I am the Fury

My name is Marja. If I ever had a family name, I have long forgotten it now. It was the first thing the bear ate.

I still remember where I sat when they took me. The dock was bathed with ocean water, the air choking with briney mist. I was gutting my father’s fish. Little knife clenched in my puffy fingers, I watched the blade press into the fish’s resistant flesh, before slipping inside and spilling its bowels. Mother hated the job, and hated that I loved it. But it needed doing. She let me go. 

Father and Uncle would go out with their nets and harpoons on the boat that waves could swallow. They left me alone on the dock, sitting on a rotting crate, my bottom fitting perfectly into the space where the wood splintered and melted away.

The fish wife in the tavern liked to sing as she worked, drowning out her baby’s cries. 

Oman kemur lundi av bakka,

 titandi fóti, reisir upp nakka.

I sang along sometimes, when my nose went numb with cold, my lungs aching from the wet wind. I needed distraction.

Hvør ræður her fyri londum? 

Valdimenn og norðmenn.

 

Did I call them to me? Did I summon the Norsemen, with the murmured words of that lullaby? Perhaps they would have come anyway. Come and dragged me off the dock, silent as the siren dragging her victim into the depths, shoved a stinking rag into my mouth and knocked my head under the bow of their oiled boat. As they hauled me away, I cried for father, for uncle, for mother. 

I don’t remember their names anymore either. The bear ate those too. 

I retched, rocking about as they beat the water with their oars. All I could see was the leather straps of their boots, the empty bottles that once held mead, the scent of sweat, and whale fat, and salt. I closed my eyes, but still was assaulted by the terrible smell, the violent sounds. Anger began to boil in my stomach, bubbling like hot broth.

When we made it to shore, one of the Norsemen tossed me over his shoulder, climbing down the gangplank with terrifying force. Once on land, he tossed me down, and I slammed my palms into the hard planks of the dock, whimpering, though perhaps the rag devoured the sound before the men could hear it.

They spoke their language, one I barely understood, only from the mocking jokes and curses uttered by my family. They swarmed around me, the wolf pack around its prey. I kept my eyes closed.

“Let us speak so the wretch may understand us,” said one of the men, his Faroese stilted, spoken like he chewed wasting meat.

“Welcome to Garðarshólmur,” said another, “you are here to mother our children.”

“And coddle our cock.”

The laughs were like whips, lashing out and striking skin. 

“Take her to captain’s room. He will have his way with her.”

Some hulking arms took my elbows and dragged me upright, shoving me toward a small doorway that seemed to me then the passage straight to death. It was a tavern inn, just across the road at the end of the dock. Fishwives looked on, eyes flashing, and sailors cheered us on. How could they watch, and do nothing? I was not much younger than they, only just out of youth. Fury grew like a flame inside me. I resisted at first, daring my witnesses to say just a single word, but the man dragging me was so much larger than I, my struggles meant nothing. He knocked me forward into the inn, past tables and chairs, my eyes hardly able to take in the sight of it all, only catching glances of sword belts, melting candles, tankards, an apron. We stumbled up the stairs and I was pushed into a small room.

“Captain will suck your braids till all the colour is gone,” he said, laughing. “He prefers his women blonde.”

I stumbled back, turning about, relieved to see the room empty. The cot was made up messily, a trunk in the corner half open, the tin mirror on the wall hanging cockeyed. I did not want to sit on the bed, did not want to submit. He will have his way with her. I knew what that meant. I felt the violation already, the hands all over me, the fear rising up my throat with intent to stifle my tongue. I would not have it. I would not. Mother needed me home. So did Father. I could not stay here with these barbarians. These evil, violent men, with women who watched and did nothing.

On the table by the window was a knife, its hilt a carving of a bear. I snatched it up, tucked it into my boot. Then, my breaths coming quick, I began to rifle through the chest, ripping past old boots and wooden bowls. My hands finally felt on something coarse and heavy. 

Fingers grasping for purchase, I pulled it out: a heavy bearskin cloak. Still cold from sitting in the freezing pool of water in the footwell of the ship, I wrapped it around myself. 

It hardly smelled like a man. The aroma rising toward my nose was unmistakably that of a wild animal. 

I rose to my feet, a strange heat pulsating in my toes. I walked toward the mirror on the wall. Now the heat was rising toward my knees, up to my hips. I reached out to straighten the mirror, seeing my reflection on the plate. What was this rampant warmth, now flooding with increased fervor toward my torso, like a flame fed with fuel? 

I stared at my own brown eyes, hooded, watching as the cloak grew around me. My red braids disappearing under the overwhelming brown fur. My frown stretching, distorting. 

By the time I was transformed, I had not the ability to recognize myself anymore. I was a creature made of rage.

All I knew was that all-consuming anger. Sending spittle from my mouth. I crushed the bed, shattered the windows. I was unyielding. In my hulking form, I blundered down the stairs, smashing them with my feet, clawing the walls down to the stone foundations. Relentless.  Lurching my arms about, wielding that knife without reservation. I slaughtered them all, every man and woman in that forsaken tavern. I splintered the tables with my immense strength, set fire to the room with a candle and my wrath. Was I bear, was I woman?

I was both. 

I lumbered out into the road and released an almighty roar, one that rattled the very stones of Garðarshólmur, one that filled me up with even more strength. The Norsemen scattered around me. I was unstoppable. I stamped them out like flies. I destroyed the dock with my fists, crushed the deck of their ship into debris, the sail floating in the water like the corpse of the whale. 

When all in my wake was in ruin, I allowed myself to breathe, to slow. I removed the bearskin cloak and sucked in cold air, gazing up at the grey skies. My anger satisfied, I felt clean again. I didn’t realize then what the bear had taken from me. That the fury came at a price. 

I bent toward the soldier huddling in fear by the shattered dock. 

“Bring me home,” I said.

He peered up at me, fear in his eyes. “Girl,” he said, “you’ve destroyed our ship. If you wish to go home, you must go to our council and beg permission for another.”

“I will scour the countryside, take another.”

“You will bring war down upon your island,” he said, “you think the Faroe can face the battle-cry of the Norse?”

I backed away from him. This I did not want. I wanted safety. I wanted peace for my family. 

“What is your name, girl?” 

I glanced back at him. He sat a little straighter now. From his regal composure, it seemed he was the captain, who would do with me what he will. 

“Marja.”

“Your family name. The Althing looks kindly on some of you islanders.”

I blinked. My family name. I knew my family. My mother, my father. I could still see their faces in my mind. But I could not remember the name. My name. 

Gritting my teeth, I spat out, “it will not matter. We are nobody. You will take me to the Althing.”

“I will?” He stood slowly, as if realizing he was still the man. 

“I will allow you to dream on what may happen if you do not.” I turned from him. “And this cloak? It is mine now.”

 

He agreed. We took a sealskin sack of aged cheese and dried meat, he with a broadsword on his belt and I with the bearskin around my shoulders. It only overtook me when the hood was raised atop my head. We walked the cold lonely roads toward what the man called Lögberg, the place of meeting for the council. 

He told me his name was Einar. 

“This cannot be your name. I know what it means,” I said. We sat by a glacier stream to refill our water skins. “You do not fight alone. You use smaller men to fight for you and you tell your women to look away.”

Einar scoffed. “I captain a ship, Marja. You award me too much credit.” He looked at me for a long time. I imagined him sucking on the ends of my braids until all the colour was gone. “Perhaps your name should be Einar. If you were not a woman.”

“I can still fight alone,” I said.

He seemed to ignore my words, but stood, his figure a dark and bulky form against the milky light streaming through the clouds. “If I did not know it to be impossible, I would think you a berserkr.” 

I traced my fingers along the edge of the cape. “I think you know that it is not impossible.”

He glanced at me again, and I detected fear in his light eyes. It made that heat tingle in my core again. I thought it anger before. Perhaps it was power. 

We walked many long days and nights, through the struggling farmlands brushing the grey landscape with dull greens and yellows. Mountains carved a line along the horizon, and the ocean sent salty winds from the south. I did not despise this place. It had a strange beauty, a womanly essence, one I felt tangibly when Einar called it:

“Fjallkonan.”

“Who is she?” I asked.

“She is the lady of the mountain. The mountain that made this whole land.”

I smiled, gazing at the great peaks rising in the north. “She is magnificent.”

“That she is.”

I turned on him then. “And yet you believe that a woman cannot be a berserkr. You are weak.”

Einar laughed. “You have shown me that. But that is not why you are not a berserkr.”

“And why not then?”

“You did not drink the wine of the bear. That is what gives the warriors their power.”

“How do you care to explain my power?”

“You are a child,” he said, “your soul is vulnerable. Perhaps the Gods saw fit to toy with you.” 

That made me angry, so much so that I refused to speak to him for the rest of the day. We travelled in silence, accompanied only by the low rumble of thunder in the distance, the gentle growl of wind buffeting through the cliffs. It was almost like music, to my ears. 

I began to sing:

Títlingur, lítil

 læna mær skip títt. 

lítið er skip mitt, 

lág eru bein míni, 

stíga borð á bátinum. 

Árar leikar í tolli.”

 

Einar tried to hum along, which furthered my annoyance.

“You cannot carry a tune,” I snapped.

“Why are you singing?” He asked.

“Because the earth is singing to me. It would be rude not to respond.”

Einar elbowed me lightly. “You islanders hear music everywhere.”

“And you hear it nowhere.”

He went quiet then. “No. Not quite. I hear it now.” He lowered his chin. “You sing beautifully.”

I raised an eyebrow. “I have made you sentimental.”

He sighed. “My brother used to sing like you.”

“Used to?”

He ignored my question, but spit in the rush grass beside the road. “I do not know much Faroese. Tell me, what do the words mean?”

I gazed ahead, at the winding path toward Þingvellir. “It means: Little bird, lend me your ship. My ship is small, my legs hang low, step on the boat. Oars play in the tholepin.”

He breathed out, almost like a sigh. No, there was too much pity there for it to be a sigh.

“You must miss your home,” he said. When he placed his hand on my shoulder, I flinched. “Had you not destroyed her, I would have lent you my ship. Little bird.” He was smiling fondly. It made my heart soften, to see this rough man be so gentle.

“I am not a little bird,” I said, smiling. I let his hand stay a moment longer before shaking it off. “I am a bear.”

 

We arrived at Þingvellir the day before the next meeting, as the council gathered every full moon. We camped beside the expanse of the river. From my blanket, I could see the wide reaches of the mountains around us, our bodies nestled into the valley like a babe in its mother’s arms. I missed my mother. The thought made me weep. Einar didn’t know how to comfort me, so he simply made a stew that night over a small fire, and let me eat alone, my weary feet in the river. 

The next morning was the gathering of Althing. Men from all the reaches of Garðarshólmur arrived, setting up camp around the smooth flowing water. I watched from our place, as they pitched their tents and split open their barrels of ale. There were women too, which brought me comfort, though my anger still simmered inside me. They worked around the men, setting fires, sweeping clean the tents. Einar left to go meet his friends, to garner me allies. Instead, whispers spread, rampant as a grassfire, till it reached my ears.

“A woman berserkr.”

I held the bearskin cloak tight around me. It was armour until the Althing decided to grant me freedom to return home. Just a ship. I would man it myself. If I had to. 

The day passed quickly with my anticipation. A few hours before dusk, the men gathered at the Lögberg, an outcropping of rock where the men sat in a circle, their wives at their sides. All men were welcome, and so Einar took his rightful place, with I behind him. Across the circle, I met the eyes of one of the wives, who had dark skin and gold beads sewed into her braids. She was a Celt, I realized, from her tartan skirt and plaited locks. Had they stolen her too? Snatched her off the shore of Éire? There was little way to know. 

When she smiled at me, I had to look away.

The men deliberated for hours on many subjects, local conflicts, small, meaningless quarrels. I felt my anger growing, my fingers twitching to lift my hood. These men knew nothing of my suffering, of the pain they caused. My vision shifted as if smoke passed in front of my eyes, from the flames of my rage. I longed to speak, but feared to lose their respect. Feared to lose my only way home.

Then, the men were laughing. I focused back in, to hear the cause of this merriment. 

“A woman? Preposterous.”

Now Einar was talking, standing and filling the space around him. “Marja is a berserkr, my friends. This I swear. She demolished my ship.”

“Einar, you speak lies!”

“I would not be here if she had not made me come. She requires a vessel to carry her home. If we do not comply, she will not hesitate to unleash her wrath upon us.”

“Now that is the word of truth!” I cried out, standing beside Einar. He flashed me a glare and elbowed me back.

“Quiet, woman!” One of the men bellowed. The Celtic wife met my eye, her brow creased. She shook her head. 

“You say she destroyed your ship! Where did she find the wine of the bear? You cannot have given it to her.”

“I did not,” Einar admitted. “She did not need it. All she needs is the skin of the bear over her brow and she is turned feral.”

Whispers rushed over the counselors. “Did not need it?” 

I crossed my arms, angry for their disbelief, for their dismissal. I knew what I could do to them now, the real, raw power inside me. Before I realized, a low growl had escaped my mouth.

“If she really is as powerful as you say, Einar,” a man said, “she could be an asset to us. For us all.”

It happened fast. Before I could do anything at all. I was distracted, watching the Celtic wife’s eyes widen in horror, as her husband and another man leapt forward. As Einar drew his broadsword. As the weapons clashed, as a blade was thrust into Einar’s throat. Cut down, in a matter of moments. Did I cry out? I could not notice. I grappled at the cloak, trying to draw it up, but then the men were upon me. I howled with anger, but they pinned me with their weight and ripped the cloak from my shoulders.

“This is my fury!” I screamed. “You cannot have it!”

“You are ours.”

They tied up my hands and dragged me from the Lögberg. I fought all the way, thrashing and biting, grief filling my lungs like the dead man’s blood. Einar was dead. They killed my only friend in this foul place. And now I was theirs. Tied like a hog sent for slaughter. They fastened me to a post in the center of their camp, kept there as a spectacle to laugh at, to ridicule. And that they did, all night, drunk on amusement and ale, using me in every way they could imagine. 

I am the bear. But they are the animals.

By morning, they had all gone for sleep, and I thought I must be the only one awake. I sagged against my bindings, my body brutalized, my mind on fire with hate. If only I didn’t need the skin to turn berserkr, I would tear the eyes from their heads, snap the sinews of their bodies like bits of thread. How dare they? I was not theirs. I could not be contained. 

In the hazy purple light of dawn, the Celt came to me. She tipped my chin up and poured cool water over my tortured lips, down my dry throat.

“My name is Keira,” she whispered into my ear. I could feel her breath parting my hair. “I will loosen your bindings.”

And so she did, lowering me till I could sit on the ground, holding the cup of water in my hands. 

“Why won’t you free me?” I asked, gazing into her dark eyes.

“Because they will chase you across the land and sea. It will become a hunt and they will not rest.” She knelt beside me, using a rag to wipe the blood from my cheek. “And you will not survive.”

“I will,” I growled, jerking away from her.

“They took your skin, berserkr.”

I glared at her. “You think I am nothing without it?”

“No.” She dropped her hands. “But they do.”

“You are his wife,” I spat. “You support him.”

She stood then, brushing the grass from her skirt. “Yes, I am married to Lord Kvalheim. But there is something you must learn.” She met my eye soundly. “There is a vast ocean between supporting, and surviving.”

 

Lord Kvalheim took me back with him to his stead, where his clan feasted every night on whale and mead. He lived along the Eastern coast, and made me walk behind his horse by a tether, Keira glancing back at me with concern as I stumbled and tripped, trying to stay upright. The lords of Althing decided they would pass me around, a hard earned reward for their exploits, a warrior to be reckoned with.

“We will don you your bearskin, you will win our battles,” Lord Kvalheim said, roaring with a laugh, “and then we will take it away. You may stay as my guest as long as you are tame.”

I kicked and I screamed. I would not go quiet. “I will not be tamed! This is my fury!”

At nights on our trips, Keira came to me, rebraiding my hair, whispering in low tones. “You must submit, Marja. Or you will be smothered.”

“I will not,” I spat. “I cannot.”

Keira glanced over at where her lumbering husband snored away by the fire. 

“If you submit today, you will be strong enough to fight tomorrow.”

Though I loathed it, I saw wisdom in her words. And so I grew quiet. I walked in silence. At night, I cried for my loss when no one would hear. For my family, who were growing ever distant in my mind, and for Einar, who had died to protect me. There was good in this world, and these men were keeping it from me. 

Except for Keira. She was a being of goodness that slipped closer without them ever knowing. 

At the Kvalheim homestead, I was welcomed like a warrior. It was strange to me, to see the people cheer, and watch in awe as I walked by. I was untied, allowed to stride tall beside my captor. But as we approached the banquet hall, Keira took my hand. 

“Do not trust their adoration,” she whispered, “it will turn to poison the moment you part your lips.”

Her hand was warm. I trusted her. I did not speak. I let the ladies dress me in gowns with foreign patterns and let the men tell tales of my ferociousness. I tried to live as Keira told me to, but it grew harder and harder. I did not belong in this place, with these people. A growing part of me desired to demolish them all. But they had my bearskin. They had rendered me powerless.

I spent the days walking the farms and grass-roofed cottages, wondering if I could run. But Keira’s words lingered. They would hunt me to the ends of the earth. For sport. I wanted my freedom. But I did not want to die.

Then, the time came for me to serve my purpose. Kvalheim was going to war with a neighboring clan, over some dispute. They would attack at dawn. Or rather, I would. 

“You do not have to do this,” Keira said, as she sat with me that evening. “You can let the anger go.”

“No,” I said. “It’s there, it is growing. It will be unleashed, and I will do terrible things.”

It was far worse than terrible. It was a living nightmare. And I relished in it. 

They kept me bound, and then threw the cloak over my head, rushing back to their defenses. They knew I could not tell my enemy from my friend when the bear took me over. Or perhaps they knew that they were all my enemy. 

The familiar lick of anger through my body was a welcome warmth, a comforting surge of emotion. I was free. I roared, I raged, I tore through the bodies before me. I soaked my skin with the blood of men until red was all that could be seen. I bellowed to the skies. Until a hooked arrow drew the cloak from my head and I was recaptured, a prisoner once more, helpless. I still felt the tingling warmth inside me, but resistance was futile. 

They stole my anger and used it, which only fed the flames inside me. It was never ending, the crime, and I saw no way to stop it. The more they hurt me, the more they had to steal. I grew hopeless, letting my fury be taken, be used against others. I let myself be dressed as a doll, flirted with like a lady, beaten like a dog when the bear begged my freedom. And each time I became berserkr, the bear ate something else. My mother’s name. My father’s. My childhood dog. My will to ever go back. My will to go on. 

The only one I woke for was Keira. The woman who touched my hair like it was precious, who spoke in soft tones. Who stayed by me, even when I returned the colour of death. I was glad,when Kvalheim decided he did not want to share me. When he kept me there. He did not know that as he hoarded me close, he was losing something else. Though I doubted he ever truly had her. 

“Where are you taking me?” 

Keira was guiding me down a small path, following a stream that cut a soft divot into the grass.

“Hush and follow.” She guided me up a small cliff, which overlooked a lush valley and a lake. The air was sweet with honeysuckle. “You see that meadow, yonder? That is where I long to be. My heart has called for it ever since they brought me here.”

I looked out, taking in the grass, the silver water. “Why?”

“Because it is untouched. It is the sacred land of a goddess. But why should I care? I know no Norse gods. I am from Éire.” She took my hand. “We could make a new life there.”

“But it would not be safe. We would have to fight for it, with all of our beings.”

“I could do that.” The skin of her hand was soft. I traced my thumb over her knuckles. “I have been waiting for something to fight for all my life. I lost sight of it. But you’ve shown me that survival is not freedom.” She looked at me, her eyes full of tears and hope. “We could be free.”

 

But an escape was quickly out of question, for Keira was with a child. The knowledge made me red with frustration, a new kind of anger. After many weeks of watching Kvalheim stroke her growing belly and kiss her in front of all his men in the feast hall, I realized what it was. It was jealousy. Envy. Rage that he should have her and I should not. This rage made the bear inside me grow fierce. At my next battle, I was even more brutal than before. I cut heads from bodies without even looking. 

I knew my anger would not help me. I had to earn her love with gentleness, because Keira was a creature of gentleness. She was soft and hopeful, everything I felt I could never be. But when she smiled my way, it felt possible, somehow. It felt within my grasp. So I began to leave small bouquets of wildflowers around her chambers, in small cups by the window sill, beside her seat where she stitched with her maids. I watched as she picked them up and smelled them, her lips curling into a knowing smile, her warm eyes flashing toward me. That eased the jealousy. 

At night, I would sometimes leave a spoon of honey at her bedside, in hopes it would bring her sweet dreams. Every morning, the spoon was clean, so I knew she was tasting it. And I hoped, adoring it. I learned the truth when she called me in one night. 

“Marja,” she called from her door. I slept with the other warriors on cots in the banquet hall. “Come to me.”

I rose, picking my way around the sleeping bodies. Was she angry with me? Was I too forward? She was a married woman, carrying her husband’s child. She would have every right to banish me on the spot. 

She stood waiting by her bed, holding the wooden spoon of honey, her eyes just as golden in the candle light. 

“Come closer,” she said. I obeyed, bowing my head. “You bring me this honey every night.” It was not a question.

“Yes,” I said. 

“And you never taste it yourself.”

My heart began to race at her words. I looked up to see her stepping right before me. She raised the spoon to her mouth, drinking till her lips were glistening. Then, she pulled my face down to hers and kissed me. It was the nectar of the Gods. For the first time in years, my heart opened, and I forgot what the bitter cut of anger felt like. 

 

After our coupling, I began to know happiness more than I ever knew rage. We would spend all our days together. I cared for her when she grew so heavy with the child she found simple tasks difficult. When the time came for the birth, I held her hand as she screamed and convulsed. It made me angry, at first, that Khalheim’s seed should cause her such anguish, but that changed after I saw that wee babe in Keira’s arms. She held it like the most gentle, wonderful thing in the world, and as I looked on, I realized I could not help but love this creation of Keira. The babe, Sigurður, was her essence.

She passed him into my arms, after the midwives left to clean their linens at the well.

“Will you be his father, Marja?”

I nearly wept. “Yes.”

 

The child changed me. It was ours, our little boy, and there was a new weakness in my heart. One I welcomed openly. One that would break me. He was a joyous thing, eyes dark as river water, a smile so innocent, even men softened at the sight of it. A perfect child. Kvalheim’s heir perhaps, but Keira’s child, and mine. 

This weakness first felt like strength. Kvalheim went to war with his northern neighbors once more, this time because they had slaughtered their own little boy, because he had been born strange, with too few fingers, and no eyes at all. Keira called him a poor changeling child, but to kill him was barbaric. The faeries would have their revenge, she insisted. But it was not the faeries who made it first. It was Kvalheim, after the enemy chieftain accused him of cursing their child, of killing their child. 

Kvalheim would not have this. It was a slight, a cruel injustice to claim his clan were child-killers. And so we went to war. I was enraged that these people should be heartless. It was a righteous cause, to defeat these men. It was justice.  

The dawn of the battle, Kvalheim brought more berserkrs. They donned their fur capes and eyed me suspiciously, under the pewter skies. It was spitting rain, like the Gods were shaming our coming rage. But I stopped believing in Gods a long time ago.

One of the berserkrs tried to pass me a cup of the wine of the bear, but I refused.

“I do not need it.”

He scoffed and went to sit with his brethren. When they threw back their potions, they grew concerningly ill. I watched in horror and no small amount of disgust as they began to writhe about, yellow foam spilling from their mouths, their eyes swivelling back into their heads. But when they fought, they were ruthless. I followed after them, donning my hood, my anger filling me up with unbearable heat. 

And so we fought. 

Knives like claws, ripping through flesh, ending lives in a bloody instant. Howls of vengeance, pain, death, rife in the air, a single cacophonous din in the silence of those barren fields. It filled me up, like a breath of cold, sharp wind, spinning out my wrath into a squall – I terrorized the heath, those enemy warriors nothing to me, nothing, nothing…

After we killed their men, the other berserkrs grew strangely subdued, some even falling to the ground asleep. It seemed their anger had dissipated and left them weary. Mine never did that. It endured until I had no need for it. I took down my hood, realizing that for the first time, Kvalheim’s men were not there to take it from me. In fact, as I gazed about me with clarity in my eyes, I saw that the number of men we had just fought was oddly small, less than thirty. I stared around, then toward the tent of the far end of the field, where a woman was standing, her hands on her hips. I approached, until I could see her smile.

“Why do you smile? You have lost.” I spat the words, my confusion making me angry once more. 

“We haven’t,” she said simply. 

A strange sensation grew in me. Fear?

“Where are the rest of your men?”

“By now? I should think storming your keep, and taking Kvalheim’s heir. It is only right. You curse our child, then we must take yours.”

I began to shake. Sigurður. My baby. My poor child. He was in danger. 

I raged back toward Kvalheim’s keep, my mind absorbed by terror and fury. The enemy had ravaged the land, burned our houses to the ground. They had invaded the great hall. I ran with God-like speed. But before I could go any farther in the door, I was slammed against the ground, dragon’s breath snuffed from my throat. I struggled, roaring like a bear, but there were too many of them, too much weight. They tore the cape from my shoulders, reducing me back to my womanly form. 

They were fools. They thought me no threat this way. They backed away, letting me rise, small, insignificant, shrinking in that green gown. I looked up, red hair blowing back as a gust of air billowed in the ajar doors of the mess hall 

The bear is not the fury.

I am the fury. 

 

I could see it from there, a man holding Sigurður, too tight, he was wailing. Keira on the floor, blood in her eyes, screaming. There was no time to think, only fire to breathe. I flew at him, larger than a bear, larger than any creature of this world. I was untamed. He lurched back, but my hands sought his throat. I killed him there where he stood, snapping his life in two, catching Sigurður before he fell to the flagstones. Placing him down into Keira’s arms, where I knew he would be safe though she could not see him, I turned to the oncoming wave. 

These men were nothing against my rage. They were after my child. I did not even have to cut their throats. I simply bellowed, as deep and loud as thunder shaking the skies, until they cowered in fear, falling to their knees. 

“Leave now!” I roared. “And I will spare you.”

The men fled, the rumble of a hundred feet, and then silence. I turned to my beloved and our child, lifting them both in my arms, now I was as strong as a God.

“I will protect you,” I said. “Where is Kvalheim?”

“He is dead,” Keira said, whimpering, still in pain. 

I carried her safely to her bed. I wiped the blood from her eyes. “You’re safe now.”

“Are you?”

I lay down next to her and sang:

Little bird, lend me your ship

My ship is small, 

my legs hang low, 

step on the boat. 

Oars play in the tholepin.

 

Moments passed. Minutes. Days? Keira turned to face me.

“The oars play in the tholepin,” she said. She placed her hand on my cheek. “I will take you home.” 

“You are my home,” I said.

“Why, you think I shall not come with you? It is my boat, after all.” She kissed Sigurður’s head, and then my parted lips. “Little bird.”

 

ALICE HATHAWAY (she/her) is a lesbian author from Massachusetts earning her BA in English and Creative Writing from Royal Holloway, University of London. She has work previously appearing in The Year After Magazine and has a passion for novels and short stories featuring queer and body diverse women. Find her on Twitter @tthegardengirl.

The Girl and the Wolf

Red Riding Hood is a silly story about a girl who gets lost in the woods and is eaten by the Big Bad Wolf, I tell you.

Not if someone saves her first, you reply, our lips close enough to kiss. 

Years later, this is always how I remember it. 

*              *              *

The air is sweet and golden. Mummy in her white dress, shimmering like a faery in the rain-scented grass. Daddy is setting up a monopoly board, while the little radio hums a tune. I’m licking my fingers clean. I’ve just finished my cheese sandwich and a glass of cranberry juice. 

A red butterfly flutters in the bushes, gossamer and dream-like. 

I reach out to catch it.

Look, I whisper gleefully, tugging at Daddy’s shirt.

He doesn’t notice me at all. Neither does Mummy. They are bickering about something, but I cannot hear the words. Flies buzz near my ears and the summer world tilts dangerously to one side. 

I feel sleepy and tired, like the last page of a book ready to be turned and closed forever. I edge away, closer to the woods, hoping for Mummy to turn and look for one last time. For a while, I crouch in the thicket, watching them argue loudly. It could be a scene from a silent film.

A faint cry breaks the wind, shattering glass. 

And suddenly, I am running through the sunlit woods, stumbling over nettle and dead branches. There is a dark wolfish shadow at my heels, the iron smell of blood, and a trail of blue and angry scars.

*              *              *

School is full of whispers.

The lavatory walls have my name misspelled, a slew of curses scrawled beneath. I return from PE to find my bag often wet with something that isn’t water or pages ripped from my textbooks. The other girls shuffle past, mouths curled in a sneer, a savage gleam in their eyes.

But sometimes, they invite me to join them. Beneath rickety desks, dog-eared pocket dictionaries and magazines with pictures of men and women doing things lie open on our laps. Our tongues fumble over new words and sensations, as we take turns passing them around. Some girls lock themselves up in toilet cubicles together. 

I wonder if there’s something wrong with me, for not wanting that. 

Once they play a game, where we place our arms against each other, comparing the shades of our dusky skins. The fairest one wins and is chosen to play Cinderella in the annual school play. I try auditioning for the chorus, but my voice is too hoarse so I become a step-sister instead: a dark, glittery fixture with a painted scowl.

*              *              *

One day, I come home and find a letter from my classmates in my bag, scribbled with the expletives my parents usually hurl at each other. I take them to Mummy so that she’d let me skip school for once, but her room is empty. She’d just packed her bags and left without a goodbye. 

It surprises me that people can do that. 

Daddy has holed himself in his study, drinking and howling to a lawyer on the phone. Sighing, I begin my algebra homework, tears silently trailing down my cheeks. A postcard falls out from my math textbook; it has a painting of a picnic. 

Your name is on the other side, enclosed in a pink felt-tip pen heart, with a note: I know you think everyone hates you, but that’s not true. Here’s something to cheer you up. 

I know your face. It is kinder than the other girls’, framed by locks of dark hair. We’ve exchanged silent glances in chapel and we were paired as lab partners once. Last year, your mum baked a strawberry cake and you shared it with everyone, even me, but we’d never really spoken. It had been a delicious, syrupy cake.

My fingers brush over the postcard. The painted family has fairer skin, flushed faces. They look so happy and  dream-like in that yellow-green backdrop. 

But you know nothing about my family.

You don’t yet know how this innocent picture reminds me of that picnic, the day it all fell apart. Images swim up, torn and faded: a stamped Monopoly board, paper plates stained with red juice, broken glass, a white ribbon fluttering in the breeze, a trail of ants and flies, darkness and blood between my legs, the wolf. 

I cannot piece them together, so I carry these splinters of my past in my heart, rustling like ghosts.  Later I will share these images with you. You will look aghast and fold me in your arms, scatter the fragments on the dusty floor, looking for a way to mend them.

That night, I fall asleep looking at your postcard and dream of running through the woods again, searching for a path to the past.

*              *              *

The other girls whisper stories about us, but we don’t care.

During class, we pass doodles and chits filled with dirty jokes. We stay back after school, laughing carelessly on the rusty swings. At the library, we read the same books together. Sitting so close, our knees often brush but we take no notice. 

The first time I bunk a class, it’s with you and we sneak up on the terrace to eat plums, our lips and cheeks stained purple. I want to tell you stories but you’d rather play-act them. I don’t mind because I get to be Cinderella, finally, albeit in my school uniform. 

We discuss endings, a lot. 

You think Cinderella didn’t want to marry Prince Charming, that the wolf and Red Riding Hood could have been friends, that Sleeping Beauty was better off asleep than wake up with babies she doesn’t remember having. I especially agree with the last bit. I’d like to be a beautiful princess too, with roses in my hair, encased in a glass casket, wrapped in vines and ivy, forever dreaming.

But that saddens you. 

Don’t you ever want to wake up in a better future?

No, I want to wake up in the past, a happier past.

How could you ever change the past

You sound genuinely curious but I’m too scared and embarrassed to tell you that I think the answer is love. 

It sounds so silly in my head.

I know it’s my fault, for imagining love like a reward. It is why people are so desperate to fall in love, I think, over and over. Because one drop of that strange elixir can change everything, even the past. The pain that twists and turns beneath our skin could fade, like a picture washed out and painted over. Cinderella’s lonely nights by the fireplace, in the ashes are all worth it for that one midnight dance, for that glistening glass slipper that fits. 

