⁂ smoke ⁂ & 

kiss of steel ⁂ then back ⁂ into world ⁂ of trees & pools ⁂ 

 

lithe sleek bodies ⁂ nightbloom flowers ⁂ thick loam ⁂ bright

moons ⁂ everything can be ⁂ & is connected ⁂ people & their

 

nature ⁂  you are not part of ⁂ that world ⁂ you

outsider ⁂ unbelonger ⁂ always un- ⁂ always out- ⁂ you 

pray that changes ⁂ one day ⁂ you are angry ⁂ but never 

querulous ⁂ accepting your lot ⁂ without comment ⁂ 

recognizing ⁂ complaint is useless ⁂ you are here now ⁂ 

soldier up & move out ⁂ into the world ⁂ both worlds ⁂ 

take a breath ⁂ take several ⁂ it will not ⁂ ground you 

until you accept it ⁂ you alien ⁂ you otherworld ⁂ trace 

vines on rock ⁂ climb the path to acceptance ⁂ if you can

warrior your spirit ⁂ jump & hallelujah ⁂ find place & mark

X ⁂ know a body is something you have ⁂ not something

you are ⁂ try to sleep ⁂ soundly ⁂ without fear ⁂ keep your

zest alive ⁂ & do not forget ⁂ which body you see through

 

GRETCHEN ROCKWELL (xe/xer) is a queer poet currently living in Pennsylvania. Xe has two microchapbooks, love songs for godzilla (Kissing Dynamite) and Thanatology (Ghost City Press), and xer work has appeared in Glass: A Journal of Poetry, Poet Lore, FOLIO, FreezeRay Poetry, and elsewhere. Gretchen enjoys writing poetry about gender and sexuality, history, myth, science, space, and unusual connections – find xer at gretchenrockwell.com or on Twitter at @daft_rockwell.

Self Portrait as Replicant

androids have nothing on you ≠ gorgeous ≠ but

beautiful is a word meant for other people ≠ all 

candy floss & tulle & ballerina shoes ≠ or maybe

dark liner ≠ & strong silhouette ≠ whatever ≠ it's the 

eyes that give the game away ≠ some sort of light ≠ 

failing to pass their test ≠ leaving you exposed ≠ 

god ≠ the things we make ≠ ourselves ≠ 

how wonderful we think ≠ we are ≠ to have created ≠

imagine now ≠ that created Self ≠ digging its thumbs 

just far enough in ≠ to blind ≠ Self found it better to be ≠ 

king in hell ≠ than serving your purpose ≠ & now Self

lives somewhere else ≠ leaving you only ≠ bones & 

muscles ≠ but you're lovely ≠ & always were ≠ or will be 

now ≠ do you like ≠ our owl? /or anything we've made ≠ 

ourselves ≠ you used to wear ≠ tights & mary janes ≠ so 

prissy & proper ≠ & now you hate skirts ≠ & the soft 

quiver of lipsticked lips ≠ we make ≠ & remake ≠ &

remake ≠ becoming palimpsest ≠ & hating it ≠ our old 

skin ≠ please efface it ≠ we hope ≠ it burns away ≠ like 

tears & rain ≠ or a fiery ship ≠ that the constellations we 

understood will be ≠ wiped from the slate of the sky ≠ 

vanishing in stillness & silence ≠ androids understand how ≠ 

we make ourselves ≠ over & over ≠ each time more & more 

xenic ≠ holding the unnamed ≠ or undiscovered ≠ oh 

yes ≠ we know ≠ why androids might want to become ≠ 

Zeus ≠ powerful ≠ & untouchable ≠ in his lonely heaven

 

GRETCHEN ROCKWELL (xe/xer) is a queer poet currently living in Pennsylvania. Xe has two microchapbooks, love songs for godzilla (Kissing Dynamite) and Thanatology (Ghost City Press), and xer work has appeared in Glass: A Journal of Poetry, Poet Lore, FOLIO, FreezeRay Poetry, and elsewhere. Gretchen enjoys writing poetry about gender and sexuality, history, myth, science, space, and unusual connections – find xer at gretchenrockwell.com or on Twitter at @daft_rockwell.

Twilight

Some day I'd like to meet a mermaid 

from the shadow waters, all angler teeth

and see-through skin. I'd like to observe 

 

her organs pulsing in the dim glow 

of bioluminescence, watch her unhinge 

a goblin-jaw to swallow lanternfish whole,

 

look into her eyes, large and dark, always 

scanning up and never blinking. At night 

I could watch her rise 

                             to hunt. She wouldn't 

 

sing, as I imagine space sirens doing. 

They drift near the fringes of black holes, 

eerie vibrations as much a lure as the light

 

marbling a deep-sea mermaid's skin. 

Some new voyager would have to kill

his comms just to escape. Kind: ambush predator, 

 

same as their ocean kin, too many 

similarities to name. Just different lures. 

You can't see them flirting 

                                           at the horizon.

 

I'd like to meet them too. Sometimes I wake

into my bedroom's blurry dark and feel arms twine 

around my neck, see needle teeth smile wide 

 

and maw crack before I realize I'm 

alone. Mermaids have been mis-cast in myth, 

all gentle, not something that leaves you gutted

 

in the black. I think I'd like to be swallowed 

and unmade by something that's gorgeous  

and deadly. I think I'd like to be drawn in. 

 

GRETCHEN ROCKWELL (xe/xer) is a queer poet currently living in Pennsylvania. Xe has two microchapbooks, love songs for godzilla (Kissing Dynamite) and Thanatology (Ghost City Press), and xer work has appeared in Glass: A Journal of Poetry, Poet Lore, FOLIO, FreezeRay Poetry, and elsewhere. Gretchen enjoys writing poetry about gender and sexuality, history, myth, science, space, and unusual connections – find xer at gretchenrockwell.com or on Twitter at @daft_rockwell.

Siren

to Alexandra         

 

 

They started whirling the rumour I was a Monster

Swimming around me till I drank it

 

As it washed away the sea flowers in me

I became the Monster

 

Couldn’t lye on the rock among the others

Nor in the silvery foam

 

Anticipation drowned:

You wouldn’t get to me, trapped in the continuous storms of voices

 

I was the Monster

I would scare you

 

The high tide again

Brought another shipwreck

 

And out of the blue

Sinewy arms gently swimming

Rushed to reach my forgotten flowers

 

Your bronze caring creature

Met my eyes and hopes

While my hair was swinging with the waves

 

When you first held me

I killed the Monster

 

And saved myself

For us

 

SERENA PICCOLI (she/her) is an Italian poet and playwright who lives with her fiancée Alexandra, the two are trying to get married during the pandemic. She’s a transfeminist, a lesbian and a human rights activist. Her political chapbook of poems "silviotrump" was published in 2017 by Moria Poetry, Chicago, USA, part of Locofo Chaps, edited by Professor William Allegrezza. She writes both in English and in Italian. 15 of her poems are on placesofpoetry.org UK Poetry Map. You can find her on Twitter @piccoli_serena.

