Sappho

I am:


girl         ,
sweetvoiced


honeyvoiced


manyskilled


mythweaver


songdelighting clearsounding


But I love delicacy
and this to me – the brilliance and beauty of the sun –
desire has allotted.


I long and seek after

 

Source: Anne Carson, Sappho

Percy Delatte (they/them) is the aesthetic coordinator for Periwinkle Literary Magazine and a grad student. They are a writer and an illustrator, and they also make jewelry, embroider, and speak Italian. They are currently working on a debut YA sci-fi/fantasy series, and their poetry has been published by F(r)iction and The Mark Literary Review.

Twitter: https://twitter.com/percy_kirkland

Venus

I conversed with you in a dream
Kyprogeneia

For many crowns of violets
and roses
at my side you put on
and many woven garlands
made of flowers
around your soft throat.

and on a soft bed
delicate
you would let loose your longing

sweetworded desires
lady Dawn

 

Source: Anne Carson, Sappho

Percy Delatte (they/them) is the aesthetic coordinator for Periwinkle Literary Magazine and a grad student. They are a writer and an illustrator, and they also make jewelry, embroider, and speak Italian. They are currently working on a debut YA sci-fi/fantasy series, and their poetry has been published by F(r)iction and The Mark Literary Review.

Twitter: https://twitter.com/percy_kirkland

Interview with K.D. Edwards

I recently got the chance to sit down with the author, K.D. Edwards. We talked about the ferocity of fandom, learning the spectrums of the LGBTQ community, where his previous book fell short, and his reaction to the success he's had with his debut novel. Oh, there's also a part where he wrote two chapters on a battleship.

For those of you who are unfamiliar with Edwards’ work, he is the author of The Tarot Sequence, an urban fantasy series that imagines a modern day Atlantis off the coast of Massachusetts, governed by powerful courts based on the traditional Tarot deck. Rune St. John, last child of the fallen Sun Throne, is backed into a fight of high court magic and political appetites in a desperate bid to protect his ward, Max, from a forced marital alliance with the Hanged Man. Rune’s resistance will take him to the island’s dankest corners, including a Red Light district made up of moored ghost ships, the residence of Lady Death, and the floor of the ruling convocation where a gathering of arcana will change Rune’s life forever. His book, The Hanged Man, is the follow-up to his debut novel, The Last Sun. Edwards lives and writes in North Carolina, but has spent time in Massachusetts, Maine, Colorado, New Hampshire, Montana, and Washington.

You can purchase The Hanged Man on Amazon, Barnes and Noble, Books-a-Million, and IndieBound.

Annaelise: First off, congratulations on publishing The Hanged Man, which is the follow up to your debut novel. So, what new challenges has writing a sequel presented you?

K.D.: It’s kinda funny. You think you would know, like you would have an idea of what the challenges would be, and then it turns out to be completely 180 opposite from what you expect. I mean, I always knew where I wanted it to go with this series, I have nine books planned. From the very beginning, before I even sold the first novel, I knew what happens from beginning to end. Everything’s plotted out, the second novel was fairly well outlined before the first one was even written, so I thought the biggest challenge would be overcoming the Sophomore Slump because, even though I want to do nine novels, they are three trilogies, which means this is, essentially, the middle book of the first trilogy. And a lot of middle books, I mean not only is it your sophomore book but it’s the middle of a trilogy and sometimes that can come across as just a bit of a bridge, or a placeholder, until you get to the climax of your trilogy.

FINDING MY OWN AUDIENCE ON TWITTER THAT WASN’T CONSTANTLY ALL THE DOOM AND GLOOM, BUT SOMETHING POSITIVE AND SUPPORTIVE, TURNED OUT TO BE PROBABLY ONE OF THE BIGGEST JOURNEYS.

I was really worried about that, so I thought that would be my biggest challenge, but I think what I didn’t realize, more than anything else, is what was going on in the country, too, would influence my writing. Cause it’s been a, I mean, you gotta admit the last few years have been really bizarre. I certainly have no desire to get into politics or to talk about it but it really did influence my writing, my ability to sit down and just kind of open up creatively everyday. And that was all going on right when I had just started writing The Hanged Man.

So, at the end of the day it turned out that the actual process of writing Hanged Man wasn’t that difficult and it really flowed as it’s own story, which is something I’m really proud of, but getting through just, you know, trying to find my own routine within what was going on in the rest of the world and finding my own audience on Twitter that wasn’t constantly all the doom and gloom, but something positive and supportive, turned out to be probably one of the biggest journeys I was on in the past year and a half.

YOU’RE GOING TO HAVE AN AUDIENCE BUT WHAT YOU DON’T REALLY EXPECT, NECESSARILY, ARE PEOPLE THAT COME CLOSE TO BEING FANS AND FRIENDS.

Annaelise: That’s awesome, and speaking of your reading, that’s something I wanted to touch on. You’ve had a very great reception online from your readers, especially when it comes to fanart. Like I looked at your website and I just saw all of this fanart of all different characters in your book and, you know, we’re living in an age where you can hear your audience better than ever, so what does it mean to you, as a writer, to be able to hear from the people directly that are reading your work?

K.D.: You know, I really love that question because it hasn’t been asked of me before and what’s happening right now is just absolutely insane. There are two websites, people who I’ve kind of become friends with over Twitter, actually really good friends by now, because they asked us if they could deal with the promotion for Hanged Man. Like, basically, a fan-based promotion. You know, a reader-based promotion, where they handled everything and the last three weeks, I mean, you saw the artwork on the website, but everything else that’s happened, leading up to Hanged Man, I mean, there are like challenges going on. There are four different Courts and they’re competing for points and people have done quilts and artwork and comic page panels. They baked cookie recipes inspired by the characters. Drink recipes. I literally…All of this creative stuff is going around based off of something I wrote. It’s mind boggling. And I never, especially when I was writing Hanged Man, towards the end, knowing that, I don’t know how to put this other than that I feel like I’ve shared something.

That was one of the things I just never expected. You would expect that you would get readers when you do something and that you’re going to have an audience but what you don’t really expect, necessarily, are people that come close to being fans and friends, in some cases, because they reach out to you and they engage. Not only that, I’ve lost track of the amount of times people have said that they’ve read my story and it inspired them to go to the art store and buy a canvas when they hadn’t painted in years. And then they made something based off of something I wrote and that’s so overwhelming and humbling, I don’t even know how to put that into context.

I also know that, uh, I’ve just finished writing something for another website, it’s a romance website. And I’ve never had to write something for a romance website before and I talked about, that’s probably one of the scariest things now that I’ve connected with the fans is, one of the things they really care about is the romance aspect and who is with who and the level of intimacy, even if it’s not romance. The relationship between the characters and there are some people who want one thing to happen and there are some people who want something entirely different to happen and then there’s a whole group that wants, like, both to happen at once and trying to figure out what I’m going to do with that. I think I decided recently that the one story element, which I haven’t planned out for the nine novels, is how to deal with that aspect of it. But the rest of it is nothing but encouragement of what I get from readers. I mean, just nothing but encouragement. I have absolutely had the best readers of this world.

Annaelise: I guess that’s something that I haven’t really thought about is the, when you’re online and with access to the Internet, people have become more intense in their fandom-ness and just how intensely people get into it. Is that what you were expecting at all?

THEY KNEW IT WOULD AFFECT THEM IF THERE WASN’T A HAPPILY EVER AFTER. I MEAN TALK ABOUT RESPONSIBILITY.

K.D.: No, no. I’ll even give you an example of something that just blew me away. It’s also, sort of, it’s sort like a sense of responsibility, too. Like, especially, you know I have a lot of young readers. I set about writing something which would appeal to a younger audience and I wanted it to be something that I wished I had had when I was younger and I think I’ve kind of hit a vein in that respect. But I had this one young reader in Asia reach out to me and they said that it’s not easy for them to get books like this and that their aunt had sent it. They hadn’t read the book themselves but their friend had and told them all about it and then this reader proceeded to, well at the time they weren’t a reader, had proceeded to tell me all the high points of the book even though the reader had not read the book. And the reason that the reader had no read the book is because they were terrified that I was going to break the heart of one of the characters in a relationship in the book. They were scared to read it because they didn’t want to set themselves up for being upset, because what they had heard so far meant enough to them that they knew it would affect them if there wasn’t a happily ever after. I mean talk about responsibility in a case like that. Let alone having someone reach out to you from a foreign country saying it’s not easy to get books like this and to know that I can fill a niche like that is…it’s humbling and it’s something that I take really, really seriously.

It’s definitely inspired my own education on the different spectrums of intimacy. It seems the younger people are more comfortable, I don’t want to call it labels because I think what we are talking about nowadays has been around forever but now we just have a framework around it, but when you talk about things like demisexuality and asexuality, all those things have always existed but now they’re just discussed more freely and a lot of young readers, they really closely identity with these things and that’s been my journey that I’ve been on more than anything else with these readers who reach out to me and want to see their reflection in a story and realizing, in some cases, that I’ve already sort of planned that with these characters without even realizing it.

Annaelise: When it comes to the audience of the LGBTQ community, that’s a very big part of your readership for a very obvious reason, is the fact that, you know, your characters are predominantly within the LGBTQ spectrum. Do you feel that that’s sort of why people cling to it or what else is it about your book that draws people in?

K.D.: Well, I think that’s a huge part of it and that’s what I set out to do. I guess the genre that you would call it is speculative fiction or urban fantasy, I call it modern fantasy sometimes, but over the last, I don’t know, twenty years or so, it’s become really big. Urban fantasy is a huge buzzword now and it’s a very saturated genre but there are all these greats like Laurell Hamilton and Charlaine Harris and Ilona Andrews, who I absolutely adore. Anne Bishop writes some really edgy stuff and Patricia Briggs. And they do all these amazing novels but I’ve always wanted to take these stories I love but to do them from my voice, from a gay male voice. And have characters in the background who just happen to be gay without it being a gay novel because when I was growing up, a lot of the fiction you had, if there were gay characters, that was the focus of the story. It was a gay science-fiction. It was a gay mystery. That was a predominant element, not just sort of an intrinsic piece of the background and so that’s what I wanted to do. I wanted to do something where the story came first and just happened to be populated with gay male characters and that is my journey.

LOOKING BACK I REALIZE HOW MUCH I LET DOWN THAT PART OF THE READERSHIP AND THAT IS A HUGE COURSE CORRECTION I DO IN HANGED MAN. I REALLY LISTENED.