I don’t know the words to tell you this. 

Did I want to be alone in a bathroom with you? 

Do I dream of you touching me in places that feel strange to me? 

Do I secretly wish for you to call me something other than a best friend?

No, I don’t think I ever did. 

But I will not say no if you kiss me, if your lips chastely brush mine or ghost over my cheeks or the curve of my neck. 

Instead you lean closer, smelling faintly of plums and mint, and whisper in my ears. 

Well, we’re going to build a time machine, but first we need to get out of school. 

I think love is a spool of thread that unwinds backwards; a mossy forest path that I can follow all the way to a different, happier past. 

*              *              *

The day the term ends, I invite you to my home, to celebrate our freedom.

My dad greets you at the doorway, promises to get Chinese for dinner. He talks to you for a bit, asks about your family. You say that your mum died of cancer last year and your dad’s planning to send you away to an all-girls’ boarding school.

I pause at the doorway, shocked still. 

You had never told me about your family. I had never asked.

In the evening, we climb onto the terrace and dangle our legs over the edge, overlooking the constellated city, talking about our favorite stories. But our conversation is strained, as though something dead and invisible looms between us. 

I rest my head on your shoulders. 

I thought we’d run away after school.

I wanted that, too. To escape. 

Your mother… you never told me.

I don’t like remembering it. If I don’t remember, maybe it didn’t happen. Maybe that’s the only way to change the past: to forget it.

That’s something I’ve never been able to do. 

I don’t ever want to forget you.

You wrap your arms around me, as stars slowly bloom in the night sky. There are tears upon my cheeks and I do not know who they belong to.

We’re still crying softly when we slowly make our way downstairs. It is dark and Daddy has mistakenly turned off the lights. I miss my footing. That inky blackness swims before me again like the wolf in the forest but, in the next moment, you’re there.  You pull me back, a wolfish grin upon your face.

Mind your step, silly!

*              *              *

Before you leave, you promise to keep in touch, whisper that we’ve still got a time machine to build. You hug me tight. 

I’m the first to let go. 

I cry a lot afterwards, hugging your old postcard to my bosom. Perhaps somewhere in the future, we’ve already built the machine and now we’re meeting each other in the past.

I remember the picnic, a sunlit world where Mummy and Daddy and I are playing Monopoly together.  Then, I’m running through the woods, a wolf at my heels, and I turn and meet you for the first time. 

 

ARCHITA MITTRA (she/her) is a writer and artist, with a love for all things vintage, whimsy, and darkly fantastical. She recently completed her Master's in English Literature from Jadavpur University and lives in Kolkata (India) with her family and rabbits. Her work has been published in Strange Horizons, Three Crows, Hexagon, Mithila Review, and elsewhere. She also reads tarot cards, loves blueberry milkshakes, has more hobbies than she can count, and is still waiting for the Doctor to show up with the TARDIS. You can find her on Instagram and Twitter @architamittra and check out her blog at architamittra.wordpress.com. 

Yamwine & Nectar

Above, the festival weekend named Equivox. The city celebrates its voices on the longest day of the year. Children run, so their streamers of black and red will fly. Thin lengths of fabric tied around fingers: never forget. Yarns sewn to shirts dancingthat dance in the wind like an afterthought. Colored beads surrounding fringes of leather, hanging from jackets of Nameate hide. 

Some adults wear chiffons that trap the air when they run and billow when the winds blows. But those of means wear chains. Not like mine. Pretty chains of intricate linkage – some gold and some silver – between a solid ring necklace and solid ring bracelets. They do not run. They don’t have to.

The scent of slow-roasted minotaur wafts from earthen ovens with black garlic and saffron, turnips and beetroot infused with tarragon and garnished with shishito. Oxtail stew bubbles and burbles above the fire lizards. Tamarind-kissed nabovgo sizzles on skewers against the grill, and its succulence swims in the air like these space whales before they’re caught.

Of course, there are yams. Ever-roasting yams make for a yam-scented city. Or roasted and placed in cold cache. Or roasted and put into stills for yamwine. Yamwine for which the city is known. Yamwine which that calls visitors and procurers to the city all year long, not just at Equivox.  

For their masters, street urchins sell jars of lightning, desert wind, or summer rain: wares for which there’s always a demand. Some refuse to line an adult’s pockets from the labor of children. Most favor this exploitation of children over the other options.

In the square, six families sit in teams upon the dais, waiting for the annual impundulu eating contest to begin. One of the psychedelic effects of consuming impundulu in large quantities remains, unfortunately, self-cannibalism. And since all cannibalism is forbidden within the city, a cadre of healers and constables stand by to treat and restrain the victors and runners-up. 

The Mayor, Keyamu, greets each head of house by their given names while he wends his way to the woman who’s known for the best escolar crudo on the delta. A quartet of pre-teens follows him, and he purchases for each a parcel of this woman’s work. They eat with wooden sporks and murmur their thanks. To the youth but loud enough for the crudo lady to hear, “Only strong bodies can be of service to our fair city.” He presses platinum discs into her hand. 

Parents charge after children. Children propel themselves down the lanes between stalls to fly their fabrics. Stalls where artisans whittle sculpture from wood blocks and mediums predict every future but their own. In one of those stalls, I notice something amiss. Someone amiss?

A stranger?

The Stranger? I’ve never felt him in the city before. Never felt anyone like him in my city before. His skin drinks the light, dark like mine, dark like the cell. He wears no streamers, no chains. He speaks to the Ceramicist in the sweetest tones, leaning on the table between them. The Ceramicist also leans on the table, whisking his locs over broad shoulders. When they laugh, I feel a twinge of envy.

So rapt is my attention, the opening cell door takes me by surprise. Mayor Keyamu carries lamplight, and my head lolls away from the little flame’s capacity to light up the dark in my cell. Beneath the ground and behind stairs, light cannot find me easily and it never stays long enough for pupils to dilate.

“On Equivox, we celebrate the freedom to speak. This is where freedom begins. The Daemon of the Forest stalked the forefathers, directly above this spot. The demon they bound. Our city they built. And it is your duty. Nay, your privilege to contribute to the Binding.” 

Mayor Keyamu stands just inside the door, athame in hand. He cuts into their palms and their candle wicks kiss the Mayor’s lamplight. Each youth finds their wall and re-trace the painting in blood. They come to touch up the only art I see in a year.

“I don’t understand. Can’t we just go back to the festival? Groove Congress performs tonight.” This girl wheezes while she wrings her palm to extract more pigment. 

“You may return to it, Abigo, when you’ve done your civic duty,” the Mayor says.

“It looks like a boy,” a toad-voiced boy says, sneaking glances at me while blood-painting. He tiptoes over my chains, careful not to touch me or them. 

“Whatever it is, it’s very dirty,” the short-haired girl says.

“Perciva!” the Mayor shouts, his words cacophe against the hard surfaces of my room. “Respect the Binding of the Daemon!”

“It is dirty!” Perciva says. “And it smells! And why is there a horse’s bit in its mouth?”

“It looks like a boy,” the croak-voiced boy says again. I can feel his breath on my skin as he examines me from behind. When my hand shifts, the chains ring and he gasps. 

The Mayor laughs. “Zorai, are you finished? Good,” the Mayor says. “Daemons take on many forms to vex us. But come, let us end this moroseness and indulge in yamwine and nectar.”

“Aren’t we too young for yamwine?” Perciva asks as they mill out, closing their bleeding hands around the flame and closing the Binding ritual.

“But you’re never too young to watch the Mayor drink yamwine,” the Mayor’s voice and their footsteps grow distant. 

Sweet relief from inane voice and callow questioning and reminders. 

The sun is high on the first day of Equivox! The movement competition begins! Dutty wine and p-poppin’ and steppin’ and footwork and crump start and gyrate for hours. Motion plays against jodecidal choruses and timbalandic polyrhythm. Bodies tut and wack to every syncopation and subdivision of the beat. The joy of song vibrates through the air and reverberates onto bodies.

Across town, musicians take the stage and night takes the day. The air is humid with electricity. Anxious bodies stare and while in wait for this collection of songs and players and singers to begin. The seashell recordings for the Groove Congress, on any other day, can be heard throughout the city. The audience is a force – the anticipation of alchemy, the desire to be changed, the hope to be surprised – that shines onto the stage. 

When the music starts, the crowd erupts like a geyser. Audiophiles shower the music-makers with appreciation for relief from wait. Not unlike ambrosia, feeding the demigods of sound.

In response, the staged collective tow the lines of practice and spontaneity. They sing, slide, strum, beat, jam, squall, harmonize, and break it down before building it back up for the people swaying and screaming at foot level. 

It’s a false worship. Not because the soulshine from the crowd couldn’t lift the Groove Congress to godhood. False because the sound godlings shine soul back onto the audience. No one rises to deification but each of them feels transformed, blessed by the other’s presence and adulation.

 That’s how I find him again. Concerts form a praise circuit and somehow he stands amid, observing not the performance, but the exchange in energy. Now I feel his every footfall like ice dripping down my vertebrae. As he dances, my body shivers and jerks against the restraints. Pressed together, the Ceramicist – his name is name Laem - and the Stranger undulate like a snake in the grass. Their bodies glisten with perspiration in the night’s heat. Every time the Stranger’s body evades, the Laem’s body fills the space. Their bodies are a back-and-forth, like their tongues joiningthat join the conversation as well. 

When the concert ends, the Stranger wraps his hand around the back of the Ceramicist’s neck, massaging. They ride the deluge of people into the open air. Laem laughs when the Stranger takes running leaps and circumnavigates random circles in the streets. I’m not sure what the Stranger is doing but part of me is certain.

The Stranger follows Laem to his home. They share yamwine and a blunt before sharing a bed. Under covers, they join into a familiar animal of writhing and limbs and sweat and moans and saliva.

And then sleep.

Or sleep for the poor, spent Laem who sprawls across his own bed as if no one else was there. He doesn’t feel the Stranger leave his domicile because the Stranger willed him not to wake. His power is such that no glass or crag on the ground could pierce his sole. So barefoot and nude, the Stranger walks down the lamplit road when he happens upon a couple whose youthful fervor ignores their advanced age. “Nice night for it,” he says, grinning. The couple waves unfazed and oblivious to the dangling bits.

And still, he leaps invisible hurdles and meanders around non-present cylinders. His steps quake my body and my brain itches. I can… sense… no, feel the trees that he avoids.

The tremors in me grow in intensity as I hear bare feet slap against the stone floor. Thundering down the hallway. Until they stop. 

The scent of fresh copper assaults my nose while something drags across the metal of my door, fast and methodical. Three knocks, then the door disappears. Like it never existed. My head does not lift to look, but I know it is him. 

His mouth gawps, I can hear it. When I turn to see him, he’s surreal in person. His face is beauty but that which makes up his soul – it’s a maelstrom of spirit and light – manages to be magnificent while turbulent. His iridescence does not hurt my eyes. It isn’t that kind of bright.

“The ones who walk away,…” he says, his honeyed baritone little more than a whisper in a long dead language. His wide eyes are still above an Adam’s apple that yoyos. “Until they walked my way, I thought you were murdered, your name taken as a trophyas trophy.” 

He stops talking – maybe he sees he’s talking at me. His lookhead ricochets around the room, seeing my surroundings for maybe the first time. “Get up.”

My mind races and all I can muster is, “I cannot,” in words I don’t remember learning muffled by the metal bar pulling at the sides of my mouth. 

“You can and you will,” the Stranger says before bowing his head in prayer, barely a whisper, and his hand touches a vevé on the wall opposite me. All four vevés on all four surfaces glow a bright blue. Simultaneously, an unseen claw rakes them. My wrists lighten. The manacles fell from them and my ankles. The gag that felt like part of my face falls to the floor and my mouth aches at its absence. The wall cools my back while it holds me upright.

His nudity glides across the floor. His hooked index finger lifts my chin and he peers into my face, mournful. With two extended index fingers, he touches my forehead. The loa in him ignites the loa in me, the loa I forgot I had. My cell. The slums. The square. The amphitheater. The world. They all fade, unbuild, unpave, disestablish. And I see it.

The forest. The forest surroundingthat surrounds the clearing. The clearing surroundingthat surrounds the thicket. The thicket that the natives refused to forage o. Out of respect for the nature spirits livingthat lived within. The nature spirits about whom the natives warned the pilgrims. The pilgrims who picked fruit from the thicket. The nature spirit whothat departed when curiosity proved more piquant than interlopers. The bereft spirit that lashed out in anger of being defiled and left behind. The spirit lured by the pilgrims. The spirit punished. The spirit bound. 

The binding. 

The Binding.

When I open my eyes, he stands away from me. 

“Do you remember who you are?” Errant threads of me knit around his silken voice.

Shards of memory, connected to nothing at first, find their place in the whole. “Why are you here?” I ask. “Why do you give me this story?”

“I give you nothing. This story lives in you.” His outstretched hand rises in wait of mine. “Come.” I stare at it, titillated but afraid.

“Where?” I ask, wrapping my arms around myself, abruptly self-conscious of my nudity in contrast to his. “I belong here. I belong to the city.”

“You belonged here once. When this was your thicket, when you were its dryad,” he says, pity quivering his voice. My resolve falters at his tenderness. “But they built a city that prospers and breathes upon your back. This festival celebrates your capture – feeding you belief to grow you into a god but demanding your bones for infrastructure.”

He looks away. I don’t know if it’s to hide his hurt or to avoid seeing mine. 

When I’m not looking at him, I feel the effects of his loa. Touching his mind expanded mine and for the first time in however long I can smell the mildew and the excrement and the compacted funk of ages. 

“This is my home, Treili.” His name feels natural rolling off my tongue but foreign to my ears. The Stranger whirls his head around, too late to see the words fly from my mouth. Those insurmountable cheekbones rise for a second before temperance reasserts itself over his hope.

“This,” he says with raised hands and furrowed brow, “is your prison! It hinders your imagination more than your movement.” For a moment, his fury is bigger than his body. Then he quiets his voice and stills the firestorm within. “It’s been one thousand years, Omé. Remember little Aszra? She’s a goddess now, a war goddess no less. Clomeld blesses those who work with their hands, farmers, artisans, players. Mother rains on their crops and provides respite from the summer sun. You belong with your people,” he pleads. 

This news about family I only just remember makes memakes me makes me tired on a soul level. His words, like hail, chip away at me. At the way I see, and am seen. 

“Am I the god of cities?” I ask. 

Treili takes a breath before starting to speak but he stops to start again. “I’m a god of merriment. Portents are not my favor. But as sure as denying wine will not get you drunk, you will not know what awaits you until you’ve gone.”

I regard his hand, outstretched again. 

I reach for him. 

He supports my weight and I step forward, falling into him. My hands find his shoulders, my arms pinned between our chests as his arms encircle me, his heart beats against my ear. When he pulls me farther into his embrace, I melt into him. 

In my ear, he whispers, “Come.” Stretching my arm across his shoulders and wrapping his arm around my waist, Treili supports me, and we walk out of the blackened room that’s no longer my life. Up the stairs from my cage. And out of the edifice that chained my mind. 

My eyes squint beneath the sun I’ve not seen in so long, it might as well be the first time. 

“When did the sun rise?”

His eyebrows rise and scrunch at the center. “Their experience of time does not have to be our experience of time, Beloved. What we are cannot be contained within their small minds.”

For years, I sensed it through a canopy of leaves, the dappling light blinded my eyes. But as I acclimate to the surface, I see the city – my city, with my eyes, for the first time – and it is brilliant. Brown children play It in the square, and impundulu make sport of dropping putrid bombs onto grounded bodies. Salt-encrusted yams roast next to fire lizards. A rootworker mixes a loa-enriching elixir.

My face itches and a beard plumes beneath my scratching fingers. My bones ache to a length that makes shouldering me more challenging for Treili. I am not who I was or who I think myself to be. I am who he envisions, and he sees me in all my possibility. 

I have the strength to walk under my own power. And it turns out I’m taller than Treili. Instead he laces his fingers between mine. 

The citizens. Some go about their business because they don’t care about two naked strangers. Others stop and stare: Can they see the Daemon Below lives under this beard? And others just know.

The Mayor, dressed in overconfidence, trots into our trajectory, fussing and clucking like a coop of chickens. Treili takes my wrist and arcs our palms across the Mayor’s face. I feel his loa move parallel to mine, flexing my muscles. For a second, I smell the fermented idenka on his breath before he meets the ground for a nap. 

The Mayor lies in fetal inebriation and we step unceremoniously over him. We walk around the ghosts of the trees that made up my thicket, trees long slaughtered. We leap over dried up riverbeds I’m only beginning to mourn. 

Grand-méres wail the fall of the city. I remember their immature faces and wonder why the octogenarians care about my departure. They were unconcerned about my stay. 

Young warriors pelt us with rocks and spears. But the projectiles clatter against some unseen barrier before tumbling to the ground. 

Sadness crawls across my heart, wondering what will become of the city. Treili senses that and projects his thoughts into my mind. “This city is more of you than you are of it.” And he’s right. Of course, he’s right. I spent a millennium nursing it. But now…. “The city will stand as long as you do. Though it may be a little less prosperous.”

This thought inspires a smile. The city and I were part of each other for such a long time. “Why did you come for me?” I ask. 

Treili thinks at me, “The ones who walked away–” “

“No,” I say with my voice. “Why now?”

“I’ve searched the world for a meadow to match this particular shade of green or greener.” He lifts his hand in mine and presses the back of my palm to his lips. “And I found them, Omé. Danced in them. Rolled in them. Slept in them. But if I compare all shades to yours, why am I wasting time with what could be when I could have what is and always will be?”

I lean into him, the fullness of his lips crush against mine. He tastes of yamwine and nectar.

 

LP KINDRED (he/him) is a Chicagoan-Angeleno who writes Speculative Fiction that features Black and/or Queer Lives. When not writing he can be found singing, eating good food, pretending to be fancy, watching bad TV, and lifting heavy objects. He is or will be alum of Hurston-Wright, Voices Of Our Nation, and Clarion Foundation workshops. His fiction is or will be featured in Fiyah Literary Magazine, LeVar Burton Reads, Speculative City, and now Prismatica Magazine. LP is also a founding member of #GhostClass and Voodoonauts. Find him on Twitter @LPKindred.

Find Yourself a Good Jewish Boy

Did I just shit myself? 

It’s sort of warmer and moister down there than usual, and, in my current state, it’s a bit hard to tell what’s solid and what’s not. I’m in a mid-range hotel room somewhere near Baker Street station, with slightly out-of-date furnishings and typically English windows that seem to amplify the noise from the street rather than block it. He’s got me shoved up against a wall, and behind an invisible cloud of whiskey, lingering cherry vape liquid, and the barely perceptible metallic tinge of blood, his sharp white fangs are aiming right for my neck. I’m about to get eaten out at entirely the wrong end. 

Why do I always pull the crazy ones? 

He looked hot in his black shirt and jeans, nursing a plastic glass in one of London’s depressingly generic gay pubs. Ok, maybe he was just interesting, and his look of apathy was ever so slightly different from the usual bovine expressions of the slew of drunks and emotionless twats that usually hang out at Compton’s. Also, I was horny, and lonely, and the idea of going home with Mr. Suburban Budapest 2011 was more appealing than inducing chronic arthritis in my fingers from a night of scrolling through Grindr. 

How was I supposed to know I’d end up with Vlad the Impaler’s queer cousin? 

As he leaned in, I couldn’t help but notice his perfect, nearly-poreless skin. Was this the gayest way to die? Trapped in a sexless hook-up with someone draining all my emotional energy, all the while marveling at smooth skin and stainless teeth? He was moving as slow as molasses, evidently enjoying the rank smell of fear sweat making its way through my protective layer of cologne. Suddenly, he stopped and jerked forward, bringing his nose, rather than his fangs, close to my neck. He sniffed a couple of times and then shot back, a look mixing disgust and anger wrinkling up his alabaster visage. 

“Are you a Jew?” he fired at me, accusingly, only half a question.

Normally I would countenance with something vaguely witty, like “yes, did my hooknose accidently poke you in the eye?” to cover up my rage at a date’s anti-Semitism. In my current position, though, I croaked out a meagre “Yes” in a voice not all that dissimilar from the pimply teenager who works at Krusty Burger. 

“But I could have sworn I smelt pork on your breath when we met. I know I smelt pork, not… Jew!” he spat out at me, an accusation so bizarre I never thought I’d hear it, let alone defend my honour and pride against. 

“I like Pret’s Italian prosciutto sandwiches,” I squeaked. “I had one before the bar… I… I didn’t think my breath would smell from it.” 

My brain is reeling now. What the fuck should I have done to not end up here? Downed a bottle of Manishevitz? Padded my crotch with matzo balls? Who knew that it wasn’t garlic but gefilte fish and a couple of oily latkes that would keep Nosferatu at bay. 

“I mean, for fuck’s sake, this is such fucking deception. Why would you hide this? A game leg, a small dick, hell, even the clap, I could totally understand you hiding those things. I don’t tell anyone that I’ve only got one ball. It’s not like they can expect to order up a Ken doll from Grindr with everything according to product specs.”

Wait, what? 

“But that you’re a Jew? Buddy, that is fucking dirty. People need to know these things if they’re going to go home with you! I’m not a racist or anything, but, like, you know, it’s important to know…” he trails off, evidently coming down from the high of his first bout of rage. 

I am so confused. I start off thinking I’m going to get laid, then that I’m going to be eaten. Now I don’t know if I might be shamed on Twitter as the gay Harvey Keitel, the Jew perpetually pigeonholed as an Italian gangster, or if I might get the crap kicked out of me by the president of the Klan’s Transylvanian chapter. 

He sits down, hand on his forehead. Anger gives way to resignation, maybe even a little despair. 

“Where’s your family from? Poland? Germany?” he asks me, proving that every bout of casual sex doesn’t have to feel absolutely the same. 

“My dad’s from Belarus,” I answer, gradually gaining a bit of composure as the blood returns to my face, no longer quite as terrified of being in the general vicinity of my neck. “I was born in Canada, though. And my mom’s family came from… Transylvania?” My voice cracks up a few notes on that last word, and I can sense that it’s going to initiate round two of his apoplexy. 

“What? Transylvania? FFS. Are you kidding me? You actually descend from some Jews who probably sold me a faulty schnitzel hammer, and you’re staring at me like Bambi in the headlights, totally clueless why I might be angry about your teensy, tiny omission?!?”

Honestly, I don’t know what to say. I was ready for the ‘why won’t you bareback’ question, but not an inquisition about my family tree and the failings of my parents in passing on wisdom from the Old Country. “We weren’t big on… tradition.”

“Jesus, what were you, raised by wolves? Scrap that, wolves would have told you about me. Did you actually know nothing about vampires? Nothing about our… predilections? Nada when it comes to who we eat and who we toss?” Incredulity is giving way to just plain cruelty. 

“I guess I always assumed that vampires were just psychopaths explained differently. Y’know, like, sadists who used to drink blood and torture people and now just go into finance or recruitment…” He’s not amused. “Anyway, why would being a Jew make a difference? Wouldn’t you prefer us, since we don’t wear crosses?”

“Oh yeah, ‘cause a cross is really going to stop the undead,” he scoffs, falling further into sarcasm. Ah, so he is really gay, I think. “Do you think that some cheap, tacky hunk of plastic from Claire’s Accessories is going to stop me from ripping out someone’s jugular? A WWJD bracelet might be a boner killer, but when I’m feasting I only need my teeth to extend.” 

Who knew Dracula would be so crude? But crude I can handle, so I figure I can push a bit further. I’m probably going to leave this room in a bag, so I might as well try my luck with a bit more explanation. Maybe he’ll like my spunk (no pun intended) and let me leave alive, like this is 2022’s answer to the Apprentice. 

“So, then, what’s it with Jews? Why can’t you eat us – even those of us who aren’t, y’know, particularly good Jews?”

He gives me a look like I just asked why I can’t wear stonewashed denim to a white party. “Idiot. Fine, I’ll tell you what you should’ve known anyways. We only eat our own kind. Something to do with dietary restrictions or revenge or gluten content, I don’t know. The point is that I can only eat who you people call goyim. No Jews, and Roma are off limits too. Muslims are iffy, something about if they’re converts, where they converted, how long ago, etc. It’s too complicated, and there’s always a chubby Catholic around, so I don’t bother with Muslims.” 

“I see…” Never one to be cut out of a conversation, I try to insert myself ever so gently. “I thought…”

“Shut up! I’m not done talking! Of course, we can’t let this whole section of the population escape our control, so Jews and Roma were usually given a choice. You can either help out, or we kill you. Simples.”

I cringe a little at the word simples. Also, at the insinuation that I’m now going to have to make a choice. 

“Which brings me to our business at hand. I can either kill you or you can help me.”

“Like a familiar?” I ask, trying to drag this out, hoping that something will interrupt us so that just like when I’m asked where I want to eat, I don’t actually have to make a choice. 

“Not quite. A familiar is promised eternal life. You, chubsy, just get out of getting killed.”

I look down at my waist. Chubsy? I swim!

“Well, that sounds like quite a choice. I have no idea which one I’d rather choose…” I start, getting a bit sarcastic in tone. 

“Don’t get smarmy with me, Moishe.” Wow, Dracula’s starting to sound like a real dickhead. I mean, apart from the whole murdering people and drinking their blood, he’s also anti-Semitic. I bet he listens to Nickelback too. “Look, I don’t have anyone to help with my affairs. I didn’t want a breeder hanging around. You know how they are when it comes to questions about sex and apps and things. I don’t like to have to explain things too much, and I didn’t want some loser treating this like a Gothic version of Queer Eye.”

Jesus, does Vlad the Impaler watch Queer Eye? Is he going to renovate my flat, make me work through long-repressed emotional issues, and use cilantro in every fucking recipe? Does that actually repulse me more than being an accessory to murder? 

“So, then, I guess I accept. Do I, y’know, like, do anything? Swear by anything? Some sort of transcendental transfiguration thing that binds me to you?” I can smell the fear-sweat on me, and I am clearly in the upper registers of nervous-chatty. I think I’m over the threshold of survival, but I’m not sure, and I both want to get deep into it, without making him regret his offer. 

“FFS, for a Jew you sure do spout a lot of Catholic crap. Transfiguration? What, like sucking my dick? This isn’t church, dude. We just have a few things to sign, a little notarization, and an ankle bracelet. My cousin Petru did four years of Law Enforcement Studies at Missouri State – amazing stuff those American police forces have.”

I’m… relieved? I don’t really know. “Do I get to go on with my regular life? Like, go back to my day job, see friends, visit family, travel…” I’m probably pushing it with the last one, I know, but this is a negotiation, in a way, and I’m not giving up everything all at once. 

“Travel?” he snorts. “Good luck with that one! No, look, during daylight, you get a fair amount of time for your own stuff, within reason. No cavorting with vampire killers, no agreements with other vampires, no unionization. But in the evenings and overnight, your time is mine. I’ll have various odd jobs for you, and you’ll have to help out with clean up. You do my finances, book my travel, get rid of friends and relatives I don’t want to see, repair things around the house…you’ll basically be my Smithers.”

I don’t point out that this makes him Mr. Burns, but I’m happy to be slotting into something other than a body bag. 

“Oh, and you need to get yourself a good yarmulke. You don’t need to wear it all the time, but, y’know, when we have other vampires around, it’s important for them to know you’re off limits. Maybe cultivate a few more Jew-y characteristics.” 

“Like what? Counting my gelt, making matzo with leftover children’s blood, poisoning wells, covering up Epstein’s crimes?” I say, just catching the pissy tone in my voice. 

“Ugh, no, but it wouldn’t hurt if you would know how to make a good kugel. I can’t stand White people food. It makes their blood so bland and tasteless. And if you’re good with money, that’s always beneficial. I’m terrible with my finances. But otherwise, we vampires have the whole world domination thing down, we don’t need you to push any more Mel Gibson BS.”

“You are circumcized, right?” he asks, raising an eyebrow, the first note of temerity I’ve noticed in his voice all evening.

“Yes. No bar mitzvah, but definitely circumcized,” I chime in cheerfully, unsure if I’m supposed to let him inspect. 

“No bar mitzvah? What? You missed out on such a great time! Ach, when you whip the candies and they draw blood from the rabbi? Such a good time!” He seems almost nostalgic, and I wonder how many unsuspecting sheigetz husbands have gone missing from a fully-catered children’s party. 

My pulse has come down a bit, and the fear sweat smell is far from suffocating now. Plus, the pressure in my bladder means that I probably haven’t pissed myself, I’ve just sweat to the point where I might as well have.

“So, what next?” I ask. I’m sort of getting into this. I’ve definitely had worse hook ups before. Remember that guy who insisted on using whipped cream, then slipped on some and smashed his head? Or the one who pulled a muscle while putting on the world’s most awkward strip show? At least tonight won’t end with sardonic lesbian paramedics judging me and my life choices.

“Let’s go get something to eat before the sun comes up. I’ve got a blood pack somewhere in my knapsack, and, from the looks of it, this is the longest you’ve gone without eating anything, chubsy!”  

I scowl at him, but he takes no notice. 

“Damn, whodda thunk it, huh? I wanted to go to Salt Lake City for vacation. All those repressed Mormon boys, out for a suck and fuck on the sly, looking like trite porn and smelling of nothing. I coulda spent two weeks letting them suck on me before I sucked them dry.” I’m trying to figure out what’s sexual, what’s murderous, and what’s just plain prissy. “But nooo, my cousin Dan said I should go to London. So many cool drag clubs in East London. All that culture! All those boys from everywhere, horny for something exclusive and overpriced! But instead of getting my kicks, I end up with you, Shtisel. I suppose it’s not all bad.”

“Thanks a bunch,” I reply, wondering if I shouldn’t have chosen the quicker, possibly less painful option of immediate death. 

“It’s like my mother always said: you’re a no-good fuck up, Vlad! Find yourself a good Jewish boy, or you’ll burn up in the street one of these days, ya loser!”

 

MICHAEL ERDMAN (he/him). Find Yourself a Good Jewish Boy is Michael Erdman's first published short story. Although originally from Canada, he currently lives in London, United Kingdom with his partner Sam, where he works at the British Library as the Curator of Turkish and Turkic Collections. Michael splits his writing time between short fiction, academic works, and the scripting and illustration of graphic novels. Find him on Twitter @altaytoyughur.

A Funny Kind of Fairy Tale

You post a photograph of a white horse crossing your park path on a Sunday morning, as if nature itself gave birth to the beast who will never bite. His ears both pricked and pointed, like the elves who would have rode him, if this had been a dream. Your photograph turns teleportation device, takes me from soft seat in side garden of midway where kids kick footballs around small fields they do not yet have the imagination to leave and all the while traffic tears away the tracks of hooves that once echoed along this country lane, now just a curse on the commute from cramped city to concreted coast. 

In Helsinki we sinned once, under the enchantment of a white whiskey or a malted gin, at a thin table with cast-iron chairs in a stone basement where low lighting softened both our discomfort and the flavour of the horse we devoured while thinking it was a bear. Earlier, I’d told you I’d slay dragons for you while on an island where the wind roared with more rights than we did, barely balancing like bad acrobats on the cliffed coast of chaos we had yet to crash onto. You didn’t seem to understand what I meant or think it interesting enough to listen to and I wanted to slay the sentiment in half, there, on that land where a castle lay cursed in the clay and tourists came to contemplate what it took to survive once, upon a time of pirates and plagues and riches and religions and soldiers celebrated as heroes for saying they’d slay dragons daily for folk they didn’t even claim to love.

Teleportation trips through time and I catch myself at the starting point of a serious Sunday by a sea whose weighty cliffs clamour louder than before, as if in reaction to my arrival on horseback to free the parts of me the rocks left bruised since birth. The Dragon Slayer of Doolin I announce to a sleeping stream as we cantor along famine walls that have been worn down towards the shore.

As if perceiving thought, this fair horse, with highlights of all beginnings and endings threaded through his mane, brings me closer to this famine wall so I can run my broken skin over its shamed structure that still sighs with the held hope of each individual stone that wanted to be something more than a filler that was made fit into a form. Suddenly, I recall my own small beginnings and being pushed into an even smaller space, a box that someone older, supposedly wiser, had carved my name and identity into, long before I had even learned to crawl.