At 3AM

to Alexandra         

 

On a night far away from yours

I’m under an ancient chestnut tree

pink feathers are mirrored on the sunset river

and the slow flow is bathing the Flamingo

 

At this time you’re combing your hair

craving my hands

putting some Moon and makeup on

to lie in bed and make love with my smell

 

In the windy darkness

the eyes of love and the smiles of joy

brighten up trees and shores

 

And while you’re dreaming of us and can’t fall asleep

I finally hear my arms singing

with the Nightingales

 

SERENA PICCOLI (she/her) is an Italian poet and playwright who lives with her fiancée Alexandra, the two are trying to get married during the pandemic. She’s a transfeminist, a lesbian and a human rights activist. Her political chapbook of poems "silviotrump" was published in 2017 by Moria Poetry, Chicago, USA, part of Locofo Chaps, edited by Professor William Allegrezza. She writes both in English and in Italian. 15 of her poems are on placesofpoetry.org UK Poetry Map. You can find her on Twitter @piccoli_serena.

The Baptism of Wendley

John, a man who, despite his great love for the Lord, could not help resenting that He had allowed John’s parents to give him such a common name, was going to revolutionize baptism.

It was a long time coming. The town of Wendley might as well be Sodom itself. Fishing on Sundays, munching on shellfish, fornication every day of the week. John had never understood it, particularly the fornication bit. 

He had never even wanted to kiss a woman, and only did so in the hopes that she may be the soulmate God had sent him. Everyone talked about how wonderful kissing was, but it was mostly wet, and time after time John had concluded each woman wasn’t for him. Seeking out kissing, let alone sex, when it wasn’t your duty to Christ was outrageous. 

Anyway, his mind was straying from his work. He scrubbed the old crop duster, wringing the tattered sponge and watching the soap bubbles cascade down the rusted sides of the machine. He had bought it from a man selling his farm. The old thing had been headed for a scrap yard, but now it was a born-again Christian.

The others in the church didn’t believe a word of it. John, a member of the choir, had spent a lot of time being preached to by Pastor Quigley on the nature of his foolish ideas. Still, the fact was that the current rate of baptism was terribly inefficient. They only baptized one screaming, wriggling infant at a time, and most days not even that. Some people came to be baptized as adults, and that was always fun, but it was rare. Most of the town remained unbaptized and suffering without the light of the Lord.

The others may not have been in support of John’s idea, but that hardly mattered as long as the Lord was on his side. And when all was done, the town would be saved.

It was an obvious solution when you really got down to it. In fact, it was astonishing that no one had thought of it before. Years of tradition had gotten everyone hung up on using only small amounts of Holy Water at a time, but there was no rule in the Bible that said you couldn’t use it all at once. If someone found one verse in the Book which forbade loading gallons of Holy Water into a crop duster and spraying it over a town, then John would kiss a man. 

And that was something he definitely didn’t  want to do. Especially not Zaniel, no matter how charming he was when he brought John a coffee every morning, or how handsome he looked when his eyes crinkled up in a smile.

Zaniel was strange, anyway. He always smelled of garlic and showed up to church with dark circles under his eyes. Not dark and mysterious weird, definitely not. John didn’t like dark and mysterious anyway. Not at all. The chaste, humble woman was for him, even if none he met had been appealing. But it was only a matter of time. 

*             *             *

Zaniel was growing tired of being the sole protector of the town from its plague of vampires. Going out with a stake every night and slaying the creatures had been fun at first, but after a few nights of patrolling the graveyard you started to lose sleep. Plus, he hated the stink of garlic that lingered on his skin even after showering. 

Pretending to be a devout Christian was also exhausting. Zaniel was a committed Buddhist, but, for reasons he couldn’t fathom, vampires cowered only before symbols of Christ. Little statues of a fat jovial man with oversized earlobes just didn’t have the same effect that a plain wooden T did.

He had to be a member of the Church, because otherwise the supply of Holy Water was scarce. The Church didn’t approve of random visitors dropping in and borrowing a few bottles of it, but once you were a member no one paid attention to where you went.

So he had spent the last ten years filching Holy Water from the church and using it to melt vampires. If it had just been the people who died in Wendley who became blood-sucking demons it would have been manageable, but vampires seemed to love the town and traveled from all over just to feast on the people here. It was terribly exhausting and the entire world was oblivious. The vampires were masters at concealing themselves, and being able to take the guise of humans was certainly helpful. 

It was Zaniel’s duty to protect the town from vampires because of some boring prophecy that Zaniel found incredibly cliché. If he didn’t kill them right away they would attack some poor midnight wanderer, likely the old man next door with a penchant for marching to a neighbor’s house every night and requesting that the owner muzzle their dog, whether they had one or not. Zaniel hoped that someone else would be blessed with his gift, perhaps a handsome man with a garlic fetish, but it had never happened.

The truth was, he was sick of the exhaustion and the dreadful impact it had on his social life. Everyone was terrified of him. Dark circles under your eyes and a terrible stench did nothing for your reputation.

There was a man he had been attempting to flirt with for some time now, John, but every time he got near, John would stiffen. He remembered the first time he had attempted it and cringed at the memory.

He had ignored John at first, but there was something cute about the man’s earnest piousness. He stood in the choir and sang not because it was his duty, but because it brought him genuine joy. You had to admire someone like that. 

John was mocked by the others. It was true, he did have a certain quirkiness about him, but the church needed some zaniness if it was going to keep up its image.

Zaniel wasn’t the best at social interactions, but he had heard bringing someone you liked a coffee did wonders for improving their opinion of you. So he had brought John a coffee one day and John looked as if he had stared into the eyes of a gorgon. Dreadful creatures those were. Their habit of turning people to stone was terribly annoying. 

“I’m sorry if I was in the way,” said John.

“Oh, no,” said Zaniel. “This is for you.”

John’s eyes darted to the cup. “Why?”

“It’s a gesture of affection.” That was how the conversation in this sort of situation worked, wasn’t it? Zaniel fidgeted with the button on his coat, letting the calming texture wash over his frantic mind.

John accepted the cup, but the moment his hand touched it he yelped. “Th-thank you. I-It’s a bit hot.”

“God dam-I mean gosh darn it. Sorry.”

John shook his head. “It’s okay. I like coffee. Just a bit startling. How do you deal with the temperature?”

“Hyposensitivity. Takes a lot to engage my senses.” Being autistic usually meant you were extra sensitive to stimuli, but sometimes it was the reverse. Zaniel could get burned and not notice for days. It was a constant worry. Then again, it had saved him from fully experiencing the excruciating wounds inflicted on him time and again.  

John nodded along, clearly not understanding the meaning of the word, and Zaniel set the cup on the table. “There we go.”