It’s been my journey with all that I do not just this series. But I think that even beyond that, one of the things that I realized, I mean here I’m expecting someone’s gonna hand me a trophy because I wrote an urban fantasy with gay male characters and then they’re like, “yeah but you did an awful job representing women, like genuinely horrible,” like every female character I had in the first book had some sort of serious flaw or was a hidden villain. And looking back I realize how much I let down that part of the readership and that is a huge course correction I do in Hanged Man. I really listened.

A lot of writers will tell you they don’t read reviews. I read every single one of them and especially the reviews where people say they love the novel “but, dot dot dot". I paid really close attention to that and so it’s great that I wrote [The Last Sun] with a lot of gay characters but I hope to see some more lesbians and like one of the characters is asexual and one is growing more into identifying as demisexual. I have a lot of strong female characters coming in and certainly people of color, I’m hoping to show a lot more diversity with that as well.

Annaelise: I think that it’s really great that you’re able to go out and take in that criticism, so to speak, and be able to transform that into something to make yourself better. I think that’s something that not a whole lot of people can do. But another thing that you hit was the worldbuilding within your novels, which, I’ve read this one, The Hanged Man, and the worldbuilding that you do is honestly just amazing and it’s something that you’re often praised on, from what I was looking at, so can you tell us a little bit about your process when it comes to creating the universe?

K.D.: Yeah and thank you by the way. Those were really kind words. I love worldbuilding. I think back when I read, so I mentioned Anne Bishop and Ilona Andrews. They are two authors who taught me that you can take a risk with writing. If you have strong characters, and maybe you have grounded it in something interesting and compelling about the relationship with the characters that’s going to be the core of your story, something so approachable that anyone will understand, if you do that you can kind of take a chance on the worldbuilding.

IT’S THE CREAM OF THE CROP OF TWENTY OR THIRTY YEARS.

Ilona Andrews, in particular the Kate Daniels novels, I mean you get thrown right into this world and you have no idea what’s going on because all the characters are living in that world so they don’t go around explaining what that world is. So you gotta pick up pieces and figure out how this world’s got broken on your own and I think I’ve always wanted to do that. I love crazy worldbuilding. I love things that are surreal. I love taking things that are real in our world but adding an edge to it that makes it something unique and mysterious or a little bit darker.

When I started doing this, the first thing I created were the characters and the second thing I created was a two-page prologue, which never got published but it will show up on Hanged Man, that explains the fabric of this world. And then after that I just kinda dive into it but I think, for me, the strength of the worldbuilding [is because] I’m a planner. I mean, obviously if I have planned out nine novels. I have hundreds of thousands of words written down in an Excel file and when anything that occurs to me, not matter where I am, I jot it down. Worldbuilding is never just sitting in front of the computer and saying “what am I gonna do now?” Generally there’s often years of notes behind that I’ve been taking for my entire life that I’ve been waiting for moment to find a good home for. It’s not just the cream of the crop of the last year of brainstorming. It’s the cream of the crop of twenty or thirty years.

Annaelise: When it comes to planning and brainstorming, what sort of technology, other than, you said, Excel, do you use?

K.D.: Oh, you ask really good questions. Like, just so people know, this isn’t planned but this is literally like if you could softball me a question it would be this because I actually invest in startup technology about voice-to-text recognition.

There’s this thing called the Senstone that I looked into for a while where it’s a medallion on your chest and you press the button and you speak a note and it sends it wirelessly via Bluetooth to your phone. Because everything I do, when you’re doing it on the run or driving or waiting in line, you can’t always pull out a computer and take a note, so I am very aware of technology and how to organize my notes and how to keep it separated by different novels so that it’s not a mess of a bin of ideas but whenever I have a note it goes somewhere sensible so I’ll be able to access it later. And lately voice-to-text technology is something I’ve really been looking into.

I just got my first set of AirPods, Apple AirPods, that I’m excited about that because I hear that it has some transcription technology, so ask me about that in a couple weeks.

WIKIPEDIA WE’RE GONNA LOOK BACK ON SOME DAY AND REALIZE THAT WAS AN EVOLUTION RIGHT THERE. THE IMMEDIATE ACCESS TO SHARED KNOWLEDGE IS PRETTY INCREDIBLE.

Annaelise: You bring up something really big. I mean with our cellphones we have access to a miniature computer nowadays that we didn’t have ten, twelve, fifteen years ago. What do you think that that’s done for the writing community?

K.D.: It’s funny, I think you’ll still find a lot of writers who will write longhand with an 8-by-11, yellow, striped piece of paper but for me the biggest thing that technology does even on the phone, other than doing the transcription, is just the ability to do research. Part of my worldbuilding, I think, comes off well because I do a ton of research before I actually write.

The city of New Atlantis in my novel is comprised of abandoned human buildings across the world, so I do a fair amount of research on abandoned human ruins and imagine them brought over to the island and then rehabilitated. I researched the mythologies of monsters before I put them in. Cellphones and Wikipedia - I mean, Wikipedia we’re gonna look back on some day and realize that was an evolution right there. The immediate access to shared knowledge is pretty incredible. But I think definitely that between research and transcription, I mean, there are a lot of things.

There are a lot of tools you can use now as writers like Scrivener, that people speak highly of, but for me Excel is pretty much the most technological I can get when it comes to organizing all my notes so that I can sort them by either novel name or series name and then the research is huge.

Annaelise: What about your workspace? That’s usually a pretty integral part of the creative process, so what does your creative space look like?

K.D.: Oh not nearly as well as it should. I mean that’s probably the one thing that I wish I could do better. I’m always working, whether it’s brainstorming or research but I wish I could sit in front of a computer and write a little bit faster. And right now, the place I write, there’s a coffee shop in town and pretty much there’s one spot that I always sit in and almost the entire second novel got written there, with the exception of one sequence set on a battleship, and I actually wrote those two chapters on a battleship. I don’t mind noise around me, like at a coffee shop.I can’t have anyone sit at the table with me but if I have energy around me, even the better. People watching? Even better.

Annaelise: Well, how did you manage to, uh, get onto a battleship for that?

LIKE I LITERALLY BROUGHT MY COMPUTER WITH ME AND FOLLOWED THEIR PATH THROUGH THE SHIP ON THIS ADVENTURE.

K.D.: There’s one in North Carolina. The Battleship North Carolina. I essentially created a fictional ship that’s the sister of that ship and it’s a really important part of The Hanged Man. They turned it into a museum and I used to go and visit it just because it’s just this…I don’t know how to describe it. It doesn’t necessarily make you feel good when you’re on it because you know what it was used for but it’s awe-inspiring because it’s huge. The guns are like five-stories tall. I mean like, you can think of what it must have been like when the ship pulled into your harbor. And I kinda tied it into this ghost story I wanted to tell in novel number two. If you’re on the Battleship North Carolina, you can literally follow the progress of Rune and Bran through the ship, like I literally brought my computer with me and followed their path through the ship on this adventure, this ghost story. It meant a lot doing that.

Annaelise: Now, you did mention Andrews and Bishop. Were there any other specific authors or any series that you looked to for inspiration during the creation stages of The Tarot Sequence?

K.D.: Yeah, there are definitely echoes of other series. Charlie Huston wrote a vampire series called the Joe Pitt series that is set in New York City and that has some really surreal, underground worldbuilding and he also does something kinda brilliant, and that I more or less adopted, the technique of separating exposition and dialogue. So you can have a scene where you can just focus on the action of the scene and the dialogue of the scene but all the exposition that goes into explaining what’s going on is set apart in its own little section and it’s really condensed so that, if it’s done well, it’s interesting and it doesn’t slow down the momentum of the story. That was a huge influence for me and […] Julie Czerneda, she’s a sci-fi writer, nothing like mine because she’s hardcore sci-fi in outerspace and I’m based on Earth, but she focuses on the concept of found family and that is massively inspirational to me as well. The whole of my series is based around found family.

Annaelise: When it comes to the theme of found family, why do you think that’s so important to you?

K.D.: [pauses] I…I don’t know. Maybe it’s just that’s what works. I don’t think I ever necessarily planned that in any of my writing. It’s probably one of the first stories where that’s instrumental to it but it just works and I created like…we were talking about immediate feedback from people who are reading. That was really critical with Last Sun because I wrote some of these characters who were supposed to be really sideline characters.

There’s this one character called Quinn who, more or less only has three or four scenes. That’s all people have read about him, realistically three or four scenes, but he’s mentioned in the story enough and it works so well that he becomes found family to the two main characters and when you talk about readers doing artwork or talking about my characters, he gets talked about all the time. And because of that, I mean, it’s like I was experiencing this found family as well so that it inspired me to add these characters to the core and now they’re really the heart of the second story in the best way possible like just…I like sitting down and actually engaging with these characters again.

Annaelise: Now, with these sideline characters, that is something I did notice there was a common theme, in how much people get attached to these ancillary characters. Has that ever made you wonder why it is that they [the audience] are so strongly attached to these particular characters?

K.D.: I will say that I do try to put a lot of work into anyone I put on page, even if it’s someone who only shares a single scene. I really try to give them something that stands apart, so that it’s not forgettable. I don’t want anything just average, I want on every page at least one detail that jumps off and hits the reader in the face.

A lot of how I accomplish that is through the characters, so I think sometimes that’s what resonates and a lot of these side characters I also put in the first novel, they’re misfits. They don’t have place. They’re like ostracized. They’ve never been the type of people to get invited to a birthday part or barbecues or bowling parties, so they became naturally found family in the story cause the main character, Rune, he’s not just rebuilding the Sun Throne, but essentially the Misfit Throne.

So, all of that just kind of conspired to naturally bring all of these elements together and to make these characters a little bit more pronounced than maybe I intended originally, in the best way possible.

Annaelise: Do you feel that the fact that a lot of these characters are misfits, that it has something to do with why people are able to relate to your work so much?

K.D.: Oh I absolutely think so. I really do. [laughs] And I’m okay with that. I will be the King of Misfits, I’m perfectly happy with that name.

I’M NOT ON STEP ONE HUNDRED BUT I’M NOT ON STEP ONE, EITHER.

Annaelise: Yeah, I think it does say something about the fact that, especially within the LGBTQ community that there are so many people that do identify with misfit characters because, in a way, that’s kind of how a lot of society sees us, you know? But moving away from that, now that the sequel to The Last Sun is published, what comes next? Are you going to be working on the third book, or is there something else in store?