 A little bird sits next to me on this white beast that doesn’t bite. Black bird with specs of white, of light, lighter. It can all be lighter. Fragility can be a force. A single magpie can spark joy, a horse can have wings. We write our own fairytale in the end, whether stuck in the wall, or on an island, or in a castle, or in the kitchen, or under a cliff or in the air. I came to a coast, once, cast in the armour I’d been buried under, to enable the salt to rust me into a freedom.

 

You post a photo of a white horse crossing your park path and fact and fairytale entwine.

 

DAMIEN DONNELLY (he/him) returned to Ireland in 2019 after 23 years in Paris, London and Amsterdam, working in the fashion industry. His writing focuses on identity, sexuality and fragility. His daily interests revolve around falling over and learning how to get back up while baking cakes. His short stories have been featured in Second Chance from Original Writing, Body Horror from Gehenna & Hinnom, A Page from My Life from Harper Collins & poetry in Eyewear, The Runt Magazine, Black Bough, Coffin Bell, Barren Magazine & Fahmidan Journal. His debut poetry collection Eat the Storms was published by The Hedgehog Press. He hosts the weekly poetry podcast Eat The Storms. You can find him on Twitter @deuxiemepeau, Insta @damiboy, or on his website deuxiemepeaupoetry.com.

Ladder to the Moon

For the second night, I ascend a ladder to the moon, 

each rung pulling me closer to its effulgence. Air turns cooler, 

enveloping my skin, stinging my nostrils more with each step. 

 

Once my slippered feet poise on the moon’s edge, I glance

at Earth’s oceans and continents, realizing the light

has vanished from my vacant bedroom’s window.

 

I twirl to see how it feels to be free of my planet’s gravity, 

released from restraints of corsets and sequined gowns

and boys of Mother’s choice escorting me at receptions.

 

The shame of fooling the world with our arms linked 

outweighs pain of 240,000 miles separating me

from my girl, blonde and brilliant, who I kiss secretly. 

 

I imagine her, robe draped from her shoulders, sharing

the stars of the universe, chatting about escaping

to Jupiter and Neptune where we’d never say goodbye. 

 

Every night, the moon hovers at my window. Even as it wanes, 

I rely on its gleaming sliver, coaxing me 

out of my sheets with its unrelenting friendly glow. 

 

I tiptoe through dust, explore the divots and every imperfection.

I gaze at other moons and worlds I could dance on, 

wondering who else has answered the call of the moon.

 

MAKAILA AARIN (she/her) works as an academic librarian in Mississippi where she lives with her three rescue dogs.  She holds degrees in English, library science, and education.  Currently, she is pursuing an MFA in creative writing.  Her poetry has appeared in Prismatica Magazine, Stone of Madness, Poetically Magazine, Dwelling Literary, and other magazines.  Her work is forthcoming in Versification Zine and Sinister Wisdom. Find her on Twitter: @makaila_aarin.

My First and Last Proclamation as the Child Freed and Crowned Queen of Omelas

I want every evil done at once. I want a single parade

of universal lacrimation. I want to break

up with every lover anyone has ever had

 

to leave and I want to do it in one deathly guilt-wet session.

I want the excruciation of every murder

that might ever happen capsulized so I can

 

take it with tomorrow’s breakfast. I want every blameless mote

that could ever evoke a blink thrust into my eye

as a single ocean-long compacted log,

 

and I want to be flayed once for each soul in each prison

that will ever stain a place.

I want to mourn every death in a 

 

body-blue instant. I want to become a momental maelstrom

of absolute sorrow. I want you to kill me,

over and over and over, all at once —

 

but I want you to do it right this time: I want you to join me.

We are going to share in every last agony

your pact magic will muster.

 

We’ll split each other like pomegranates,

palm cups chasing seeds or teeth to tile,

staunching all our wounds with sorries even as we ply our knives.

 

We’ll break bread with our broken

fingers and pass around indignities

like a last cigarette, then find each other’s eyes and see

 

what we have made. We will spend

every life’s anguish in a single prodigal spree

so we can be done with hurt forever, for I have had enough.

 

I have had enough. I have had enough,

and that is why I will not walk away.

Now we will all have enough, and the Summer will be green.

 

I want us to blast a last lachrymatory,

a glass granary bearing all our sunlit

tears, into orbit as a moon when the moment is done;

 

but we will need no spell, nor saline satellite,

to warn us against our abuse in the end.

   For once you feel what I have felt, you will know one thing forever:

 

It is not worth us.

 

PALIMRYA (she/her). Like a good wyrm, Palimrya loves you and has spent seven drops of her precious twiceblood to grant you each a full belly, an arrow-melty mantle, and a mossy millennium. Find her stories, poems, and roleplaying games at palimrya.com and feed her furnace @palimrya on twitter, where she writes microfiction and jokes and cutely bleeds.

The Serpent Wives

I. 

we lived inside ourselves, she and I. slurring 

spells, hiding in the shadows of prefab office 

 

tedium and reluctant murmurs. our universe 

was small. we thrived by brushing thighs 

 

beneath boardroom tables and slipping hands 

into trousers, inside steel bodies of empty elevators.

 

and when the time came to slither away from her 

maleficent Mr.Captor, we did so together, with torsos 

 

touching and unhinged jaws. his collateral casualty 

ballooned our bellies and sullied our sanguine smugness. 

 

a demise launched into a beginning. a book of secrecy 

and little lavender lies entitled, romance.

 

II. 

we gorged ourselves in hiding and denied our truths

in crowds. we anointed magistrates in every stranger

 

and pled our innocence into an apathetic air. drifters, 

grifters, deserters, of vows. sunken under the obligation 

 

of her own choosing. as if burdened by big bouncy babies 

above slight sweaty shoulders. how quickly joy 

 

becomes heavy and fragile under a scorching sanctimonious sun. 

i should’ve known. matter covered in scales only weigh 

 

camouflage, or keep us moving along. there’s no satiety 

in deception nor desire in utility. and so, just as in the beginning 

 

we remained uneasy cannibals, ad infinitum.


 

SHON MAPP (she/her) is a queer Black writer with words published or forthcoming in Fourteen Poems, Kissing Dynamite, Ghost Heart, and others. She was born in Barbados, raised in the U.S. and currently resides in Austria. Her works typically explore kinship, queer intimacy, and multicultural identities. You can find her on Twitter @ShonMapp, Insta @Shon.Mapp, or on her website shonmapp.com.

His Body is the Crucible

1. Melanosis, or, The Blackening

 

I suppose that sourcing the ingredients should have been the hardest part. It was a stroke of luck – I think – that I managed to circumvent that problem about as effectively as I could have. Would a substitute have done the job? Maybe. Like garlic and herbs instead of fat and protein, or a Brandy Alexander with just the Alexander. But it would have lacked poetry. Maybe I was lucky; maybe it was where I went wrong.

I should probably explain.

I was a different person back then, when you knew me best. It’s funny how things can change, isn’t it? Days go past when I forget what has happened to me, and I will be walking along, minding my own business, reading messages on my phone and apologising to the lampposts I inevitably walk into, and something will shift. Some change of the wind or in the smell of the air, and I will remember that, no, I am not the man I used to be. That he would have recognised.

You all know who ‘he’ is. And you all told me – said the right things, the compassionate things, the things that were, perhaps, meant to save me from becoming who I am now. Maybe you just wanted to save my face, or the face of my father. It was an embarrassment all round – for me, who couldn’t find someone more suitable; for my father, who had yet to get past having a gay son; for yourselves, who had expected great things from me. But whatever the intention, I’m afraid it didn’t work. Love can break the purest of hearts and I am no exception. A lot of you said something like: you’re not that person, Ned. You don’t have this in you. The subtext being: save yourself now, kid, because though we know that you’re not going to break any records, we also don’t want to read the story of you jumping off Westminster bridge in the Guardian. You don’t have what it takes to love someone the way you’re shaping up to love someone. If you choose to call it ‘love’.

You were wrong. Or, perhaps, you were right back then, but not now, when the potions have been drunk and the promises made. When, inside my body, the black lake of this thing has burst its banks and flooded me with itself, taking out all the landmarks that previously set me straight, leaving behind the soggy remnants of better mooring places as distant, unreachable sights glimpsed from my current place, bobbing stupidly, in the middle of this darkest sea.

He had a son, you know. Ah, you didn’t know. That’s because I never told you. You see? Even back then I wasn’t quite this person you think I was, not where he was concerned. I mean, I wasn’t planning this back then. I couldn’t see the recipe, not in a baby boy, even if he did have his father’s eyes. It would have been different, maybe, if he had just gone, just left and never come back. But he was there, don’t you understand? And sometimes it was his thumb on my chin, tilting my face to the left, so he could press his mouth against the side of my neck and sometimes it was one word answers to my texts and a following silence, for weeks. I didn’t think he was that person either, you know? I thought the darkness was something solvable; something I could solve. We, all three, have daddy issues, it seems. For there must have been some reason he kept poking at the wound in my side, as well as a reason that the boy was sitting there, in that desolate little bar, in February, in a thin t-shirt and ripped jeans.

I had not been there before; I got the impression that he had. I used to tour the little bars, looking for test cases. (Do you begin to understand?) I never expected to see him up here – I expected to need to go ‘home’, to London, to the law firms or the architects, to the big name charities, maybe even to Westminster. I had a plan: a set of checklists for when the time came and a little suitcase under my bed. But I never needed to put the plan to the test. Here he was, skinny but with the promise of breadth waiting in his genes, the same black hair, the same smudge of eyebrow, the same eyes.

It was seven years after he died, fifteen since I’d last seen him (and he’d failed to mention the existence of his son who at that time had been nearly six). We agreed; we failed to agree. I begged and he shut the door in my face, with tears in his eyes. I called him and the message was clear: no more, we can’t do this anymore.

So, the recipe starts here.

At first I thought, maybe, he would be enough, just the boy. The boy’s eyes and hands and the echoes of another face that in the instant, always felt like a kind of magic. And although boys come with their own problems, I thought I was equal to them, and equal to the lack: that I would make up from myself the space between this boy and the man. That I was wrong I hardly need tell you. For every twist of his hands that was the same there was a turn of phrase that would never have formed in the father’s mouth. He had not known his father, this boy: he had been passed around the country by the care system, and been left on a few doorsteps which should not have passed the quality assurance check. There was an air about him that he knew this, that he was conscious that his life was in danger of becoming the kind of cliché that shabby memoirs delight in, and that he was trying, in his own way, to re-examine the motivation of this character he was playing, and try for a little more agency in the second act. 

Not intellectual, he was physical, and understood the universe through his body. Like the father, like the whirlwind, he occupied more space than was visible: his breaths heavier than the surrounding air; his voice holding more resonance. And yet, like the father, there were shadows of awkwardness, of uncertainty. Better hidden in the boy than they had been in the man, but there for the experienced eye: the shift of the gaze away and back, checking the mood of the interlocutor, a seemingly anxious hand running down the centre of the chest, all manner of oral fixations. The boy bit his nails; the man had liked cigars.

Maybe this was just love talking, or infatuation, or memory. But he was both terribly like and terribly unlike, and perhaps it was that which caused the break. I said to him, one morning in the bed that was still, officially, mine: I’ve got a flat in London. Do you fancy it? And in the manner of people who have learned to take opportunities when they arrive, not impulsively, but almost impassively, he said ‘Yes’.

In my notes I have called him Hermes, though that is not his name. He called me Ned, for he had never known me while his father was alive and I saw no reason, by then, to conceal myself.

So the first, most important, ingredient has been sourced. And the pot in which it will be slow-cooked has been taken out of the kitchen cupboard and plugged in.

I hated that flat. As you know, it had come to me when my father died. We never lived in it together but later, when I was an adult and my mother was dead, and my father lived there alone, we would sometimes pass long, agonised weekends there trying to believe that we didn’t heartily dislike each other. There were views from the plate glass windows of great magnificence. If you find the rivulets and rammel of London magnificent. I tried to share with him once, one of the only things that gave me pleasure looking out of those windows: the passage of starlings across the horizon – that flooding cloak of birds that loosens and tightens its dance across the sky as it closes towards dusk. He looked at me as if I’d started speaking in Ancient Greek. Or, rather, like I’d started chatting in Yoruba or Gaelic: something (to his ears) colonial and carrying overtones of native frenzy. If I’d started quoting Aristotle, or even Pliny, in the original, he would have been delighted.

The flat is on two levels, though you might not guess that from the outside. Behind a double-thick front door lie the usual amenities: double bedroom, bathroom suite in grey marble, designer kitchen. Full of LED strip lights, it tries to impress you with its mightiness but, as with all such places, leaves me feeling cold and slightly depressed. Or not depressed, but anhedonic: I just don’t care much, about anything, when I’m there.

But, behind a door that is, if not hidden then at least deeply subtle, there is a stair, and down the stair there is a second floor, smaller than the first, at around half the size. It is not trying to dazzle you with its design, though it is well-lit and apportioned. It’s just not quite what one would expect in a London penthouse. Unless the owner was a Doctor H. Jekyll.

My father is well known to you and I will not rehash our various misalignments of viewpoints here. Suffice to say that I, and you yourselves, would never have thought that I would stand in his laboratory, and wonder, and think of the boy lying on the bed upstairs, and wonder.

*             *             *

2. Leucosis, or, The Whitening

 

Some time has passed since I last wrote.

Some changes have occurred since I last wrote.

The boy is dead. 

And yet he is not. I have never seen anything so strange and yet so affirming. The breath went through me like a wind, like a visitation of god: the finger of god passing up my body from belly to brow, showing me the possibilities.

I will not detail the process: you know it already, if not from personal experience then from the literature of these endeavours: the cousins, all over London, of my father’s library, in which you have all spent time.

Of the black clay that I pressed to his face; of the mixture I encouraged him to drink – it’s a new cocktail, I said, and listed the ingredients as including Jack Daniels, stout and squid ink; of the way his body toppled, from his fingertips a cascading darkness that swept through him like a muslin soaking up dirty water; of the way his mouth turned silvery and then to tarnish, his lips losing their shape, becoming like the sugar rim of a cocktail glass, crystallising sweetness; of his tongue searching for words that might have sounded like ‘how could you?’ except, from the look in his eyes, in those same eyes, I knew he wasn’t surprised and that ‘how could you?’ was really ‘what took you so long?’. 

Of all that, presumably, you already know.

He lay on the mortuary table in the lab for three days and on the fourth he stopped breathing and opened his eyes. But, gentlemen, it is not like in the books. Not destruction but a kind of respelling, a rearrangement. His body is the crucible.

Those three days, his skin slick like a seal’s, layer upon layer of impenetrable lustre: the clay, sinking into him. A thin liquid, like the leavings in the gutter outside a club the next morning – rainwater and soot and vomit, piss and lemon-scented cleaning products – dribbled into the table drain, but his skin, his whole body, was dry. There wasn’t a mark on him.

Today, he sat up and opened his eyes. They were white, like a dummy or a doll before it is painted. I could see shadows of him, the original boy, and shadows of him as well, but they were tricks of the light. His already pale skin has been leached of any remaining pinks and creams, and the veins in his arms are glowing slightly, as though the blood (if blood it still is) has turned incandescent.

I poured the last libation of the melanosis this morning, across his mouth, just clean water. Until that point he had been breathing, I swear it.

*             *             *

 

 

 

3. Xanthosis, or, The Yellowing

 

This is heavier work.

There wasn’t much gold left in the lab. When I came across it, in a little jar labelled ‘Au’ and rubbed the fragments between my fingers, I’d been puzzled. Wasn’t this the whole point of the thing – turning base metals into gold and all that? If he’d actually managed it, my father, forgive me, gentlemen, my father wouldn’t have been hanging around in an, albeit luxurious, London apartment building: he’d have bought the Hebridean island he had always inexplicably wanted; the rewards of capitalism for my father always somewhat idiosyncratic. He’d have built a wall and a castle and imported some rare breed cattle, bought up the local tweed shop and lived out his laird fantasies. His complete inability to appreciate nature aside, he’d always fancied being the lord of some grass and hills, unchallenged by everything except the gale force winds.

He would have shot the starlings, as well as the pheasants, the blackbirds, the heron, the geese. The cattle would breed to his command. Because he would have been the king.

So at first I thought the stuff in the jar must be iron pyrite – fools’ gold – and that I would be able, any minute, to hear my father’s laugh in my ears. But it wasn’t iron pyrite. I fished the only actual lump out of the jar and made a scratch in it that nitric acid did not discolour. I went back to the books (having not actually read to this stage at the time, mostly from apotropaic superstition but also because the reading was a hard slog, what with all the Latin and Greek I had not learned at my father’s knee) and was slightly shocked to find out what you, of course, already know: you need a little gold to get going.

I was artistic as a child, as you may remember. I made the usual things out of plasticine which ended as brown concoctions in the carpet. I was allowed clay a few times, and that plasticky stuff that you could put in the oven and use to make tacky children’s jewellery. At least, that’s what we made with it.

I don’t remember ever making a mask. But evidently there is a first time for everything,

Just a little to get you going, just a little supple in the fingers, a little slip on the vase. Into the mixture I put the only photograph of him that I still had, having destroyed most of the others some years ago, trying, trying to be rid of his image at least. But even back then, something in me knew better. It was a black and white thing, more than a snap but less than a portrait. Not the two of us together, just him, in the act of turning towards the photographer, so that his edges blurred. Into the crucible it went: the white of his shirt turning gold as the mixture caught, the last things to turn his eyes and the black of his beard.

In the hours it took for the mixture to become the kind of gluey clay I required, I sat and watched the boy. He had risen from the table and first gone to the door, then to the table, then to the tiny arrow-slit window on the east wall behind which the sun of the fifth day was rising. His fingers held on to the walls as if he was afraid he would fall. His feet made no sound on the lab floor but where his heels and toes pressed against it his skin, if skin it still was, would lighten up past even the whiteness of the rest of him; glowing slightly, footsteps in marsh light. Wherever he touched the more corporeal world it was as though it was causing him slight pain. His steps lightened as he proceeded around the room, just heel and toes, and the tips of fingers. He made circuits of the autopsy table and occasionally glanced at me with an expression on his face as though he knew where he was, and even who I was, but couldn’t remember how he got here.

Gently: hands on his shoulders – sit back on the table, sweetheart, that’s it. My fingers make impressions in his skin, fingerprints, just like the ones that lie in the clay.

Like Agamemnon’s mask it went on, battered in places by the tiny hammer I’d used on it despite it being soft enough, almost, to have its imperfections pushed out with my fingers. Long on the chin and too narrow on the nose. He sighed underneath it: a final breath and, with it, the mask settled and sank into the mannequin. Like that fake, for a few moments the mask was wrong – clichéd and amateur, the eyes like a child’s drawing. Then it was blank, back to the dummy again. And then – and then.

*             *             *

4. Iosis, or, The Purpling

 

“Jesus Christ.”

“Hello, Ned.”

“Do you … do you know me?”

He smiles. And it is the same under-the-eaves smile that he had, the shadows of his face thrown back by the glint in his eye. And his hands, as he levers himself off the table, his hands have turned to gold.

“How could I miss you?”

“... Don’t flirt.”

“Can’t help it.”

I laughed. I laughed! For the first time in years. Even in that lab which smelt of shame and strange mixtures, I felt myself filled up. With what? With the old elixir again – with hope, with hope for a small drink of what could cure me: three drops of a cordial only he could make. The press of his mouth and the warmth of his hands against my face. Those newly golden hands against my face. Nothing promised, just a chance to try again.

The only giveaway those golden fingers, that shining red mouth. But they flickered in and out of my awareness. As though a cloud had fallen over my eyes, all I could see was what I had wanted to see. I held his hands in mine and felt their warmth, their real heaviness. I let him go and stepped back to see him, to really see: the way he turned on his heel, so delicate and so awkward, drawing his hand down the centre of his chest before he turned to the bench, to the window, to me, back to the bench. His hands flashed as they picked up a cup and glass, bottle and stopper, a glass mixing stick.

“Do you think you could maybe get me some clothes?” he said, over his shoulder, turning to me from the bench.

I stared longer than I should have, at my golem. He was not beautiful except that he was beautiful to these eyes, that have never known any better, that are only carriers of pattern and form and texture and weight, and know what they see, and know what they love.

“You’ll have to wear gloves,” I think I said as I opened a drawer in one of the old cabinets lining the lab’s east side. I reached in and pulled out the pile of his old clothes, thinking madly that it no longer mattered that they had lost his scent years ago, that I had the real thing, that hoarding was no longer necessary.

“Ah,” I heard him say, as, turning around, I lost socks and t-shirts from out of my arms, “I see your Boy Scout tendencies have not atrophied with age.” I think I laughed again, and bent to pick up the socks.

When I faced him again he was holding a pair of mugs. Perfectly ordinary mugs, like the kind you’d bring with you to the office. The glass mixer was really a teaspoon and the smell of coffee was overpowering every other smell in the room.

We met in the winter. The first time I saw him there was snow melting in his beard and the wind had taken his lips up to a high, angry blush. The first thing I offered him was a cup of lacklustre coffee which, though he made a face, he downed almost in one. The sound of my name in his mouth and the smell of the coffee was the thing that turned the trick. Like a thunderstorm blowing in from the east, like the whirlwind, his passions rising like the rain on the wind, I fell in love with him like drowning and suffocating both.

“Ned,” was all he needed to say.

He passed me the cup and I drank. It seemed easier, though I knew. What took you so long? I said, whispered, as I swallowed the black water and looked up into his eyes, as he took the cup from my hands and tilted my face back into the light, his thumb on my chin.

*             *             *

5. Melanosis, Redux

 

Forgive me, gentlemen, for taking up my right of reply. Though it is now slightly difficult for me to hold a pen, I wanted to drop you a line, in my capacity as the experiment, as Ned’s monster, as the Magnum Opus. I thought you might be interested in the other side of the story. He won’t be back to carry on your correspondence, I’m afraid, though I think he is happy enough; as happy as he really can be. Don’t bother looking for him, please. It won’t be a successful endeavour.

We prefer, rather than ‘monsters’, to call ourselves the Golem Boys, these days. Like a boy band, suspiciously glowing hands our USP – revealed at curtain up but in ordinary daylight always, rain or shine, Australia to Austria, wearing gloves.

But you know the name already. It’s your name for us. Us, because I know I was not the first.

The internet’s a great thing, isn’t it? You might want to invest in some decent VPN software though.

You’re wondering why I’m bothering. After all, I walked into this with my eyes open. What is the recipe for this kind of sickness, you’re asking. Well, I think you can guess. Ned told it to you straight. I was a victim of all the usual clichés. Maybe I was too louche, I brought it on myself; the skirt of my soul was too short, and anyway, what business did I have, walking around with the eyes of his beloved in my face?

Yes, I knew. Of course I knew. Daddy issues we had in common, as he told you. And they’re so boringly predictable, and common, these days. Ned was right that I never knew my father; he had disappeared by the time I knew myself, but, as I think I have demonstrated, my detective skills are quite good. Ned too left a trail with his obsession – it was not difficult to follow.

But – I think it’s also because I believed in magic, just a little bit. I wondered, like Ned wondered, if another kind of life was possible. A hope fulfilled. And if the price was having to become someone else, well, from where I came from, that didn’t seem like too bad a deal.

Did I wait for him, in that bar, on that stool, with these eyes? Perhaps. Maybe I was just lucky too.

I daresay that you don’t care about any of this. Where is he? you’re asking. What have you done with him? Get out of there, you imposter. You don’t deserve to breathe the same air. Well, don’t worry about that. I don’t breathe anymore. And I know you’re coming for me. I know I’m not getting out of here, alive. To you, I’m a failed experiment. I’m part of the corpora vilia: to be disposed of. But, maybe, I’ll wall myself up here, maybe I’ll seal with my golden hands the locks and the gaps under the door and I will drink the rest of the potions and end up on the farther shore of your expectations. Or maybe I will be the monster that wails around the walls of your houses in the chill of the morning.

I wonder if you’ll hear me. Monsters are often strangely deaf to the calls of their own.

 

Kit Edgar (they/them) is a genderqueer writer from Sheffield, UK. They wrangle clinical trial data in the daytime and monsters all the time. This is their first publication. They can be found on Twitter @raedbard.

Last Woman

10.)

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Wednesday, December 23, 2020

 

If this is the apocalypse, which I think it is, then we’re completely fucked. 

I write this from my sister Emily’s room, which is painted red. It’s the safest and warmest room in the house, sandwiched between the guest bedroom and my parents’ room. 

But if I’m the only one left, then we’re fucked. I am the last person you’d want on your apocalypse team. I was barely wanted on teams in gym class. When we played dodgeball, I’d sacrifice myself in the middle of the game so I wouldn’t have to be one of the last two, battling it out in front of everyone else who’d watch and jeer.

I am too trusting. When I moved to California, I met a guy at a bar who kept asking me if I wanted my dreams to come true. Thinking this a philosophical question, I said, “Sure, who doesn’t?” The conversation got stranger, and when I went home to tell my roommate what had happened, she told me to block his number. He was, she told me, trying to get me involved in a pyramid scheme. 

I am squeamish, so zombie apocalypse is out. I don’t even kill spiders. The boys on Bumble like to have a line or two about “Willing to kill spiders,” and that actively turns me off. I know what they’re trying to do—chivalry—but offing a helpless insect that contributes to our ecosystem earns them negative points in my book. 

I have never shot a gun and have zero interest in trying it. 

I am a Libra. Librans do well with structure. While my Libran ass can evaluate various avenues of ethical choice, this skill doesn’t help me make decisions.

I do know how to give CPR (assuming that CPR rules haven’t changed since I was in seventh grade, when I got certified). I also assume I’m fertile, so if I need to further the human race with a (hopefully hot and necessarily feminist) man, I could do that. But that would also mean that I assume the human race is worth furthering, which I’m not so sure it is. 

I’d do really well if this apocalypse is of the sphinx kind. Like, if the fate of the world depended upon me answering literary questions, I’d have some confidence in myself. I would’ve probably passed my master’s exam in the spring. I could handle a stoic interrogating me about niche knowledge.

But here I am, in my younger sister’s room, with a candle burning, feeling properly apocalyptic and medieval at the same time. A few days ago, I would’ve killed to have this aesthetic™. Writing in the semi-dark, the snow falling, candlelight flickering, perhaps a nightgown to go with it. But now, it is simply what I’m doing to stay sane. 

My sister has my old bookshelves and desk, and I feel safe here. Some of my old books are in here, too, plus a few additions my sister has made to the collection. I write now in an abandoned math notebook of hers.

My arm is bruised from pinching. I am definitely awake.       

And everyone is gone. I woke up this morning, December 23, 2020, to the snow blowing outside, the Christmas tree lights still on downstairs, and no one around. I looked out the door, called for my mom, my dad, my sister. None of them were home. I looked outside. All the cars were in the driveway, half-covered with snow. I looked in the laundry room, the garage, the backyard where no one really went. I tried calling their cell phones. Voice mail. 

I put on my coat, and sleepily trudged across the road to our neighbor’s house. Perhaps my family was giving neighbors the spring rolls my mom made every Christmas. I rang the doorbell. Waited. Knocked on the door. Waited. Went around to the back, peeked into the window. Nothing there, only a TV and some throw blankets on the couch.

I went to my other neighbor’s house. We live in a small cul-de-sac. This house was where one of my high school classmates lived before he also went to college. In all my years in this school district, he and I had never spoken. I doubt he knew me. I’d talked to his parents and his dog more than I ever talked to him. 

I stood shivering on their front porch. Also nothing. 

I turned around. The snow was the only movement in the cul-de-sac. That and the flashing holiday lights of Josh Campbell’s yellow house. Funny how easily his name came to me. What had it been? Nine years since high school graduation. 

I made my way back home. I didn’t have a plan. So I sat down here, huddled in my sister’s middle-of-the-house bedroom and started writing because that’s what I know how to do best. This isn’t eloquent and I kind of hate myself while I’m writing it, but it’s my thoughts and it’s honest. How dishonest would it be for me to edit a journal that no one will even read? 

I’m going to find some food. Wish me luck.

 

 

 

 

Thursday, December 24, 2020

 

If I find someone to mate with, I could call myself Madame Ovary. Like Madame Bovary. But I wouldn’t die. It’d be a twist on the tale. 

They say puns are the lowest form of humor. I contend that sarcasm is. Sarcasm is so often used irresponsibly. You need to establish first a foundation of trust with a person before you can add a layer of sarcasm. It must be understood by both parties to be funny. Otherwise it comes off as mean. Or confusing. 

I get along with most people in my department, but there is one person, Allison, who I just have never clicked with. She uses sarcasm all the time. It is not a mode, but a worldview for her. I never know if she is genuine, and I’m always startled by the jokes she makes. I held the door open for her once and she said, “Wow, thanks, favorite person.” She also calls me “Jules.” No one calls me that.

If it’ll be up to me to rebuild the human race, I will pray that sarcasm doesn’t sneak its way back into our culture. 

If I am the last one here, I guess I should say something about myself. I’m doing an M.A. in Literature, specializing in speculative fiction, which is just a fancy way to say  “sci-fi.” I’m from Connecticut, where I am right now for winter break. And my name is Julianna Hong. I’m Chinese American, which future aliens reading this might not understand, but in my world, it’s important to me. 

My mom makes about 200 spring rolls each Christmas break. She laid them out on our kitchen counter, in preparation for the onslaught of family members coming over today—who were supposed to come today. Luckily, spring rolls—the chunjuan kind, the fried kind—keep well, and it’s cold enough in the house that they stay fresh, though chilled. I’ve been eating them yesterday and today, and still have a lot left.

I miss my mom. We were going to watch costume dramas all weekend while baking cookies. I was going to tell her that I’m queer—and that yes, I’m at the ripe age of 25, but I didn’t know I was bisexual because I’m also demisexual. I think she would’ve asked a couple of questions, especially about Kieran, and I would’ve told her that dating a guy didn’t make me not bi. And I think she would’ve then hugged me. 

When I felt her absence acutely today, I put my hands to my cheeks, closed my eyes, and counted to ten. This was a trick she’d taught me on my first day of kindergarten. She said if I missed her, I should do this, and she’d be with me. My hands would become her hands. I’d be enough for myself.

I took two birth control pills today, having missed yesterday’s. I spaced them out over ten hours so it should be fine. I didn’t cry.

 

 

Friday, December 25, 2020

 

And on the third day, all signals stopped. I had tried calling my aunts who live an hour away, also in Connecticut. If they’d picked up, I would’ve wished them a Merry Christmas before delving into the more serious topics at hand. Small talk plays an important social role, especially in hard times, I think. 

I got dial tones. I found my parents’ cell phones plugged into various outlets in the house, charging—or trying to. The power was out. My sister’s cell phone was in one of her backpacks. My cell phone ran out of juice this afternoon.

For one who needs to have a good cry about once a week, I hadn’t cried the last two days. Today, I finally did. The tears came when I sat down at the table, lit a candle, and ate Mom’s spring rolls. I missed her, dad, and Emily. This Christmas break was supposed to be special, because Emily was graduating from high school soon and I was probably going to go abroad to London next year. Where were they? If they’d gone somewhere, why hadn’t they taken me? The house had been left as if they’d vanished mid-action. The tin foil my mom uses to wrap the spring rolls was out in its box, one sheet pulled out as if she had been getting it ready for packaging. My sister’s bed was unmade (she never made it so that wasn’t peculiar). But my parents’ bed was also unmade (which was peculiar). 

Perhaps they’d been abducted by aliens.

Why hadn’t the aliens been interested in me?

With these thoughts, I cried, sobbed, and salted the spring rolls more. I needed water to wash all this down and, wanting to preserve the gallons stored in the garage, I went out to get a few buckets of untouched snow. I’d use the melted snow for my next shower. In the meantime, my mom’s stock of face wipes would do the trick.

I’m still scared to use the fireplace. What if the smoke from the chimney calls attention to marauders and looters? So I changed out of my layers, put on a new set of very warm clothing from my dad’s closet (men’s clothing=more practical), and lit a candle. I lay on the floor in my sister’s room, looking at the red all around. She’d been in her Goth phase when she chose this paint. It was beautiful, actually, though the corners where the paint was thicker was the exact shade of period blood. I suppose she hadn’t known that at twelve.

The red room in Jane Eyre was a punishment for Jane, the stuff of nightmares. However much I related to Jane as a kid, I now found myself comforted by the surrounding walls, painted by my sister, anime posters on one side and a bookshelf on the other. I sat down and wrote. 