“Thank you. No one’s done that before.” 

John smiled at him, and Zaniel relaxed. At least that hadn’t been a total disaster. 

Of course, nothing else besides coffee ever happened. He didn’t want to scare John off. It was something Zaniel was all too good at doing, because when someone liked him he had the habit of exposing his eccentricities too soon and prompting them to politely excuse themselves and leave town. Oh well. At least Zaniel had his pet fish to talk to. 

*             *             *

John decided to baptize at night. That way the atheists of the town wouldn’t come roaring with the rage of Satan when the water allowed the light of the Lord to enter them. They would be asleep in their beds, oblivious to the blessings passing over their houses and seeping into them and their children’s dreams.

There was the small matter of the roofs getting in the way of the Holy Water, but after careful reflection John concluded that God would understand John’s purpose, so why shouldn’t he bend the properties of matter for a few moments?

John was sure the water would fall through the roofs as if they didn’t exist and douse the people as they slept. After all, if God could part a sea, why couldn’t he help a humble follower of his save some souls? 

The crop duster was ready to go. He had christened it Satan Sprayer, which had been painted in golden letters on its side. It was adorned with images of crosses and paintings of Jesus. They weren’t the best pictures, as John was atrocious when it came to drawing people, but Christ would appreciate the effort.  

He loaded the gallons of Holy Water into the crop duster’s tank and climbed inside. As the machine kicked into life, John spread his arms wide. He had never imagined he would be the savior of the town, but here he was, poised to rid the area of demonic influence. He hoped Zaniel would notice.

*             *             *

Zaniel had never dealt with so many vampires before. They crawled towards him, snarling with their pointed fangs exposed and their red eyes gleaming. He hardly had any Holy Water left, the store had been out of garlic the entire week, and he was almost too tired to raise his stake. You could hardly spend years without enough sleep without losing a bit of stamina.

“Look,” he said, plunging a stake into yet another of the creatures’ chests. “Can’t we call a truce? I’m tired, you’re tired…maybe leave the bloodsucking for tomorrow?”

“We shall corrupt you,” a vampire hissed. They were incredibly boring creatures for all their hype. All they talked of was corruption and how much they loved blood. They needed a new hobby, like becoming blood connoisseurs. Of course, the only vampire Zaniel had suggested the idea to had taken a bite out of his arm, so they didn’t seem fond of the concept.

There were ten more heading from another direction, now employing their excruciatingly dull powers in an attempt to terrify him. Their eyes popped from their sockets on long stalks. Their bodies contorted into the shapes of figures from Zaniel’s past, which was quite frankly a highly insensitive form of warfare. Why couldn’t they turn into bats like the legends said? Bats were cute; flight might make them more interesting. 

 He used the last of his Holy Water to melt five of them, but now he was nearly defenseless. One of the vampires wrapped its incredibly long eyeball stalks around the stake and jerked it from his hands. 

Zaniel sighed. He supposed he should run, but he’d only have to come back tomorrow, and the next night, and the next. He had never hated his job as much as he did now. 

“Can’t you be more original?” He huffed at a vampire approaching him, wearing the guise of a peer he had bullied in elementary school. The resemblance might have been better if there weren’t eyeball stalks waving around like he was some kind of human-snail hybrid. A snuman? A snampire? 

“See the corruption already within? The human race is doomed to wallow in its own sins. Join us and revel in it.”

“I’d rather get a job as a public speaker. I really don’t want to be a snampire.”

The vampire furrowed his brow. “A what?”

It was at that moment that a cascade of rain poured down and every vampire melted on impact. Zaniel himself was soaking, but there were only sticky puddles where the demons had been, and a loud engine was pounding over his head. 

Upon closer inspection, it wasn’t rain at all, but water from a crop duster with the words Satan Sprayer and pictures of what looked like a monkey’s face painted on its side. It was, undeniably, a miracle, and it was of utmost importance that Zaniel found out what force of light had spared him.

*             *             *

John considered the baptism a great success. Only one atheist had awakened, and she hadn’t unleashed the wrath of Satan, but instead had danced in the spray of Holy Water while crowing out the words to “Singin’ in the Rain” in a decidedly non-talented voice.

The rest of the town slumbered on while John had saved them all. He landed the Satan Sprayer back at the farm and thanked the Lord for granting him this chance.

As he knelt, the sound of shoes squelching through the grass became apparent, and John looked up to see a beautiful figure approaching him.

“Zaniel?”

“John?”

“Y-yes.”

Zaniel knelt beside him. “What was in that duster?”

“Holy Water. I figured it would be more efficient for saving people.”

Zaniel laughed. “Genius! How could no one have thought of that before? You saved Wendley!”

It was everything John had dreamed of. “Well, really it was the Lord’s work, but thank you.”

“How did you know about them?”

“Know about what?”

“The vampires!”

“What?”

Zaniel’s brow furrowed. “What else could you have been doing with that duster?”

“Baptizing people. Much more efficient than one at a time, don’t you think?”

Zaniel said nothing for several long moments, then burst into laughter. “Baptism! You were saving people with…baptism!” He cackled, and John took a step back.

“I don’t understand.”

“John, will you let me fly the crop duster every night?”

“Any time!” said John. “The more blessings the better.”

“Yes!” Zaniel laughed. “The more b-blessings the better!”

“Are you making fun of me?”

“No, not at all. It’s just…I’ve got a lot of explaining to do. You deserve to know.” He smiled. “I could kiss you!”

“Oh!” said John. “Could you really?”

Zaniel quirked an eyebrow. “Yes.”

“You don’t think Jesus would disapprove?”

“Seeing as you just saved a whole town from demonic forces, I would say no.”

“Alright then,” said John. They kissed, and for the first time in his life John understood what the big deal about lip-on-lip contact was. In fact, he wanted to do this again, and soon.

He smiled and took Zaniel’s hand, and together they walked to Zaniel’s house, where John would learn about the vampires. The church may not regale John as a hero, but both the Lord and Zaniel knew his heroics, and that was enough. Baptism had never been so exciting.

 

Juliette L. Dunn (she/her) is a queer, autistic writer from Oregon, USA. She writes science fantasy and publishes through both indie and traditional publishing. You can find her  @dunn_juliette on Twitter and @juliette.dunn on Instagram.

Transdifferentiate

Dear Ezra Hayes, 

At its meeting on March 12th, 2021, the Board of Trustees of The Pacific Marine Life Foundation considered your request for $125,000 for the study of the Turritopsis Dohrnii in order to learn the viability of cell transdifferentiation in humans. However, the proposal was not funded. 

PMLF receives many more requests for funding endeavors than our limited resources will permit. This leads to difficult decisions in creating priorities and means that a number of important research projects cannot be supported by the foundation. 