K.D.: Both, actually. Well, I guess kinda three things. One is I definitely am working on Tarot three, that is a reality. That’s gonna happen. I’m hard at work on that at the moment. I want to continue to do free novellas between every novel, so I have to work on the next novella between novel two and novel three. I also have a series I want to write, a young adult series that I have been planning for years now, and I think that I’m gonna start writing that in the spring.

Beyond that, I mean there are a hundred steps in this process and the chances of this happening…I’m not on step one hundred but I’m not on step one, either. But I do have a Hollywood agent and I have a development company that I’ve been talking with about turning The Last Sun into a TV series.

Like I said, the finish line is always so far out on stuff like that but even going through this step of the process and, you know, going from the point where you hear someone’s interested and then you actually get a name and then you talk with this developer and then maybe there’s a screenwriter attached and maybe they start working on a pitch and they start to talk about what the entire season would look like. It’s kind of crazy. It’s doesn’t feel real sometimes but so far the people I’ve worked with have just been wonderful and if they can do anything with this, God bless them. I hope they can because you think of a stereotype of Hollywood sometimes like agents tell you exactly what you want to hear but there’s nothing sincere but I’ve got nothing but sincerity from the people I’ve been working with.

Annaelise: I mean I definitely think that there’s a niche for it, you know, for a TV series of that type. A fantasy, the urban fantasy, as well as people just wanting any sort of LGBTQ representation within television. And as far as the novellas are concerned, are they on your website?

K.D.: So, I’ve only done one and I haven’t finished it. I still have the last chapter of the novella to finish but I promised it by Sunday. Five chapters are out and they are on a Google Drive that anyone can download from and Twitter is basically my main social media outlet, I don’t really do anything else at this point but I’ll post that on Twitter and I’ll pin it to the top of my page. [Editor’s note: this interview was done a month ago]

 

K.D. Edwards (he/him) is the author of The Last Sun, book one of the Tarot Sequence. He lives and writes in North Carolina, but has spent time in Massachusetts, Maine, Colorado, New Hampshire, Montana, and Washington State. (Common theme until NC: Snow. So, so much snow.) Mercifully short careers in food service, interactive television, corporate banking, retail management, and bariatric furniture have led to a much less short career in higher education, currently for the University of North Carolina System.

You can purchase The Hanged Man on Amazon, Barnes and Noble, Books-a-Million, and IndieBound.

A Fortune Told

Cats had gotten into Caravaggio’s one-room cabin. Hundreds of cats, all colors and sizes, the bright blue ones being the most numerous. Some were meowing loudly, others quiet, a few of them jumping from one piece of rickety furniture to the next, several of them sleeping on the windowsill, basking in the early morning sun. Caravaggio laid on his mattress filled with so much straw it was ready to pop like a bloated tick and wondered how the cats had gotten in with the windows shut and the door closed. Small flames flickered on the few remaining sticks in the large, stone fireplace. Wisps of smoke rose from the hot ash, so the cats didn’t come down the chimney. He sat up, wishing that he felt better, that the consumption that rendered his lungs almost useless would miraculously clear up and allow him to breathe normally and he’d stop coughing up blood. The fever that gripped him made his head ache. Sweat drained from his pores. The knock on the door sounded like a battering ram pounding the wood that set off loud ringing in his ears. He slowly stood and kicked aside a dozen or more cats as he made his way across the room.  

“My dear friend, you look awful,” Panjayo said to Caravaggio when the door opened. He was holding a basket with bread, cheese, and a bottle of wine.

Caravaggio wiped sweat from his forehead with the back of his hand and coughed, his chest wracked with pain. “It’s the cats. They keep me awake most of the night.”

“There are no cats at my house,”Panjayo said. “You are welcome to come live with me.”

Caravaggio smiled wanly. “You do too much for me already, my friend. Tell me, have you seen Renaldo of late?”

Panjayo put his hand to Caravaggio’s forehead. “You’re burning up,” he said. He walked in, took Caravaggio by the arm and led him back to his mattress. “I’ve brought you something to eat, but first we must do something about your fever.”

Caravaggio laid back on the mattress and looked at Panjayo with pleading in his dark green eyes. “Please get the cats out of my house.”  He shut his eyes and tried to ignore the meowing of the large vermilion cat that had climbed onto the mattress.

“Of course,” Panjayo replied. “Close your eyes and rest while I prepare a poultice.” He placed the basket on the table, stoked the embers, reigniting the flames, and placed a pan of water on the fire.  

Caravaggio awoke around noon to the sound of Panjayo singing an operatic aria in a falsetto voice. The notes that he sang were as melodious as any notes he had ever heard. He removed the damp cloth from his forehead and shifted uncomfortably in his sweat-soaked nightshirt. His fever had broken. He looked over at Panjayo who was seated in front of the fire and using needle and thread to mend a hole Caravaggio’s tunic. His heart swelled with love for his friend.

*             *             *

Twelve months before, on his twenty-first birthday, Caravaggio climbed onto the concrete railing of the bridge that spanned the small river that flowed through the center of the city and sat down. He dangled his feet a few yards above the gently flowing water as hummingbirds that sipped nectar from the blossoms of the honeysuckle vines that clung to the bridge around his legs. He leaned forward and gazed at his reflection in the water and admired his new hat adorned with an ostrich plume that he had just bought from the money his parents had sent him from his hometown of Genoa. The remainder of the gold coins in the pocket of his new tunic tinkled musically as they were jingled about by his movement.

He sat back and with his eyes closed he lifted his face toward the afternoon sun, warming his cheeks. Thoughts of the birthday party that his friend Panjayo was throwing him later that evening filled his heart with joy and his head with thoughts of Renaldo, the new addition and a baritone, to the operatic society. He hoped he would be at the party. They had only flirted surreptitiously with one another from across the theater stage, but he was certain that the romance he had seen in Renaldo’s eyes was more than just his imagination at work. 

“Excuse me, young sir,” came a raspy voice from behind him.

Caravaggio turned his head and saw standing there a very old woman whose wrinkles almost erased her facial features. She wore a blue and white turban that was tightly wound around her head. She gazed at him pensively with watery, cathartic eyes hidden between the drooping folds of skin that surrounded her eyes.  

“What is it you want to say, old woman?” he asked, crinkling his finely shaped nose at the smell of stale garlic that wafted from her ragged clothes. 

“Happy Birthday to you,” she said. “I can tell your fortune for a few gold coins if you’d be so inclined.”

He swiveled around, facing her. “How did you know it was my birthday?”

“I know a good deal many things,” she replied. “But it’s that new hat with that glorious plumage that told me today must be a very special one for you, young sir.”

“Indeed it is,” he replied cheerily, forgetting the old woman’s scent. “Tonight I’m attending a party being thrown in my honor at the finest restaurant in the city and the entirety of my operatic society will be there.”

“I could tell you were a singer by the way music leaves your lips with every word you speak, young sir,” she said.

He jumped down from the railing and puffed out his chest. “I’m said to be the finest tenor in the entire city.” He opened his mouth and emitted several notes that lifted into the air as if headed straight toward heaven. 

She clapped her arthritic hands. “What a gift you have, young sir!” she proclaimed. “Now, about your fortune.” She reached out her hand.

“Oh, yes, I guess it might be worth a few gold coins knowing if I’ll find true love tonight,” he said. He reached into his pocket and took out the gold coins and placed them into her palm. 

She put the coins in a small burlap bag that hung from a sash tied around her thin waist. “Hold out your hand,” she instructed him. 

He did as he was told. She lightly ran her bony fingers over the lines that criss-crossed his palm and mumbled a few unintelligible words.

“What do you see?” he asked, excitedly.

“See for yourself, young sir,” she said, raising his hand to within inches of his eyes.

The palm of his hand began to glow as if the light of a lantern had been cast on it. His apartment in the wealthy Di Lusso district of the city came into view, as if the palm of his hand had become a pool of water he was looking into. His best clothes were laid out on the satin sheets that covered the down-filled mattress on his four poster bed. His manservant, Lugio, sat on a stool polishing Caravaggio’s leather boots with a chamois cloth. 

Caravaggio stared, astonished and dumbfounded, as he watched himself enter his bedroom, dress, put on his boots, and place his new hat on his head. He put a cape around his shoulders and left the apartment. He walked out of his building just as a coach pulled by two white horses arrived at the curb. He stepped into the coach and rode through the city as night fell, arriving in front of the Belissima Cena restaurant where a crowd of his friends from the operatic society applauded as he stepped out of the coach. Panjayo took him by the arm and led him into the restaurant. At the table, everyone was there except Renaldo. He watched his hand as the four course meal was served, a great deal of expensive wine was poured, and with great merriment everyone ate and drank.

And then his hand went dark. He looked from his hand to where the old woman had been standing. She was gone. He began to cough, a cough that shook his entire body, and spat up a small spot of blood into his handkerchief. He stared at it, mystified. 

*             *             *

Caravaggio sat up on the edge of the straw-filled mattress and took in several deep breaths, as deep as he was able to inhale them. Thinking about Renaldo, he whispered his name.

Panjayo looked up from his sewing. “So, you’re awake,” he said, put Caravaggio’s tunic aside and walked over to the bed. He placed his hand on Caravaggio’s forehead. “You’re much cooler, my friend, and look a little better. Would you like something to eat?”

“Just a little bread and a glass of wine, please,” Caravaggio answered.

Panjayo put his arm around Caravaggio’s torso and helped him walk to the table and sit down in a chair, that like all three chairs in the shack, had uneven legs. Smiling at the silliness of it, Caravaggio rocked back and forth. “I don’t really miss my old furniture so much,” he said.

“Don’t you?” Panjayo asked as he poured wine into an earthen cup and then handed it to Caravaggio.

“I do wonder who owns my old bed, though,” he said and then took a large gulp of the wine. The coolness of the liquid going down his irritated throat and the slight bitterness of the purple grapes used to make it that lingered on his tongue made him cough. He put the cup on the table and watched a cockroach crawl across the hole-ridden table cloth. “I thought I’d die a very wealthy man because of what was to be my inheritance but because I have refused to marry a signorina I can’t get my parents to send me even one gold coin.”  

“Even more reason that you should come live with me instead of in this rundown cabin on the outskirts of the city,” Panjayo said. 

“I impose on your kindness too much already, my generous friend,” Caravaggio replied. “Besides, I couldn’t leave my straw mattress behind, nor could I take it with me and further spread the fleas.” He chuckled and then began to cough.

*             *             *

Four months almost to the day after meeting the fortune teller while on the bridge, Caravaggio was strolling on a path between patches of blooming tulips in the Giardini Forti park when he spotted the old woman sitting on a bench. The gold coins in his trousers pocket jingled as he ran across the park and stopped in front of her, breathless, his lungs aching.