 

 

Saturday, December 26, 2020

 

Spent all day reading Mary Shelley’s The Last Man. She wrote it after all of her friends died, using the storytelling as a way to commemorate them, mourn them. The main character ends up wandering Europe alone, until he finds a dog. He keeps searching for human companions. It’s beautiful and sad, but the weird thing is that the entire story is prefaced with an author’s note saying that she found the story written on Sibylline leaves—that is, prophetic leaves. She has compiled and translated the story before us. So this dude’s lastness was meant to be.

My aunts Alexandra and Karen were the ones who’d gotten me into art and literature. My dad and mom were always busy working when I was younger, and my college-aged aunts were delighted to take me, their only niece at the time, around. They drove me from where I lived then in Easton to New London (where they live now, incidentally) and finally to Fairfield, where they lived then—three towns that seemed like all the world (but were only a portion of Connecticut). As I grew older, they took me to plays, ballets, my first Broadway show. Things were cheaper then and they knew how to strike a deal. Every time a new adaptation of a novel came out, we were at the theatres on premiere night with popcorn and milk duds. We watched War of the Worlds, Pride and Prejudice, One Day; snacks on each armrest, my feet kicking before me, a peppy aunt on one side and a maternal one on the other. 

Now, they had kids of their own. They were probably too busy to pick up the phone in New London. With the snow and the lack of people, there were probably provisions that needed to be handled. Their husbands knew how to hunt and camp, both outdoorsy men. I was determined to go to them once the snow cleared, and then onwards to somewhere else, because I didn’t want to overburden them with another mouth to feed. I’d lived on my own in California for the past year and some. I could make it on my own. Hopefully, when I get to New London…

I’m still eating spring rolls, but I’m tired of them being cold. I decided to take a gamble and light the fire. I kept my dad’s sword by me as I lay on the floor by the hearth and read. He’d bought the sword in Chinatown on a family trip one summer. Mom and I had rolled our eyes at this choice, but it might come in handy after all. 

The world was so silent beyond this circle around me, I reassured myself that if people were to drive up or attack, I’d hear them. 

 

6 p.m. Still safe. Kindled the fire. Heated the spring rolls by them. Had a warm dinner. Cried a little more. 

 

7 p.m. Thought about how emo the Romantic poets were, and how emo I have been feeling.

“No, no, go not to Lethe”—John Keats, “Ode on Melancholy”

 

8 p.m. I thought about leaving today. But with the roads snowy, icy, and unplowed, it seemed stupid. I’ll wait until it clears up. 

 

 

Sunday, December 27, 2020

 

The only good thing about being the last woman is that you can masturbate any time you want, for however long you want, however loudly you want. Turns out being the last woman makes you quite the horndog. I was masturbating for the human race, all those poor chaps who couldn’t anymore. My hand got tired after maybe the seventh round so I used a pillow, which I’d never truly, devotedly tried before. It was okay, but my heart wasn’t in it. 

 

I thought about Kieran today. Separately. Not while I was taking care of myself, but not not while I was taking care of myself. I hadn’t let myself think about him in a while. I’m not sure what triggered it. Probably the fact that I’ll never love someone like that again, because there was no one to love. Or probably that, when we started dating, it was also winter and right before Christmas, and we used to ask each other ridiculous hypotheticals. 

“If we were alone on an island and starving, would you eat me?” I asked. I was 18 at the time, he 19. I was a freshman in college, he a sophomore. We’d just finished making out and the moon was full and painted a strip of light across his belly and my chest. I traced the line that connected us. 

“Would you let me?” he asked.

“Maybe,” I said, staring at his belly button. It was a perfect crater, no bumps or wrinkles, as if stamped into his skin with a careful thumb. “Would you let me?”

“Yeah, but I’m not sure it’d help,” he said. 

“Why not?”

“I have skinny legs.”

I craned my neck to see. His pajama pants were on, but I felt his calves through the fabric with my foot. He was right. “Yeah, you’d suck as a last meal.”

He laughed, his head thrown back, his entire frame shaking. My hand, still on his belly, bounced with his breath. I beamed up at him. I was so in love, even if I didn’t think the words yet.

There was so much I didn’t know at the time. Like that we’d last six years, into our mid-twenties, past our first and second jobs. Like that we’d almost get engaged. Or that we’d break up because our geographical futures were uncertain. 

We still talked from time to time. He’d texted me on Thanksgiving. No emojis, just “Happy thanksgiving!” We got to talking one weekend when my sister was freaking out about colleges and I had no idea how to help. Emily had always taken to him, and so he intervened when I asked, talking to her and calming her down. After their conversation, he called me and I thanked him. He said, “No problem.”

There was silence on the phone. I could hear him breathing, stepping back and forth as he did when he was thinking.

I got emotional all of a sudden. “Why don’t you say it?”

I could hear his sad smile. “Just because I don’t say it, Julianna, doesn’t mean I don’t feel it.”

“So you do.”

“Of course I do,” he said simply, as if I’d asked him if he had eaten today. I knew the sentence that came after, even if it didn’t come. We loved each other, but it didn’t change how far apart we were.

I have to pee.

*             *             *

 

I can only talk about you at the end

I can only talk about myself at the end

Only at the end can I talk about you

Only at the end can I talk about myself

—Unknown, “Four Sentiments”

 

Again, I’m not sure what made me think of all this today. I haven’t thought about him much this month. I didn’t even think about him much the day of that phone call. Loving him was just a fact of life: just as I love my mom and dad and sister, just as I am pursuing an M.A., just as I am a Libra. I carry it with me as I do the thing called living.

I wondered, wherever they all were, if they still carried things with them.

I’m going to finish reading Shelley now. 

 

 

Monday, December 28, 2020

 

It is probably good that the world ended. No more wars, climate change, capitalism, patriarchy. I am convinced that the first person was a woman. I learned during the two weeks I was a Biology major that mitochondrial DNA transmits each generation matrilineally, and that we all carry the mitochondrial DNA of a single ancestral woman. She’s called the mitochondrial Eve. Also, no way a man had the emotional capacity to be the first or last of anything. He’d probably spend the first few days punching trees. 

One might say, who am I to judge? Much of the past six days has been spent jerking off and eating leftovers. Yes, sure. But I’ve also kept quite cool.

I guess it makes sense the last person is a woman. Hello.

I’m glad the men on Bumble are gone. No more pictures of them holding up fishes of various sizes to show that they could provide for me (their reasoning still unclear). No more demands on profiles that a woman viewing them “not be boring.” Heck, I’ll be as boring as I want. 

When my sister and I hung out during my first night back, we were playing Settlers of Catan. I was collecting my sheep and ranting about all of this. 

“Why don’t you just meet someone in person?” she asked. 

“Two things: that is easy for you to say because you’re in high school,” I said. “Second, I just might.” I placed down another road and she grunted. 

We played in silence a little longer, as she gathered enough ammunition to build a city. She was good at that. Sneaky and smart. 

“Plus,” I said, gazing at my five sheep cards. “I’d rather be single than settle for someone I don’t like.”

“What about that Nathan guy? The one who engineers for game shows?”

“He asked me if I own a wetsuit. Hello! Not all people in California like the water. I’m not there for the beach. I’m there for the books.” I traded in two sheep for cards that were, for once, not sheep.

“You know, you’re the only person I believe when you say that.”

“What?”

“That you’d rather be alone than settle. People say that, but they don’t mean it. I think you mean it.”

“It’s true. If I’d rather sit alone on my couch with a book after I go on a date with you, you’re not worth it.”

She laughed and rolled for her turn.

Emily Hong. Came out to our parents at the age of thirteen. Younger sister. Fencer. So much cooler than me. I was going to tell my family this holiday about me, too, but…

The board game is still here, but I don’t think there’s a way to play it with just myself.

Still, I stand by my belief. I love being alone. Aunt Karen says it’s only because I “haven’t met the right guy yet,” but it’s something else. There is a freedom of time and energy. When I was dating Kieran, I loved being with him, but we still spent a lot of time apart—even before distance, we liked living our separate days before convening for dinner. That was ideal. We took comfort in the fact that we always knew we were in the relationship out of mutual enjoyment, not out of obligation or routine or fear of being alone.

I think a lot of people fear being alone. I’ve seen some bad couples. 

Even now, apart from my worry about my family, I’m fine. I know eventually I’ll join them in whatever afterlife or oblivion. I have my books. I know how to get food, even after the spring rolls run out. And when the snow melts, I’ll go to my aunts’ houses to see if my family went there.

Yes, I’d rather be alone than with any man. Especially Michael, who asked me out the month after Kieran and I broke up. Michael and I had been friends since my first day of graduate school. He was in Philosophy (I should’ve seen the red flag there) and could throw around feminist jargon as if he believed it. He was in a similar situation: a long distance relationship with a long-term partner. We went through breakups around the same time. When he asked me out, I turned him down, and everything was okay—until he rage-texted me a list of things I had said or done the past two years that had given him the impression (what he called “facts”) that I liked him. 

There is a scene in Elizabeth Gaskell’s North and South when the main character, Margaret Hale, turns down Henry Lennox’s proposal of marriage. She is shocked he sensed anything other than friendship from her and feels near-disgust at the notion of marriage to him—not because he is inherently disgusting, but because she always felt a gulf of difference between them. This is precisely, fundamentally, what I felt about Michael. Even if I had said “yes,” the relationship would’ve been a disaster. He would’ve spent each day misunderstanding me and I would’ve spent each day frustrated at him. It was strange he didn’t see that, and unforgivable he would turn to outright misogyny to express his hurt feelings. 

So, yes, Emily, I’d rather be alone than be with someone like that. 

 

 

 

Tuesday, December 29, 2020

 

I was visited by God today, or something like God, who is—!!!—a woman. A tall woman whose body is a prism of light and shadow. I think her hair is black, but even this was unclear. I only know that she has the most unwavering, unyielding gaze.

I dropped a perfectly good spring roll when she appeared. I let out a sigh. I bent down to pick up my food from the kitchen floor, saying, “Could you at least announce yourself? I’ve been kind of used to silence here.”

She stood watching me, unblinking. “Julianna Hong.”

I leaned against the counter to look cool. My legs trembled a little. “That’s me.” She was at least six feet, and very still. “Is it true? Is everyone gone?”

“Not everyone,” she said, peering steadily at me. 

“Why me?” I asked, setting the spring roll down on the counter. “Why someone with no survival skills and no sense of adventure?”

She kept staring at me without blinking, and then she burst into mirthful laughter, barely a breath drawn between the sounds. 

I laughed, too, my head thrown back, shoulders shaking. Our God is not a merciful one, nor a cruel one, but a satirist. 

I finished laughing first. “Okay, and I suppose you have some kind of mission for me.”

“What is your plan?”

“Well, I have enough spring rolls to last me until the end of the first week of the new year. I guess I’m just going to wait out the snow, and then maybe find other people.”

She smirked.

“What?” I said, starting to get annoyed.

“But you are a planner,” she said. “Are you not going to plan out the rest of your life?”

“Look, la—” I began, but corrected myself before calling her “lady.” It had felt appropriate, but I did want to live to the end of the conversation at least. “Maybe two years ago, but studying literature with very few prospects afterwards changes one’s perspective on things.” 

She peered at me again, assessing. I suppose I surprised her with how chill I was. Take that, ex-boyfriends. God thinks I’m chill.

I felt the need to summarize my take on time. “If I have provisions for the next two weeks, I’m good.” 

She took a step closer to me. She looked at the air plant my sister had named Stuart. She looked back at me. “This chapter of the universe, the one in which humanity exists, is over. I need to begin the new chapter, but I need your consent to do so. Do you consent?”

I guffawed. How kind of her to ask me. “And if I do, you’ll—what? Start a new chapter of humanity on Mars or something?” 

She kept staring at me, waiting. She had an eternity—or the next two weeks at least—ahead of her to wait. I took this as an affirmation. 

“If humanity is so horribly corrupt, why start a new chapter of it from scratch on another planet? That’s like doing the same exact failed science experiment without changing any factors.”

“There are endless possibilities,” she said simply.

“My small, short life has taught me that humans tend towards corruption. We exist swirling around the drain. We may stay afloat but it’s all just going to go down—that is where gravity pulls us.”

“Are you advocating against a new chapter?” 

“I just want you to consider all angles,” I said, going over to the pantry. My mom had put three boxes of Ritz crackers on the top shelf. They were my least favorite kind of food, and I used to joke that they shouldn’t exist, but I saw their purpose now. Something to chew on while talking to God.

“And you,” she returned, coming around to the pantry as well. I was stretched on my tiptoes trying to reach the Ritz. She watched me disinterestedly. 

“Yeah?” I squeaked. I got a hold of the box’s corner and nudged it towards me. The box fell off the shelf and I caught it right before it hit the floor. I laughed in victory, and stopped when I noticed she was still waiting for me to talk. I did feel a slight desperation to keep her in conversation. The past few days were tolerable; I was a graduate student very used to solitary work and quiet. But I was starting to get a bit stir-crazy in my childhood home, as if the space made me regress into someone who needed more attention than usual.

“Hold on tight to that box,” she said. I did, before I could question her, and with a blink, she transported us to another room—dimension?—with red curtains hanging from some unseeable ceiling. They were billowing in a directionless wind, floating between us and away from us with each breath I took. Everything around us was gold, as if it was the height of noon in some desert, but I felt no warmth and no breeze, as if I was asleep and senseless to the elements on my skin.

She came to my side and drew the red curtain to my right. Behind it, going for miles, were rows and rows of glass vats, each about six feet in length. I could see one of many suns glowing about the vats in the distance. I squinted. They seemed to hold something, like fish, or—

humans. Each vat contained a human, naked and floating. Dead?

Before I could express this aloud, she blinked again and we were now right before a vat, in an aisle between rows and rows of them. I bent down. The person in the nearest vat was unconscious, floating in the middle of the water, not on top of it—so not dead, but in some fugue state. I pressed my hand to the glass. I looked closer. Her hair swam about her. Her cheekbones were high. She had a birthmark on her neck.

I bolted upright. “That’s my mom! What the fuck?” I approached the dreadful woman and shook in fury, my words sputtering out as if I had just emerged from water. “Wake her up!”

She only gestured towards the thousands and thousands of other tanks, blinked, and we were floating meters above the desert of human bodies. “They are all quite happy. This is what we wanted them to be from the start. With your consent, you could join them here.”

“With my consent. With my consent!” I held my head and screamed. My voice did not echo, but stopped short in front of me as if it hit a concrete wall. “How can you use that language of—of consent so casually? Did everyone here give consent?” 

“You must show some empathy. It is much easier to join than to resist. No one wishes to be alone. We are not destroying lives, but preserving them, forever.” 

I dared to look at my mom again. In life, her sleeping face was always troubled: her lips pursed, her eyes furrowed. My mom was prone to bad dreams. Here, in this tank, her face was serene. Her body bobbed up and down infinitesimally. 

“Is she breathing?” I had to ask.

“They are happy.”

“Is she dreaming?”

“It is different for each person.” 

Another blink and we were in that forest of red curtains waving. I could not see, for the tears in my eyes. “You are cruel.” 

A blink once more and we were in my empty kitchen. I still had the Ritz box in my arms, too tightly. 

“I am giving you a choice. It is entirely up to you.”

I shook my head until I was dizzy. “This is too much responsibility.”

“Yet it is yours. Only with your consent will I end this chapter. You are the last of it.” 

When I blinked my tears away, she was gone. I suppose I will know how to call her when, if I want to. I sat down, anxious energy coursing through my fingers. Were all the gods—she had said “we”—watching me? 

I set the Ritz box down and went to the living room where childhood portraits of my sister and me in China a long time ago were hanging. I sat down at the piano. It was out of tune, some keys sharp and some flat, some keys not working much at all. When I was away at school, no one played it. 

I played a song I must’ve learned about fifteen years ago, a very simple rendition of “Ode to Joy.” I played it loud and hard and badly. Fuck you, ye almighty, and despair.

 

 

Wednesday, December 30, 2020

 

My will to live has never been that strong. I once went on Kieran’s ski boat (he made sure I knew it was a ski boat and not a speedboat). This was about six years ago now, one year into our relationship. We were on a lake near Lake George, a smaller, quieter one. We were the only ones in sight, I was young, and we were in love. I thought it’d be romantic for him to stop the boat in the middle of the lake, for us to jump off, swim around, laugh, and kiss. He obliged and we jumped off. I was ready for some romance to ensue but, as if the universe wanted to disprove rom-com tropes, the wind picked up immediately as I splashed into the water. The lake began to ripple, until waves washed over my shoulders. I tread the water frantically. The boat started gliding away, because we hadn’t anchored it—why would we have? None of the movies showed that part. Kieran started swimming towards it to get it back and I followed him, but a flood of thoughts came to me. A tour guide had told us that the water was 80-feet deep and there was a lost city beneath. I started cramping. 

“Help!” I screamed. Kieran heard me and turned around, but he was a much faster swimmer and by then already about 20 feet away. “Help!” The waves started washing over me. I was going to go under and, in the lull between waves, I made peace with death. 

But Kieran fished me out, put me on his back, and swam us to the boat. He put a towel over my shoulders and watched my face. 

“I’m fine,” I sputtered, managing a smile.

“You were about to go under,” he said. “I saw you. You were totally going to let that wave take you.” 

I didn’t argue, only laughed it off. 

It was funny at the time, but the irony of that doesn’t escape me now, now that I have the entire weight of humanity hanging on my choice. 

Kieran’s family still owns that house by Lake George. Well, owned. Property probably doesn’t exist during the apocalypse. 

One of his family’s favorite stories was that they’d had a fire evacuation plan whenever they were at the lake house each summer. The house was old and in the middle of the woods. The plan was to, in case of a fire, go out the back door and convene at their neighbor’s driveway, an acre away. When Kieran was four, he once heard the fire alarm go off, and he zoomed past his parents, making a beeline for the driveway as he was taught. There hadn’t been an actual fire, just a turkey burning in the oven, but his parents were delighted that he had taken the directions so literally, not even glancing back as he preserved himself. I am glad he glanced back that day on the lake.

By the following year of our relationship, after that boating experience, he had learned to sense me without words. And now he knew I was a bad swimmer, so we didn’t do any water sports again. 

I had a hard time thinking he’d consented to being put in a vat. He was a rebel and a med student, a paradox that I still wondered at. He loved life. He cried at sentimental commercials that had life lessons embedded into their marketing schemes. He once saw, through the crack in the airplane seats in front of him, someone watching a dog movie and when the dog died on screen, he fell sobbing onto my shoulder. 

He thought I was amazing, even when I didn’t get into Oxford for grad school. His intense optimism was contagious. He asked questions about everything. I’m sure when that bitch of a god approached him, he wore her out with his inquisitiveness. 

I have never worn anyone out. I don’t say that with pride. I have never been one to rock the boat. Even studying Literature was not so much of a rebellion—my Asian parents were always so supportive. 

If I could make peace with the tossing waves that day, I could make peace with a vat. I can. There is, probably, no Kieran now to fish me out. The vat seems easy. Keeping myself afloat is hard. 

 

8 p.m. But I am not one to complain. My mom left me with so many spring rolls.

 

I’m also sure my aunts would’ve put up a good fight, bargaining and negotiating, haggling the prices down and comparing sales pitches. 

And my mom literally crossed oceans on a refugee boat to get here, for me to be alive. When I told her I wanted to become a Literature teacher, afraid she’d want me to do something more stereotypically prestigious, she’d said, “Whatever makes you happy.” Her father had told her smart girls would never be desirable. She told me to make myself strong. 

I peeked outside an hour ago before the sun set. The sky was visible, blue and blinding against the world of white snow. Teardrops glistened on the ends of branches—the snow was melting. 

 

 

Thursday, December 31, 2020

 

The Camry took a while to rev up. On rainy days, it wouldn’t start at all. But after a few times, it got going. I could’ve chosen the Hyundai or the Lexus as my getaway vehicle, but the Camry held sentimental value for my mom. It was her first baby, besides me. It got her through moving across the east coast. It took her family everywhere we needed to go. It would take me where I needed to go, I was sure. 

I turned the heat up. I hadn’t been properly warm in a week. I had all of my books packed in the trunk, all the necessities for an apocalyptic journey like this one. Le Guin, Keats, Mary Shelley, Octavia E. Butler. The canon of how to survive such a thing: emotionally, poetically, intellectually, practically. I had a few gallons of water from the garage and would get more from the Target on the way. I had an axe. Emily’s fencing sword. Windshield scrapers. Boots. Pads. Birth control. Glasses—I’d pick up extras in Target. Layers and layers of clothing. The rest of the spring rolls. All the underwear I had, plus my mother’s. Hypoallergenic detergent. A sewing kit. A first aid kit. Antibiotics, which my parents had hoarded over the years. Vitamin C pills. 

There was barely any room in the car left, but somehow, when I looked in my rearview mirror, she showed up, sitting serenely in the back, her hands folded on her lap. “Have you decided?” She hovered much more than my parents ever did. 

“I have made a decision,” I said. “This whole thing—it’s not some convoluted test?”

“Test or not,” she answered, “the facts remain the same.” 

Ah, a duck-rabbit situation. Either way I looked at it, it was the same picture. I could choose to end the chapter, as she termed it, but that’d be it for humanity. Done. No more literature, art, conversation. No more pain or love or anger. No more experience of snow, or shoveling, or the cold on our noses. Not only would this world be gone, but also the smaller worlds we created in our minds.

Or I could choose to go on and take a chance at solitude or at whatever else lay out there for me. And if I died trying, I died trying. 

This God was a duck-rabbit situation, too. She could be lying. That could have all been an illusion: my mom, the vats, the desert. The red curtains. Charlotte Brontë would tell me to listen to my instincts here. 

And if she was telling the truth, I had no foundation of trust with her to gauge that.

“Thanks. I’ll holler when I need you,” I said, and smiled at her.

She left, but I thought I caught a glimpse in the mirror, right before she vanished, of her rolling her eyes. We were developing a sense of humor between us.

I opened my map, the old-fashioned kind, which I’d learned to read while on the backseat of a moped in Italy, my phone without international data, my arms wrapped around Kieran, my butt sweating against the leather seat, my hands gripping the worn paper map flapping in the wind, my chin on his shoulder and my mouth near his ready ear. I was the navigator, he the runaway driver. Now, I was both. 

I set the folded map of the northeast down on the seat beside me, the roads opening to New London, and stretching upwards, beyond the square page, to a certain driveway near Lake George.

 

Lillian Lu (she/her) is the author of "Heirlooms," a short story in Immersion: An Asian Anthology of Love, Fantasy, and Speculative Fiction (Rice Paper Magazine 2019). Her academic work can be found in The Rambling (October 2018); Whiter: Asian American Women on Skin Color and Colorism (NYU Press 2020); and Eighteenth-Century Fiction (September 2020). She is queer woman of color and an English Ph.D. Candidate at UCLA, where she studies British Romanticism, gender, and the novel. She can be found on Twitter @ll_ingenue.

Calm Waters

Lyssa sat on the boat's cabin, her legs crossed with the wooden one on top, a wide-brimmed hat pulled low to shade her eyes. She liked the hat, liked the style the pioneers had adopted – trousers, a belt where she hung her mace, shirts with long sleeves and stiff collars, vest overtop. She liked life on the River Cabre too; compared to captaining a seafaring vessel or leading an army, the calm waters were relaxing. That was part of why she and Niethan had left both of their homelands, coastal Rydom and the Keran plains, to come north and live as river traders in the sparsely-settled Cabrish Territories.

The barge drifted towards Three Hills, where they docked often enough to be greeted as returning friends. Lyssa was fond of the townspeople; Niethan teased her about how well she got on with Jones Baker, the oldest man in town. “I see why you like him,” she'd said after first meeting Jones, “he's the old curmudgeon you wish you were.” 

“I'm younger than you,” Lyssa had retorted. Lyssa was in her mid-thirties; though Niethan was older, she appeared to be in her twenties.

Ahead, the river bent lazily. Lyssa spied the rhododendron-covered hills that currently concealed the town and gave it its name. 

Smoke rose from beyond the hills.

Pushing back her hat, Lyssa raked her fingers through her deep blue hair. “Niethan?” She thumped the roof with her boot's heel before standing. “Trouble in town.”

From the door beneath her, Niethan emerged, still attired in the Keran style. Her dress swept down to her ankles, sleeves tightly-laced at her forearms, the garment all in coppery colors that complimented her green skin and dark brown hair. Even after years together, Lyssa had to remind herself not to stare. Instead she jumped from the roof to the deck, holding her hat to her head. She pointed at the smoke.

“Bandits again?” Niethan guessed, eyes grim.

“We'll find out soon,” Lyssa said.

The sun was still high when they docked. As usual, Mayor Bullinger was the first to greet Lyssa when she disembarked. A fellow Rydomi expatriate, Bullinger had the same deep brown, slightly glittering skin that Lyssa did, but the mayor's hair was a shockingly pale sea-foam. On his sister, the town seamstress Vethani, Lyssa found the contrast fetching – but not on Bullinger, who'd cultivated a large, garish mustache. Today that mustache drooped with the rest of him. 

“Bad timing, trader,” he said, unusually softly. Bullinger tended to announce everything he said. “Robbers came last night. Smashed up the general store, burned the laundry, took everything they could, and...” He faltered, then swallowed and said, “killed Baker.”

The news struck hard. In the last two years, Lyssa had gotten used to the people she liked not dying. Tears stung her eyes and in a distant way, she was surprised by them. “Why?” Surely the old man wasn't foolish enough to-

“Ole mule tried t'stop 'em,” the mayor said, anger creeping into his tone. He spat to one side, then his eyes widened as he glanced behind Lyssa. He touched the brim of his hat and added, “Apologies, ma'am, meant no disrespect.” Lyssa looked over her shoulder at Niethan, who had joined them with the boat's manifest and their docking fee. There was no official Cabrish Territories currency, but Three Hillfolk preferred Rydomi coin, which was what Lyssa and Niethan carried. 

“Bandits?” Niethan asked. 

“They killed Jones,” Lyssa said. She blinked hard against the tears. Why would one old man I only see every couple weeks make me feel this bad? Must be getting soft...

Niethan laid a hand on Lyssa's shoulder and gave a gentle squeeze. Lyssa reached up to put her own hand over Niethan's, her palm rough compared to the other woman's soft skin. Mayor Bullinger coughed, glancing up and away to give them a moment of privacy.

When he turned back to them, he said, “Poor Baker's granddaughter is shut up with Hallow Sage.” Niethan snorted derisively, a habit she'd picked up from Lyssa; rather than looking put out, Bullinger shrugged. “Damned charlatan, but I can't prove he don't believe what he peddles. If I could… Tried to tell Annize that Sage ain't no good. She won't hear it.”

“Let her grieve with Hallow,” Niethan said, with scornful emphasis on the false name, “until he tries to get one single coin from her. Then run him out of town.”

Lyssa knew if she'd been the one to voice that suggestion the mayor would have shut down, mustache bristling and chest puffing out. He'd have said something like “I'll mind my town, you mind your boat.” Nobody reacted that way to Niethan, though; Bullinger nodded solemnly.

“Hope you'll stick around a bit,” Bullinger said, “Trade might do folks good after the fire's out.”

“What’s burning?” Niethan asked. 

Lyssa plucked the coin purse out of Niethan's hands and tossed it to Bullinger who, despite slumped shoulders and baggy eyes, was not too weary to catch it neatly and tuck it away. Lyssa held her arm out for Niethan's, her other hand falling to her mace. Its weight at her hip was a comfort. As she led Niethan toward the town, she told her about the laundry.

On Main Street they saw the damage.  The butcher only had a single window broken, glass lying scattered outside her door. The butcher herself, Pylla Eavenson, was absent. She traded for most of their salt, when she hadn't spent all her goods or coin in the Honey House. Lyssa had spent months thinking the Honey House was a brothel before learning about the honey made from the special rhododendrons growing on these hills. It caused euphoria and wild visions, and the beekeepers who owned the Honey House never turned away a paying customer, even in a crisis like this one. The general store was in shambles; the owners, two more of Lyssa and Niethan's regular customers, were arguing in the street. The men hadn't come to blows, but the shouting sounded like a marital dispute boiling over in the wake of stress and loss, so Lyssa shook her head sharply and turned back the way they'd come.

“Thought we'd see if Cethro and Sarrad need a hand,” she murmured, glancing at the shopkeepers, “But I think they need to calm down first.”

“We should check on Wenilyn,” Niethan said. 

But when they came upon the laundry, it hadn't just burned; it had been torched to the ground, and there was no sign of the laundress. Finding nothing that they could do, Lyssa tugged on Niethan’s arm and nodded back the way they’d come, toward the docks and their boat.

The two women left, unnoticed by Wenilyn’s neighbors. The townsfolk were busy running a bucket line from the river to wet down the nearest buildings. No one wanted a stray ember starting new fires.

*             *             *

“We oughta go,” Lyssa said once they were back on their boat. “Not gonna make any money here today, and I'd feel dirty trying. They don't need us hangin' around gawking.” 

Niethan shook her head. “We should stay and help,” she said.

Lyssa pinched the bridge of her nose. “You don't mean help them rebuild, or you'd have said it when we were ashore. You wanna try and solve the whole bandit problem.” She dropped her hand and gave Niethan a flat stare. “Don't you?”

Niethan shrugged. 

“Been a few years since I had an army at my disposal,” Lyssa said, “Been almost as long since you lost most of your skills.”

“I hardly think we need an entire army or creation powers to handle a few outlaws, my dear,” Niethan answered. “There can't be more than ten of them. Or haven't you been paying attention?”

Lyssa crossed her arms and said, “Between ten and thirteen, I'd guess. So, yeah, it can be more than ten.”

“You're splitting hairs.”

Lyssa ignored that. “Important thing isn't how many there are. It's how many folks in town are working with them.”

That gave Niethan pause, and Lyssa allowed herself a moment of satisfaction. She didn't often surprise her partner.

“What makes you think that?” Niethan asked.

“Seen it before,” Lyssa answered. “Coastal town gets hit by pirates too often, you know somebody in town is helping 'em.”

“You're telling me,” Niethan said, “that the people of this town are being betrayed by someone they trust, and you don't want to stay and help?”

We fought a whole war two years ago, Lyssa wanted to shout, I want to rest!

Instead she grimaced and let her hair down so she could re-braid it. She thought about Jones Baker. Thought about how Niethan hadn't tried to use Jones' death to convince her to do what she wanted. 

“Fine,” she said shortly. “We'll get involved. But after this we really are retired. Right?”

“Absolutely,” Niethan said, leaning forward and lifting up onto her toes to kiss Lyssa on the cheek. She drew back only an inch or so, smile turning enticing. “I have a plan, but we can worry about the details... later. Can't we?”

Lyssa put her arms around Niethan, pulling the slighter woman close. She tugged the laces on the back of her dress. “We can,” she said, voice low.

Afterwards as they relaxed in one another's arms, Lyssa tried not to let guilt mar the comfort and closeness. Tried not to think about the Three Hillfolk rebuilding parts of their homes while she lounged in bed with Niethan. Her mind kept wandering away from the warmth and softness of the woman in her arms, to the charred remains of the laundry and the glitter of broken glass on the street. 

Lyssa ran a gentle hand up Niethan's side, then sat up. She began dressing, the process as easy now as it had been before she'd lost her leg, though when the wooden one was new it had been difficult. 

“Gonna go see what I can learn.” Lyssa stood and hooked her mace onto her belt, caressed it as softly as she had her lover. “Talk to some people.” 

Niethan shook her head. “Don't do that.”

“Don't do what?” Lyssa asked innocently, reaching for her hat, “Don't find out how everyone is?”

Niethan gave Lyssa's mace a pointed look. Pretending not to notice, Lyssa busied herself with her vest buttons. She heard Niethan huff behind her and kept her face carefully blank. Now that she'd agreed to get involved, it was time for action.

The mattress creaked, then Niethan put her arms around Lyssa's waist and rested her head on Lyssa's back. 

“You don't need to go marching around, waving your mace and pretending to still be General Lyssa Sorne,” she said. If her tone hadn't been so gentle, Lyssa would have pulled away at the words. She did stiffen, and Niethan's arms tightened around her, pressing the two of them closer as she continued speaking, “I’ll go instead, I just need to figure out who looks like they're suffering from the raids but aren't. Why don't you stay here, get some work done on the boat? I'll go learn what I need and be right back.” 

Tending the barge was never a chore to Lyssa; she found it soothing, as Niethan was well aware, but she wasn’t going to let Niethan convince her to stay behind instead. Lyssa turned around. “I can't let you do that alone.”