We are appreciative of the time and effort you put forth in preparing the application. Although the PMLF cannot be of assistance, we wish you success in acquiring the funds from other sources. 

Sincerely,

Dr. Elizabeth J. Castenada

On a personal note, Ezra, please call me. This needs to stop.

*             *             *

Ezra watches dorsal fins bob in the distance, gliding over then below the surface of the choppy waves. The orange and yellow polygons of the sun reflect on the crests, seeming to whisk the pod of dolphins towards the horizon. The roaring light of the sun falls behind the waves at an indistinguishable pace, but the promise of night is imminent.

Jean would have waxed poetic about the beauty of the ocean. How it’s our duty to learn as much as we can about it, that only twenty percent has been seen with human eyes. The thought sours his mood. Jean hadn’t been on a trip with him in months. It was the whole reason he was here. No breathtaking sunset in the middle of the Pacific Ocean would distract him.

He moves about the boat with the grace of someone who finds more comfort in the constantly moving footing of the sea than the sturdiness of soil. He resumes getting his equipment together, his mission at the forefront of his mind.

Getting a sample of tissue from a Turritopsis Dohrnii is proving to be an arduous, despair-inducing task. The thrill of achieving scientific success is usually enough to keep him focused and patient with the necessary amount of failed attempts to secure samples of even one of his toughest prey--jellyfish. Today, his fingers shake as his mind stutters on memories of antiseptic and beeping monitors.

I can’t afford another wasted trip. Every time I go back to shore empty-handed may be the last.

It takes longer than he likes to ready the metal and glass pods used to capture specimens along with the equipment he needs to process and preserve samples. The sun has already set by the time he’s ready. The boat’s floodlights make the ocean seem like a dark abyss just past his reach, beyond recognition from the crisp blue waves and marshmallow clouds from the afternoon.

Solo trips this far into the Pacific were a suicide mission, one he’d successfully completed several times on his own. So much could go wrong. It didn’t help that Ezra purposely neglected to inform the U.S. Coast Guard or any of his colleagues of his whereabouts. No one even knows he left.

Not that I have anyone who’d risk their lives or equipment to help me at this point. I’m lucky to even still have this boat.

Eleven trips and no success. In the early days of his research, he’d barely made two trips before he had enough samples of jellyfish gastrodermis to not have to go out again for weeks. Now that he’s so close to the culmination of his research, the sparseness of sightings and empty pods are wearing him down.

He pushes the thoughts away, attempting to focus on forcing his shaking hands to place the bait in one of the pods. He then lowers it over the edge of the boat. The chain cranks out at a measured pace to ensure proper depth. When fully lowered, he connects the buoy before he moves on to the next spot. 

Each buoy seems to disappear behind the boat into complete blackness as if swallowed, and Ezra silently thanks Jean for installing a more updated GPS for charting coordinates before… well. Before.

After six more pods are placed, Ezra moves the boat further away from the last buoy, not wanting to risk the proximity to the final pod affecting his results.

He sets out the anchor and cuts the engine. He shuts off the floodlights, keeping a small clamp light near the main console. Work complete, he retreats towards the back of the boat where a chair and a woolen blanket is set up.

All that’s left to do is wait. Wait, and hope, I guess.

Knowing sleep would elude him, Ezra wraps himself in the threadbare blanket and lets his head fall back on the chair. His eyes swim through the stars, his view slowly rocking in the dizzying sway of the ocean’s surface as he tries to name the constellations Jean had taught him.

*             *             *

A successful trip and several priceless samples locked away in temperature and moisture regulated containers are enough to lift Ezra’s spirits into some semblance of awareness. It had been weeks of fitful nights and an unhealthy amount of black coffee.

The mood doesn’t last.

The hospital had called as soon as he’d set his equipment inside his home. He assumes they were going to discuss Jean’s recent test results, and he feels the fear like swallowed nails in his gut.

He makes it to the hospital within the hour, bringing with him another book of crosswords for Jean and a book for himself. That Jean didn’t look any worse than the last time he’d been there gave him a bit of hope, but by the time the doctor makes it to Jean’s room he’s had enough hours to gnaw down his thumbnails.

The news is grim.

“I’m sorry, but the latest scan indicates that surgery is no longer a viable solution. The chemo and radiation therapy did buy us more time, however, the cancer has progressed further than we had hoped at this point. We cannot remove the tumors without causing irreversible brain damage. I would recommend continued chemotherapy to prolong for a few weeks, but there is nothing more we can do.”

Jean watches the doctor explain with hooded eyes. The acceptance and apathy in them make Ezra want to vomit, throw something, rage at the doctor, and demand more testing.

Say something, do something, there has to be a solution. Please, don’t just give up.

Seemingly unaware of Ezra’s internal struggle, Jean nods, tight-lipped but clearly not at all angry at either the doctor or the news.

“I see,” Jean comments calmly as if viewing unfavorable results from an exploratory study. “I… thought as much, to be honest. Thank you for everything you’ve done.”

And Jean, sweet naive Jean, holds his hand towards the doctor as if he was just receiving a rejection on a funding proposal instead of a death sentence. His once firm handshake seems frail and jerky as he shakes the doctor’s hand, inclining his head slightly.

Dismissed, the doctor stands from his seat, gathers his clipboard and folder, and makes his way towards the door in his pristine white coat and black leather dress shoes.

Don’t just shake his hand, Ezra implores Jean with his gaze. Don’t just give up. You can’t. This can’t be it. I need more time.

He stands sharply but is startled as Jean’s right-hand grabs at his forearm, his grip stronger than the handshake he’d witnessed.

“Stop,” Jean says, tone unflinching, “Stop, Ezra. Don’t make things worse.”

Ezra stares at Jean’s pale, gaunt face. Jean’s eyes, once sharp and analyzing, are now murky and dull from the chemotherapy. They stare forward as if the walls of the hospital room are the only thing in the world worth studying anymore. Even though Ezra is certain he knows the sight well enough to draw a diagram without looking.

“Make things worse?“ Ezra says, barely processing Jean’s words. “How can things be worse? Jean, he just told you he’s giving up on you. They’re not even going to try anymore. They’re just going to let you die. How can I make that worse than what it is?”

Jean closes his glacier-colored eyes, and Ezra pushes down his feeling of relief at not having to see them so lifeless. He doesn’t want to remember Jean’s eyes any other way than the ones  he’d stared into during their wedding vows.

He was determined to see them like that again.

“It can’t be a surprise to you, Ezra. We’re both scientists. We knew it was a long shot the moment I was diagnosed. What was it Maddie always said? Numbers don’t lie, don’t be mad at their honesty. They really don’t give a fuck.”

Ezra shakes his head fitfully. Maddie had said that on many occasions. None of those occasions had meant the death of the love of his life, though.

“So that’s it? You’re just going to give up, let cancer win?”