“Old woman, you didn’t earn the money I gave you the last time we met,” he said.

She squinted at him as if allowing her eyes to adjust to the sight of him. “Oh yes, young sir, I remember you. Your fortune didn’t turn out as you wished when last time I told your fortune?”

Caravaggio coughed. “What I hoped for didn’t occur.” 

“Hope is a thing of the heart. Fortune is what we hold in our hands,” she said. 

He stared at the palm of his hands. “I’ve seen nothing in them since then.” 

“If you don’t mind me saying so young sir, but the pallor of your skin is quite pale,” she said.

He put his hand to his face. “I’ve had a cold that I’ve been unable to shake and tonight I’m to give my first solo performance.” He took the coins from his pocket and handed them to her. “I want to know how things turn out this evening.”

She put the coins in her burlap bag and then took hold of his hand. “Look and you’ll see your fortune,” she said.

He raised his hand and looked into his palm. There, he saw himself standing on the stage, looking out a large audience as the opera chorus assembled about him, with Renaldo standing among them. He opened his mouth about to begin his song when he began to cough, and unable to stop, he ran from the stage. His vision in the palm of his hand vanished. He looked up and saw that the old woman had disappeared.

*             *             *

Caravaggio sat in front of the fireplace with a blanket wrapped around his shoulders and hummed quietly as he stared at the flames licking at the tree branches Panjayo had just added to the fire. He held in his hand the ostrich plume from his hat, rubbing the tip of it against the palm of his other hand. The plume had lost some of its vanes and appeared sickly, as if taken from a diseased ostrich. He held back the cough that tried to escape from his lungs. 

“Is it really true that the operatic society has disbanded?” he asked Panjayo who was stuffing fresh straw into the mattress. “Being a part of it was one of the true joys of my life.”

Panjayo gave him a worried look. “Your life isn’t over yet,” he said. 

“Isn’t it?” Caravaggio replied.    

“Tomorrow is your twenty-second birthday and I have a surprise in store for you.”

“You’ve found Renaldo!” he exclaimed excitedly.

Panjayo shot him a pained look. “That would be a surprise since no one has seen or heard from him since he left for Venice.” He flattened out the mattress the best he could and then covered with a piece of cloth the untouched bread and cheese that sat on the table. “Before I leave you for the night, are you sure you will be okay until morning?”

“We will have to leave that to fate, my friend.”

*             *             *

Eight months after originally meeting the fortune teller, Caravaggio walked out of the shop where he had just sold his hat and boots to the shop owner in order to pay the doctor’s bill and ran into her on the sidewalk. He had removed the plume from the hat and thrust it into his pocket where the end stuck out, giving the appearance of a bird being trapped in his tunic. He held the coins in his hand that he had received from the shop owner. “See what good your fortune telling has done me, old woman?” he hissed at her. “I’ve just sold the last of my things to pay the bill to a quack who wants to send me to live in convent until I die.” 

The old woman looked him up and down, at the deteriorating state of his clothing. “A fortune told is not the same as a fortune promised,” she said. “I am but an old woman who shows the future to the willing at the meager price of a few coins to buy crusts of bread with.”

He rolled the coins around in his hand. “You’ve robbed me blind, but I must know, am I to die with no one but my friend Panjayo at my funeral?”

She held out her hand and counted the coins as he laid them in her palm. She put the coins in her bag and then ran her fingers over the lines in his palm. She raised his hand in front of his face. “Just know I can show you only once what will happen after you have left this world for your eternal rest.”

“I hope to not cross your path again after this, old woman.”

In the palm of his hand he saw the pauper’s cemetery and open graves stacked with bodies. 

He screamed at the sight, giving flight to the flocks of pigeons that crowded the nearby square. He looked up to see that the old woman had vanished just as his hand returned to normal.

*             *             *

Caravaggio awoke in the middle of the night thinking he had been set on fire. Fever coursed through his body causing him to hallucinate seeing smoke arising from his skin. The cats had returned, taking up every square inch of spare space inside the cabin, filling the air with their cacophonous meowing. Rending his nightshirt, he climbed off of the mattress and ran to the door, flung it open, and ran out into the darkness. Stumbling, throwing himself blindly forward, he rushed from the perimeter of the city, shouting out Renaldo’s name as he made his way to the city’s center. At sunrise he arrived at the bridge that crossed the narrow river, climbed up on the railing, and prepared to jump.

“Ending your life now would be a mistake,” the old woman said, suddenly appearing a few feet away. 

He whirled about. “You, better than anyone knows that my fortune this past year should not be endured by anyone.”

“That was a fortune you might have lived.”

“What?’

“Fortune has many paths. You chose to see just the one.”

“What if I want to go back and have another fortune laid out in front of me?” he asked.

“That can be done just by asking it,” she said, and then vanished.

In that instant he was returned to the year before when he climbed onto the concrete railing of the bridge and gazed at his reflection in the water. 

“Caravaggio, my love,” a voice called out.

He turned and saw Panjayo walking toward him, holding a bouquet of flowers.

Steve Carr (he/him), who lives in Richmond, Virginia, has had over 320 short stories published internationally in print and online magazines, literary journals and anthologies since June 2016. Four collections of his short stories, Sand, Rain, Heat, and The Tales of Talker Knock, have been published. His plays have been produced in several states in the U.S. He has been nominated for a Pushcart Prize twice.

His Twitter is @carrsteven960
His website is https://www.stevecarr960.com/
He is on Facebook: https://www.facebook.com/steven.carr.35977

Identity Death

I thought about you today.

Of course, I think about you every day, but today I woke up in the hospital bed I spent last night in and my first thought was of the moment you found the flyer. It was your lunch break, I remember. You were walking back to the bookstore where you worked and the wind blew a flyer to your feet. Flyers are common enough around here and most people just ignore them. Usually. they’re just nonsense, ads for bands that don’t exist performing at bars that don’t exist. Some people think they’re an elaborate art project, a vast work scattered throughout the city that can only be understood if you collect all the pieces. Others think they’re garbage that’s blown in from another dimension, advertising real places and events, but ones that are out of our reach.

This flyer, however, caught your eye for a couple of reasons. First, it was a request for people to take part in an experiment. The nameless organization behind the poster claimed that it was attempting human trials for a drug that would give you abilities beyond what humans are capable of, beyond even what the laws of physics deemed possible. It was ridiculous nonsense, like all of the other flyers. Anyone would dismiss it in an instant. Except that you didn’t dismiss it. You knew that superpowers were only a thing in comic books, you had watched all the videos about all the different ludicrous ways they were impossible. However, the poster promised you hope. And no matter how unlikely, no matter how insane it was, you couldn’t ignore it because ignoring it would have been giving up hope entirely. The second reason the poster caught your eye was the address at the bottom. It was on Crucible Street, a street you knew. It was a real place.

*             *             *

I stay at the hospital a lot because they have an entire floor in one building that goes mostly unused. Sometimes they have to open it when they have too many patients, but mostly it just sits there, full of empty beds and empty of people. When I got up today, I dressed and freshened up in the bathroom, then dropped through the floor. I allowed myself to fall for three floors before landing on the ground floor. People saw me, I’m sure, but I don’t really care. There’s a rumor going around that I’m a ghost.


When you were in middle school, you were bullied relentlessly. The other children teased you about your small size, your nervous demeanor, your high-pitched voice, your intelligence, everything about you. Instead of using your name, they would use insulting words that rhyme with your name. They didn’t beat you up, but they would drop things on you, body check you, steal your things, shoot you with spitballs, constantly let you know that they saw themselves as above you, that your misery was entertaining to them. Not a day went by where they didn’t repeat something back to you in a screechy imitation of your voice.

You tried to seek help from the adults in your life. Your parents, your teachers and your guidance counselor all told you the same things. Just ignore it. Don’t let it affect you. You believed that your parents always loved you and that they knew best, you believed that the guidance counselor was a kindhearted man whose only goal was to make sure the students were cared for, and so you tried to follow this advice.

I hate them for telling you that.

Every time your bullies hurt you, every time you felt tears form in your eyes, every time you felt your face redden, it became a failure on your part. You were letting them affect you. The advice of the adults was so simple and yet you couldn’t even follow it. You couldn’t stop yourself from being hurt. Worse, you started to become aware that your bullies were changing you. You changed the way you dressed, stopped wearing jewelry to school. You stopped bringing anything to school that you cared about losing. You became quiet so as not to attract their attention. You could feel your identity slipping away, parts of your personality were being shaped by people you hated and you didn’t know how to stop it.

You tried. You tried so hard. You taught yourself to not give any outward signs that you were hurt. You learned to stop crying, to stop blushing. You discovered that things you thought of as reflexes were actually under your control. It was possible to not react. Finally, you thought, you were following the advice of the adults. You were not letting them affect you.

I hate them so much.

*             *             *

When you got home from work, you looked up the Crucible Street address online. It was a place called the Bruce Manley Building. You’d actually seen the building before. It was a fancy-looking one with a huge slanted glass front that faced the highway. It seemed to be made by an architect who was desperate to make a building that stood out. And it did, in a way. You recognized it, after all. But it was the kind of building that you never really thought about. You just drove past it on the highway, vaguely aware that the scenery was broken up by a building that managed to be noticeable yet not noteworthy, and never thought about the fact that that building was actually used for something, that it was anything more than a decoration.

Suddenly, you wondered what the Bruce Manley Building was. Was it part of a school? Was it some sort of research center? Or was it the kind of building that just rented out professional-looking rooms to people who needed one temporarily? Did buildings like that exist?

And of course you couldn’t help but note the irony that you of all people would be visiting a place called the Bruce Manley Building. You wondered who Bruce Manley is. Or was. Was he actually “manly?”

*             *             *

I stopped by the coffee stand at the hospital’s entrance. It’s closed on weekends, but that doesn’t matter because I don’t like coffee. What interested me was in the refrigerated case on one end of the stand. It’s one of those bottles of juice. You know, the kind with around seven different types of fruit and a label that lists off how many of each different kind were juiced to make a single bottle. The case was locked, of course, but that didn’t matter. I simply reached through the clear plastic front and grabbed a bottle.

As I stepped through the hospital doors someone catcalled me. I ignored it. I also ignored the “fuck you” he shouted at me immediately afterward. It didn’t affect me. Well, aside from me remembering it and mentioning it now.