“Fine,” Niethan answered, “But leave the mace.” 

“I won't.”

“You can't handle a bunch of townsfolk without it?” Niethan asked in mock surprise. With false solicitation she put the back of her hand to Lyssa's brow. “Are you ill? Or have you grown so old and soft that you can't-”

“Alright, alright, enough with your feeble wit,” Lyssa said, raising her hands in defeat before stepping back and unhooking her mace from her belt. 

“My wit's not feeble,” Niethan said cheerfully, “It's robust and in fine fettle.” 

Lyssa only snorted. “Shall we?”

“I think I should get dressed first, don't you?”

*             *             *

“It's a terrible idea.” Lyssa pinched the bridge of her nose. “Something out of a dreadful play.”

Niethan looked up with an unperturbed smile. Her arms crossed on the low railing of the boat, she sat on the deck with her legs between the bars, feet just above the river. Lyssa perched atop the railing, and although her pose was more precarious she suppressed a shudder to imagine sitting the way that her partner was. The idea of an animal attacking Niethan was as absurd as the idea of an animal inviting them for tea. But the idea of something lunging out of the water at Lyssa if she dangled her leg over the edge...

“I got the idea from a dreadful serial in a newspaper, actually,” Niethan said. The Keran idea of a city's news coming written out on sheaves of paper for anyone to buy was strange to Lyssa, who preferred the Rydomi method of regular readings of important happenings in the town square.

“They'll see through it,” Lyssa said.

In town, Lyssa had watched Niethan work. The Keran woman didn't have as much power as she'd commanded two years ago, but she could still summon the voice that made Lyssa's skin crawl and reminded her of squids surfacing to pull down a drowning man. She hadn't known squids would do that until she'd seen it. She hadn't known what Niethan could do until she'd seen that, either. It wasn't as strong anymore, though, and on this day all Niethan did was get the information they needed.

There were three people in town who hadn't suffered from the bandits, and Lyssa thought Niethan was underestimating them.

“I don't think so,” Niethan said, ticking them off on her fingers as she explained, “Hallow Sage invested too much in his mystic persona to have ever read that kind of story. Pylla Eavenson is dreaming on mad honey too often to think clearly. And Mayor Bullinger is so pleased with himself it would never occur to him that someone might outwit him.”

“So we just tell them we have treasure buried somewhere and wait to see who jumps us?” Lyssa said, twitching her fishing line gently. 

“Essentially,” Niethan agreed. “Tell one of them we've buried something upriver, one of them we've buried something downriver, and one of them that we've hidden something right here on the boat.”

Lyssa let the line play out a little. “Stupid,” she said, then squeezed her eyes shut a moment and shook her head. “That came out wrong. Not you. That story. Why bury anything on the river bank?”

Niethan's grin widened. “We don't need a reason, my dear. We don't tell them what it is we're supposed to have. Just that it's special, and we'll get a lot for it trading upriver, but we hid it. The mystery will draw them in, their own guesses will fill in any excuse they need to believe it.”

The cork on the line dipped briefly beneath the water and resurfaced, then jerked all the way under. Lyssa braced the reel to prevent any slack, then gave the pole a sharp jerk to secure the hook in whatever had bitten. “You think that'll work?” she asked as she got off of the railing to reel their dinner in slowly, careful not to let it break the line.

Niethan stood, reaching for the long-handled net. “Positive.”   

*             *             *

Vargo Bullinger had been mayor for long enough that his hands had lost their calluses, but the scale of his home and the furnishings in his parlor were testament to the skill he'd once had as a carpenter and woodcarver. They'd called on Bullinger early in the morning, and he offered them coffee. Lyssa declined – she'd never tried it before coming to the Cabrish Territories and found that she didn't have a taste for it – but Niethan happily accepted a cup. Bullinger drank it in greater quantity than Lyssa had ever seen.

“We wanted to ask if there's anything we can do to help while we're here,” Niethan said between sips. “We'll be in town five more days, on the boat so we don't put anyone out.”

“Awfully kind of you,” Bullinger said, then he stopped and glanced up with a smile. He stood, smoothing his mustache. “Miss Drafter,” he said, and Lyssa turned to see Wenilyn and Vethani enter the parlor together. The laundress had taken up residence with the mayor and his sister during the rebuilding. From the way his eyes softened, Lyssa thought that Bullinger, a widower for as long as she'd known him, would begin courting the laundress soon. “Coffee?” 

“No, thank you,” Vethani said, making a face. “Just stopped in to say we're goin' to the general store to see if they're fixed up enough to brew a decent pot of tea. Good day Vargo, good day traders.” With that, she and Wenilyn left, and the mayor returned to his seat.

“I don't know what you'll do in town for five whole days,” he said to Niethan, picking up where they'd left off. 

“Between you and me,” Niethan said conspiratorially, leaning in and lowering her voice, “We have something very interesting to trade at the next town, it's going to make our fortunes. We're not even keeping it in the hold with everything else. It's in our own cabin. But we can't sell it for another week. So-” she straightened and her tone drifted back to normal, “we might as well stay and lend a hand while we wait.”

“Certainly, in that case,” the mayor said, smoothing his mustache again before he drained his coffee cup for the fourth time since they'd sat down.

“We only stopped by to settle the docking fees for five days,” Niethan said, setting her own empty cup down. Lyssa fished her coin purse out of a pocket and tossed it to the mayor. “If you think of any way we can help, let us know.”

“Of course,” Mayor Bullinger said, whisking the coins out of sight and returning the emptied purse. “I know where to find you.”

*             *             *

“Why now?” Lyssa whispered, catching Niethan's elbow before she could open the door to the Honey House. “She's dreaming her mind away, won't even recognize us.”

“If there's anyone we know with enough tolerance to mad honey to remember what we tell her, it's Pylla,” Niethan countered, pulling Lyssa's fingers off her elbow and twining their arms together instead. “Let's go. We'll be quick.”

They went into the Honey House. It was the first time either woman had been inside, and Lyssa expected someplace ill-lit and untidy. Instead it was all warm amber tones, well-lit and decorated with rhododendrons in vases on every table. In the center of the room stood a huge, taxidermied bear. Lyssa peered at the plaque affixed to the bear's wooden base. It read only “The Dreaming Bear of Three Hills.”

Niethan tugged her arm and pointed to Pylla, lounging on a pile of cushions in a far corner. She was the only customer, and the proprietor was at the opposite side of the room cleaning wooden honey dippers behind the bar. They crossed to the butcher.

“Pylla Eavenson,” Niethan said, leaning down. Perhaps responding to the familiarity of a Keran accent, not heard often in this part of the Territories, Pylla glanced up with dull recognition. “We're going to be in town for four more days, so when you're available, we need meats to hold us over. We'll give you a whole cask of salt in trade. We're going to be able to afford to be generous after we sell what we've got buried upstream. A special trade item, going to make us rich. But we can't trade it in the next town yet. We buried it upstream until we're ready to go do that. See you tonight, okay?”

Pylla's eyes narrowed as she tried to follow the sense of what Niethan was saying. Eventually her smile lit up, maybe at the idea of a whole cask of salt for only four days' worth of meats, maybe at the idea of whatever treasure Niethan was dangling so blatantly in front of her. If Lyssa had been inclined to feel alarmed by how obvious Niethan was being, Pylla's hazy, distant expression eased her concerns. Such bluntness was the only thing that would ensure that the butcher would remember the conversation later. The honey would guarantee that she didn't recall it well enough to understand just how unsubtle Niethan was being.

*             *             *

Lyssa had seen Niethan's antagonism towards religious leaders before, but her ire for Hallow Sage made the rest pale in comparison; for this conversation, Lyssa had to take the lead.

Hope I don't foul up, she thought as she sat cross-legged on the mat that served as a floor in Sage's little hut on the outskirts of town. Until she'd seen this place, Lyssa wouldn't have thought that a hut could be pretentious. Everything about the single room looked as though it might fall apart at any moment, but the construction was designed that way without actually being unsafe. The appearance of hardship without the struggles. More, Lyssa couldn't shake the suspicion that beneath the trap door near the wall was probably a secret living area much more comfortable than the rest of the hut.

“Wondering if we might see Annize,” Lyssa said shortly, counting on her reputation as a woman of few words to help carry her through this conversation without mishap. “I was fond of her grandfather.”

“I am terribly sorry to inform you that Miz Baker is unavailable,” Hallow Sage said, speaking with the slow, deep tone he affected. Lyssa was certain that he thought it made him sound grave and thoughtful. She thought it made him sound like he couldn't remember what he was about to say. 

“We want to pay our respects,” Niethan said in a harder voice than the situation called for, brows drawing together in a scowl.

“Of course, I understand. The depth of your feeling is profound.” He made a vague gesture in Niethan's direction that was meant to be reminiscent of a religious blessing. “But Miz Baker asks not to be interrupted for any reason. She grieves in the way that will best help her heal.”

Niethan opened her mouth to reply, but subsided when Lyssa laid a gentle hand on her arm. They hadn't actually come to speak with Annize, and Hallow's repugnance wasn't the issue. She hoped Niethan would stay focused, that she wouldn't let her dislike of religious folks and her hatred for Hallow Sage distract her from her part.

“We're moving on in three days,” Lyssa said, standing up and offering Niethan a hand. “Please tell Annize we'll be back about a week after that-”

“No,” Niethan interrupted, and Lyssa's worry eased. She shouldn't have doubted her partner; Niethan wouldn't let a little personal hatred make her miss her mark. “Remember, we have to stop downriver and dig up the – oh.” Niethan shot the barest glance at Hallow Sage and then turned, angling her body so that she was facing mostly away from him. Her voice was pitched perfectly as she continued, low enough that Sage would believe that she really was trying to whisper, but just loud enough that he could hear her anyway. “We have to go downriver to the spot and dig the thing up, then go trade it first. We'll probably be back in two weeks.”

As Lyssa followed Niethan out into the sunlight, she found herself hoping that the traitor was Hallow Sage, self-satisfied manipulative liar that he was.

*             *             *

The night before their advertised departure, they behaved normally. Lyssa made her last round on deck, checking that everything was in order, then joined Niethan in their cabin. Once inside with the curtains drawn, Niethan turned the lamp off and Lyssa sat on the bed, eyes closed, breathing slowly. Her palms began to tingle. A buzzing spread up her spine and under her skin. It had been a long time since she'd had a good fight; she savored the anticipation even as it made her grind her teeth. She stroked her mace again and again. 

Finally came the sound hoof beats, then of shouts. Lyssa grinned and opened her eyes, stood and heard a rustle of cloth as Niethan did the same. A flash of irritation. Lyssa had asked Niethan to stay below with the cargo in relative safety. Of the three suspects, the only one who thought there was treasure on the boat believed it was in this very room. As she'd always done, Niethan refused any attempt Lyssa made to convince her to keep away from danger.

Lyssa shook the distraction off.

Shattering glass and rising cries formed a counterpoint to the hooves. There was a crackle, and a flicker of light became visible through the curtain. Lyssa gestured for Niethan to stand back and moved herself closer to the door. The chaos outside rose, it became harder to pick out what was going on based on sound alone. However, she thought roughly half of the bandits were riding towards the river. There followed the hollow thudding of feet on the wooden docks. The steps' tone changed and the boards beneath her boots vibrated.

They'd been boarded. She counted the footsteps as each successive outlaw leapt onto her boat. Six. There was a shuffle, someone muttered and took a few steps in the direction of the hatch leading down to the cargo hold. A reprimanding voice barked, “Nah! House part, not hold, remember?”

The bandits were working with Bullinger. 

Footsteps approached the cabin. “Stay back,” Lyssa muttered to Niethan, then threw open the door and leaped out. 

There was a new fire burning in Three Hills, small but bright enough for Lyssa. She didn't pause, but assessed the situation as she charged. Her eyes fell on a bandit cradling a weapon she hadn't seen often, an Ushlandic crossbow.  Lyssa threw herself to one side as he shot it. The weapon was surprisingly quiet, until she heard a thunk in the cabin wall behind her. She rolled and came back to her feet. The crossbow-wielding bandit would have to be taken care of first. Lyssa set her foot on a coil of rope, used it like a step to propel herself up and into a jump. She swung her mace with the leap so that when she landed, she smashed both the crossbow and the hand holding it. The robber screamed. 

Blood surging, Lyssa leaned into his face and screamed back. Then she shoved him overboard between the boat and the dock. He'd probably survive. As long as there were no alligators in this part of the river.

Lyssa turned, saw a glint of reflected firelight moving toward her, and jerked back, barely avoiding a flashing knife. A Keran woman dressed in the Cabrish style advanced, slashing with a long-bladed dagger. Lyssa dodged to one side and another, measuring the quality of her opponent. The woman attacked with precision, but her movements were predictable. Fighting was like dancing, and if the other person never changed their rhythm then Lyssa had the advantage no matter how precise their movements were. Within a moment she had the woman's pattern. After that it was easy to duck under the next strike. With her free hand Lyssa grabbed the woman's wrist, twisted it fast and hard. The crack was audible. Crying out, the woman dropped her dagger. Lyssa shouldered into her. The invader fell, tried to crab-crawl backwards without using her broken wrist. Lyssa took one step forward and kicked her head, knocking her senseless. 

The kick was poorly planned, Lyssa's landing on her wooden leg imperfect. Two men took advantage of her unbalanced moment to come at her together. 

To regain her footing, she was forced to fall back several steps. At least she could do so without worrying about the terrain – the wooden deck was as familiar to her as any place could be. Right when she expected to, she bumped into the railing. Lyssa widened her stance and took a two-handed hold on her mace. She tightened her grip, breathing hard but not panting, and tried to ignore the pleasant way her belly tightened and her senses sharpened. I've missed this, she thought distantly, not allowing the thought to surface consciously enough to distract her, perhaps a little too much.

The bandits came at her from either side, planning a coordinated attack. She glanced from one to the other. One of them sneered, but the expression was forced, brittle. His eyes were wide and wild, white around the edges. Of the two, he was the one who was afraid. Lyssa saw it and grinned, baring her teeth.

The other looked cooler, more collected. Angrier. He had two weapons, a stout club and a long knife. For now, he was the one she should keep her focus on. And he was the one who attacked first, leading with the club. She deflected the blow with her mace, barely glancing at it, trusting her instincts and her training as much as her weapon. She kept her focus on defending against his knife. The club was a distraction; the blade was the real danger.

He stabbed at her so fast that if she hadn't been paying close attention, she'd have missed it. Lyssa pulled to the side, avoiding the slash. She followed through by pivoting just long enough to kick the frightened one in the gut before he could work up the nerve to come at her. He fell back with a winded grunt.

Lyssa whirled back again, hissing as the angrier bandit's knife scored a cut on her upper arm. Adrenaline dimmed the pain. She stepped into his reach rather than pulling away. The grunt he let out sounded annoyed, and she knew he'd been expecting her to make the foolish move of trying to withdraw instead. Lyssa was no stranger to combat, though, and she knew that his knife was less useful at this range. Her mace was, too, but the battle-joy surged with her pulse and she would bet her life – was betting her life – that she was the better warrior, and that he would be restricted by relying too much on using his weapon rather than his head.

He dropped his club and grabbed her wrist, trying to keep her mace out of play. With her free hand she got a similar grip on his knife arm. He dug his fingers into her tendons, trying to make her drop her mace, but the pain was minimal and Lyssa embraced it with a grunting laugh. She wanted to return the favor, was confident that her grip was strong enough to do damage. 

Unfortunately there was no time for an extended grapple. The bandit behind her was sucking in a breath, getting his wind back. Lyssa pushed their arms out to the sides, ducked low, and tilted her head down. When she shot upwards she put her whole body into the strike and smashed the crown of her head into the middle of his face. He cried out. Something sharp dug into her skin at her hairline. Perhaps a tooth? The bandit's knife dropped. Warmth began to trickle down Lyssa's face. She took a step back and easily twisted her arm out of the dazed man's grip. She didn't use her mace on him yet, but punched the bandit in the jaw instead. His head snapped back and he fell, loose-limbed, to the deck.

Lyssa turned on the other one just as he finished regaining his feet. She swung her mace with her turn, aiming for the side of his head. At the last moment she softened the blow and adjusted her strike, the head of her weapon crashing into his side instead. She heard ribs crack, watched him fall, but knew it hadn't been a killing blow. This wasn't war, after all, and these weren't soldiers.

Even as she instinctively took a defensive stance and spun to look for her next opponent, it occurred to Lyssa that the boat was too quiet. Nothing moved, no one came at her. The deck was deserted. She had fought four bandits, but six had come aboard. 

Her heartbeat sped up, her stomach dropped. The door to the cabin stood open, the darkness inside impenetrable now that she'd become accustomed to the red light from the fire in town. Apprehension cooled her as it hadn't during the fight. The basic, consuming fear for Niethan's well-being was layered over with concern about what her partner might do, how it would shape what came next. Rolling her shoulders to ease the sudden tension, Lyssa took a firmer grip on her mace and strode towards the door. 

When she reached the threshold a voice called a sharp warning. “Hold it.”

Lyssa paused, peering within. One of the outlaws ripped down the curtain so she could see that he stood facing Niethan, holding a knife barely touching her throat. Another woman stood behind Niethan, restraining her arms behind her back, gripped at the elbows and twisted up high. 

Niethan was disheveled, hair mussed and dress rumpled, although Lyssa's sharp glance picked out no blood. The bandit with the blade was breathing hard, standing with his legs pressed together in a way that suggested that he'd taken a blow to the groin. The woman looked wary. 

“Don't take another step or I'll gut her,” the man said.

“This is a bad idea,” Niethan said softly. Lyssa blinked hard and took a deep breath, bracing herself against that tone. Niethan turned her head just enough to make it clear that she wasn't talking to Lyssa or to the man with the knife, but to the woman holding her elbows. “I can't imagine this feels right to you.”

The sounds from Three Hills grew distant. Niethan's voice was no louder. The opposite. Softer. Smooth. Nonetheless it began to grow. “I think you understood right away, didn't you?” she said. 

The splashing of the crossbowman in the river became harder to hear. Lyssa shoved away the memory that always resurfaced when Niethan did this. Calm waters and a man overboard one moment, shadows beneath and tentacles the next. Not now, she thought, I can't remember that now.

“The moment you touched me, that was when you knew you'd made a mistake. Am I correct?” The woman holding her arms was staring mostly at the back of Niethan's head, she must have known that her captive couldn't actually see her. Nevertheless she nodded anyway, licking her lips. 

Niethan responded as if she had seen the gesture, nodding right back as she said, “I thought so. Some people are more sensitive to the power.” That voice rang in Lyssa's bones. The squids materialized from the depths again in her mind. She pushed the memory away. The man with the knife let his arm drop, taking a step back. Outside the cabin the wind stopped whispering.

“This must be hard.” The sympathy in Niethan's voice didn't lessen the power building behind it. Lyssa couldn't hear herself breathing. She looked away from Niethan. Away from her eyes. She couldn't look at her when the glow started or she'd see that white light in her eyes every time they tried to make love for weeks after. 

“You should let go.” The entire world contracted and distilled into a single voice. Lyssa shuddered. In her mind's eye the squids came to the surface and pulled a sailor underwater. In the cabin the woman let go of Niethan's arms and stumbled backwards.

The strangeness dissipated in that instant. The squids sank back beneath the surface. The world returned, splashing and shouting and burning. When Lyssa risked a glance at her partner, the other woman's eyes were warm and brown.

“Snakes,” the man with the knife said abruptly. After the soft totality of Niethan's voice, his sounded both too loud and weak. “I hated those snakes.” 

Lyssa turned to see his expression as fragile as his voice. She knew came next. She had seen it every time someone without a strong enough will heard Niethan use her power. The memories that came to the surface were never the same but always similar, and without the spine to bear it, the fear was overwhelming. The bandit looked delicate in that moment. He didn't have what it took. 

“Your voice is fulla snakes in the rock s. It bites.” The fear began to sharpen into hatred, just as she'd known it would. Lyssa readied her grip on her mace, prepared to spring. Before Niethan could speak again the bandit lunged, blade leading. He struck towards her throat. 

The ceiling was low, there was no room in the cabin for an overhead blow. Lyssa leaped and swung the mace underhand instead, knocking the knife up and out of his hand. Keeping up her momentum, leaning into her charge, she knocked him onto the bed. Lyssa grabbed his ankle with one hand and stepped backwards, putting the weight of her body into pulling him to the floor. Balanced on her good leg, she stomped down on his belly with the end of the wooden leg. He curled around himself, gasping. 

If he surrendered then he might have lived, but the fear was in him. Not fear of Lyssa. Niethan was the frightening one. Most people didn't realize it, but the bandit was smart enough to have figured it out. But he wasn't quite smart enough to know better than to grab the knife again, and lunge up onto his knees towards Niethan. Lyssa didn't think, just swung sideways, pivoting at the hips to give the blow her full force. The mace struck the back of his head. The crunch was as satisfying as ever. 

Distantly Lyssa knew she'd feel disgust about the satisfaction. Not just yet, though. When she looked up at Niethan there was no judgment in the other woman's gaze. There never was. Her regard was a soft warmth, soothing. This was not the time to dwell in that comfort, however. There was more work to be about tonight. 

*             *             *

The fire had been controlled, and this time none of the Three Hillfolk had died. The bandits sat in a tight circle, facing inward, on the packed dirt in the middle of Main Street. They were bound hand and foot. A young fisherwoman had gone to fetch Bullinger.

Cethro from the general store, still wearing a nightshirt and house slippers, held up a lantern and stepped close to the outlaws. “Yeah, get the mayor, all right,” he snarled, pointing at the one from the boat who'd carried both a knife and a club. “Never seen 'em without masks when they was robbin' us, but if that ain't Hathen Greentree I'll jump in the river.”

The name meant nothing to Lyssa, and Niethan looked blank, but the townsfolk murmured and jostled. The bandit narrowed his eyes and met their gazes. 

Soon the mayor's voice rose from beyond the crowd, and Lyssa heard the note of panic trembling in it. She saw anger ripple through the townsfolk and knew they'd heard it, too. Whoever Hathan Greentree was to them, she could see that he made the mayor's connection to the gang clear.

“Move aside,” he called in a tight voice, “let me through.” Bullinger stepped into the cleared area on the road and stared at Greentree. His shoulders slumped, just a little, just for a moment, then someone shoved past him from behind. 

Vethani, in a long nightdress and no shoes, stopped in her tracks and stared. Her shock seemed genuine. “Hathan Greentree?” she gasped, then turned to her brother. “You said he was dead!”

So much of the drama of the moment was lost on Lyssa that she forgot her reluctance to appear at any kind of disadvantage, and turned to the townsfolk nearest her. “Who's Hathan Greentree?” she muttered to the blacksmith, standing next to her with his arms crossed and jaw clenched.

“Bullinger's brother-in-law.” He turned and spat. “S'posed t'have died when Bullinger's wife did.”

“I – I thought he was!” the mayor lied in answer to Vethani, his breath coming more rapidly.

Greentree sneered.

“How did he know to check our cabin for trade goods, mayor?” Niethan called out, her voice carrying a thread of sharp mockery.

Bullinger's face fell, but he squared his shoulders and tried to bluster through, “Now how would I know? He could've heard from anyone-”

“We only told you that there was something hidden in our cabin,” Lyssa interrupted. With a cold grin she added, “There never was.”

The mayor sputtered, trying to think of a retort. He cut himself off as Wenilyn squeezed out of the crowd and came up behind Vethani, giving Bullinger a wide berth. She fixed her gaze on the bound bandit. “We were friends, Hathan. You burned down my laundry?”

Greentree looked down and away, but still he kept his mouth shut. The crowd was closing around the mayor, who began to speak softly as if they were all good friends and he could talk sense into them, repeating the phrase “no proof” over and over.

Niethan shifted impatiently. Lyssa glanced at her a moment too late to stop her as she stepped nearer to the bandits. She stood over Hathan Greentree, drawing back her shoulders, looking down her nose at him. Not here, Lyssa thought, not in front of all of these people.

But when Niethan spoke it was with only the barest shadow of the voice which pulled the world into itself. The squids mostly stayed beneath the surface. “Tell them the truth, Hathan Greentree.” Even with her voice so subdued, lacking the soft fullness and the terrible ringing, Lyssa saw a tremor pass through the crowd. They'd heard, even those who should have been too far away to make out even a murmur of her words. The eyes of the Three Hillfolk turned to Niethan. The bandit woman who had felt her voice before shuddered violently.

Greentree obeyed. 

“Vargo told me to burn down the laundry,” he said, and Wenilyn turned on the mayor with a stunned gaze. She didn't have time to respond; Greentree was still talking. “He said you started takin' in sewing with laundering, cut into Vethani's profits.”

What?” Vethani gasped, rounding on her brother and slapping him so hard his head rocked. “She's my friend! How could you!”

“Wait – please-” Bullinger began, his eyes widening. The two women hurried away together, betrayal stark on both of their faces, before he could offer any excuse or another denial.

Greentree kept talking, telling the truth as commanded. “When my sister died I faked my death too. Started robbin' travelers. Vargo said he knew a better way t'get us both rich. He knew who in town had the most coin, all th'time. How to send his cut back to him in little bits so it looked like land investment payin' off. Been doin' it for years. He helped put t'gether the gang. Vargo's the brains.” 

“That's enough,” Niethan said.

“Jail the lot of 'em,” someone shouted. Before Bullinger could try to bolt the crowd engulfed him. When they parted enough tat Lyssa could see him again, he was being dragged off with the outlaw gang in the direction of the town lockup.

The remaining townsfolk began to whisper amongst themselves, then murmur, then gradually came talking and shouting. The traders stepped back, giving the Three Hillfolk space as the talk turned contentious. Mostly they bickered over whether to send Bullinger and the others to Hub City for a trial or simply hang them, but soon they started arguing over who should be in charge. A voice rose above the crowd, “How 'bout a temporary mayor? Just til we have a proper election, yeah? I think we should pick trader Niethan.”

Lyssa glared at Niethan and muttered, “You had to use that voice in front of them, didn't you?”

Niethan shrugged. “It sped things up.”

The two women sidled into deeper shadows. By the time someone called, “Where'd she go?” they were around the corner of a building and jogging toward the docks. Better not to have this conversation with the townspeople at all, especially so soon after they'd heard that hint of Niethan's power. Better to disappear into the night.

It was the work of a few moments to cut the lines – untying would take too long, rope could be replaced – board the boat, and cast off. Lyssa took the wheel and kept her gaze turned out towards the darkness rather than the warm light of town. Her eyes needed to adjust again. Night navigation was risky, but staying in Three Hills with talk like that wasn't an option. She glanced at Niethan, who stood at the railing watching the riverbank slide by.

“Always comes back to battles and politics, doesn't it?” Lyssa said.

Niethan agreed with a rueful laugh. “Not much of a retirement, I suppose. The Cabrish Territories seem less comfortable all of a sudden, don't they?” 

Lyssa shrugged. “Let's try our luck in Halan Torania,” she suggested. “Got all our lives to figure out where we wanna be.”

 

 

C.J. Dotson (she/her) has been reading sci-fi, fantasy, and horror for as long as she can remember, and writing for almost that long. She's bi, and is a wife, mom, and stepmom. She lives with her family in an almost-certainly-haunted house in Ohio. Before the pandemic she worked in a bookstore and co-hosted a sci-fi and fantasy book club, and will hopefully do both of those again someday. In her spare time, she paints and bakes. C.J. has work featured in the anthology "Upon a Once Time" from Air and Nothingness Press, as well as in online publications such as The Storyteller Series: Print Edition and the 2020 Pride issue of Prismatica Magazine. For more content and information, check out cjdotsonauthor.com or find her on Twitter as @cj_dots.

Her Wine Red Star

The gal wasn’t from Venus. Ezbon Berwick had met some of those Venusian women in Boston, before the war, and this gal resembled them as much as an ocotillo cactus resembled a rain-fat oak back East. She was bony, dried up, shorter than the dust-blown mule that carried her into town. Where it peeped out from her serape, her skin showed a coppery green sheen he had never seen on any living thing, Earthly or otherwise.

Ezbon’s own horse carried him out of town just as she rode in, so he didn’t see or hear what commotion she caused, yet he mused on her all through the following days of riding errands for the old sorcerer down by Larrenby’s Canyon.

One night, cleaning his guns by the fire, he ventured to speak with the sorcerer about her. “Saw a new gal come in to Hopsapaw just as I was leavin’.”

“Mm,” she said, poring over a gem Ezbon had helped her dig out of the canyon wall earlier that day. It caught the light like a cat’s eye, holding onto it from more angles than it should, a trait that Ezbon’s eyes didn’t rightly like. The sorcerer couldn’t seem to shift her own eyes off the gem for anything.

“She weren’t from any place I know about,” Ezbon persevered, digging into that old vein of stubbornness his Ma could never clear from him. The sorcerer’s quill flickered with what Ezbon recognized as annoyance. “She was a bony thing. Didn’t rightly look half alive, if you follow me. Skin like an old penny—”

“Berwick, I— A what? Skin like a penny, you say?” Down went the quill, though the sorcerer didn’t yet turn around.

Now that he had her attention, Ezbon felt he didn’t quite know what to do with it. “An old penny,” he said. His mouth clamped shut of its own accord. He turned back to his guns. When he dared to look back up, the sorcerer was gazing at him, a distant, thoughtful look in her eyes.

“So they’ve come already,” she murmured, caressing the gem with her thumb.

As he prepared to bunk down in the barn that night, the sorcerer hobbled out after him, peering at him under the lamp she held. She placed a pocket watch in his hand, its casing scaled gold, coiling its chain around and around in his palm. “Take me to Hopsapaw tomorrow,” she said. “We must find out about this new girl.” Then she vanished, lamp and all.

*             *             *

The pocket watch was a weight in his fob, pulling him forward, as if his horse trotted downhill the entire way into town. It seemed to drink in the heat of the early morning sun until his chest glowed with it. He thought of the rotgut brewed in army camps, the way it burned and numbed and drowned you. He thought of rattlesnake venom and the way it scalded up your leg.

Right now he almost wished he were back in that army camp or tumbled amid a nest of serpents. This kind of errand didn’t please him.

He slid off his horse and tied him off in front of the Trog’s Den, then hesitated. From outside he could hear laughter and loud voices. He ran his fingers through his horse’s graying mane and along his bony withers. His horse flicked his tail and drooped his head. Ezbon set his jaw and gave him one last scratch. “Not much longer, old friend. We’ll get free soon.”

He took a deep breath, clenched his fist, and strode into the saloon.

At first, as Ezbon’s eyes adjusted to the smoky dimness, none of the regulars noticed him. His gaze latched onto good old Daisy Dollar behind the bar, holding up a new lithograph print to the hoots and guffaws of the boys lined up behind their drinks. It showed a buxom heroine in a rocketeer’s suit, helmet under one arm and a revolver in the other, one boot settled in conquest on the back of a slick-haired city fellow. Great reptilian beasts loomed behind the pair of them. A star-spangled font proclaimed:

 

DAISY DOLLAR

-in another-

REAL ROCKETING ADVENTURE!

BEYOND the VEIL OF TIME!

an all new novel:

MYSTERIES AT THE MOON’S HEART!

by CORDRY NATHERS

 

“Is that how you served ol’ Archy Clarendon?” Petey Hobbs hollered, and everyone else howled, Daisy Dollar herself loudest among them.

“That gasbag of a senator? Oh, he wishes,” Daisy said, and turned her back to pin the new print alongside a dozen others yellowing on the wall. Men slapped the bar and banged their drinks together.

Petey still had a satisfied grin beneath his scruffy yellow mustache when he turned around and saw Ezbon lingering by the door. “Oh ho, what’s this? Ol’ Low Eb himself! Come to trade your sobriety coin for a free one at last?”

Ezbon’s tongue felt gummed up against the roof of his mouth. His fist was still clenched.

“Clear off him, Pete,” Daisy snapped. Her brown eyes were kind when they met Ezbon’s. She nodded him toward the darker reaches of the room. Ezbon nodded back and walked stiffly to a table flush against the farthest corner.

“I tell ya, a man that can’t drink ain’t hardly a man,” Petey was saying to those gathered around him.