Jean opens his eyes, turning towards Ezra. His gaze is cold, purple rings like permanent bruises below his bottom lids. Ezra had never seen Jean so tired in his life. Not even when they’d both suffered through grad school and doctorate courses while working two jobs.

“Is that what you think? That this is some life-threatening game that I’m choosing to give up on because I just don’t have the will to make it to the finish line? Don’t be stupid, Ezra. This isn’t a problem you can solve or a test you can just study for or retake. We tried, we failed, it’s done. I don’t want to spend what time I have moaning about what little there is of it left.”

Ezra feels like all his bones have been removed at once, yet still hears his knees cracking at the suddenness of him sitting in the creaky folding chair.

“Jean, please,” is all he can manage to say, voice weak as if his vocal cords were locked tight.

Jean shakily grasps Ezra’s hand, pulls it onto the edge of the bed over the covers to save energy. Ezra stares at their clasped hands, wondering when his husband’s bones had become visible on the surface.

“Ezra,” Jean starts. He pauses. He inhales slowly, and Ezra can hear the shakiness of his lungs in that breath. “There are some things we need to talk about beforehand. I know you’re upset, I know you’re angry. You can’t think I’m not too.”

Ezra can’t lift his gaze. Can’t watch that mouth he’d kissed so often form these words. He watches as Jean gives his little remaining energy to trace circles on the back of Ezra’s hand.

“But if we don’t talk about it, it will make later on so much harder for you. Please, I can’t be the cause of that. I love you. You know I do. I will fight to stay with you as long as I can, I promise. But you need to fight too. You need to fight to stay with me too.”

Ezra lifts his chin slightly, eyes searching for Jean’s.

“Doing this to you is my biggest regret. We said till death do us part, and I guess I never thought of the parting portion of that. That one of us would be left behind. For that, I’m sorry. I don’t regret marrying you, never, but I’m so, so sorry Ezra. I wanted to see you finish your research, see you bald and get laugh lines and wrinkles.”

Jean pauses with a wet inhale. His hand squeezes Ezra’s briefly, clearly holding back emotion and fear.

“I wanted to grow old with you.”

I’m making this harder on him. I can’t let him despair. I can’t break him more before I fix him.

“Okay,” Ezra finally says. “Okay. I guess we have some plans to make.”

*             *             *

The syringe is surprisingly unremarkable and easy to sneak through hospital security.

It contains a world-changing concoction of genetically modified cells that would render humanity biologically immortal, packed away with care in the inner pocket of his jacket.

It isn’t until he is yards away from Jean’s hospital room door that his excitement gives way to an unfortunate flaw in his plan.

Getting the injection to Jean isn’t the issue. Human trials are inherently different from animal trials, and as confident as Ezra is in his serum, testing his first formula on the love of his life was out of the question.

But so are human trials. He no longer has the funding or reputation to even approach a research team. His obsession with finding a cure for Jean’s cancer had led to cutting ties with all relationships, even the ones he most cherished. 

At first it had been arguments and petty disagreements. Ostentatious ridicule of his theories and well-meaning interventions to keep him focused on his real work, to keep living even though his partner was dying. As if the rest of the world simply kept rotating on its axis, but Ezra’s was tilted towards ruin.

He couldn’t deny that the final cuts had been all him. There had been anger after he’d been forced to scavenge much-needed supplies from laboratories of colleagues. It was only the last vestiges of their friendship that stopped Liz and so many others from pressing charges.

On top of that, none of his research had been sanctioned, so it would have to be redone. The ethics committee would never even let him go near a trial for the lack of ethical considerations from the start. Even if they were able to find the funding or resources, it would take a monumental amount of time--far more than the days or weeks. The actual trials would take time.  Going from rat to human would take years, plus the difference in mass alone… there were so many variables and so many ways it could veer off-course.

He didn’t have that time.

It didn’t take long after Jean’s devastating test results for his condition to decline. Despite Ezra’s protests, he was refusing further treatment, wanting to spend the rest of his time with Ezra free from the effects of chemotherapy.

The first week had been manageable, spending time holding each other, Ezra reading aloud to Jean--who could no longer focus on the printed word--and listening to albums from their youth on Ezra’s phone.

After nine days, Jean hadn’t recognized him. While that first episode hadn’t lasted, they became more frequent.

He is out of time.

Out of time and out of options, Ezra fingers rub the bridge of his nose habitually. But I can’t just inject Jean with an untested formula. I can put my ethics aside, but my heart just can’t do it. It could kill him quicker than the cancer.

He leans against the wall across from Jean’s doorway, eyes unfocused and half-lidded, something he did when he wanted to absorb himself in his thoughts without too much visual stimulation. His “problem-solving face”, Jean had called it.

He is running through the composition of the formula and effects on the rats he’d tested on in his head when he faintly hears the voice of Jean’s doctor. Looking around, he realizes the door for the room across the hallway from Jean’s is half-open. Inside he can hear Jean’s doctor speaking to another patient.

“We’ll continue with chemotherapy and radiation. The tumors have progressed quite quickly, but we’ll be doing everything we can to prevent it from metastasizing so we can perform the surgery.”

Ezra strains to hear the doctor’s words even as his chest constricts, hands trembling at the plan forming in the back of his mind.

*             *             *

The child is no more than eight. The monitors beep like a metronome, a steady rhythm that belies the sight of the weak and broken boy lying in the rough sheets of the hospital bed. His face is pale, lips ghostly, bruised eyes the only contrast to the white of the pillowcase.

It figures it would be a child. Ezra knows that even if the child recovers from the cancer because of his formula, following through with this plan will break something in him that can never be repaired.

No matter what happens moving forward, he could never breathe a word to Jean for fear of the horror in his face.

This is crazy. He clenches his teeth, hoping to squeeze the thoughts of terror and self-loathing out of his head. This can’t possibly work. This formula is for a body twice this kid’s size, to begin with, ignoring all the other uncountable factors I haven’t calculated for.

He isn’t going to do it.

He isn’t going to.

He won’t.

He remembers Jean’s eyes, the bottomless pools of their wedding day. The murky, infected, frothy waters they are today.

I have no other choice. Sorry, kid. Either you become a part of history today or your story ends here.

In retrospect, it is far too easy. He silently makes his way towards the IV drip, uncapping the syringe with minimal noise. He gently picks up the medical tubing between his thumb and forefinger, setting the needle next to the plastic tubing and bracing himself for whatever comes.

The needle pierces the tube in a short, fluid motion. He presses the plunger down slowly, allowing the clear formula to slowly mix with the saline a bit at a time, hoping the slow injection will allow the boy’s body time to adjust.

As the dosage tapers off, Ezra’s gaze flickers towards where the boy lies still. He pulls his eyes back quickly, not able to handle watching the face of the boy he may be poisoning. He removes the needle and carefully places the syringe into a small acrylic tube.

Better to not leave this here as evidence. I’ll keep it on me until I get back to the lab.