*             *             *

By high school you had determined that you wanted to be a girl. This was impossible, you thought. Wanting to be a girl wasn’t like wanting to be a famous musician or a sports star. Those things were merely incredibly unlikely. Wanting to be a girl was like wanting to be a dog or a mountain or a dragon. It was physically impossible. You recognized that this was a big problem. You wanted it more than anything, you knew you could never be happy without it, but it simply couldn’t happen.

In a way, you were right. Therapy standards back then meant that you wouldn’t have been helped. Puberty blockers were almost never prescribed to people like you. Your parents would never have allowed you to wear skirts or grow out your hair or learn to apply makeup. And even if they had, pop culture had so poisoned you against trans women that you would never have seen yourself as anything more than a caricature, a mockery of women.

For this, I hate them, too.

You wanted to tell people. You wanted it to not be a big deal. You wanted to joke about it. “I desperately want to be a girl, isn’t that hilarious?” But you couldn’t. You had become so accustomed to closing yourself off that you no longer knew how to open up. How would you even bring it up? It wasn’t like you could just blurt it out while you were playing video games with someone. Besides, you feared that you might lose the few friends that you had if you actually told them, and you knew that was a loss you couldn’t afford.

*             *             *

On the day and time mentioned on the flyer, you arrived at the Bruce Manley building. The big, slanted glass wall entered into a huge lobby. The carpet and all the furniture looked clean and new, no stains or discoloration or marks on the walls. There was a display with nine flat screen televisions, each displaying a different news channel. You wondered how hot it got in the summer, with the sun pouring through the glass front.

The flyer had said room 304, so you found an elevator and took it up to the third floor, quickly finding the room in question. It appeared to be a chemistry classroom. There were rows of rectangular tables, each designed to seat two, a dry erase board in the front, and cases full of Bunsen burners, beakers, test tubes, and microscopes. There was even an eyewash station and chemical shower.

You were the first to arrive so you settled into the corner furthest from the door and waited. Others filed in shortly afterward. They were mostly men, mostly older than you, mostly stronger than you. You weren’t sure why you thought of it, and you chastised yourself and called yourself sexist, but it occurred to you that they could easily hurt you if they decided they wanted to. One man closer to your age had a face that reminded you of one of your high school bullies. You disliked him already and you hated yourself for disliking him.

Finally, a man arrived who stood at the front of the room, apparently the man who was running this experiment. He wore a plaid suit. You liked plaid suits, despite their bad reputation, but for some reason on this man it reminded you of a door-to-door salesman.

He introduced himself as Mr. Dream.

*             *             *

I stopped by the bank to get some money. I don’t have an account or anything. It doesn’t matter because I can just take what I want. I try to be subtle about it, in banks, slipping in and out without being noticed. If too many rumors of a thieving ghost girl start going around, people are going to start looking into them. And then they may find a way to affect even me without my permission. Obviously, I don’t want that.

*             *             *

In college, you bought a dress. It was black and lacy with a flared skirt. You tried it on once and felt so much shame and disgust that you took it off immediately and never wore it again. It hung in your closet collecting dust for the next several years. It seemed to you that a dress was too good for someone like you. You didn’t deserve to wear it. In fact, wearing it was an insult to such a beautiful garment. Can you imagine that? You thought so little of yourself that you placed a piece of clothing above you.

I wish I had been there. I wish I had hugged you and told you how beautiful you were. I wish I had done your makeup and made you look truly dazzling. I wish I had told you about how growing out your hair, taking a few pills, and getting electrolysis would have made even your traumatized, beaten-down brain see how amazing you looked. But I wasn’t there.

I’m so sorry for that.

*             *             *

Mr. Dream dismissed the only three women in the room. He explained that women were an unnecessary variable and might complicate the results of the experiment. You were a bit jealous and felt a bit silly about that jealousy. After all, if you were a woman, then you wouldn’t be getting superpowers today. Of course, you wouldn’t need them, either.

In a roundabout way, with lots of backtracking and tangents and long pauses when he lost his train of thought, Mr. Dream explained the drug being tested. Its original intent, he said, was to make people into who they most wanted to be. The superpowers, it seemed, were a happy side effect. It was created by an organization that chose to remain secret but who, he claimed, had only altruistic intents for this drug. He could not explain how it was made or how it worked or why it broke the laws of physics. However, he promised, it was perfectly safe and had no negative side effects.

He poured the drug from a thermos into a series of small paper cups, then passed it out. Once everyone had a cup, you all drank. The taste reminded you of a medicine you took when you were a child. A milky white medicine that was so disgusting that you threw it up nearly every time you tried to drink it. This time, however, you didn’t throw up.

The first man changed within a few minutes. He became taller, more muscular, nothing too surprising. Until he punched the man next to him in the face, sending him flying across the room. Apparently, the person he most wanted to be was someone who could fight all he wants.

In a flash, others started to change. Some of them became hairy, others became more slender. The man who looked like your old bully grew scales and began breathing fire. Most of the people in the room grew taller, most became more muscular. Most became more violent, too. Not all scary-looking men are violent by nature. But enough of them are. Terrified, you looked to Mr. Dream, hoping that he would somehow take control of the situation, but he just stood there with a satisfied smile on his face.

And then you became me.

I didn’t care about the violence. I just walked out of the room, not looking back, too busy feeling my new breasts to think about the chaos. I don’t know what happened to those men. The drug had likely brought out more than violence in them. I don’t usually think about it because doing so too much would affect me.

*             *             *

Since late junior high, you had been reading those stories online. The ones where male characters, usually unwilling, are transformed into women. It’s a whole genre of stories written by people who think they’re the only boy who wants to be a girl and read by people who think the same. They have their own tropes and trends, some of which are extremely specific like men being turned into women as punishment for saying or doing something sexist.

One of those tropes is called Identity Death. Identity Death is when the male character’s personality is completely overwritten by a new female personality, often with her own set of memories and a different sexual orientation. It was never your favorite trope.

You thought your power would be shapeshifting. It made sense. You wanted to change your shape and the drug was supposed to make you into who you most wanted to be, so your power would be shapeshifting. But the drug doesn’t work like that. See, when you boil it down, your ideal self had three essential traits.

The first trait is that she’s a woman. Obviously. You had been obsessed with being a girl for over a decade. You spent every night hoping you would wake up as a woman. Of course, you were always a woman. I can see that. I wish you could have, but I understand why you couldn’t.

The second trait is that nothing affects her if she doesn’t want it to. That’s where my power comes in. Nothing affects me, words or actions, if I don’t allow it. As long as I will it so, I’m completely intangible.

The third and most important trait is that she loves herself. That’s why I exist. To love you. And I do love you. I love you more than I love anyone except myself. But that doesn’t count anyway because I’m you. You were so beautiful, so perfect, and you were never allowed to see it.

Some people might call you becoming me tragic. Your family certainly seems to see it that way. They didn’t recognize me at first, of course. I look completely different. But eventually I convinced them that I was you. Still, they wanted nothing to do with me, they just wanted you back. I said you couldn’t come back and they said that I had killed you.

But that’s not how I see it. Even if you had known what the drug would do you would have chosen to drink it. You would have chosen to become me because you needed to change to stay alive. You were trapped under a rock and you cut off your own leg to survive. And your family mourns the leg and blames the rest of you for its loss.

I suppose some people would object to that. They would say equating transitioning to cutting off your own leg is insulting to trans people. But I think it’s insulting to everyone else. It’s insulting to everyone who made this a world where transitioning is a method of surviving instead of just a way of becoming the person you most want to be.

Because that’s the thing. You didn’t have to become me. You could have transitioned in the traditional way and you could have been happy and loved yourself. I’m not objecting to your choice because I like existing, but I think it’s important to understand that you could have stayed you and still been happy. Of course, if you had become happy, maybe you wouldn’t have been you anymore. Maybe you would have been me anyway. Your family would have thought so. They would have mourned the old you and ignored the new you in the same way.

I don’t believe that I was the cause of your Identity Death. Your Identity Death happened when you were mistreated and you reached out for help and were told to stop feeling. I’m what remained when you cut away the parts of your identity that the people who were supposed to help you had allowed to rot.

*             *             *

I went back there today, to the chemistry classroom in the Bruce Manley Building. The building is closed on weekends and all the lights are off. I didn’t bother turning them on. It seemed that someone had repaired the classroom after the experiment because it looks just as it did when you first arrived. I sat in the last chair you sat in and the first chair I sat in and I thought about your life and all of the events that led to you becoming me. It occurred to me that loving you was nice enough, but perhaps I could do more with my life. The world is a cruel place that doesn’t care about people like you and me. Maybe I can do something to change that. I have superpowers, after all. Of course, superheroes don’t change the world, they prevent it from being changed, so I can’t be a superhero.

But maybe I could be a supervillain.

 

Sonia Rippenkroeger (she/her) lives in Council Bluffs, Iowa, with three cats, three ferrets, two roommates, and a hedgehog. When she isn't writing stories about trans characters, she can be found cross stitching screenshots from old video games. She is on Twitter @msblackandblue

From the Ashes

Darius hit the ground hard and rolled, bringing his arms up to his face and turning his head so his nose didn’t break against the rocks. He came to a rest against the cave wall with a soft, “Oof!” as the breath left his lungs in a rush.

When his body remembered how to breathe again, he rolled to his knees, chest heaving and spots dancing in his vision. He shoved his fingers through his hair and felt along his skull, but there didn’t seem to be any injuries aside from the lump from earlier.

“What the hell?” he wheezed when he could manage it. He pushed his hair out of his eyes and glared at the creature. “You have the worst timing, you know that?”

The dragon huffed. Steam poured from its ears as its systems cooled down from the long flight. Smoke leaked out from between its massive, metallic teeth, and Darius knew he should be frightened. But all he felt was a deep, burning rage, because honestly--if the creature was going to kidnap him, it couldn’t have done it the day before? Or, hell, even tomorrow? No, it had to be today. He almost laughed—after the disaster this past week had been, he should have expected it.

“What is it you want?” he demanded. He pushed himself to his feet, wincing as his joints protested and popped. He put his hands on his hips, summoning what he hoped was an imposing glare, even though the creature loomed thirty feet over his head. “Gold? Silver? You’ve kidnapped the wrong man, you know. I’m certainly not a member of the Royal Family, nor am I a rich merchant. I think I have a couple of spare credits to my name, if you want them.”

The dragon cocked its head slightly, considering him. Its eyes glowed red—he doubted that was a good sign, and finally a trickle of trepidation broke through the anger. Not that it was enough to stop his rambling. Raf had always said his self-preservation instincts were non-existent, and Darius supposed there was some truth to that.