“Keep it up and you can’t drink here.” Daisy snatched his glass away and glared. Even though he had a full foot of height on her, Petey shrank down at the shoulders, muttered, and turned his back to Ezbon. Daisy snorted before giving back his glass. “That goes for all of you. Clear off Berwick. He’s a friend of Daisy Dollar. Now.” She dusted her hands and swept around the bar and followed Ezbon to his corner table. She looked nothing like the buxom lass on the poster. She was Comanche, for one thing. Her face was weathered, her hair graying and cropped close, still following rocketeer regulations after all these years on the ground. Her shoulders were pinched thin beneath the faded man’s shirt she wore.

“Errand?” she murmured as they sat across from one another.

Ezbon brushed his thumb across his fob and nodded. Daisy caught sight of the watch there and frowned. 

“Wish you’d skip on that magic-maker.” He placed his hand on the table and she touched it lightly. “My offer’s still open, you know. Can’t pay the same as her, but it’s honest work.”

“I know.” Ezbon didn’t know how to cut through the thicket of half-formed feelings and ideas that crowded his head whenever Daisy repeated her offer. It wasn’t as if he enjoyed drudging for the old sorcerer. He liked the work in the canyons well enough, and he liked the solitude she permitted him whenever she had no need of him. But—the way she watched him, the foul voices he heard at night, the way the watch warmed against his chest... it didn’t sit well.

Daisy was right, though — there was no way Daisy Dollar could match the money the sorcerer had promised him at the end of his hitch with her. And he needed that payout.

As if following the same train of thought down the same tracks, Daisy scuffed her nail against the smooth wood of the table and said, “Wish I’d been smart and known what a bum deal selling my likeness would be. That Cordry Nathers — you know it ain’t even a person? It’s a committee in New York. Churning out novels on command until our fine public cools on me and my supposed adventures. I was desperate, Eb, in a real pinch. You know how well the service takes care of us when it’s done with us.” She snorted. “That contract saved my hide. Saved me from creditors and worse. Yet it’s been haunting me ever since.”

Ezbon had heard it all before. It was a complaint Daisy loved to make, her favorite tale of woe. He nodded.

“I don’t want that sorcerer haunting you the same way, Eb.” She frowned again at the watch. “Or worse. She’s here, right?”

Ezbon opened his mouth but didn’t know what to say.

Daisy nodded. “Thought so. I’m not scared of her, not like these Hopsapaw rubes. They hate you because of her, you know that? She’s been a plague in these parts since before anyone clapped some logs together and called it a town. But you know it takes more than a dusty old arcanist to rattle Daisy Dollar of the Planetary Patrol.” She made the rocketeer salute, flying her left hand to the stars, and Ezbon cracked a smile.

“There he is!” Daisy grinned at him. “What’s the old bat got you in for today?”

“New gal showed up the other day,” Ezbon rasped, his tongue dry from holding it in.

“Hm.”

“In town. I saw her ride up. Like no one I ever saw.”

Daisy flashed into anger, her lips setting in a thin line. Her eyes flicked from Ezbon’s to the watch. “The Martian. You saw her.”

Ezbon’s eyes widened.

“Listen up, Zorumel.” Daisy leaned forward and jammed a finger against the watch. It thunked into Ezbon’s chest and left him oddly short of breath. “You clear away from that Martian girl. You hear? I’m not telling Berwick a damn thing about her whether you’re here or not, and that’s Daisy’s bottom dollar. My revolvers still work, and they’re proof against sorcerers.” Daisy’s eyes were hard when she looked back up at him. “And you, old friend, won’t dare bring her back in here like that again.” She slapped a hand to the table and shoved away from him, leaving his thoughts more nettled than before.

*             *             *

Man and horse alike slumped on the long ride back to Larrenby’s Canyon. When the watch cooled, Ezbon wasn’t surprised to find the sorcerer stalking alongside his horse, the now-useless lamp swinging from her hand.

“That was your plan?” she snarled, then took a deep breath and straightened her spine. “You were not the right tool for the job, Berwick. I apologize.” She stopped, and the horse stopped alongside her without Ezbon’s command. “A scholar has many tools. I should have selected better.” She smiled up at him and he ground his teeth together. He felt like lightning would come calling down from the sky when she smiled like that. He could almost swear the sorcerer’s perfect teeth carried an electrical charge, so white they looked blue. “Run along home, Berwick. Take the rest of the day off.”

“Don’t hurt her,” Ezbon said. His heart pounded in surprise at himself, that he had dared to speak.

The sorcerer had already been looking back toward town. She glanced at him impatiently. “Mm? The rocket pilot, you mean?” She waved the idea away. It was as if she were so deep in her own thoughts that she hadn’t noticed his temerity. “I’m concerned with matters more urgent than a make-believe heroine. Don’t you fret about her.”

As she turned and stumped back along the road toward town, Ezbon wasn’t sure if it was Daisy he’d had in mind when he spoke up.

*             *             *

Ezbon didn’t take well to sitting still. Ignoring the sorcerer’s command, he busied himself with tasks that needed doing around her homestead. 

The big windmill that drew water from the ground had a pump arm that had been sticking for some time; he took it apart and got it moving again. 

The goats’ corral had a broken fence where it butted up against the canyon wall; he removed the tangled cottonwood branches that had been his temporary fix and brought fresh boards down from the barn to hammer into place. 

All the while, though his hands were occupied, his thoughts raced away from him. He cursed himself for bringing the Martian gal to the sorcerer’s attention. He cursed himself for bringing the watch into the Trog’s Den and for the look on Daisy’s face when she turned away from him.

He thought of the posters with his own face lithographed onto them, the ones he saw at that train station back East. DESERTER, they proclaimed. $1000 BOUNTY FOR CAPTURE.

He thought of the face of Bill Harrison beneath him, urgent lips, clumsy hands. Quiet need shared in the darkness of the army camp. The secret sweetness of sweat. Extra moments stolen afterwards, head on chest, gentle fingers suddenly shy.

The cannons. The rifles. Those same hands, those same lips, stilled forever in the mud at Camdentown. The ringing in his ears.

He thought of the money the sorcerer had promised him. One thousand, exactly. Enough to pay off his bounty, to buy back his freedom. Enough for a new life. She had smiled that same dangerous smile when he shook her hand on it.

He wanted to slow his thoughts, to numb them, to drown them. His head pounded as he worked late into the evening, tearing down old wire, stringing up new. His ears rang.

He wanted a drink.

Ezbon threw down his hammer and his wire cutters and stomped off, away from the sorcerer’s homestead. The moon was setting close behind the sun; Venus gleamed between them, planet of pleasure and storms. The canyon had long fallen dark. Gray jays and crows yelled at him from the rock walls above. His feet picked their way from memory along the sandy wash at the bottom of the canyon, taking him through thickets of dwarf willow and joe-pye weed and yucca, up shelves of loose stone. Coyotes yapped in the deep blue twilight.

There had been coyotes the night before Camdentown, too. Harrison, from way back East, thought they were some farmer’s dogs. Ezbon had laughed at him, ribbed him, offered to tame him one of those yipping dogs to take home to Albany. Laughter came easy to Ezbon back in those days. Coyotes bayed the last time they ever kissed.

Climbing in the dark. Boots slipping on crumbled sandstone. Tears clouding his eyes, refusing to fall.

Piñons crowded the upper reaches of Larrenby’s Canyon. Ezbon realized just where his feet had taken him: the fresh dirt marked where he had dug the canyon wall for the sorcerer the other day, where she had found the cat’s-eye gem. Cold flushed through him as he pondered whether she had worked this on him through her magic.

“Old bat,” he whispered, smiling at Daisy’s words.

His fingertips brushed the scars his pickaxe had chewed into the rock. He was numb to whatever magical strands had drawn the sorcerer to this spot, and yet—

He stooped and plucked a dusty bit of gravel from the tailings he’d left behind. It was a dark lump in the starlight, indistinguishable from any old chunk of sandstone. Until he sucked enough water from his parched cheeks to spit on it and polish it clean.

A gem winked at him, reflecting the wavering red star at the zenith.

Mars. Ancient planet of war and magic.

*             *             *

The sorcerer didn’t return that night, or the next. Ezbon scarcely noticed the passing time, hardly stirred himself to open a can of beans for a cold supper. He stared into the red gem as long as the light lasted, turning it this way and that, slipping into the subtleties between its shades — the red of warmth, the red of living, the red of closed eyes. At night the fire showed him the red of war, the red of wine. It drew him much the way the cat’s-eye had repelled him. It swallowed him and its color filled him. It made him feel good. Alive. It was magic of a kind he’d never seen in the sorcerer’s hands.

The sorcerer. 

It was on the third day he thought of her, and the Martian gal, and Daisy Dollar. He wrapped the gem in a bit of cloth and slipped the bundle into his boot. He made sure his guns were clean and loaded in his belt. He remembered to feed and water his old horse, chores he’d neglected while taken by the gem. He brushed the gelding’s graying hide and murmured, “Sorry, old friend, I’ve done just rotten by you.” Only then did Ezbon saddle him and lope him easy toward Hopsapaw.

*             *             *

Some kind of fuss was going on at the Trog’s Den. Petey Hobbs stood fast in the door with a shotgun cradled over his arm, jawing away at Tansy Chavez, the town constable.

“She ain’t here, boss, ain’t been since Saturday,” Petey said.

“She weren’t seen leaving town, Hobbs,” Tansy said, hand resting on the butt of a silver revolver.

“She’s Daisy Goddamn Dollar, boss. She coulda got out of town any way she pleased.”

“It don’t sit right with folks that you set yourself up in her establishment, see, with her not seen these last few days. Just let me through.” Tansy pushed forward. Someone in the crowd hollered.

“She gave me orders,” Petey said, sweating, raising the shotgun enough that Tansy stopped. “‘Run the bar for me, Pete,’ she says. ‘And don’t let no one snoop.’ I can’t let you in here, boss.”

Tansy gripped the butt of her revolver. Ezbon grimaced, wishing he could ride anywhere else this day, but spurred his old horse toward them all the same. “Hold on,” he called. Somehow his voice carried fine and clear over the dustup of the crowd.

Petey and Tansy alike froze up and looked at him as if they’d sooner expected a Venusian rainbow-dancer troupe to come trotting into town.

“The wizard’s jobber,” someone jeered.

“That’s right,” Ezbon said, “and there’s magic mixed up in this.”

No one said a word or moved a hair while he slung himself off the horse and stepped toward the fray, hands raised as if to reassure a skittish colt. For once—for the first time since Camdentown—Ezbon Berwick knew what he had to say. “I been helpin’ the sorcerer, and I tell ya, I feel mighty rotten about it. She’s got her spells on this town, onto all of y’all. Howsoever I helped her on that trick, I apologize. I’m sorry.”

“What’s he talkin’ about?” Tansy said to no one in particular. She hadn’t taken her hand off the revolver.

“I mean old Zorumel’s got you spittin’ mad at each other.” The name was like blue poison in his mouth, but he went on, striding ever so carefully between the constable and Petey Hobbs. “She’s got a big score she’s workin’ on, that Zorumel.” The scene unspooled in his mind, almost as clear as if he’d been there to see it. “She didn’t want no distractions. Daisy Dollar up and called her out the other mornin’, so of course Daisy had to be cleared off.”

“You had a hand in takin’ Daisy?” The constable pulled her iron then, training it at Ezbon’s boots.

He was making a mess of this. He wished he’d read those novels Daisy was always in. Daisy would know how to talk her way out of any jam. Daisy could get out of anything.

“No—no, ma’am.” He closed his eyes, felt the red warmth through his lids, and remembered Harrison kissing him there. He went on. “Zorumel didn’t put much stock in my brains, and maybe she was right about that. She sent me to the homestead and had me occupy my own self while she worked her magic. I’m tellin’ ya, she’s up to no good. Daisy’s likely out there right now, trackin’ her and puttin’ a stop to things. The sorcerer’s got us pinned down, yappin’ away, when she’s up chasin’ that Martian gal who knows where—”

“Martian,” Tansy and several others said at once, and there was a general murmur from the mob. Petey had lowered his shotgun and was backing away, as if fixing to lock himself inside the Trog’s Den and wait for it all to blow over.

“Pete Hobbs,” Ezbon hollered. “What’d Daisy tell ya about the Martian gal?”

Tansy flicked her gaze over at Petey and sussed out the same idea. “Let’s go in and talk about this at a nice table.” She shoved past Petey before he could react, occupying the doorway with her silver revolver in hand, looking a challenge at anyone who would gainsay her. “Berwick, Hobbs. You too, Carter.”

Ezbon was surprised to see Babatunji Carter, the big merchant who ran the general store and always wore the newest and nicest suits in town, come elbowing his way through the now restive crowd. Several folks made to follow him toward the saloon, but Tansy glared at them one by one until only Ezbon, Petey, and Babatunji were left. She motioned them inside, and she and Petey barred the door behind them. Empty bottles and glasses on the bar demonstrated that Petey’d been hard at work in Daisy’s absence.

“I doubt the wisdom of this,” Babatunji murmured to the constable.

All three of them looked at Ezbon.

“Berwick.” Tansy stepped up to him, holstering her revolver and planting her hands on her hips. “D’you swear by God and the Constitution that the sorcerer ain’t with you? That you brought no trace of her, no devices, no magic contraptions of any kind in here?”

Ezbon hesitated only a moment, thinking of the gem in his boot. Surely something so warm and pure hadn’t felt the sorcerer’s touch. “I swear.”

Tansy and Babatunji exchanged glances, and the constable nodded reluctantly.

“Daisy Dollar  had us swear not to tell you any of this, Mr. Berwick,” Babatunji began.

*             *             *

When the Martian witch rode into town, no one noticed at first. A few greeted her politely and went on about their errands but, for the most part, she glided along Hopsapaw’s only real street as invisible as a ghost or an idea. Earthly English signage stumped her for a bit — the letters were too squared off, too discrete, refusing to flow together and make their sounds for her. But she found the Trog’s Den quickly enough and slipped inside.

Daisy Dollar saw through the Martian’s glamour straightaway but didn’t say a word about it until closing time, taking only a moment here and there to leave a glass of water where the Martian could take a discreet sip. The Martian occupied her time by drinking in the sight of those posters on the wall behind the bar, the lithographic heroism and derring-do of the Planetary Patrol’s most famous and decorated pilot. There was the time she had vanquished the robber-barons of Ascraeus Mons, the time she had brought peace to the warring families of the Occator. Other adventures—against certain “beast-men” of Ganymede or a conquest of the sapient plants of Mercury—were not among the tales the Martian had heard in her homeland. 

Daisy closed early, shooing out Petey and the rest of the recalcitrant stragglers. She came and bowed Martian-style to the witch, who seized her hands and said, “Hero of Earth, I am Thrull t’ar Sur. I need your aid.”

“Daisy Dollar, at your service,” Daisy replied. “What d’you need, doll?”

Neither Babatunji nor Tansy were sure of the specifics of the wizards’ war the rocketeer discussed with the Martian mage, save that its origins were ancient and Daisy herself didn’t stint on helping the Martian’s cause. Neither was surprised, when Daisy came to them the next day, to hear that their own local sorcerer was mixed in with some nefarious business at the root of it. Daisy told them the Martian was here to make sure Zorumel didn’t get her claws on something important—some bygone relic of the wizarding war—but wouldn’t tell them more than that.

Petey Hobbs poured himself a tumbler of whiskey. Tansy frowned and made sure she could fix her eye on him at all times while the jawing went on.

“Daisy laid out that our first job was to keep even a whisper of Thrull away from Zorumel,” Tansy went on. “Thrull was to face down Zorumel herself, but only when she was ready. I was to help with scoutin’ and keepin’ it quiet. Beggin’ your pardon, Mr. Berwick, but as of Saturday I had instructions to keep you clear of the Den at all costs. Mr. Carter was in charge of makin’ sure the Martian had certain things for her spells. On top of all that, Thrull needed time and a place to hide.”

Petey knocked back a second slug of whiskey. He rubbed the back of his hand across his damp mouth. “And she needed errand boys.”

Ezbon and the others looked at Petey. The bottle rattled against the glass as he poured himself another shot.

“You,” Babatunji said. “And who else?”

When Petey looked up at them, his eyes were red and running. He smiled joylessly and knocked back another drink. “Daisy plays ’em close to the vest. I think Maria Perez was one. Saw her diggin’ roots down at the river. Maybe findin’ something the witch could eat. Didn’t know who else Daisy talked to. She didn’t want us able to tattle on one another.”

Tansy’s voice was cold. “What did you tell Zorumel?”

Petey hung his head and let out a strangled sob. “I swear to God I didn’t mean no harm, boss. She came in that same day ol’ Low Eb came in and rattled Daisy so.” He sniffled, and put an angry eye on Ezbon. “Only I didn’t know it were her, you follow me? I—I thought it were Daisy. Askin’ for—more help.”

Babatunji shook his head. “I don’t follow you, Mr. Hobbs.”

“He’s hankered after Daisy Dollar since day one,” Tansy said. “Hobbs means he thought Daisy’d come to help him with his—hankerin’.”

“You shut your mouth about Daisy,” Petey exploded, smacking his glass down on the bar. Somehow, it didn’t shatter. “I’d go to the ends of the Earth for her. I’d go to Mars if I had to.”

“What did you do, Mr. Hobbs?” Babatunji asked quietly.

“Daisy—Zorumel—she sidled up to me after the real Daisy musta left to arrange some other things. I was cleanin’ the bar, see, swabbin’ the floor and tables.” He made to pour himself more whiskey, but Babatunji rose and scooped the bottle and tumbler from him before guiding Petey—now rightly soused—to a chair next to his.

“You thought she was Daisy,” Babatunji prompted.

Petey gripped the table as if to keep himself from spinning away. Moved by a new sense of comradeship, Ezbon placed his rough hand atop Petey’s. “Magic makes a man a stranger in his own mind,” he said, and the words seemed to come from some other star.

Babatunji and Tansy exchanged a glance.

“She—she had me lie in wait for Mr. Carter’s men to bring in the salt casks and things.” Petey stared at Ezbon’s hand atop his while tears flowed freely down his cheeks. “She gave me a—powerful charm to run over the salt and things.”

“A gem,” Ezbon said, fetching his hand back, scuffing his boot under the table. “A gem like a cat’s eye.”

Petey looked up at him as if he’d forgotten Ezbon were there. Anger rushed into his eyes. “Daisy said to clear you outta the Trog—”

“And maybe we just got hoodwinked,” Tansy said. She rose and had a revolver pointed at Ezbon’s chest in one motion. “Magic’s on us all, lads, and I went and invited Berwick into the Den.”

Babatunji rose too, still hefting the whiskey bottle in his hand. He looked between it and Ezbon as if unsure whether to bust it over his head now, or to wait to see how things went before wasting the whiskey. Petey just sat and stared, his lips moving without a sound.

Warm confidence flowed through Ezbon. Of course the sorcerer had fixed their minds against him. That wouldn’t stop him, not Ezbon Berwick. He’d come through for Daisy Dollar in the end. She was the best and only friend he had left, on Earth or any other globe.

“I need you to unbuckle your gun belt now, Berwick,” the constable said.

Ezbon raised a hand affably, and all three of them quieted, tractable as horses. “I need Pete Hobbs to finish tellin’ his tale.”

Petey’s mouth worked two or three times, like a wagon wheel finding purchase in mud. “Gem. Over the salt. Daisy, the real Daisy Dollar, poured it herself later—barrier to magic.”

“How’d ya puzzle out Daisy weren’t Daisy?”

Petey gulped and all of a sudden looked mighty sober, his red cheeks paling. “When she came back.”

“Zorumel,” Tansy murmured.

“Daisy had her gun out quick as anythin’. ‘Petey, what’d you do?’ she said.” Petey ran his fingers through his hair, clenching and unclenching them, as if he could tug himself out of a nightmare. “Zorumel, she stood right there—” He pointed to the far corner of the saloon. “She just laughed. ‘More fools than you have thought to try lead against me,’ is what the ol’ hag said. She raised her hand, see, and there was the cat’s-eye.” Petey buried his face in his hands and shook, unresponsive when Babatunji patted him on the back.

Eyes and iron still pointed at Ezbon, Tansy said, “What happened next, Mr. Hobbs?”

“Tell us,” Ezbon murmured.

Petey raised his head to meet Ezbon’s gaze and stilled. Cold anger lurked in his eyes, but he did as he was told. “I hid, Eb. Like a coward. I hid right behind that bar and saw not one thing while Daisy Dollar fought the wizard. There were a crack like lightnin’, and another crack—like gunfire, but softer. It were like I couldn’t rightly hear. All muffled. Then—Daisy Dollar jumped the bar. She crouched down and shook me and said, ‘Pete, I got her on the run. Things are movin’ quick. Watch the Den for me, Pete,’ she said. ‘Don’t let no one snoop. And don’t let in Ezbon Berwick or no one else that’s been actin’ funny, on my life and yours.’”

Tansy’s thumb was working at the hammer of her revolver. Ezbon raised his hand more sharply this time. Tansy grimaced, her arm shook like the palsy — but then she lowered the bore. Ezbon nodded at her. “All of y’all have been actin’ funny,” he said. “Hopsapaw’s been cursed. Pete Hobbs bewitched, the constable pointin’ irons, every blessed soul like a match on a powder keg. You bet Daisy Dollar can get to the bottom of this. And her old friend Ezbon Berwick is out to help her, make no mistake.” The warmth inside him swelled when he looked at Daisy’s lithographs behind the bar. Soon enough she could pin a new adventure up there, a real one this time, and Ezbon’s features would be up there with hers instead of on some wanted poster.

Soon everything would be back the way it should be. Bill Harrison — oh, Harrison would be so proud of him.

Ezbon pushed himself off from the chair, stretched his back until it popped, and smiled at the three townsfolk held fast in front of him. Three sets of eyes glaring at him. No one in Hopsapaw had given Ezbon Berwick a proper chance. He’d brought it down on his own head by working for that wicked old sorcerer, sure, but he’d make amends now, and they’d see.

He just had to find Daisy Dollar, and this Martian witch at the root of it all.

The heat inside made him thirsty. He snatched the whiskey bottle from Babatunji, gave him a polite nod, and lifted it to his lips. A drink—his first drink in who knew how long. Oh, such precious fire washed into him, fuel eager to burn, mingling with the red of the star aflame in his heart. The wine red star guiding him.

He turned to Tansy, smiling wide. Everything fitting together at last. “So where’d ya hide the Martian?”

*             *             *

Mounting and staying atop his old horse took more effort than it rightly ought to. Ezbon clung tight to the bottle with one hand and the reins with the other, shaking his head to clear it. He smiled wide at the mob of folks eyeballing him uneasily in the street. “I’m off to help Daisy Dollar set it right,” he said, or so he thought he said. In truth, it’d gotten hard to reckon which way was up, let alone be sure what came out of his mouth.

Guiding the reins with one hand had a marked influence on the horse, who felt disposed to follow the reins leftward. That was all right—he felt sure that Daisy’d allowed for that, somehow. No matter what happened, they’d fetch up just fine.

Past town, the road led out onto broad grassy hills fenced up by the bigger ranchers before dipping down to the broad shallow ford of the river, which spilled over its rocky bed even in the dry summer. Ezbon guided his horse left instead of fording, following an old hunting trace downriver. The lowering sun fell in his eyes. It mixed its flame with the whiskey and the magic within him, and set his pores to squeezing out every drop of sweat his carcass had left in it. His hand brought the bottle up to his lips but it was empty, somehow. He tossed it like a rocket at the sun. He heard it smash somewhere far off but the sound was muffled, his head wrapped in miles of gauze, his sweat bleeding him dry.

Daisy Dollar stepped into the trail in front of him, taking the horse’s bit. She telescoped before his eyes, receding to the stars, swimming back like a rocket falling down to its mother planet. He smiled down at her with all the warmth and benevolence of the wide solar system.

“Oh, Eb,” she said. She reached out toward his boot, the one with the gem tucked inside.

His sweat cooled mighty fast. He jerked back away from her, making his horse dance an awkward two-step.

Daisy grabbed hold of his shirt and hauled herself up behind him on the horse’s rump. “I never meant it to happen this way, Eb,” she said in his ear, and clocked with her sharp fist right in the back of the head.

*             *             *

Ezbon woke in his socks with a thousand artillery pieces clanging in his head. His lips were like shredded paper. Never in his life had he felt farther from warmth and light and the sun. He shivered and groaned.

“You’re all right, Eb,” a voice whispered above him. Water touched his lips and, for a spell, it was the only thing in the world for him.

He could tell it was Daisy by the way she moved in the dark, hands small and strong and precise, cupping his cheek reassuringly as she put the canteen away. His thirst checked, a cold, ravenous need seized him. All at once, he knew himself Daisy’s prisoner, his warm jewel snatched away through treachery. He made to scramble away from her, socks catching in gravel, but she placed a knee in his chest and caught his wrist in her grip.

“I’m mighty sorry,” she said, grunting with the effort of holding him down. “We had to act fast and it was our only plan. Ezbon, hush. Please. I ain’t your enemy.”

Only a wordless howl came from his lips, cousin of the call wolves throw to the cold moon, a yowl for starlight, the cry of an empty soul wanting surfeit. She clamped a hand down on his lips.

“Hush, you lunk. You had hold of a powerful magic charm for three days. That was my doing, Eb, but you’re comin’ off it now, and you went and soused yourself half-dead.” She raised her hand cautiously, testing him, ready to clamp down again. He snarled up at her and thrashed a bit, but stilled when the pain in his head grew too heavy. He thunked his head back down and he cried, shuddering silent sobs that shook him and made his head throb worse.

“Eb, Eb, Eb,” Daisy murmured. She cupped his cheek again.

“Hurts,” he hitched out between sobs.

“A man what’s been sober ten years can’t hold what he used to.”

Hurts,” he grunted. She didn’t understand. All of it—all the pain he’d kept in check, all the ache, Harrison’s face, his touch, the shy and daring smiles they shared, the long rambling talks about sweet horses and mean sergeants and folks back home and the farm they were going to build on Harrison’s Ma’s piece of land in the Berkshires and the gentle brook there that became a roaring cascade as it flung itself down a chasm of boulders between the hemlocks and the shady spot where Harrison loved to sit and read his poetry books among the trilliums on the first warm day of May and you’ll just love to see it Ezbon, as soon as this blasted war is done I’m taking you to see it and I’ll read you poetry and we’ll be brothers and lovers forever, Ebby dear.

All of it poured through him, cold and bilious, thundering like cannons into the gulf between stars. He rolled away from her and retched onto the woven blanket beneath him. After that, still he sobbed, helpless as any baby when the nurse shuts the door—and as alone.

“It was the magic,” Daisy said, as if to someone else.

“No,” said a new voice, dry like wind through the cottonwoods once their leaves were gone. “This dam has been inside him for some time. Taking the stone away loosened it, and now it must flow.”

Ezbon’s sobs stilled. He spat out bile and rolled back, placing his hand over Daisy’s where she made to hold him down again. He blinked the tears away. A familiar shape in the dark.

“Ma’am,” he said to the Martian through chattering teeth.

Thrull t’ar Sur nodded in return, her spidery arms folded beneath her serape. “Earthman. An unlikely helper, but Commander Dollar swore her faith in you.”

He gave Daisy’s hand a squeeze and she let him sit up. His head spun and the tears rose up in him again—the tears he’d rarely been able to shed after finding Harrison dead in the Camdentown mud. “Faith in a blubbering fool,” he croaked, and turned away from the ladies to spit more of the filth from his mouth.

“Faith in a man of character,” Daisy said. “I’m mighty sorry I put that stone on you, Eb. You deserve to hear why.”

“We move against the Earth sorcerer tonight,” Thrull said, the patience in her tone as sharp as a rebuke. “Tales may wait for the end of battle.”

“No ma’am,” Daisy said. “Ezbon Berwick is a friend of Daisy Dollar, and I owe him an apology and a chance to have his say in all this.” She patted his hand. “It don’t sit right on my conscience, Eb, me using you like that. And damn me if I don’t try to set it right.”

*             *             *

So she spun him the yarn while he huddled under a clean blanket and drank the water Thrull t’ar Sur had silently fetched him from the river.

“Long ago the mages of Earth sought to stretch their grasp to the other worlds.” In Daisy’s voice, Ezbon heard the rhythm of ancient songs—memories passed down under the light of the stars. “Venus was the first to fall, choosing to survive rather than to fight. The Venusian day is long; it taught them patience. Mars would be harder to crack. Though the mages threw down the Martian moons and scoured the globe with storms, the Martians fought them back. The seas boiled, their cities crumbled, yet still they endured.

“Through some means an Earthly mage descried the Martian secret. It was a gem like no other in all the wide Solar System. It linked their minds and guided their hearts to a common cause. The mages of Earth feared this unity, and quickly moved to suborn it to their own wishes. Thus they fashioned their own jewel, a tool of greed to magnify the self above all else.”

“A jewel you helped the sorcerer recover,” Thrull rasped.

Ezbon spat a mouthful of water but couldn’t shake the taste of bile. He couldn’t meet their eyes.

Daisy touched his shoulder. “Maybe you see why we had to do it this way, Eb. Zorumel had her fangs in you. The cat’s-eye made her poison sink deeper. She was doing her best to make you her creature—and the whole town along with you. Someday, maybe, she’ll want the whole world under her, like in the ancient days. The red gem was your only way clear of her.”

He could feel it still, that red warmth. A sun hidden close-by as he shivered and cringed under the blanket. Was it there, in Daisy’s saddlebag? Did the Martian clutch it beneath her serape? Ezbon stole peeks around the camp, avoiding Thrull’s gaze. The night stank of his vomit.

“The two stones are linked from how they were formed in the ancient days. Zorumel touched your mind with the Earthly stone. We had to drive her out again with the Martian stone.” Daisy sighed, gave his shoulder a squeeze before releasing it. “It’s up to you to forgive me, old friend.”

Ezbon took a breath, forced his hands steady, took a long pull from the canteen. Nothing was enough to fill him up, to lodge him back down into his own hide. His thoughts were clouded, distant, a vast blizzard taking shape as it swept down from the northern plains. He managed to look Daisy in the eye long enough to nod. Her answering smile brought the famous dimples to her face. She clapped him on the back.

“Let’s hope his aid is worth this risk, Hero of Earth,” the witch said, turning from them and scuttling toward her mule. “Your world won’t satisfy her. We need to stop her now.”

“You’ll see,” Daisy Dollar said, though her smile faltered just a little as Ezbon’s eyes strayed past her once more.

*             *             *

“They used you,” the sorcerer said calmly, somewhere behind Ezbon’s right ear.

He flinched and risked a glimpse back, saw nothing but dark cottonwoods and the empty trail behind them. His old gelding shook his ears with unease. Neither Daisy nor the Martian, ranging up ahead on their own mounts, seemed to hear.

“You want that stone back, Berwick. You hunger for it. Once you’ve known its heat, you won’t ever be complete without it.” The sorcerer’s voice was companionable, filling Ezbon’s mind with the warmth of a hearth and a house wrapped snug around it. Under his blanket, he shivered. “All the years of your life will be spent in that hunger, gnawing you out from the inside. Daisy Dollar knew that. She and the Martian tipped you that red gem regardless of what it would do to you — heedless of how much you would need it after they were done with you. And as you can see, I’m still here. Linked the stones may be, but Earth, after all, devised the green to defeat the red.”

Ezbon tightened his grip on the reins. His horse whickered and slowed his pace.

“I have no quarrel with you, Berwick. I shall give you your thousand dollars tonight and consider you ably acquitted of your duties to me. Fair and square. I ask only one small task of you in return: get that jewel. No, no—not for me, Berwick. I want you to keep it. I would never deprive a worthy being of that gem’s power, to leave him thirsting forever after it. No, I will give you that jewel tonight, in addition to what I promised you. It will be yours, and you’ll be free. Go East and make a new life for yourself. Charm your way into a fortune. Stay in Hopsapaw and become its king. I won’t hold anything over you.” He felt the electric danger of the sorcerer’s smile, a tingle like an approaching thunderhead that stirred the hair on his neck. “She won’t let you touch it again, you know. So get that jewel.”

Ezbon’s teeth chattered in the sudden silence. His horse had stopped of his own accord, shifting his withers nervously. The night grew vast and empty above the cottonwoods, a chill seeping from the abyss between the stars into his ribs. He could almost see the gem now, a red star illuminating the Martian, limning her shape between the trees where no light from the upper stars reached.

“Eb?” came Daisy’s soft call, up ahead on her palomino.

Ezbon’s hands stole to the butts of his guns. His heart tripped like a colt’s first steps.