He carefully releases the medical tubing, shuffling back away from the IV and the hospital bed, careful not to rustle any of the other equipment as he retreats.

I should know within minutes, Ezra considers. The process of reverting the cells back to their initial stage will take time, but whether his body is able to absorb it--that won’t take long.

The previously continuous rhythm of the heart rate monitor suddenly staggers, then starts to flutter quickly, warning beeps sounding. Ezra has no time to process his mistake.

Keeping his pace steady and purposeful, gaze at his feet, he leaves.

*             *             *

He failed. He failed, and someone — no, not just someone, a child — died because of it.

Ezra’s mind spirals. There is no time to create a new formula. The only possibility he can actually take action on is that the dosage was too strong for the small, frail body.

It’s something. Hope is fading, but some part of Ezra still clings to it. I have one more dose left.

The call from earlier had been grim. There was a very real possibility that this trip will be the last he’ll see Jean alive.

Ezra grabs an overstuffed duffel bag, fills it with anything he thinks he could possibly need for the last night with his husband. He wedges the syringe in an inconspicuous side pocket.

Even if I don’t go through with it, well, better to have it just in case.

*             *             *

Ezra swears he can smell the life dripping out of Jean’s pores in his cold sweat. It permeated the air, seemed to lay thick like an invisible toxic gas in the room, odorless and yet ripe like crumbling bones to the touch. As if even his senses are confused and backward with the impossibility of what is happening.

They played whatever simple card game they could that requires little movement or sight on Jean’s part--which turns out to be a somewhat stilted yet intimate game of Go Fish. Ezra carefully ignores when Jean mistakes one card for another even as he holds it inches from his face.

Little white lies.

When that becomes too much, Ezra makes up stories about the progress of his research. Faces they have in common come and go as he spins his tales, even making up new characters that flit in and out of the stories. Jean smiles softly, chuckles lightly even in his weak state, makes the appropriate frowns, and slight shakes of his head where appropriate.

More lies, but not the worst he’d perpetrated in recent months.

When Jean starts to have trouble following the stories, Ezra pulls out the portable turntable and sets it up to play softly near Jean’s bedside. Pulling out an LP of The Clash from Jean’s teenage years, he drops the needle onto the record and settles his chair close enough to Jean to hold his hand as Jean’s head lies back, eyes closed.

Ezra studies Jean’s face as he dozes. His Jean. Nothing at all like the quietly confident man with a slightly hunched posture and day-old stubble he’d loved for so many years. The bulky glasses were gone, his barely-there eyebrows the only hair that had managed any sort of regrowth after stopping chemo.

This is not the Jean he married. This Jean is his husband, the one he would sacrifice all he had earned and everything he hadn’t in order to save.

“I talked to Liz, you know. And Ivan.”

The words are slow, stuttered. They catch Ezra by surprise, his brain momentarily disconnecting from his mouth long enough for Jean to continue.

“Ivan said you haven’t been focusing on your research for months. Since I was admitted. That you lost your funding and your license and are in danger of losing your boat too. And our home.”

Ezra’s blood seems to become sludge, hypothermic before like a jetstream it starts to flow quickly through his heart.

“Liz said you stole from her. And Michael, too.”

Jean’s eyes are still closed. He seems even paler than before like his skin can go translucent at any moment.

“Ezra. I don’t. You have to tell me. Explain it to me.”

Suddenly the toxicity in the air seems to burn down his throat, the thoughts of I can’t let him die like this and now he knows what a monster I am, please not now filling his skull.

“I can’t let you die.” The words are out of his mouth before he can pull them back. They’re like a lighter in a room of noxious fumes.

Jeans’ eyes open. They are murky with pain. Ezra can see the sadness and bone-deep acceptance in them. He hadn’t seen that same pain since Jean’s sister cut herself out of his life — when she finally understood that Ezra wasn’t going anywhere.

Jean turns his head slightly towards him, and Ezra inches off the chair to lean over Jean’s form so he can stay put.

“It isn’t up to you, Ezra. It’s not up to me either.”

A pause, Jean inhaling slowly. His eyes are wet, but his body can’t do more than that in this state. The cancer won’t even let him cry.

“Let me go, Ezra. Please. Don’t make me the reason you fail what we tried so hard to complete. I’ve fought so hard. Please. I need you to let me go. I need you to fight too. Don’t let me die thinking I’ve destroyed you too.”

When Ezra’s fingers trace Jean’s cheek, locking eyes with his husband, he sheds tears for both of them.

“Okay,” Ezra says. “Okay. I’ll finish what we started Jean. I won’t stop fighting.”

Ezra crawls onto the flimsy hospital mattress and holds his husband in his arms for two more hours. At 2:51 am, the last coherent words Ezra ever hears from his husband is asking him to turn off the monitors.

The nurse stops in to check on them, and Ezra quietly informs her that they would just like some peace for the last bit of his husband’s life.

At 4:47 am, Ezra stops his slow stroking of Jean’s hand lying between them.

Carefully removing himself from the grasp of his husband, he quietly walks over to the duffel bag. The syringe makes no noise as he pulls it from the hidden pocket.

*             *             *

James bangs his hand one more time against the clear acrylic of the vending machine before his forehead follows suit with a slightly gentler thud.

That was my last dollar bill. Fuck. This.

“You might as well try the slots instead,” Miranda snickers. “You’d have just about the same amount of luck.”

James peels himself off the machine in defeat. He pads over to the table, his muscles and bones drain into the creaky plastic chair next to her like molasses. He lets his head hit the table--gently this time--and pulls his arms up to rest over the back of his head.

“I’d probably have better luck with the slots, but I’m pretty fucking sure they aren’t allowed in hospitals so I’m really shit out of luck.”

Miranda pats his shoulder lightly. Hearing a crinkling, James looked up to see her sliding a bag of baked potato chips his way.

He knew she was his favorite resident for a reason.

“So what’s it this time?” Her question is to the point, and he puzzles on the best way to respond as he tries to open the metallic bag without the blessed food flying everywhere.

“There’s an investigation, actually. Both the hospital, and the police. All asking the same goddamn questions.”

Miranda’s doesn’t seem to be able to decide whether he was being facetious, but soldiers on anyway. “About what? You work with the almost-always-terminal cancer patients, right? Who’s gonna murder them or whatever?”

James shrugs, finally getting the bag open. “It’s kind of the opposite, actually. Some really freaky things going on at our floor.”

Miranda grabs the bag out of James’ hands, holding it up and to her other side. “How can you do the opposite of murder? That makes no sense. And this is a bribe, not a free lunch. Welcome to America.”

James rolls his eyes, halfheartedly swiping for the bag just out of his reach. He’s secretly glad to relay what little he’d gleaned from the chaos sweeping through his ward. “You know, I was born and raised in America. You came from London or whatever. I’m pretty sure that should be the other way around, but fine.”