“You kidnapped me on my wedding day,” he snarled. “The entire city saw you do it, too, and they’re probably tracking you right now. You aren’t exactly inconspicuous.”

Not that he was important enough to come after, Darius thought ruefully, but the dragon might not realize that. Maybe it would let him go, let him walk out of the cave and make his way back to his city unharmed.

Sure. And maybe his goats would wake up one morning and start talking to him.  

“Right, enough of this.” Darius brushed the dirt from his knees and slapped his hands together. He straightened his jacket, settling it properly over his shoulders, and drew himself up. “This has been fun, truly, but I’m afraid I have to leave. Good day.”

He made it almost to the mouth of the cave before the dragon’s tail swept his feet from under him, sending him careening into the opposite wall. Even through his clothes, even though both he and the dragon had been in the shade of the cave now for some time, he could still feel the heat radiating from the metal scales, superheated after their long flight on a brilliantly sunny day. Thank all the gods it hadn’t touched his bare skin.

“Right,” Darius snapped, springing to his feet. “Either tell me what I’m doing here or I’m walking out of this cave, and I honestly don’t care if you incinerate me for it.”

The trouble was, he did care. He cared a lot. His life was finally starting to come together after years of false starts, and failure after failure after failure. He had a home, he had a business, and he had a husband — well, almost had a husband. At least until some pain-in-the-ass dragon decided to kidnap him right as they’d been about to exchange vows.   

The tail swept in his direction again, but didn’t make contact. Darius felt the whoosh of air as it glided past. The dragon paused, considering him, and then repeated the action. On the third time, the tip of the tail touched his shoulder, gently nudging him.

Darius frowned, glancing from the dragon to its tail, and slowly it dawned on him that the dragon was trying to usher him toward the back of the cave.

Hell, no.” He pointed. “Go back there? Sorry, I’m not stupid enough to do that. I know what happens when the dragon finally gets its victim into the back of the cave. We’ve all grown up on the stories. Nice try.”

The dragon huffed, turned its head, and spat out a thin stream of fire. Darius only just managed to keep himself from jumping backward in surprise. The flames caught on a series of lanterns strung up against the wall, bringing sudden illumination the darkness.

“Oh,” Darius said faintly. He blinked several times, then took a tentative couple of steps forward. “That’s yours, then, is it?”

The cave was strewn with debris—Darius recognized broken phonographs and daguerreotype cameras, engines and motors, gears and tools of every shape and size. Heaps and heaps of what amounted to scrap metal, but, to a mech like the dragon, it was as priceless as gold.

And in the midst of all that scrap, a tiny dragon lay curled in a tight ball, steam rising from its exoskeleton. Darius approached it slowly, making sure to keep well out of range of its fire. A dragon that size and in the shape that it was likely couldn’t scorch anything more than ten feet away, but he didn’t want to test out that theory.

“You needed an engineer,” Darius said finally, looking up at the dragon. “You needed someone to come and fix your--” He waved a hand awkwardly at the little dragon. Offspring, perhaps? Could mech dragons have offspring? He wasn’t aware that they were anything but solitary creatures, though he supposed that new mech dragons had to come from somewhere.

“All right,” he said. “I’ll do it. Do you have tools? Not these; I mean functional ones.” He waved a hand at the piles of scrap. The dragon bent over one of the piles, snagged something in its teeth, and deposited it at Darius’s feet. He raised his brows.

“Well, at least you’re prepared,” he muttered, stooping to pick up the engineering kit and examining its contents. It seemed well-stocked, though he had no idea the extent of the damage, yet. “Is it going to--er-- incinerate me?”

The dragon shook its massive head. 

Well, that would have to be good enough, Darius decided. If he died trying to save this creature, then so be it. It was better than turning his back on it and having to live with that.

The little dragon hissed as he approached, feebly trying to lift its head and failing. Darius held up his hands in what he hoped was a universal non-threatening gesture and, after a moment, the tiny creature quieted. The equipment kit had a scanner, thank the gods, and he started with that.

“What did you get into, little one?” Darius muttered as he examined the readings. It was clear that this wasn’t the result of a random, mutating computer virus, nor was it self-inflicted. Damage like this was methodical, purposeful, and inflicted by an outside source. “Looks like you were beaten pretty badly. Who did this to you?”

He didn’t expect an answer. If the dragons could communicate with him, he knew what they would tell him: that the little one had been hunting with its parent across the countryside, looking for more pieces of scrap metal, probably on one of its first outings. It was still getting used to its body, its wings, its systems and how everything worked together. It probably had been overtaken by some alarmed villagers, and attacked within an inch of its life. 

“I’m going to fix you,” he told the tiny dragon. “I’m going to repair you and you’ll feel better soon. All right, little one? Can I touch you?”

The tiny dragon slowly relaxed and closed its bright purple eyes. That was probably as good a signal as he was going to get, so Darius set to work. He pried open paneling along the tiny dragon’s back and flank, fixing what he could and discarding pieces that were burned beyond all repair. The piles of scrap metal proved useful and, more than once, he found a replacement part that worked just as well, if not better than the old.

“It’s a remarkable construction,” Darius said finally to the older dragon. “I assume this is your work? I guess I never really thought about how dragons are made, but of course you would construct your own kind. Is this as big as it’ll ever be, I wonder? Or will it outfit itself with larger replacement parts until it grows as big as you are? Will it stay with you forever, or go off and find its own cave when it’s able to be on its own? There’s so little we know about your kind.”

He was rambling now, and knew the dragon couldn’t answer him. It helped having someone to talk to while he worked, even if his conversation partner was a piece of mech. He soon lost all track of time, and only realized how late it was when the larger dragon blew out another stream of fire to light another row of lanterns, as the first ones had burned down. Darius squinted at the cave entrance, and noticed that the sun was almost touching the horizon.

“Almost done, little one,” he murmured. “Another hour, at the most.”

It was three-quarters of an hour, in actuality, and he felt a faint flicker of pride at that. He pushed himself to his feet and stepped back, wiping the back of his hand across his forehead. It came away smeared with grease and sweat. Gods, and this was his one nice suit, too. What the hell was he supposed to get married in now?

He supposed it didn’t much matter. Raf probably didn’t care, and neither did he. He just wanted to be married.

The little dragon unfurled its wings and flapped them experimentally. It flicked its tail and launched itself into the air. The cave’s ceiling wasn’t particularly high, perhaps fifty feet overhead, and the little dragon hovered up near the stalactites before settling on the ground next to its parent. The larger dragon nuzzled it affectionately.

Darius couldn’t help but smile. He packed the tools away and left the kit on a pile of metal. With any luck, the two dragons would never need it again.

“If that’s all,” he said, spreading his hands, “I suppose I’m free to go?” He wasn’t looking forward to the three-day trek back to the city, especially with no provisions, but it wasn’t as though he was about to live the rest of his life in this cave. There would be no help for it. No one except Raf would even care to look for him, so he had to return on his own.

Without warning, two giant claws wrapped around his middle, hoisting him into the air. He gave a startled yelp and, before he could draw air to protest, the larger dragon  threw itself out of the cave and soared over the trees below.

It hadn’t been fun the first time. It was even more unpleasant this time around. Darius squeezed his eyes shut as tears from the stinging air streamed down his cheeks, and he kept having to force himself to take breaths as the wind rushed past them. His heart raced uncomfortably in his chest, and he was painfully aware that if the dragon lost its grip on him, he would plunge more than a thousand feet to a certain death. But it was effective, he had to admit. A journey that would have taken him days the dragon could do in under an hour. 

The dragon deposited Darius in the middle of the square, in the precise spot he had been taken that morning. The dragon didn’t land, just hovered there as it swept its powerful wings through the air to keep it aloft.

Darius became aware of shouts, and then clanging filled the air as the alarms were sounded. It wouldn’t have been difficult to miss a dragon descending upon the city, and everyone was raising the alarm.

Go,” he said urgently, waving an arm at the dragon as though he could send it away. “Change caves, too. They’ll know where to find you, now.”

The dragon flew off as the air patrol took to the skies. Their flying craft was rudimentary—they would never be able to match the dragon’s altitude or speed. Darius watched until the dragon was nothing more than a speck, and then turned to take stock of his surroundings.

Darius!” Raf was sprinting across the square. He skidded to a stop in front of Darius and seized him by the arms. “Are you alright? The dragon, did it–”

“It needed my help.” Darius let his hands settle on Raf’s hips, immeasurably glad to see him—and glad of his support, since Darius wasn’t sure how much longer his legs could hold him. “I’m sorry if I worried you--”

“Don’t,” Raf snapped, his strong blacksmith’s fingers digging into Darius’s arms. “Don’t apologize to me for getting kidnapped. Thank the gods, I’m so glad you’re safe. Are you certain you’re unharmed?”

“I’m fine.” Darius brought his hands up to curl loosely around Raf’s wrists. He gave a rueful smile. “Ruined my suit, though.”

“Toss the suit, I don’t care.”

“Yes, well, we’re supposed to get married--”

“I’m marrying you, not the suit.”

Darius rested his forehead against Raf’s and closed his eyes. He drew a deep breath through his nose and then let out a soft huff of laughter.

“What a day,” he muttered. Raf snorted and pulled back.

“It’s never a dull one with you, that’s for certain.”

“Where do you suppose the clerk got to?”

“He went to the tavern as soon as the dragon made an appearance,” Raf said dryly. “Hasn’t resurfaced since.”

“Come on.” Darius grabbed his hand and dragged him in the direction of the tavern. He was getting married today, damn it, and even dragons weren’t going to stop him. 

 

Alexis Ames (she/her) first picked up a pen when she was eleven years old and hasn’t put it down since. Science fiction is her preferred genre–more specifically, exploring the intersection of humanity and artificial intelligence. It’s rare that she’ll write a story without a robot (or three). Angst is her lifeblood. World-building is her favorite part of writing. Writing the middle of the story is the worst. Nothing makes her happier than a good conversation about all things Star Trek.

In her spare time, she runs, hikes, reads, and dreams up ways to make robots sad.

Twitter: @alexis_writes1
Website: https://alexisames.home.blog/

Quicker Liquor

Any other day, Cog would have been giggling at his ability to hide where larger people would get caught.  Humans were way too tall to conceal themselves at the clink of approaching armor, and dwarves were too stubborn to consider it.  Only a goblin could be wedged between two cabinets in the potion maker’s shop, covered by a pile of itchy burlap sacks.  He should have been grinning from ear to pointed ear, but not today.  Today, he cared about the big people who’d been captured.  One in particular.  