The pain of Harrison’s absence, which he tried to drown in drink for so long, which he fled the East to escape. The pain that had made him a deserter, a wanted man with only loss behind him, and nothing but a gaol or exile ahead of him. The pain took physical shape inside him, a weight on him as familiar as a cruel rider on an old broken horse. The red gem had burned that pain away. In the absence of the gem, it seemed as if no time at all had passed since Camdentown, that the weight was as heavy as it ever had been, a hole in the shape of Harrison that let the wind of the desolate stars howl through and buffet him where he sat—a gap only the gem could fill.

He thumbed the cold hammers of his irons, then paused.

He touched his face. It was wet with tears he hadn’t known were left in him. What had that Martian witch said? Taking the stone away loosened the others, and now it must flow.

He scrubbed his face with the rough heels of his hands, gave Daisy an answering whistle, and nudged his horse up along the trail.

*             *             *

Zorumel awaited them as Ezbon knew she would, enthroned atop a hoodoo where the river cut into the badlands. Daisy Dollar stole one last look at Ezbon before urging her palomino ahead of the Martian, drawing her irons and standing in her stirrups.

“Surrender the jewel, Zorumel,” Daisy hollered, her voice skittering like so many bats across the walls and pyramids of the badlands. In the light of the stars she looked every inch the hero the lithographs made her out to be. “Toss it to Thrull now, and all of us are back in our beds before sunrise.”

The sorcerer smiled that awful electric smile. Ezbon flinched, expecting lightning from the clear sky. What smote them down instead was cold, an avalanche of it, a freight train of winter wind screaming from everywhere and nowhere. His horse buckled at the knees. Daisy and the Martian were flung aside, their mounts crying aloud. Ezbon felt himself slammed to the ground, too numbed to do much more than watch Zorumel, who seemed to recede impossibly high into the sky.

“The lies they’ve printed about you have gone to your head, pilot.” Zorumel’s voice sounded as companionable as before, undaunted by the howling cold. “I’ve warned you before about chancing lead against me. What is a service revolver against one who wields the powers of old?” Then, behind his ear, spoken for him alone, Ezbon heard, “The gem, if you please, Berwick.”

The wind relented above him and, after a moment, Ezbon limped to his feet, head swimming, knee shooting a volley of warning before he could commit his weight to it. His horse thrashed, eyes shining white with panic. Daisy struggled to rise ahead of him but was shoved back into the dirt by an unseen hand. From the corner of his eye Ezbon saw green and blue shapes in the wind, outlines of dragons and ancient monsters, greedy jaws that vanished as soon as he turned his head, teeth that flashed like lightning. He worked his fingers but they remained numb, as if deadened by frostbite.

He staggered forward, finding the Martian crumpled among the rocks at the base of a spire. Her eyes arrested him, locking onto his, and he stumbled.

The Martian didn’t speak, didn’t do more but look him in the eye. Ezbon wanted to drop his gaze, hide his soul from her scrutiny, but something—a trace of disappointment—was enough to stop him.

“Take the gem,” commanded the sorcerer in his ear. Ezbon saw that the Martian heard as well—and then she extended her hand from beneath her serape, the gem warm as wine in her palm, warm as summer sunshine, offering it to him.

Shivering, his arm shaking, Ezbon fumbled a gun out of its holster. He crouched before the Martian, nodded to her, and extended his hand to take the gem.

“Now,” the Martian whispered, her cracked lips making no sound in the screaming wind.

He snatched the gem from her, dropped it onto a flat rock and—quick as anything—he slammed the butt of his gun against it. For a moment two suns flashed there in the badlands, one red and one green, and the sorcerer’s howl drowned out the sound of the wind. A split second later came the report of Daisy’s guns, one-two, and Ezbon blinked his eyes clear. His world narrowed to the broken fragments of the gem, dark and lifeless on the slab of stone in front of him. The echoes of Daisy’s guns flew down the badlands and swam back up to them. After that was silence, broken only by a choked sob from Ezbon.

The Martian placed one shriveled hand on his chest. He clutched at it, bowing his head, and the tears fell in the vastness of night.

*             *             *

They rode in silence as the bowl of sky paled above them, climbing out of the valley of the badlands and onto the mesa. Ezbon led, unsure where he was going, the two behind seeming as lost in thought as he was. Atop the mesa, Ezbon nudged his horse around and halted him, gazing for a spell at the eastern horizon. A coyote yapped once. Far away a band of its fellows answered.

Daisy turned her palomino beside him, and the Martian’s mule pulled up behind. They watched the sky, listened to the first stirrings of birdsong. A vireo warbled somewhere below.

Daisy sighed, rubbing her neck, nursing the spot where she’d landed after the sorcerer’s first blast. “The books never tell it like it is,” she murmured. “The fear of it. The way it makes you feel sick to your stomach. The headache you get when the shootout’s over. The way gunpowder stains your insides.”

Thrull t’ar Sur grunted.

Daisy turned her eyes on Ezbon, placed her hand on his shoulder. “They never talk about the friends we hurt on the way.”

Ezbon knuckled an eye, unsure what to say, unsure what he felt in that moment.

“Give credit to your friend, Hero of Earth,” the Martian rasped behind them. “He may or may not forgive us, as is his right. But he saw what needed to be done when the moment came, and proved your faith in him.”

It was a while before Daisy spoke again. “The offer’s still open, Eb. You’ll be a hero to Hopsapaw. But I understand if there’s anywhere on Earth you’d rather be.”

His old horse scuffed a hoof in the loose gravel, impatient for feed and rest in the sorcerer’s barn. A place he’d never go again. Ezbon turned in the saddle, looking at the Martian and beyond her, where a red planet was setting over the distant peaks. He wondered what Harrison would say and, for the first time in a long while, he was pretty sure what it would be.

He looked at Thrull, who nodded once. “I’d like to try someplace new,” he said.

 

Rick Hollon (he/him) is an intersex and bisexual SF writer whose work has appeared in several small-press zines, including Corvus, Deimos eZine, Into the Willows, and The Book of Imaginary Beasts. He is one of the editors of From the Farther Trees, a fantasy print zine.

Poor Monster (or What You Will)

A retelling of Shakespeare’s Twelfth Night

 

Viola’s head struggles to breach the waves as her long locks tangle under water, weighing her down. The gentle hand of the captain grasps the scruff of her dress and pulls her out, a half-drowned cat. She clings to driftwood, the captain squints at her and then recoils, squints again, then shakes rain from his eyes.

Viola traces the wave-curved horizon with her eyes, averting her own gaze from the surface of the rain-pocked sea. To look would mean to see the face of her drowning brother, or perhaps no face at all.

*             *             *

On the banks of Illyria, the sand like so many shards of glass, Viola asks the captain if she could imitate his face, so she could secure a manservant’s position in the local duke’s court. The captain is less surprised by her shifting features the second time. However, when she first sees her reflection in a windowpane in town, her appearance reflects that of her brother more than the captain’s mild aspect.

It’s the face, always and only the face. She has to cut her own hair, trying not to imitate her brother’s short waves, but also unable to avoid it. At least no one gives her a second glance. They seem to be too busy gossiping about the nobility.

The duke is currently renowned for two things: his bachelorhood, and his pining for the local countess, Olivia, who has become hermetic while mourning the loss of family. To heighten the drama, she has other suitors besides the duke― knights and lords and all other sorts.

Not only does the captain seem to know of it, but all of the townsfolk as well, who speculate over the unsuccessful courtships loudly in the streets. Viola trots behind the captain towards the palace and full of drooping laughter. Between the lovesick and the grief torn, the sea has left her where she belongs.

*             *             *

Her reflection is everywhere in Orsino’s house. From within his decorative mirrors, and his polished vases, a creature, both familiar and foreign, stares back at Viola with wet eyes. She carries tear-flushed cheeks and a chin she can bear to hold high only because it's a head of hair lighter. Standing before the duke, she almost curtsies before stumbling into a bow, “You may call me Cesario.” She feels crooked and left-footed under the aristocratic gazes, too much like home. Orsino reclines and, taking the bursting of her constricted heart to represent some overwhelming loyalty, or, perhaps, a mirror of his own heartbreak, declares this strange boy his servant. His melancholic smile isn’t balm enough for her sadness, but it’s a start.

Cesario will be fine. He has a noble name to match a noble face, and the sound of it isn’t a blatant reminder of Sebastian’s death, even if his reflection is. Cesario has no brother, and no reason to grieve. Cesario’s skin hugs Viola, holding everything together that threatens to melt away. Viola takes comfort in Cesario’s broad and certain strides, each like the strike of a drum, instructing on how to beat on.

*             *             *

As a child, Viola’s abilities assisted in mischief, and she and Sebastian took to the hills of Messaline, giggling as servants stumbled after them, unsure which child was which. Sometimes, she wore the face of a servant. That sent Sebastian off screaming the first few times, but her small stature ruined the immersion and soon resulted in parodic performances of their tutors and maids.

The vivid recollections of his shrieks of laughter burn down Viola’s throat like a shot of something too strong. But more than the ability to make Sebastian smile, the power to change in a blink to some strange, intimate face, to have a visage as fluid as water, was a warm and sweet freedom to a child finding their place in a world of stiff gowns and starched collars. 

Now the skill sits on Cesario’s head, a steady, persistent push. He refuses to choke on it. To wear Sebastian’s face is to carry on a legacy of his radiant expressions, tied so tightly to the memory of Messaline sunshine. Sebastian’s thousand smiles hang heavier around Cesario’s mouth than any of his own frowns.

*             *             *

Viola had always been a watcher; it made taking on other faces easier and taught her the details of their mannerisms, perfecting her performances for Sebastian. Cesario is a watcher too― first out of necessity, to make his actions match the masculine angles of his face, then out of curiosity, shifting now to a starved interest.

The piano bench offers a yielding vantage point, his eyes tracing Orsino’s path as he is dragged from room to room by his love-saturated agitation, searching for a woman he only knows in rumor. Until, finally, the duke slumps onto a couch. A foppish hand gestures in a vague circle. Cesario takes this as his cue to play on.

He considers Orsino’s hands as he lays his own on the keys. Larger, but softer, not sea-tumbled, well manicured in a way Cesario wouldn’t dare. In his chest claws a fear that having nails curved like the hills of Viola’s home might reveal him to be some thing like her.

The notes he plays hang achingly in the air. Orsino and Cesario feel them tremble in their rib cages.

*             *             *

Cesario spends a lot of time staring at Orsino’s hands, willing them to become his own. And though that’s impossible for him, there are other things he can have.

Sitting on the cliffs past the shadow of the duke’s looming house, Cesario kicks his legs and watches Orsino stare into the depths of the crashing sea. Never has he met someone so much a caricature of a lovelorn romantic lead. With his hair tousled by the wind, stuck to his forehead with seaspray, and eyes half-green with longing, half-gray with untouchable sadness. He wonders if the duke is ever sad anywhere where the light doesn’t flatter him. It’s a quirk Cesario is thankful for; without Orsino to watch he’d be smothered by memories. Though thoughts of Sebastian and Orsino both seem to remind Cesario of an easy masculine charm he cannot seem to enact, regardless of the face he wears.

When Orsino turns to him and secrets pour from his mouth, Cesario listens. When Orsino jokes about the feminine pitch of Cesario’s voice, Cesario looks away. When Orsino pulls a thumb across Cesario’s lip he watches his duke’s eyes, and with a sigh, those eyes become Cesario’s own.

*             *             *

No one was ever sure what Viola actually looked like, not even Viola herself. The face she originally took as her default was recognizable as her, and bore a striking resemblance to her mother. Her mother was always so proud of that, and Viola had been proud of it too. Her mother was, in Viola’s opinion, the epitome of ladylike primness, but they grew apart. Even her likeness to her mother changed.

There was a long period of closeness with Sebastian in their teens when she looked more like him than any other family member, so much so that they were referred to as twins. Viola was actually a year older.

*             *             *

A memory of a teenaged Sebastian lounging cross legged in the easter-green grass watches delightedly as Viola stomps her foot on top of a boulder. She wears the face of her mother like a mask and with a frown, twists it into comedic offense.

“Viola!” she intones, “Change back immediately. There is no reason why a young lady should have want of facial hair, especially not such as hideous as your brother has smeared across his face.” The upturned nose and a dainty sniff of disgust ties the impression together.

“You rascal!” Sebastian laughs, unable to keep up any pretense of outrage. The casual delivery of the jibe fills Viola with a froth of joy. A conversation between brothers.

“If you were to behave half as much as your mother as you look, Lady Viola, you would be a proper woman indeed.” Viola jumps at the sound of the servant’s voice behind her and tumbles off the log onto Sebastian in a tangle of gangly teen limbs. The servant, having years of experience with the so-called “twins”, only sighs as they are unable to recover themselves, throwing ripped up handfuls of grass on each other and at her.

*             *             *

Cesario doesn’t have to walk to the house of Orsino’s lady love, Countess Olivia, but he does because each step assures him he is on solid ground. He isn’t being swept away by memories. Each step is made with purpose, of his own volition. He will convince Olivia of Orsino’s suit, then Orsino will be happy, and if Orsino is happy then, maybe, Cesario can borrow his smile. 

*             *             *

Illyria, it seems, is the land of sorrow. The countess Olivia, practically a waterfall of black lace and silk, could count herself among the Orsinos and, especially, the Cesarios and Violas, because she, too, has lost her brother.

Olivia is as gorgeous and controlled as the garden where she and Cesario walk. Each edge trimmed down and adorned with a flower. He can see why Orsino likes her. Within her are the contained turns of wrist and politely concerned curves of her lips and all the right words gracefully beaded together like the jewellery Cesario would hate to wear again. Viola’s mother would have liked her too.

Cesario can’t get away fast enough after he’s done his duty and she rejects Orsino’s proposal. As he pushes past her gates, she calls out, “Cesario!”. He almost turns back.

*             *             *

Cesario paces outside Orsino’s door. He can already picture the thin frown on Orsino’s lips when he discovers Olivia has refused him again. Orsino laid those hopeful eyes on him and Cesario failed. Yet, an insurgent part of him―maybe mischievous Viola―springs in his chest to know Orsino’s love remains unreciprocated. Another connection between them. Still, he couldn’t bear Orsino being displeased with him, and so he wars with his worries in front of the mirror hanging in the hall. 

Most of his face is now familiar: the hard line of the nose, the aristocratic cheekbones, the little moustache of Sebastian’s. Viola had often stared at it with longing, but could only wear in jest when she teased him. Even now, as Cesario, the longing is hard to shake. Then the eyes, a shock of Orsino’s devastations splashed across his face, he can’t help but think they suit him better than the severe brown ones that never met anyone’s gaze. 

He squints. Something is missing.

He considers Olivia’s face, and Orsino’s fingers on his lips. Maybe the duke would forgive Cesario if the message came from Olivia’s mouth. His lips tingle as they change shape.

*             *             *

Orsino barely looks at him as he delivers the news. He sighs from his reclined position, head leaning back to stare at the ceiling, then tells Cesario to try again tomorrow. His sighs are contagious. Cesario wishes he could pull his sighs as deeply from the chest as Orsino does. He sighs again, just to see if he can get it right the second time.

*             *             *

The next time Cesario is alone with Orsino they are outside again, night surrounds them and Cesario doubts Orsino can see his face in the moonlight. Cesario sings, but can’t seem to push his voice where he wants it. It cracks, crumbles, then, finally, he falls silent. Orsino’s head has a curious tilt to it when he faces Cesario, but his silence feels like a thunder clap. The hand that rests on Cesario’s shoulder feels like a damnation of its soft curve.

*             *             *

Cesario is invited to a night out with Orsino’s other men. He declines, who knows what drinking might reveal in him? He dreads his reflection at the bottom of a glass.

A lone wolf, they joke as they leave him behind.

He regrets the decision the moment he sees the mirror in his room. His face flickers through a collection of features he’d seen throughout the day. It settles. He turns away.

Cesario is too thin, too curvy, too shrill voiced, too weak, and too much of a thousand other things that changing his face cannot fix. Every mirror seems to proclaim he’s a failure of a man. Each eye that turns to him feels as though it’s scrutinizing the ways he falls short of mankind. 

A true brother would have saved Sebastian. Sebastian and Cesario.

He slides down his bed frame to rest at the floor, like a broken marionette. He’s tired of this body, and the memories guarded within a too-small ribcage.

 Yet, when he sees how his shirt falls against his bound chest, when Orsino calls for him (“Cesario, boy, come lend your ear to this poem”), when Olivia invites him (“The lady Olivia, requests the gentleman Cesario’s presence”), he feels the appetite that has gnawed on him his entire life, appeased. It's a grounded, tender joy. He wishes he could capture it between his hands to carry next to his heart. Although it's a fickle feeling, slipping away like rain into the earth, not forgotten. Each instance soothes aches that haunt him.

Did the same hunger, the same joy follow Sebastian? Or had he exchanged being born without craving change for the knowledge of how lucky he was? It hurts to think Sebastian wouldn’t have understood who Cesario has become, almost more than to think Sebastian will never know who Cesario is at all. He might have had an inkling, the spark had been in Viola as a child. But he had never said anything. Viola had probably seemed, to him, to be only a boyish sister, rather than a strange brother.

Sebastian would certainly never have believed his elder sibling had found someone to love. Cesario can almost hear the teasing ringing in his ears. Except, if Sebastian had known Cesario wasn’t loved in return, he would be kinder than to tease. Still, Cesario misses Sebastian to an aching, even cruel humor would be welcome.

*             *             *

The walk to Olivia’s seems longer and longer each time. Luckily, another one of Orsino’s men is happy to give him a ride. He still has to talk to Olivia, of course. At least now he doesn’t need to spend each step of the way wondering how Olivia’s elegant walk compares to Cesario’s proud strides. Probably one of the many ways Cesario fails to reach Orsino’s standards.

He still has to think about his gait when he walks next to her, though. She abandoned her mourning blacks three visits ago, but the color transferred to Cesario’s mood. She speaks often of her own, late brother, and little of Orsino, though Cesario occasionally tries to steer the conversation in the duke’s direction out of a sense of duty. They are both happier when he doesn’t. Lately, members of her household have been frowning and side-eyeing him when he makes her unhappy. Then again, her other suitors, a knight or two having muscled themselves in, glare at Cesario for the opposite.

Today she stops him halfway through their usual route.

“What in the world are you doing with your legs?”

“Sorry, my legs?” He does feel rather stiff.

“Yes, your legs.” If an eye roll could be prim she manages it. “You look like you’re walking on nails.”

“I...thought I ought to match your step.” She squints at him, an expression Viola faced quite a bit as people tried to puzzle out her face. Though, as Cesario, he has not yet been leveled with such suspicion. She reaches for his hand, the similarities between her fingers and his frighten him, but he lets her hold on.

“Cesario, why do you come here?”

“For Duke Orsino?”

 She sighs. Another one of the contagious ones. He hates that Olivia’s are easier for him to match.

“But you don’t want to be here?” He looks away, she twines their fingers. “Your face is like a mirror, Cesario. I see too much of my sadness in you. I don’t know what you’ve lost, but I’m sure it’s nothing you can get from me, nor will you find what you want by drowning in it.” She presses a kiss into his knuckles.

*             *             *

Cesario’s room is small, but Orsino made sure it was comfortable. He undresses his shirt and unbinds his chest, but can’t be bothered to do more and instead, like some half-shaped creature, flops into the blankets and pillows, sinking.

Olivia somehow manages to be intimidating even in her gentleness. Maybe Orsino likes intimidating. Maybe Cesario likes intimidating, he thinks, recalling her hand in his, crossed with her stern gaze.

The way Olivia walks can’t be much different from how he walked as Viola; could he really have looked so strange? He does wear boots now, maybe that’s the issue. Maybe he ought to go back to being Viola, give up a bit of freedom to get Orsino to really look at him, like Olivia does. He doesn’t even know if he remembers how Viola is meant to look anymore, or Sebastian for that matter. Somehow he’s become some strange, hand crafted triplet.

Maybe both Cesario and Viola need to be more like Olivia. More ladylike. The way her cool gaze slid down her nose at him. Maybe that’s what he needs.

He digs out the dress he’d nearly drowned in and holds it across his body. His stomach tries to crawl up his throat. The salt crusted skirts would suit him still, if he were a stranger. His reflection in the mirror is feeling less like a distant relative and more like a wax figurine of a historical figure he should remember. He’s begun to look like a human ransom note.

*             *             *

It’s not safe to swim in most of the sea around Illyria, so when Orsino suggests they stop for a dip after a hunt his entourage treks out to a small cove with shallow, calm waters and fewer sharp rocks than the surrounding area. Most of the duke’s attendants are sent off with the tired horses, Cesario stays. His position seems to have shifted from servant to companion. He can hardly complain, in fact, he treasures it. Maybe he isn’t loved, but he is valued. Isn’t that almost the same thing?

Orsino wants Cesario to listen, and Olivia wants to listen to Cesario. Between the two of them, he can believe it’s enough to satisfy the hollow beating of his heart.

He feels it now, perched on a boulder, as Orsino dives into the water, still half dressed. Cesario doesn’t dare to enter. He could, the waves and his shirt would keep his form shapeless. Yet, the whisper of the surf threatens to take him for stealing some of Sebastian from its grasp. Or, worse, it might drown what’s left of Sebastian from within him and leave only the shell of Viola behind. He wants to warn Orsino away, to lose him to the waves as well would be more than his weary heart could bear. But Orsino seems to be enjoying himself and Cesario can’t take that from his lord. The duke grins like the sun above them as he shakes water and hair out of his eyes. Cesario smiles too, submerged in his own private happiness. 

“You’re smiling!” notes Orsino. Cesario falters, surprised that he’d been noticed. “What’s bringing this tenderness to your features?”

“You, my lord.” Happiness is dangerous, it makes Cesario say silly things. “When my lord is happy, I am happy too.”

Orsino takes a moment to mull this over.

“I suppose we are happy, then.”

*             *             *

Cesario takes Orsino’s shirt from him. It’s large and soppingly heavy. Cesario could ask why he’d not undressed it, but he knows the answer: The man knew he looked good in a drenched shirt. Cesario can only laugh. “If only Olivia would smile for me as you do, Cesario. Then I should truly be a happy man.” There’s no fervor in Orsino’s voice. All of it has gone buzzing into Cesario’s chest. Had Orsino hoped Olivia would happen past as he swam? Water spits against the rocks as Cesario wrings out the shirt.

The world judges in standards. Even with an amorphous face, Cesario feels cursed to be bonded to them forever. What is a monster, but a creature at the end of all scales?

*             *             *

“So, you’re the boy courting the countess.” There is a man with two swords tucked under his arm waiting for Cesario outside of Olivia’s gates next time he leaves. One of Olivia’s suitors, he suspects. The man gives him no leave to answer, “Ha, so young, upstaged by a kid. What is she to you? A boyhood crush?”

Cesario can’t think of a single thing to say, his thoughts crowded with the notion his pride should be injured. He offers a shivering smile instead and looks solidly past the man’s ear. 

When the man throws him a rapier, Cesario realizes the man’s a swordsman, and then he realizes he’s actually managed to catch the blade. Despite this, the flash in the man’s eyes make Cesario feel like he’s been caught in a lie. 

“For the countess’s hand then.” 

Cesario wants to say he really rather wouldn’t, that he barely knows how to hold the weapon, much less fight a duel, but he’s too busy trying not to lose a limb, as the man strikes at him. Only being thrown into the ocean with Sebastian was more frightening. Regardless, he spends most of his time being pushed back, half running away, half tied to the fight by some urge made of wet shame and bitterness that pulls him in. He can’t help himself when he assimilates the swordsman’s sharp brows to his own face and hopes he’ll gain some of his skill with it.

Cesario is chased into town when one of Orsino’s guards recognizes him through the crowd of onlookers the duel has gathered and draws his sword in aid. A wave of gratitude crashes onto Cesario in the form of more sweat to wipe from his brow. When he looks up from his panting, the determined set of the guard’s jaw as he fights off the knight seems grounded in trust. Cesario borrows it.

Someone must have alerted Orsino that his favorite servant is dueling in town because the duke drops from his horse, guard roaring up behind, and rushes to his side. He grabs at Cesario’s arm before he can get a word out, examining a cut on Cesario’s arm that he hadn’t even realized he’d received. With a cautious efficiency, Orsino bandages the wound with a strip torn from his own shirt. And if Cesario thinks the soft dimples around his concerned frown represent his sweet benevolence and takes them upon his own face, then it's a prayer for something he could become.

When Olivia comes looking for Cesario and her rogue suitor, he sees how Orsino eyes the elegant curve of her cheekbone and it takes only half a thought before his face has reshaped. Then he glances at one of Olivia’s men and the regal plane of his forehead is his. Then the eyelids of Olivia’s maid, and the beard of a gawking merchant, the crows feet of a street musician, the bridge of the butcher’s nose, cupid's bow of a child peeking at the commotion. Everywhere he looks his face takes and takes, and he can’t stop, hungry for some sign of himself. His vision blurs, and he feels his knees hit the cobblestone instead of seeing it. There are screams and shouts and he can’t tell if they’re his own, or if he even has a mouth to scream with. It’s bright and dark and loud and deafeningly silent and he can’t breathe, oh, he can’t breathe. His face feels like it’s crushed beneath the sea and it is the sea, all at once.

He’s being swept away. The feeling is violent and familiar. He reaches shaking arms out hoping to catch his brother’s struggling hand that had slipped between his in the throes of the storm.

Then like a breath of air, a voice cuts through and hands lay themselves on his chest and cup his face.

“Hey, rascal.”A pat to the cheek he can barely feel, and a voice that strikes a sweet ache in his throat. 

With numb lips he tries to put his brother’s name in his mouth, “S’bashian?”

“Viola.”

“No, no― not Viola…” The words cascade clumsily from his thoughts.

“Yes, come on.” A light shake. “Wake up, keep talking. Don’t go now, not after we’ve found you.” His brother’s familiar presence washes through him, and then it's gone, like a final full wave before the tide recedes. 

Cesario only dares to blink once the tears confirm he still has eyes. Orsino is clinging to him as Olivia looks frightened over his shoulder, one of Cesario’s hands clasped tightly in hers.

“Sebastian?” He throws his gaze around, searching for the voice that had spoken the name he’d left to drown with his brother.

“Who is Sebastian?” Olivia and Orsino echo each other, and their equal concern seems to confuse each other. Their eyes meet and then look at how the other holds Cesario. They both turn away hastily.

Laughter bursts from his lungs and shakes his entire frame. For a moment he is back in the embrace of Messaline giving the household a fright. And then in Orsino and Olivia’s arms he releases the nostalgic summers. 

“Sebastian is my brother.” The words are easier to speak than Cesario expected. “I carried him with me, like a bandage over my lacks.” A rueful smile. “I think… he has left me at last.” 

Neither of Cesario’s companions seem surprised he has lost a brother. Later, if feeling maudlin, he might say grief had been written on his face. Orsino, so long comfortable with having Cesario around him, would object. “You are more than your sorrow, I’ve seen your smiles.” Olivia, no stranger to the loss of a brother, would only hold him tighter.

He tries to call up Sebastian’s face to make it his own, but nothing changes.

*             *             *

The mirror in Cesario’s room is covered in a white sheet. His reflection is entirely too familiar, though none of it is originally his. Without the mirror he can toss his coat jacket over his bittersweet follies and as the hand-crafted creature he’s become he goes to see Olivia and Orsino. Both nobles are suddenly much less certain about the other, but Cesario isn’t willing to let them shy away when he has become content in their tender chaos. He’d managed to wrangle them together for a meal, one of many he hopes to share with them. On the way, Cesario’s eyes, one a lovelorn green, and the other a warm brown, reach out of windows and pull in a tangled string of memories that take place both on the hills of Messaline and the cliffs of Illyria, where twin brothers run laughing, tumbling into the grass. No one can tell them apart, and no one wants to.

 

Hale (they/them) is a non-binary, white/latino writer and artist. They have published poetry in Corvid Queen and Lammergeier and share illustrations under the name skiddykid. Besides poetry, short stories, and illustrations, they also develop interactive fiction, because they need as many mediums as possible to help put a name to their nest in identity limbo.

Last Man on Earth / Last Woman on Earth

Last Man on Earth

who cares? 

as long as there’s women 
and cryopreservation 
Earth’s good to go 

#iamlegendofthekiddietable 
#anotheronebites

 

Last Woman on Earth

now, that’s the headline 

that’s when any of this matters 
when the distinction within the difference
is extinction 

#omegamama 
#nonbinaryontheedgeoftime

 

S. A. Undra (they/them). Raised in Las Vegas then exiled to Chi-Town, S. A. Undra has been a hornist, educator, and venerable Vulcan. Autism is their default universe, and though sparsely populated, is a glorious place to escape to, write in, and hide their impressive collections of music, sci-fi memorabilia, and custom T-shirts. Their most recent publication was in Aphelion.

a fairy ring, 2AM

a queer hour. not even sure where

the club door is a nebulous surging 

erupting on the dance floor

 

not sure where i end and where

you begin the tense of your spine

like a coil spring for me wildflower

 

do not stare in that sad direction

your gaze on me electric the sequins

sparking my forearms pink 

 

don’t stop i want to keep dancing

the green glow of the exit sign a lost 

moon lurching through these fickle walls

 

your lipstick melting on my shoulder

don’t stop swaying don’t

fear we will never get out of here



Note: Lines 7 and 14 are adapted translations from Hikari Mitsushima and Shinichi Osawa’s song ‘Labyrinth’.

 

Jessica Chan (she, her) is a writer of poems and short stories. Her work has appeared, or is forthcoming in Voice & Verse Poetry Magazine, Proverse Prize Anthology 2020, opia and others. She is a recipient of a Hong Kong Top Story Award in 2012 and 2014 and has been recognised in the Tower Poetry competition. She is currently studying a MSt in Creative Writing at the University of Cambridge and divides her time between Hong Kong and London. Find her on twitter @awildjesswrites. 

They

strangers said

“your boy there needs a haircut”

“what a cute little boy you have”

and my father laughed 

“that’s my girl”

because I was his shadow

 

so my mother sewed me sundresses

of flowers and flowers and flowers

bobby socks, barrettes, lace

and still they said

“what a sweet little boy” 

 

the adults laughed at my anger

called my tears cute

but it was shame, my shame

for what I was not

 

how   

they all tried to make me someone 

I am not

 

Susan Butler (she/they) is a British-Polish writer and visual artist. First a graphic designer, Susan then spent life traveling the world from her home in Germany.  Susan came to the US to study art, world cultures and languages, and there she remains. She writes fiction and poetry in French, English and Arabic. Her work has been featured in Coffin Bell, Prismatica Magazine, Cauldron Anthology, The Slake, Ink in Thirds, Lynx, and she currently has new work forthcoming in additional literary journals. A small sample of her work can be found on her website ouisuzette.com and she is @ouisuzette on social media. 

Swimming Lessons

we are waterfalls and healing,
she and I,
teaching each other to swim,
to survive

breath is a
balm is a
break is a
bait, catching
and splashing
and gasping
at the surface
of each other

piano keys raining
into our laps
gathered by her hands
and played on my skin

 

Darcy Isla (she/they) is a queer, bisexual writer-performer of mixed British and Asian heritage, based in the UK. She is inspired by magic realism and domestic beauty; writers like Leilah Jane King and Angela Readman. Her existing works include LOVE, ALBERTA - love notes; WAYSIDE - memoir; 100 FRIGGIN' POEMS - poetry; IT'S OK TO FALL FOR CAMP BOYS - non-fiction (self-published); LITTLE IRRITANTS - poetry (Analog Submission Press). Her work has also been featured on Alpha Female Society, Forever Endeavour and 330 Words. She is active on social media at @darcyisla on Twitter and @darcyislaasyoufindher on Instagram and Facebook.

...Beyond the Ends of the World

Past the moon. Past humanity's space junk. 

Past Mars’ planet, the Kuiper belt,

Jupiter with its storm burned eye, 

Past all the outer planets 

- past planetoids - Eris, Pluto, Haumea - 

past (the hypothetical) Oort cloud. 

 

Past the limits of solar wind, 

but not Humanity’s imagination.

When we have slipped beyond this 

 

system, what is carried for our new lives? 

 

Food, technology. Plants and minerals. 

The seeds of human civilizations.

 

I carry a palmful of pa‘akai, evaporated 

on Kaua‘i and red with the memory 

of so distant ‘āina. 