James leans back in his chair, valiantly trying to rearrange his spine back to its original, healthy position, but giving up as he always does after a few loud creaks.

“First it was this kid. The fairly typical case--diagnosed stage four, goes through chemo and radiation, is looking like he’ll be a good candidate for surgery, but then he suddenly flat lines one night. They pronounce him dead, the parents see him, they send for the coroner.”

Miranda pulls a single chip out of the bag now, waving it near his nose, like the aroma would entice him more. As if a small bag of stale chips smelled like anything but mothballs.

“And?” She sounds impatient, yet still curious.

“When the coroner comes up to take him to the morgue, the kid’s sitting up and asking about his Nintendo DS. Thinks he’s had his tonsils removed or something. Scared the shit out of her.”

The chip pauses mid-flight, Miranda temporarily stunned enough for him to grab at it. He only manages to crack it apart, crumbs hitting the table. “Wait. He survived? How the fuck did they think he was dead?”

James waves his hand in dismissal. “Dunno. They just thought they’d made a mistake. Damn, were his parents pissed. Started suing the hospital, wanted the doctor’s medical license taken away, the works.”

Miranda leans back, still facing James. She sets the bag of chips on the table, uninterested in teasing anymore. “Well, that’s unusual and pretty fucked up, but not unheard of.”

James snatches the bag before Miranda can change her mind.

“That’s not the craziest part, though. They move him to a different hospital right after that. Start him back on chemo and radiation. He seemed to be improving, super fast too. But when they did a CAT scan to evaluate him for surgery, there’s nothing. The tumors, cancer, everything is just gone.”

Miranda stares at him. He had her hooked. “Gone. As in… what?”

James slowly opens his mouth, placing a chip on his tongue before chewing slowly. Payback.

“G-O-N-E. Like he hadn’t had cancer at all. All the cancerous cells were gone, and there were new, absolutely normal brain cells in their place. Took part of his memory though, he didn’t remember the past few years at all.”

Miranda shakes her head slightly, clearly trying to find a reason behind what sounded like an urban legend. “Wait, so, did he never have it then? They’re suing the hospital, so was it malpractice?”

James shrugs, stuffing another few chips into his mouth before continuing.

“Nope. The hospital he’d transferred to scanned him when he first came, just to be sure. It was there when he got there. Then gone in a few weeks. The hospital tried to claim it was their doing, but, well, then something similar happened to another patient here.”

James pauses to shake the crumbs from the mostly empty bag into his mouth, then starts speaking again while he searches the table for his bottle of water.

“This patient — some sort of scientist or something — he was pretty much on his last few hours.  Terminal, nothing we could do. The nurse said his husband was staying with him that last night, so they left them alone. In the morning when they switched shifts, the nurse hadn’t realized why the room was shut off so she checked in on them. The husband was gone, but the patient was sitting up in bed, not at all dead and hardly dying either.”

Miranda continues shaking her head. James doesn’t blame her, shaking a new world view into place seemed just as good a technique as any. “And the husband? Did he come back? When was this? Why the police?”

“The husband is why the police are here, actually. It seems either he or someone who wanted him dead torched his house, his boat, his car, everything. No one’s seen him since that night.”

Miranda rubs at her eyes. “That’s horrible, honestly. You cheat death and wake up to your husband dead, or at least missing.”

James shrugs. “Can’t be too upset about it. He remembers absolutely nothing. He’s basically a blank slate, complete amnesia. They’re even working on helping him remember to read and write. He somehow remembers random shit like the family and classes of random sea life, but not the alphabet. You know how the brain is--however the new cells got there, they destroyed the old. Brain’s are strange things sometimes.”

Miranda attempts to hide a small smile. Completely inappropriate, but you didn’t get far in the medical field without a slightly macabre sense of humor.

“Alright, you got me beat. That is officially the weirdest hospital war story I’ve heard so far. Go ahead, keep wasting your bottom dollar in the vending machines as you wish. I won’t stop ya. Luck seems just about as good a thing to put your faith in as anything at this point.”

James pauses after standing, a thought flitting in the periphery of his skull. “It’s just a habit at this point. Deal with shit the same way long enough, it doesn’t even occur to you to try something else until it’s too late.”

He grabs the empty chip bag, throwing it towards the trash bin, winces as it missed.

Sighing, he takes the seven steps towards the failed attempt at a free throw, bends down to grab the bag, and throws it into the trash can properly.

“Guess there’s always tomorrow.”

*             *             *

Transdifferentiation, also known as lineage reprogramming, is a process in which one mature somatic cell transforms into another mature somatic cell… There are no known instances where adult cells change directly from one lineage to another except Turritopsis dohrnii and in the Turritopsis Nutricula, a jellyfish that is theoretically immortal.

-Wikipedia

 

Rue Sparks (they/them). Artist, animator, writer, designer, professor—Rue has worn a lot of labels, but the one thing they've always aspired to be is simply, a storyteller. They cross genres and formats, mixing together metaphor and expressive characters to teach the viewer something they didn’t know they already knew.

Knights Desired: Trolls Need Not Inquire

Part of you is always hungry, always thinking of knights in their gleaming armor: sweet-tasting, burnt, metallic crunch. You enter your cave in the evening, curl yourself around your glistening stash of gold coins, and admire the rise and fall of your scales in a thousand mirrored surfaces while you wait for your bait to lure in those who will be your next meal. 

Arabella situates herself for the evening, gives you a grin and a thumbs up. She’s brushed her hair until it gleams, black beside gold. Despite being human, she reads you troll war poems. She’s three books into an epic series, and you find yourself wishing that trolls would find another occupation, or that Arabella would develop less violent taste. As the knights labor up the sides of the cave-cliff walls, intent on saving her from doom, she puts the book down for long enough to throw out pouty faces and kisses. The knights stick you with pathetic little pins they call ‘swords’ and that you call ‘skewers’: good for curling claws around, good for withstanding heat as you roast with your breath, good for allowing you to consume them like h'ordeuvres. 

This winter, you’ve grown thin and hungry, and rot plagues your once beautiful scales. The stream of knights has thinned; it’s some rumor about Arabella (her friendship with you, Arabella says, but you’re pretty sure it’s her violent taste). 

Tonight, only one knight braves the walls, and the stupid knight refuses to give up. Worse, Arabella is mad at you for having thrown her kid brother out of your cave (together with his book on how to spot magical creatures--as if you’re some sort of exhibition). 

Little boys in Faery Worlds ruin everything, you tell her. Her brother’s nickname, owing to an incident with elves, is quite literally ‘Chaos.’ 

Arabella stamps her feet and announces her intention to return to her castle. Without her, the knight will go and leave you to wallow in hunger. So you promise her something else (Chaos being non-negotiable), something she asked for once, if only she’ll stay. If she does fall in love--it’s never happened before--you’ll let the knight live.