Cog huddled under the burlap, hugging his knees, his thoughts a whirl of despair.  The armored figures who had dragged his friends away kicking and screaming were huge — taller than these dwarven tunnels were made for, and impervious to anything but perhaps a perfectly-placed arrow through the eye slit of a helmet.  Even at the best of times, Cog couldn’t do much against something like that.  

He could still hear them if he listened hard enough, tromping away deeper into the mountain.  Dragging his friends into the same depths the potion maker had disappeared into.  He hadn’t expected her to be gone already — no one had.  The resistance had hung all their hopes on her fabled potions skills.  But apparently the enemy had heard of her, too.  

Cog wriggled a hand upward just enough to move the burlap an inch.  The room looked empty.  He knew it was; those clanking monstrosities were never quiet.  But he took no chances.  Inch by inch he pushed his covering away, ready to snatch it back up.  Then he got to his feet, peered around the cabinets, and eased his way into the room.  

No attackers.  Good.  

No bodies.  Also good.  

But everywhere was the wreckage of the once thriving potion shop.  

Cog wandered across the floor.  One part of his mind was busy being grateful for the thin leather boots that kept the broken glass out of his feet, while the other parts were split between indecision and grief.  With vague thoughts of finding an intact vial of something that would help him fix this, he made his way to the back room.  

It was no different: strewn with glass and liquids and broken furniture.  The chemical smell was harsher here, either from a lack of ventilation or from the unmixed ingredients.  This was where the potion maker had worked on perfecting her recipes.  There were likely to be toxic things leaking into the air.  

Cog sniffed experimentally.  He didn’t feel lightheaded,  or short of breath, or about to burst into flames.  So he stepped farther into the room and searched for anything not yet broken.  

After several minutes of frustration, he found a single case of intact vials.  It had escaped destruction by being shoved into a corner, much as he had been.  It was dusty enough to have been there for years.  That only made it seem more a matter of destiny.  

Cog blew off some of the dust and opened it.  

The vials were full of faded blue liquid, some of which had evaporated despite the corks.  They all had the same label, handwritten in careful dwarvish letters.  

“Speed potion, Batch #5,” Cog read.  Smaller letters proclaimed “In progress.  Potentially toxic to some races.  Do not use.”  

Cog didn’t so much think about it as much as he let the ideas fly past him.  The potion might kill him. The monstrosities might come back.  He could get away if he left now.  There might be money somewhere in the shop.  His friends might die soon.  One in particular.  He had good enough aim to get something sharp through an eye slit if he took his time about it.  A speed potion would give him that time.  

In the end, it wasn’t much of a decision at all.  He opened a vial and drank it.  

It tasted bad, like sweet wine poured into a mule’s feed bag and left in the sun for weeks.  His tongue felt sticky.  The smell crawled up his nose.  

Then the room seemed to drift sideways.  Cog blinked, moving to put the empty vial back.  He overshot and bumped it against the edge of the case, knocking the vial free of his fingers to… spin slowly in mid-air.  It looked blurry.  Cog blinked at it again, his thoughts turning just as slowly.  As he watched, the glass vial sank to the floor.  As soon as it touched, fractures skittered across the surface and the pieces began drifting apart.  

Cog got his feet under himself and stood.  His balance was wobbly and his eyes kept unfocusing.  He kicked an empty wooden bowl and watched it drift in a graceful arc to where it clattered against the wall with a deep boom.  

That sounded weird, Cog thought, starting to smile.  He stepped forward, had to correct his step as the glass slid under his foot, then overcorrected and fell back against a shelving unit.  

He giggled, and wondered absently why.  He tried to focus.  I know what I’ve gotta do.  Moving carefully, he crouched to shut the lid of the vial case (this took him two tries), then shoved it back into the same dusty corner it had come from.  He sneezed and spent a few moments watching the dust billow in slow motion.  They he started to hiccup. 

Right.  Gotta do stuff.  Save the people.  Especially the hot one.  He looked around the room for a weapon.  Most of the valuable things had been taken, either by the people who’d kidnapped the potion maker, or by looters who’d taken advantage later, he couldn’t say.  There were no knives or arrows or anything made for fighting.  But there were an awful lot of glass shards and some burlap.  

He only cut himself a little bit crafting the makeshift daggers.  Then he raced off down the tunnel, still hiccuping, leaving burlap to drift lazily behind him.  

*             *             *

Tylore stumbled along, alternately dragging his feet and skipping forward to avoid a backhand from an armored fist.  He didn’t know whether he would be eaten, tortured, or just forced into a life of slavery far from daylight, but he didn’t like his odds.  The mixed bag of freedom fighters trudged along in front of him.  His place at the back of the line meant he got the brunt of the biggest monster’s irritation, but it also meant he could make a headcount in the faint light of the glowmoss on the ceiling.  

Four other captives walked with their hands chained together.  A sturdy dwarf striding with dignity, a young dwarf trying hard to do the same, an elven woman with long hair that caught in the chains, and a human woman who wordlessly freed it for her.  Then Tylore, the human man bringing up the rear.  No goblin.  

What had happened to Cog?  The attack had been chaos.  Tylore tried to think if he’d seen the little fellow after the big bastards crashed into the room, but he couldn’t remember.  He hoped Cog had gotten away.  Hoped he hadn’t been crushed by iron-shod boots when Tylore wasn’t looking.  

He was trying to convince himself that the world couldn’t be that cruel, despite all evidence to the contrary, when he heard something strange.  A soft pattering with regular squeaks, and irregular thumps.  He thought he felt the last thump through the floor.  Was it some clockwork oddity made by the dwarves?  Or a terrifying beastie that was waiting on a spiked leash to eat them?  Or maybe…

The pattering got louder.  Tylore turned just as a blur of something zipped into view around the corner, bounced off the wall, and made a beeline for the armored behemoth that stomped along like a troll made of spikes and hatred.  

The monstrosity raised an arm to swat at the blur, but the thing ran straight up that arm toward the metal helm before leaping off.  

The monster grunted, swayed, and fell with an echoing crash.  Tylore saw ichor oozing from the eyes of its helmet.  As he took in that sight, he heard a commotion further down the line.  He turned back and witnessed the middle guard being taken down the same way, before the leading one could draw a weapon.  This time, when the second armored form fell, there was a glint of broken glass jammed into its helmet.  

The blur paused at the second monstrosity’s waist and, in a flash, ripped the enemy’s dagger from its belt. The blur dashed toward the third one, who was waving a serrated battle-knife in a threatening display.  The blur tripped over nothing, sprawling and losing its grip on the dagger.  This skittered to a stop against the wall, while the blur paused for a heartbeat before bouncing back up to gather its dagger and climb the enemy like a tree.  

While the last monstrosity roared and gurgled, Tylore stood stunned.  For that split second, he had seen a goblin lying on the floor.  

The armored beastie fell like a collapsing building.  The blur danced around it in circles before racing forward and back, tugging at the chain that bound the prisoners.  It tripped several times, bumping into walls and people.  Everyone was talking.  

“What just happened?”

“Are they dead?  Should we stab them again?”

“Who is that?”

The blur clambered over the armored forms, tumbling to the ground a few more times, then suddenly Tylore had a key in his hand and a vibrating goblin standing in front of him.  

It looked like Cog, as far as he could tell.  Delight and confusion flashed through his mind while he stared stupidly at the goblin’s attempt to talk to him.  It was no good; the words were too fast, even though he seemed to be making an effort to slow them.  Then Cog apparently lost patience, taking the key back and opening all the locks himself.  The rest of the group exclaimed happily as their manacles fell away.  Tylore wasn’t sure, but it looked like Cog was slowing down a little.  He still tripped over things an awful lot, though.  

Cog bounced off both walls, dropped the key, then zipped toward Tylore before dashing away back up the tunnel.  

Was that a kiss?  Tylore raised a hand to his mouth.  He was still wondering moments later when footsteps pattered toward him again, at  a nearly normal speed.  

Cog dashed back into view, carrying a box.  He was covered in bruises and ichor, and wearing the widest grin Tylore had seen from him yet.  

“Ifoundaspeedpotion!” Cog exclaimed.  “ThelabelsaiditmightbetoxicbutIfeelfine!”  Cog stumbled again, but this time, Tylore was close enough to catch him before the box fell.  It looked fragile.  

Cog looked up from where he lay in Tylore’s arms with a sappy grin.  “Sogladyouarenotdead,” he slurred.  “Will you go on a mushroom-picking date with me?” 

Tylore laughed.  “After that rescue, you deserve all the mushroom dates you want!  As long as you don’t die of speed poison first.” 

Cog erupted into high-pitched giggles that were just this side of painful to hear.  The elder dwarf peered over Tylore’s elbow at the case of potions.  

“If there’s more of the stuff in there,” he said to Cog. “I might have some ideas to run past you, skinny one.  How do you feel about assassinating the lich-king?” 

Cog giggled some more and nodded with unnatural speed.  “Sure!  Why not?  I’ve got plenty of Quicker Liquor left.”  He laughed at his own cleverness.   

The human woman spoke up.  “If there’s a recipe, we could sell this stuff.  There’s a good market for bad ideas.” 

Cog waved an arm haphazardly.  “We can rescue the potion lady and she’ll make tons!” Tylore set him back upright, hands close in case he fell.  

“All those ideas and more,” he said sternly, “After the mushroom date.”  

The dwarf harrumphed.  “Well, of course.  Priorities.” 

 

Mara Johnstone (she/her)  grew up in a house on a hill, of which the top floor was built first. She split er time between climbing trees, drawing fantastical things, reading books, and writing her own. She has a Master’s Degree in Creative Writing an continues to write, draw, and climb things.

Website: http://maralynnjohnstone.com/
Twitter: @MarlynnOfMany

A Warmth in the Forest: Pt 2

(Editor’s Note: This is the second and final part of a story that was published in our September issue, No. 5)


Many Years Ago, Before You Were Born

After the second disappearance of Margaux Poulter, nothing mysterious or tragic happened in town for nearly two decades. Her severed hands were added to an existing plot in the cemetery, the only remnants in the grave of the twice-taken girl. Proper suspicion was given to the forest, townspeople banning ventures to the woods. But the passage of time built up the collective courage of the town once more, until the beastly threat was again turned into just another scary story to make kids stay in bed. Only Lucie Poulter kept a tight, fearful eye on her children.