 

A reminder that Indigenous peoples 

have sung the stories of distant stars. 

We are always present throughout the solar system. 

 

Present throughout the galaxy.  

 

I carry presence, and culture on my skin 

(now also beyond the solar system) 

 

- Tatau - on my arms 

are lines from the Kumulipo. 

 

Placed here so as to alway carry

 genealogy, remind others - or those we may meet -  

there are other ways of knowing besides science. 

 

Wrapped along my right arm, 

spiraled up and out : 

 

O kane ia, o ka wahine kela
O kane hanau i ke auau po-'ele'ele
O ka wahine hanau i ke auau po-haha
Ho'ohaha ke kai, ho'ohaha ka uka
Ho'ohaha ka wai, ho'ohaha ka mauna

Ho'ohaha ka po-niuauae'ae'a
Ulu ka Haha na lau eiwa
Ulu nioniolo ka lau pahiwa
O ho'oulu i ka lau palaiali'i
Hanau o Po-'ele'ele ke kane
Noho ia e Pohaha he wahine
Hanau ka pua a ka Haha
  Hanau ka Haha*

 

Tell me, as we go beyond/past all 

we thought we knew, 

have you ever tasted life’s

essentials on a flake of salt? 

 

Have you ever chanted the universe? 

 

 

* From The Kumulipo: A Hawaiian Creation Chant. An English translation of the quoted text (third era, first verse) by Queen Lili‘uokalani, Hawai‘i's last reigning monarch, may be found here:

https://www.sacred-texts.com/pac/lku/lku04.htm

 

D. Keali’i MacKenzie (he/him) is the author of the chapbook From Hunger to Prayer (Silver Needle Press). A queer poet of Kanaka Maoli, European, and Chinese descent; his work appears in, or is forthcoming from: Home (Is)lands: New Art & Writing from Guahan & Hawaiʻi, homology lit, FOOTNOTES, and The Operating System Experimental Speculative Poetics. A Pushcart Prize nominee, he is a past member of the Worcester Poetry Slam team. He received an MA in Pacific Islands Studies, and an MLISc, from the University of Hawai‘i at Mānoa. He can be found on twitter @DMKealii.

Final Rite

Mythology remains.
Cracked stone burnt
to the edges, still sturdy. 

This memory concludes 
my time in Worcester, despite
contrary evidence, crumbled pieces:

That night was our last
together - the final time 
I’d push my weight into him 
or feel coarse hands along
my sides.

So I gave him a tool, an offering, 
and commanded him to carve.

But before we met
I knew I needed
to pray.

At home I wiped 
stone dust with a knife blade.

To my woven Gods I litince
nse, matches whispered
sulfur before sandalwood took hold.

“Remove obstacles”, I pleaded 
“dispel fear” 

I turned to the window.
Outside clouds churned,
promised more than rain.
When the first bolt seared 
moist earth, left thunder to shat
ter the last remnant of 
my calm …   

My hands shookknocked o
ver soapstone images
surrendered pieces to the floor. 

“This will not do,” came voice of my Gods
detonated through thunder.
“What do you give beside your voice
wrapped in scented smoke?” 

My prayer wavered, then I found
the correct words to intone: 
“I give you my sense of permission
-  my control, consent, 
sacrifice it all to be carved into 
what he wants this night.
I do what he desires. I yield
nothing.” 

July rain - the smell of wet copper 
fell down in response. 
“Yes,” they said. “This will do.”

Hours later
when he asked for edges and powder, 
demanded ruin in the palm of his hand,
after he had chipped away so much, 
there was no other answer
except yes. No decision to be made. 

In the storm’s eye the Gods laughed
over and over. 
Him, he knew nothing, just smiled.
Blissed ignorance. 

 

D. Keali’i MacKenzie (he/him) is the author of the chapbook From Hunger to Prayer (Silver Needle Press). A queer poet of Kanaka Maoli, European, and Chinese descent; his work appears in, or is forthcoming from: Home (Is)lands: New Art & Writing from Guahan & Hawaiʻi, homology lit, FOOTNOTES, and The Operating System Experimental Speculative Poetics. A Pushcart Prize nominee, he is a past member of the Worcester Poetry Slam team. He received an MA in Pacific Islands Studies, and an MLISc, from the University of Hawai‘i at Mānoa. He can be found on twitter @DMKealii.

In the Pines

As a sick prank, one of your siblings superheated two red hot nickel balls with a blowtorch, then dropped them onto your back. You screamed and leapt up, but it was too late: you were marked for life.

That’s the stupidest guess I’ve ever heard, Stephen says. My older siblings would fantasize about that, but where the hell would any of them get metal balls or a blowtorch?

I had to try, Mars says.

It’s 11:30 AM. He and Stephen are laying on his floor-bound mattress in a tangle of warm limbs. Disdainful, cool autumn sunlight cuts through the windows to cover them in yellow sheets. The post coital glow is already vanishing. Stephen is growing tense, drawing his limbs in, pulling away from his own nudity. 

Mars wraps an arm around his slender waist to buy time. He kneads his fingers into the twin knots of scar tissue on Stephen’s shoulder blades. Both are the diameter of chocolate coins. They are mirror images: deep, circular scar pits that flank Stephen’s spine right above his shoulder blades.

Just tell me what happened, Mars says.

Stephen sighs. It is a near silent hiss. He props himself up on his elbow and turns. In the autumn light, all of the black curls that tumble into his face are moody. Sullen. His thick eyebrows are furrowing together. Mars drinks in the sight of his lithe body angled across the mattress, his impatient dark eyes, and the two wire-thin scars that split his face. He thirsts for an answer.

Take another guess, Stephen says.

You always make me guess, Mars says.

If you’re done, I’m getting dressed. Then it’ll be against the rules for you to guess anyway.

Fine. Mars tests the scars beneath his fingertips. They are spongy. Soft. He knows that the tinder pile of scars along Stephen’s lower back feel the same way. Scar tissue cushions each laceration in a meniscus of bubbly flesh. You had a birthmark removal surgery that went horribly, horribly wrong.

Good try, Stephen says. He pulls away from Mars’ hands. Mars bites his lip to keep from swearing in frustration. He watches Stephen’s chest—laced with lopsided scars that streak from Stephen’s back to below his breast—slide out of his grasp. They look like ribbons. He wonders if next time, he can thread his fingers between them and prevent Stephen from escaping.

We’ve been together two years, Mars says. Stephen dons some briefs. You’re still not going to tell me?

I’ll tell you, Stephen says, slinking back over to Mars’ side, swiping his thumb along Mars’ left eyebrow to neaten it, when your guess is right.

*              *              *

The Halloween party at Tanya’s promises to be full of alcohol, snacks, and crepe paper streamers. Mars doesn’t like that Tanya always reminds him of the fact that she exchanges postcards and phone calls with his sister more than he does, but Stephen is quick to point out that guilt is a poor excuse for avoiding an opportunity to get smashed.

Okay, Mars says. I’ll tell her we’re coming. But it’s a costume party. You’re going to dress up, right?

No, Stephen says.

Mars rolls his eyes. I’m not asking for a couple’s costume, he says. Unclench. What are you going to tell people when they ask what you are?

Nothing. I’ll say I came as myself.

Really? Mars stirs the instant coffee in his mug. He rearranges his costume jacket, then pops one last stud into the shoulder. You’re going to be that guy for a third year in a row?

I like odd numbers. I’ve been ‘that guy’ since long before I knew you, Stephen reminds him. He ghosts past their chipped apartment door, thumbing through their mail as he goes. Do you want me to tell them that costumes are childish instead? That real monsters don’t dress up?

Mars chokes. Hell, no.

Stephen grins in that thin, subtle way he does—the one that barely creases his mouth or touches his eyes—when he has prodded Mars for a response and received it. The razor-thin scar that stretches from his jaw to his cheekbone grins too. Mars marvels at the way it cuts through the dead center of Stephen’s lips, as if someone folded Stephen’s face in half to find that midpoint before slashing through it with a box cutter.

I didn’t think so, Stephen says.

He is kind enough to throw all of the mail away without telling Mars that his sister sent nothing, even after they glimpsed her in downtown Tuckerton last week when she should not have been home.

*              *              *

You were attacked by a pair of savage lampreys when your brother took you to the Great Lakes. You barely escaped. 

My brother is younger than me, Mars. Stephen zips his paper bag jeans. He didn’t exist until I was six years old.

Okay, so it was another brother. Mars smooches one of Stephen’s scars. You have like, what, twelve siblings?

I did, yes. Stephen nudges Mars away from him. He yanks a slate grey turtleneck on. I’m amazed that we were probably referring to the same brother out of those twelve.

I’m not, Mars says. Out of all those siblings, you only ever talk about one of them. I can’t blame you for that. The others I met always struck me as cruel.

Night cloaks the world outside of their apartment. A pine-scented candle burns low on a bathroom counter, the gutted shell of a cranberry candle mourning next to it. Stephen’s hair is damp from showering. Mars is already dressed in his Halloween costume: a biker outfit that bristles with studs, spikes, chains, and folds of faux black leather. The light is low.

We all play favorites, Stephen says. The two black sheep of the family have to stick together. But your lamprey theory is still wrong. None of my siblings would have taken me anywhere. My family never left the state. We barely left our house. Not that my hyper-religious mother could stop all of us from going into town.

That explains a lot about you. Nothing I didn’t already know.

Like what? Stephen makes eye contact with Mars through the mirror. Their faces are a collection of candlelight orange shapes. That I’m a little unhinged?

That you’re awkward, Mars says, taking Stephen’s hand, and a little lonely. Plus, you’re a gemini.

Stephen laughs, soft. He laces their fingers.

Let’s go to the party before we get distracted.

*              *              *

Tanya’s place outside Tuckerton is on the edge of the forest. It’s a white-washed house sheltered by pines and mediocre hospitality. When Stephen and Mars get there, cars clutter the driveway. Twenty-somethings in costumes hang over the porch railings and chatter over pulsing music. Black and orange string lights deck the porch.

I want to be tipsy before I talk to Tanya. Or drunk, Mars says.

Don’t do that to yourself, Stephen says. You don’t have a choice in that matter anyway.

Mars pouts. Why not?

Stephen points.

Tanya glides out of the crowd, grinning, a plastic cup in hand. A wire halo floats over her river of blonde hair. A piece of fluff on her angel wings bobs in the party’s currents as she lifts a hand, yelling Mars! You’re here!

Tanya! Mars gestures, shifting planes of liar’s leather and spikes. It’s good to see you!

Volume compensates for familiarity. Mars cannot hear his own thoughts when he spews small talk. Tanya’s ankles wobble, weakened by alcohol. When she turns to wave at another friend, her angel wings bounce. One slides down her back. Stephen’s face distorts with displeasure. The scar that cleaves one of his eyebrows pinches. Stephen keeps his gaze on the wings until Tanya turns back around. His expression smooths to flat placidity.

Dude, why don’t you ever dress up? Tanya says.

Stephen shrugs. It’s not my thing. I’m not a fan of Halloween.

I know. Tanya fiddles with her sheet robe. I get it. Hey, if you or your other half want punch, it’s on the kitchen counter.

I would love that, Mars says. We’ll be right back.

He drags Stephen to the kitchen, threading through throngs of acquaintances and not-quite-friends who bid them hello. The punch bowl is a crystalline skull overflowing with dry ice smoke and scents of sherbert and liquor. Mars shovels dipper-fulls of the elixir into a plastic cup. Stephen leans against the counter.

You were giving Tanya the eye, Mars says.

Her wings are badly placed.

Mars chugs a fourth of his drink before filling his cup again. So, you suddenly care about costumes now?

No. Stephen squeezes Mars’ wrist. Tenderness fortifies his grip. Don’t drink too much too early.

I won’t.

Mars leaves Stephen to socialize with the spirits drifting around him. He finds Tanya on the porch, flirting with a pirate. It is an agonizing fifteen seconds of detached nothing before Tanya notices him, beckoning over. The pirate departs to play beer pong with a squadron of frat boy crayons. Tanya and Mars rest against the porch railing and watch tides of partygoers flow by, crashing together in waves of conversation, ebbing apart due to unseen fissures.

I don’t see you much anymore, Tanya says. Is work kicking your ass? It’s definitely kicking mine.

God, absolutely. Mars groans. I hate working retail. It’s the worst.

Tanya snorts. It always is. You and I love picking dead-end jobs, huh? Her holographic nails flutter over a hole burnt in her robe. At least one of us is succeeding. Congratulations to your sister on getting that fellowship. 

What?

Mars’ hand clamps around his cup. It dents beneath his grip. Tanya’s infinity of bleached hair curves against her face when she looks at him. Judgement and broken light reflect from her white costume.

You didn’t know? she says.

No, Mars says, I knew. I knew. But he thinks of his sister gliding through town without calling him first, and all the outdated photographs and stale texts piled between them. Is it ghosting if it is mutual? Loving someone is not the same as knowing them. Mars buries his face in his cup to replace the burn in his face with a burn in his throat.

Of course, Tanya says. There’s no reason for her to tell me before you.

She pats her robe for cigarettes and avoids his eyes and Mars drinks until the emotional stitches in his tongue come loose and all the costumes at the party churn into a quilt of cheap scares and cringes. Meaningless words flow between him and Tanya. Mars recognizes people, but he does not recognize all of the couples. The friend constellations are different. Everyone is friendly but far away. Tanya breaks Mars’ thoughts with a laugh.

You were super awkward around _____ earlier. Tanya hops onto the railing. One of her criss-crossed sandal ribbons is coming undone. Stephen is rubbing off on you.

Around who? Mars fumbles his drink. The pirate?

You don’t remember _____? Mars! Tanya covers her mouth. We all bunked together in summer camp in third grade. You two fighting over who was really my best friend cracked me up. He’s the guy who used to tease Stephen before any of us knew each other.

Mars grimaces. Countless memories of camp and friendship bracelets tether them, yet the sole person from those years that has drifted closer is his boyfriend. He recalls the underfed boy in thrifted sneakers who clung to everyone and insisted on an odd string of homeschool rituals before everything. No one had ever seen Stephen or his scars before. Stephen refused to talk about them. It sent the other children into a frenzy.

So many of us were mean to Stephen, Mars says.

He remembers his sister sliding in an idea with a tray of sandwiches for him and Tanya: why not invite Stephen over? Pineys needed friends too. She insisted that Stephen’s scars resulted from birth defects. She told both of them to cease gossiping about it.

We were all kids. Kids are horrible. Tanya rearranges her bra. I’m glad we’re all on good terms now. You do have to admit that all of the Leeds family drama was addictive for a bunch of third graders. Have you ever met that brother he talks about?

Not yet, Mars says. I want to. His botany hobby sounds cool. He seems like a funny guy too, judging by all the pranks Stephen has talked about. Still, I think he’s unwell. Stephen says he’s told him about me. But… he doesn’t talk to anyone but Stephen. I don’t want to push either of them.

_____ didn’t think his brother existed, Tanya says, because we never saw them together. I didn’t think he existed either. Now I’m sure he’s just sad and mentally ill, like the rest of that family. Stephen really deserves better. 

No one sees Mars with his sister anymore either. Which one of them no longer exists? It might be him. Mars pictures his sister’s labmates passing sympathetic murmurs about him behind their latex gloves. To them, he is a shallow concept that must be pitied.

Before Mars can annihilate himself with a tipsy comment, Stephen manifests. He emerges from the crowd with popcorn crumbs on his face. A half-drunk flush is there too. Mars places a hand on the railing, close to his arm. Stephen’s sweater scrapes his knuckles. Relief sutures his mouth shut.

Tanya clicks her sandals together. It looks like the cool kid is here.

The cool kid would love a cigarette, Stephen says.

Me too, dude.

Tanya fishes around her robe again. Stephen is stretching, assessing Mars, when a drunken shout bursts from the crowd.

Hey! It’s a giddy Jason Vorhees, dripping with fake blood and beer. That’s a cool costume! Just wanted to let you know.

Thanks. Mars runs a palm over his jacket. I studded it myself.

Not you, Vorhees says. He waves at Stephen. Who are you supposed to be? Those scars are sick.

Mars’ heart stops. He sees a cigarette still in Tanya’s shocked grip. After a crack of humiliation Stephen’s face is blank; unmoved. Anger tears through Mars’ worry that he is supposed to know this person.

Fuck off, Mars says. You—

He didn’t know. Stephen steals the cigarette from Tanya’s slack hold. He places it in his lips; takes the filter between his sharp teeth. His scars trail to the cigarette. He is all hard edges. Vorhees looks confused. Stephen looks to Mars.

We should go, he says.

*              *              *

They are too drunk to drive. That does not stop them from aping it. Mars and Stephen share the cigarette in the truck. They inch their vehicle along the road, slow, swerving, squinting into the vastness of their headlights, until they find a break in the trees to park. Pine needles whisper above as they stumble out of the truck. Even now, Stephen moves like a snake, like quicksilver being poured onto fragile ground it must test.

The gibbous moon is heavy.

Fuck that guy, Mars says, again. He crams the truck keys into his pocket. The road next to them is a desolate, sand-lined strip that arcs around the forest. Seriously.

Stephen sidles up next to Mars. He put his foot in his mouth, but he was trying to be nice. I know you’re not mad about that.

I’m one-fourth mad about that and half mad at Tanya for apologizing instead of doing anything, Mars says. She didn’t even correct him.

A barn owl cries in the trees. Moonlight spins dim connections between sand patches and undergrowth. The pitch pines—full of shadows, full of their own zephyrs and voices—are the night more than the sky is. Acorn caps crunch beneath Stephen’s feet.

That leaves another fourth of anger, he says.

Don’t make me think about fractions right now. Mars rubs his eyes. What is it with you and math?

I’m tied up in numbers, Stephen says. Answer me. Where’s the last piece of that anger at?

Again, the owl cries, its raspy hiss echoing around them. Mars crosses his arms. He looks down and mumbles a reply he himself does not hear. Stephen creeps close. He slips past the coat and presses a hungry palm against Mars’ breast. Mars inhales.

Don’t be mad at yourself, Stephen says. Let’s go for a walk.

We’re drunk, Mars says.

Stephen tugs on his hand. His face is fuller than the moon. The scars on his face glimmer. For the umpteenth time, Mars wonders where they’re from. Did Stephen fall onto a bundle of knives? Did a limping Mountain Lion rip him from his bed at night? Did an axe-wielding killer chase him until he fell down a piney embankment?

I grew up here, Stephen says. I know this place. Let’s go.

They enter the pine barrens.

*              *              *

One of the ancient radiators in your house got really, really hot, and when you were a kid, you tripped and fell against it. It burned your back so badly in two places that you never recovered. The scars grew with you.

You’re not even looking at my scars right now, Stephen says, bemused. This is against our rules. He lets Mars rest his chin on his collar for a moment before pulling away. But that guess is closer than the others.

Wait, really? Mars stumbles to move faster. Stephen lopes over the sandy trail in front of them. When they started dating, they walked for miles and miles around towns and trails, aimless, talking about anything and everything. Work has made that hard nowadays. Mars’ heart throbs with nostalgia, but it is difficult to keep up with Stephen.

Cauterization is a controlled type of burn.

Mars starts. Pebbles clatter against his boots. What kind of wound were they cauterizing? What happened?

No more hints, Stephen says.

Mars bends, scoops up a pinecone, and hurls it. He hears it crash through into the brush fifteen feet away. He cannot see it. The main road is far behind them now. Crooked wooden trail markers point into the depths. A river is running somewhere but they cannot see it. Night ensnares everything. The scent of sap gums up Mars’ nose. 

The summer crickets have muted themselves. Mars grew up hearing them, but he does not know if he would recognize them now either.

I’m tired of this shit, he says.

Of what? Walking or our game?

Stephen is pieces of a human body shimmering through the murk. An abstract thing.

Yes, but no, Mars says. I’m tired of everything. He jams his hands into his pockets. I never stopped seeing anyone at the party, or stopped talking to them, but it feels like I don’t know them now. They say things when I see them at work and I just don’t get it. None of us are backing away from each other, but we’re just—standing on two sides of a fault line as the earth splits and watching a canyon open up. I don’t relate to anyone here anymore. Maybe that’s why my sister left, and why we don’t talk. She doesn’t relate to me anymore either. Jesus. I hate it. 

His sister is off at grad school pipetting samples and popping bottles over a fellowship. Mars pictures her depositing unwanted memories of raising him into one gel block after another. Sharing happiness with him must feel more like surrendering herself. He slows. Stephen slows too. 

I want to leave this place, Mars says.

What’s stopping you?

You.

Stephen’s laugh is ugly. It is a nocturnal call of its own. His pupils hold a ray of moonlight for too long. He looks into the forest with contempt. Burnt branches pass underfoot with the shadows.

If you can get out of here, he says, you should. I’m tired of this place too. But like I’ve said before, I can’t leave.

Because of your brother.

Yeah. The others don’t care about me. But my brother would hate me leaving, Stephen says. We're estranged, but it would devastate him if I left. It's the principle of the thing. It means finally admitting we've grown apart. Like if we don't talk about the candles going out, it's not happening. You get that, right?

Uh-huh, Mars says.

We rarely talk anymore, but he needs someone. Stephen runs his hand through his hair. I know he's self-isolating. He’s paranoid. I'm the only one of our living siblings who acknowledges him. He never gets the love he wants. If I leave, he'll disappear into himself, and then that’s on my conscience. As if it’s my damn fault.

They step foot onto burnt ground. There is a break in the trees. Sand and ash spiral outward before them. The field is black. Sharp tree stumps litter its expanse, broken and split. Pillows of slumbering cinder caress their roots.

Stephen, Mars says. Maybe your relationship with your brother isn't healthy. You shouldn’t feel responsible for him.

No shit. Stephen sighs. No. It’s fine. I’m fine. I love my brother. But he’s needy. He has a temper. He’s a lot to handle sometimes. Stephen rubs the bridge of his nose, looking away from Mars. ...last week, he told me he wanted to meet you. I don’t know if you’re ready for that.

Mars reaches out to grip Stephen’s shoulder before he melds with the pine shadows and drifts away. Wind shakes the trees far behind them. Stephen’s arm is hard but comforting; his gaze is wary but laden with love. Mars tries not to ponder if his sister has found anyone. She would not tell him. She barely knows about Stephen.

I would love that, Mars says, whenever he’s ready. Stephen, let me help you. All three of us can figure something out together. I won’t leave either of you here. I promise. 

Promises often turn to nooses. I don’t want you to resent me for trapping you here. Stephen’s hand ghosts over Mars’. Trepidation restrains his touch. I don’t want you to resent my brother for that either.

You’re not trapping me here. This is my choice.

Is it?

It is. Mars runs his thumb along Stephen’s collarbone. I won’t resent either of you. You’re not a curse, Stephen.

Surprise floods Stephen’s face. Gratitude follows guilt. He covers Mars’ hand before kissing him, breath honed with liquor and that serpentine taste Mars can never place. Drunken desperation parts their mouths. Before Mars can delve into their contact, Stephen disengages. He keeps hold of Mars’ hand. 

I want to show you something, he says.

*              *              *

The cabin is depressed, dilapidated, and crisped. Its hard angles bow while its walls crumble. It beholds the razed field in front of it, knowing that ash is its future. Unlike the pitch pines, it will put forth no new sprouts, even if the mushrooms feast on its corpse. Mars hangs back from the doorframe. Looking at this place makes him feel a ruler crack across his knuckles.

Stephen leans in. He braces his hands on the doorframe, exhaling. An invisible weight crushes his back. Here, he is reigned in.

You grew up here, Mars says, disbelief still fogging his brain. I knew you said that your house was small, and your mom was a traditional fanatic of some sort, but I didn’t know it was—how did all fourteen of you live here?

Not all of us lived here, Stephen says, even if most of us did. It was tight. I can say that much.

Mars looks over his shoulder into the cabin. Moonlight creeps through the window, illuminating the interior. No one has stayed here for years. Broken bottles carpet the floor. Graffiti sprawls over the walls. A scorched Bible jacket withers on the floor. Everything is stagnant. A soot-choked chimney pierces the ceiling to the right. It is an open, gaping hole, a door to nowhere. Its cobbles are bleak scales. A giant poker hangs on the fireplace. Mars shifts his gaze to the nearest wall. 

Scars cut the wood deeply. They are random, thin slashes that pepper the space around the chimney. Stephen’s breathing is even with effort. He is staring straight ahead, ignoring the right side of the house. Mars does not dare touch him to reassure him.

What happened to the walls? he says.

Stephen’s gaze strays to the scarred wood. He avoids looking at the poker.

My brother. Stephen’s hands are clamped around the doorframe.

In Mars’ mind, the roads of scar tissue along Stephen’s torso align with the scarred walls. They form a magic eye image painted with suffering. A void fills Mars before rage and horror follows it, stealing his voice. 

Are the scars on Stephen’s face from hurled silverware? Did hands smaller than his pick up a switch and beat his lower back raw? The poker on the wall possibly found a past home on Stephen’s shoulders. Nothing makes sense but the horror of it all. Stephen’s brother was a baby when Stephen received his scars. He could not have done this. 

Mars wonders if Stephen’s mother or now absent older siblings did this instead. If they did, Stephen is not accusing them of such. Mars’ teeth sheer into his lip. He considers the best way forward. Stephen needs him.

Let’s get out of here, Mars says, finally. This cabin isn’t stable.

No. It isn’t. Stephen releases the doorframe. Splinters stick up from the indents where he gripped it. He turns his back on the cabin.

Under the gibbous moon, they admire the field and forest, choosing which black plane to approach.

*              *              *

Stephen.

What?

Stephen’s whisper is hot against his ear. Mars gathers the courage to speak. Their hands join. Stephen’s head rests on Mars’ collar. The music the forest makes possesses no rhythm and leaves no trace beyond the chill bumps on their skin, but they are waltzing in the field to it as the last of their drunkenness leaves them.

 Plumes of ash waft around their sneakers. Their figures are the color of the exposed wood and charred bark of the many trees around them. Mars knows he is about to ruin their aimless pirouetting. 

I have another guess about your scars, Mars says. Not your shoulder ones. All the rest.

Do you, now?

Stephen’s nails drag against his scalp. The hard undersides to his jacket studs press into his skin beneath the weight of Stephen draped across him. Mars lets them spin another languid circle together.

You said your brother has a temper, he says. He pretends the timeline makes sense. How much of one?

That’s not a guess. Teeth graze Mars’ neck. He’s hotheaded. It was much worse when he was younger. He’s matured.

Did he hurt you?

The truth lies within here somewhere. Stephen withdraws to look Mars in the face. He cards Mars’ hair between his fingers. Stephen’s pupils are thin; focused. Mars cannot swallow. He does not know if it is spiked punch or moonlight toying with his perception, but it is still Stephen’s face looking at him. Mars knows this studious expression well.

It was an accident, Stephen says. He was scared. He was isolated and confused; he didn’t know his strength. He was a literal child who has learned to be gentle since then. I’ve forgiven him.

Those scars don’t look accidental. Most children don’t hurt their siblings like that, Mars says. He sees a map of Stephen’s scars every time he blinks.

Most children don’t have a mother that calls them unholy, Stephen says.

Oh.

Mars squeezes his eyes shut. Stephen draws him close, slowly. It is a movement that kills questions. There is wind in the distance, but it does not sound like wind. It is buffets of it. Wind pressed beneath leathery wings.

My mother thought I was unholy too, Stephen whispers. 

*              *              *

The distant shriek is piercing. Lonesome. It tears the fine clouds apart without touching them. When Mars hears it, he is back in summer camp, a child huddled beneath a patchy blanket post a round of campfire stories.

Jesus, Mars says. Was that a mountain lion?

I don’t think so, Stephen replies, unmoved.

His tranquility sets Mars on edge. This is bad. They are in the middle of the field. Stephen is tucked beneath Mars’ arm. The cabin watches them from the sidelines, occasionally spitting bats from its orifices. All of the tree stumps are stakes pointing skyward. They accuse the heavens of an unknown crime. Mars’ costume has him sweating.

We should go, Mars says.

Stephen locks his arm around Mars’ waist. His fingertips are cool dots that prick Mars’ lower belly. He’s not going to hurt us. Mars, he says, I need you to listen to me. Our game is ending.

Now isn’t the time, Stephen! I don’t care about our game right now!

There is another shriek. It is closer. It is a sonic knife tip being dragged up Mars’ back. Mars jumps. He sets out, stride quick, but Stephen digs his feet in. For being so skinny, he is strong. A frustrated noise rips from Mars’ lungs.

Stephen! I’m serious!

So am I!

Around them, the pitch pines and oaks murmur. Mars hears the wingbeats now. The forest behind the cabin bends under them. They are soft thunder. Mars’ blood is hot and his face is frigid. Pinecones scatter as he and Stephen grapple, ending up intertwined. Stephen cups Mars’ face, trembling. Their foreheads almost touch, their mouths almost brush. Stephen’s pupils are slits.

Mars, he says. Mars. Do you trust me?

Fuck, Stephen!

Answer me.

The pines are birthing a shadow. It lifts above the horizon, an abstract mix of vast triangles and lines. It resembles a broken tree.

Yes! I trust you! Is that what you want to hear? Mars finds himself quivering too.

Then listen to me. Stephen kisses the edge of his mouth. His shaky hands rove to Mars’ lapels. Don’t run. He’s not going to hurt you. I promise. I won’t let anything bad happen to you.

What are you talking about?!

A scream splits the sky. It is the sound of a pig being skinned alive, or a cat being eviscerated. Mars is frozen: immobile as his blood sublimates with fear. Stephen, calm, looks up. Mars does too. When the immense shadow crosses the moon, he screams.

Don’t run! Stephen grabs at him.

We have to go! We have to go! Mars yanks on his boyfriend’s arm. The shadow is turning. It releases another scream. Stephen stumbles but does not sprint. Mars curses. Involuntary tears streak down his face.

What the hell is that? he says.

My brother.

No lie shows in Stephen’s face. His curls shroud the scar on his brow. Heartbreak and confidence keep his back straight. He is one desolate pinprick in this moonlit charcoal expanse among many. This is his home. Mars wants to vanish.

You’re insane. Mars backs away, prying Stephen’s grip from his jacket. Stephen’s face is pained.

We can’t all be sixth children born on sixes, Stephen says, as wretched as that is. Some of us have to be the thirteenth. Mars shakes his head, stumbling back. Ash stretches between them. A root catches Mars’ boot. The world spins. He sprawls on the ground, trembling. Dirt sticks to his palms as he crawls backwards.

The shadow descends, unfurling an unholy menagerie of shapes. A whip tail. A long face. Crescent hooves. Four-inch claws that tip knobbly, lithe arms. Thickets of scales. Horse legs. Moon-catching, intelligent eyes—the twin pair to Stephen’s—fixate on Mars as the shadow lands, and when it bows behind Stephen, stretching its wings, they are briefly Stephen’s too.

Please, Mars. Stephen is raspy. Desperate. I love you. I’ve told him so much about you. Don’t leave. He just wants to meet you.

Mars’ larynx is sand. He wipes his face, staggering to his feet. Stephen’s brother makes a discordant selection of distressed noises. Stephen hugs him, muttering into his goat-like ear. Their embrace lasts ages. The more Mars looks at the brother, the more chimeric he appears. All of Mars’ guesses about Stephen’s scars—his musings on surgery, on molten metal, on Mountain Lions, on murder—die at the feet of this towering demon. Mother Leeds seared away Stephen’s wings, but that matters so little now. The youngest Leeds eclipses her. Mars stiffens when Stephen pulls away from his brother and looks him dead in the eye.

Are you going to introduce yourself? Stephen says.

It is the first time Mars has heard a wobble in his voice. It is fear, but fear of mundane loss. Mars knows it. There is something recognizable here, in this field of emptiness. The Leeds brothers wait, the younger sibling skeptical, the older petrified. They stand together the same way Mars and his sister did for the first photograph in ages: unsure. Attempting reunion.

Stephen extends his hand. In a lab somewhere, Mars’ sister is marveling at her own fields of agarose gel, making notes on barren tissue that will grow no more. Here, in the barrens themselves, second chances and saplings spring from destruction.

Mars glacially, hesitantly, takes a step forward.

 

Samir Sirk Morató (they/them) is a scientist and an artist. They would love to camp in the Pine Barrens one day. Some of Samir’s work can be found in The Hellebore Issue #5, Color Bloq’s RED collection, and The Sandy River Review 2020 edition. Their Twitter is @bolivibird; their instagram is @spicycloaca.