You expect to never make good on this promise, or, if you must, to do so in some long distant future. Certainly not tonight, when your hunger claws at your belly.

The knight removes the helmet to reveal a woman with soft curves and eyes with irises the color of raven feathers and, damningly, she announces herself as a poet. She is certainly a troll.   Her height--not quite twice Arabella’s--and her unmistakable musculature give that much away.  You suspect that she could pluck a tree as easily as Arabella plucks a flower.  Knight, poet, troll. You wonder if she contributed to that collection of violent misery that Arabella has been subjecting you to, or if she merely embodies it. 

Don’t eat this one, Arabella instructs you.      

Something in Arabella has changed. She’s become happier, softer spoken (this is short-lived, you have no doubt), more beautiful, and, though you’re hungry, a promise is a promise. You know that she’s to whisk herself away, that she won’t be back, and you wonder how you will eat. You listen to them make love--heavy breathing in the corner of your cave. They don’t even have the courtesy to leave. Their love is the sound of your slow starvation. 

You need some new bait. 

For three days, as you contemplate this, you fail to find stray knights in the forests outside your cave. You know no other princesses, and so you opt for a new tactic. You gather quills and long scrolls and you post wanted ads (which you penned in black ink while feeling ill disposed toward trolls): For knights who survive, the ad proclaims, having battled you and lived to tell the tale can only help their reputations and prospects. 

No knights come, and the gnomes fine you for illegal posting on their utility trees. You are made to give up a hefty pile of the coins that you use, together with Arabella, as your knight lures.  You’ve had enough.  

You make plans to venture from your beloved, comfortable, but nevertheless knight-less cave. And so you fly. 

You follow a path of clouds that end up curling around the castle in the way that you curl around your gold. You enter in human form. If you can just get close to the knights, you will find a way to lure them out and eat them. 

A fire spell, you decide.    

You see Chaos first, chewing his thumb by the fountain: never a good omen. Chaos looks up at you with big gleaming eyes and you back away in well-founded terror. 

“You have a tail,” he says. At first you think that an eight-year-old should surely have something more intelligent to say than that. Then what he says sinks in and thwarts your resolve to ignore him: In your glamour, you shouldn’t have a tail. It’s the starvation. It’s undone some of your magic. While you struggle to fix it, he swings from your tail and laughs. You tell him that it’s part of your jester costume and hope that the lie will prevent him from wreaking havoc on your plans.  

You approach the dais where knights (sweet, metallic crunch) mingle with noblemen. When the guard questions you, asks about your strange clothes (had they really fallen out of fashion a few hundred years ago? an exaggeration, surely), you repeat your lie: you’re the jester. Chaos is brought forward, and he confirms that he saw your costume, and somehow (you suspect the guard is lazy) this is enough. 

As you wait for your `act’ to begin, the boy says, “I know what you are. I read about you in my book. I won’t tell anyone.” He says this in a serious way, and despite your better judgment and your dislike of his stupid book, the sincerity gets to you. “You shouldn’t tell anyone either. Most people don’t like magical creatures here.” He nods toward the tapestry in which knights cut off the head of your great uncle.

You thank him. If he grows up and becomes a knight, you won’t eat him. But that ends your conversation because you are whisked away. You’re the jester, after all. 

You juggle fire sticks because it’s your only jester skill: fire is what your people do. You inch close to the round table with all its knights and you recall how good they taste. Chaos--your boy savior--claps and cheers. Having decided to befriend you, he sits all but on your feet. 

You weave your spell in flame. The fire rises and falls and the knights are so close (sweet metallic crunch), and the closest knights shift toward you as flames dance in their eyes. You take a small step toward a door that leads out of the castle, and the knights take the same small step to follow you. You take another, and again the knights follow you with that distant, hollow look in their eyes.  On your third step, you crash to the floor. In your distracted state, you failed to remember Chaos by your feet, and now you have tripped over him. Your body and your fire sticks hit the ground. 

From beside her distracted parents, Arabella cries out something you can’t hear (of course she’s here: it’s her parent’s castle) and pulls her arm free from its place around the waist of her poet-troll-knight. Chaos gasps, just once, and then his clothing bursts into a flame that catches, setting aflame tables and the swaths of dried grass that had been set out for comfortable sitting.  

Screaming begins.

Knights scatter, free for picking. You’re hungry--beyond hungry--and you can think of nothing else. You ditch your vulnerable human skin, transforming and exploding into the room amidst the hysterical screaming. You pick up the closest knight with your teeth and swallow whole. You pick up a second knight, resolving to chew and savor.  Arabella’s beloved, who by now you know to be named Catrin, brandishes a sword at you and Arabella throws the contents of a water pitcher over her brother. The water fails to put out the flame.  Chaos clasps a hand over his legs as if in unspeakable pain but does not cry. Instead, he stares at you through a wall of flames with a look of stunned betrayal and that look stabs like your hunger. 

Like a fool, you put the second knight down. The others scatter. Instead you lift the boy and deposit him into the fountain, where water quenches the flame. 

Arabella throws you a dirty look. You’ve violated her friendship, hunted knights in her home, lit her floor on fire and, unforgivably, endangered her brother. She won’t encourage the next princess to keep company with you. You’re going to be hungry for a long, long time. A hundred swords pierce your scales as you retreat, fly back to your mountain and then crawl back to your cave hungry and ashamed, and watch blood trickle in the mirrors of your gold coins. 

On your second night of misery (even troll poems would help), you open a bleary eye to find Chaos staring up at you. 

“Why do you eat knights?” 

Too stupid a question to answer. You put your head between your claws and wait for the end to come. You always knew your demise would be at the hands of a little boy. 

“It’s the iron in the armor, not the knights you want,” he presses on, pointing to a page of that ridiculous book of his. “The iron has to be processed until it’s digestible. But the knights are just filling.”  He shuts the book.  “My sister’s not ready to talk to you. But she has dwarf friends who have lots of processed iron, and they need a guard to protect them from thieves.”

A few weeks later, you find yourself prowling the courtyard of a dwarf fortress, looking for thieves. You’ve mended things with Arabella, though you have to grit your teeth when Catrin shares her poetry. Arabella has even waged a small publicity campaign on your behalf, and her people agree to leave you in peace. The dwarves pay you in iron. Your scales have started to heal. Sometimes Chaos sits on your tail and reads to you and you think that maybe little boys aren’t that bad after all.

 

Sam F. Weiss (she/her) is an applied mathematician living in the Boston area and, fulfilling several stereotypes, is a servant to two fluffy predators.  She's known for her lack of directional sense and indiscriminate consumption of fiction.  Shortly after the 2016 election, she sold a short story to a post-Trump dystopian anthology (After the Orange, by BCubed Press), and she is simply awed that the collection does not live up to the true madness of mid-pandemic 2020.