Lucie and her son Theo were throwing a delightful birthday party for her second child, who was sixteen years old. Once named Marco, she now went by Lily, after her lost mother. Their small house, rebuilt by Lilian before she fell ill and joined her son’s namesake in the cemetery, brightened the eyes of all entering guests with silver tinsel and white flowers. Even the wallside pile of firewood Lily split glittered with decorative metal shavings in the midday light. Friends and family all gathered, some inside sipping tea and some outside enjoying the breeze. The only person yet to arrive for the celebration was Lily herself.

“Have you seen your sister?” Lucie fluttered from window to window as Theo put the finishing touches Lily’s cake. Blackberry, her favorite.

“Not since dawn. She said something about feeding the chickens.”

She stopped and looked at her son. He pretended to be engrossed in frosting swirls, but the back of his head burned under her stare, as mothers can do. Peeking tentatively up from his masterpiece, he found her shaking.

“Theo. You know we don’t keep chickens anymore.”

Deep in the forest, far from people and chickens, Lily fiddled with the string of small golden numbers around her neck. She’d been preparing for this journey for years, but nervousness still pinched under her fingertips. 

As soon as she had heard the tale of her aunt, Lily knew she would someday rescue her. Being a knight and saving the princess was what she had dreamt of her whole life. Lucie had tried to keep the story from her, for fear of exactly this, but Theo had always been bad at keeping secrets. Sweet but timid, he had grown into quite the storyteller. His own encounter with what he called, Mother Dragon, was his most regaled story—the most asked for, once Lily was old enough to ask politely. 

 “I already lost my sister. I will not lose my daughter to that monster too,” was always Lucie’s stern answer when Lily vocalized her passion. Later, in a whisper, “I already lost my sister. I’ve already lost my wife. I can’t lose my daughter too.” Lily stopped mentioning it after that, but still nurtured the hope in her heart. 

Upon her impending birthday, Lily had felt an urgency. Almost itchy. She never told him, but she knew Theo noticed she was going to do something drastic. He didn’t question her, even covering for her as much as his delicate conscious could, when she stayed out late sparring scarecrows or pilfered extra food and survival supplies to hide in the wood stack.

Now, heading into the forest with no direction other than to follow an inexplicable warmth, she realized a silence. Having walked for hours, she’d mastered tuning out the sounds of woodland creatures and rustling nature. That background noise was gone here. She could register only her own heartbeat, thumping strong in her ear, feeling the sound instead of hearing it.

The heat she sought increased. She traveled further, slower, to where the trees were farther apart and dirt floor shifted to rock bed. Her ankles started to feel unstable in her boots as she walked, like the earth below was hollow. She crouched to feel the ground with bare hands. Knocked once, twice. Its minute vibration jerked to a stop just ahead. Lily snuck closer, seeing that what appeared to be level earth was but a trick of depth—a giant worm burrow opened into the ground, its rim stained red.

Terror squeezed her heart, shortened her breath. But her resolve was absolute. She was a brave knight. From her rucksack she pulled a small lantern and her late mother’s wood axe. Once her fire burned, she entered the cavern.

Inside was silent but not quiet. The movement of everything above ground reverberated around her, and the inching of bugs on the hard tunnel walls caused phantom brushes across her skin. Dark earthen tributaries branched off periodically from Lily’s path, but she ignored every chilly labyrinth entrance. 

She feared the lantern wick’s end until she caught light that wasn’t hers. A gentle, wavering glow beckoned some ways ahead. After a few meters of deliberation, Lily blew out her lantern and let her eyes adjust to the dimness before continuing on.

The other light grew, and Lily likened it to moonlight, soft and cold, even as the air’s temperature still climbed. She rotated to walk sideways along the wall, sliding her clammy hands over sweating rock. She wished she had real armor, instead of the haphazardly sewn links of stolen clock scraps she fashioned for herself.

Not quite bright but much lighter than before, the hole’s base loomed. Lily slowly lowered to a crouch, removing her rucksack to lay it and the lantern on the ground. Too noisy for a stealth attack, too heavy for battle agility. She moved again with only her axe. 

Spying beyond the threshold, she found a grotto ten times taller and wider than her little house. A skylight shone down on a pool of crystalline water, sun rays bouncing off it and the thousands of precious gems and treasure covering the space. No rock could even be seen on the cave floor. The only dark spot in the cavern, just off the center, looked to be a mountain of fabric. An impressive pile of curtains and sheets homed a myriad of frayed, holey, discolored remnants of clothes, and one thin, sleeping woman.

Lily restrained herself from calling her aunt’s name. Margaux wouldn’t be able to hear her even if it there was no threat of exposure. Double-checking that the grotto was empty of monsters, she tiptoed into the humidity toward the mound of textile. Careful to shift the glittering trove as little as possible, she waded her way over and crawled onto the sheets. She gently laid a hand on her aunt’s bare knee.

Margaux slammed upward, long hair wild as her sunken eyes, pulling her bony limbs into herself. Lily took back her hand and sat very still. She waited until Margaux’s shock turned to relief, to curiosity, to fear. Margaux? Lily asked, just in case. Her aunt nodded, lips chapping open as she parted them to mouth Yes. 

Lily signed slowly, not sure how many words Margaux knew. Theo had said that while Margaux was an older child when he met her, she’d spoken like someone his age, and it was clear that she hadn’t interacted with other humans in a very long time. My name is Lily. We met when I was born. I’m Lucie’s daughter. My name was Marco. I am a knight. I’m here to save you and take you home.

Just as Lily had seen her mom do countless times, her aunt started to quiver. Margaux’s mouth guppied, trying to pick words but failing every time. Tears trickled down pale, dirty cheeks. Not sure how to react to her blubbering, Lily just reached for her leg again, pulling towards the exit, and Margaux leaned into her touch.

Come on, Lily urged. Her aunt’s eyes and head flitted around to every tunnel entrance, panicked one might reveal her Mother Dragon, but she followed on her knees nonetheless. When they reached the edge of solid rock, rising to stand, Margaux nearly knocked Lily over in a sobbing hug. Her stale, unkempt scent almost made Lily sneeze, but she held it in as Margaux pet her spine. She was not much taller than her niece, but Lily was sure she could lift the woman over her head with one arm. She peeled her off so they could move on, and it wasn’t until then, arms sliding over each other, that she realized Margaux’s gangly appendages ended at her wrists.

Everyone who knew that Margaux’s hands had been found in the well and buried in her otherwise empty grave, assumed they were only bits left, but Lily hadn’t ever really pictured her without them. No hands to crawl upside-down around her brother, or blind a dragon, or sign. Lily’s teeth clenched. Margaux wasn’t being childish or difficult—she just couldn’t communicate.

Lily had to look away to clear her throat, try not to show how shocked she was by the scarred wrists. She took Margaux by the elbow to lead her into the passageway, but she resisted. Turning back to question her, she saw Margaux pointing at a heap of scales on the ground. She looked back at the tunnel, but gave Margaux the benefit of the doubt that this was important. She bent to inspect it.

The scales were sewn similarly to Lily’s clockwork chainmail, except woven with feathers. A shoulder and chest piece, fit for a large child. Lily recognized it from Theo’s story and attempted to tone down her awe. She straightened again and offered it to Margaux.

Her aunt shook her head and pointed at her. Lily couldn’t contain her grin as she pulled it on over her own homemade protection. It was small over her tan muscles and broad shoulders, but it fit. The scales were smooth as water and tougher than anything else in the cavern. They seemed to glow in the sparkling light. 

A glow that did not belong to her shimmered in Lily’s peripheral vision. The air was so hot here, neither aunt nor niece noticed a spike. Lily dropped to the ground just in time for teeth like swords to snap in the space above her. Margaux fell next to her, folded into a ball with arms covering her head. 

The sound of the dragon’s hissing threatened to burst Lily’s eardrums as she ducked again, its snout crumpling against the ground as it missed her. The world had been so quiet before and the beast had made no noise coming in. Her temples throbbed against the thunder of her own running and the bustling of gemstones.

“I protect the silent, foul knight,” a voice conveyed in her head, even louder and more unreal. It wasn’t words but it was understood, and very much not her own.

“I need no mortal words. I need only to guard,” it projected again and startled Lily so much that she slipped on a huge pink-and-blue geode. The Mother Dragon was inside her mind.

From her fall, Lily flipped over and swung her axe at the nearest part of the beast, a section of stomach. The metal scraped uselessly against its scales, clanging right off and landing by the fabric pile. Its muzzle rounded its body, spitting filthy droplets at Lily. Nose scrunched and tongue drooling, it prepared to bite.

“Not a knight?” It slowed momentum so only its massive nose buried into Lily’s chest. This close, she could see the difference in its good and bad eyes. The seeing one, with thin black pupil in a globe of gold muscle and crimson veins, was fixated on her. The damaged one was almost all red, pupil broken into brownish halves going in different directions. There were still splinters inside. 

The Mother Dragon hissed, rattling its long body around the cave. The pool of water rippled for the first time since Lily arrived. “Smells like knight but tastes like princess. Attacks like knight but looks like princess. Who are you?”

Lily grit her teeth and flung the nearest thing at the dragon’s face, a heavy goblet rushing against its whiskers. It growled and struck again, but this time with more hesitation. It didn’t know whether to kill or hoard.

As it gnashed at her, Lily ran for her axe. She thought that if she could only find a weak point, where the scales were scarcer or thinner, she could defeat it. She slid across Margaux’s sheets and bat the axe blade up under the Mother Dragon’s chin, which only annoyed it. 

Suddenly Margaux skid to a halt next to her with Lily’s still-lit lantern held between her wrists and chucked it at her Mother Dragon. The glass and metal burst ablaze right in its working eye. A terrible shriek filled the cavern, echoing off the walls and Lily had to bury her ears in her arms. The dragon thrashed its head, endless body whirling into a circle around the two humans, trapping them, and slammed Margaux down under one of its feet, caging her between its claws.

“Die, knight!” The dragon snapped, teeth snagging Lily’s left arm. “Princess blood?! How!” It seethed, gathering height and bearing over her. She backed up until she risked hitting its torso behind her. She brandished her axe again, her shadow lifting its weapon on the beast’s scales.

The Mother Dragon came down at her again, jaws splitting open. The skylight’s beam shifted against the towering arch of neck, displacing Lily’s shadow next to her. She readied to hit the monster close-range. If it swallowed her, she could cut off its head from the inside. However, as its mangled eyes drew closer, she saw her aim would be off—it dug its teeth just right of her, into its own body, where her shadow stood.

A shrill scream escaped the dragon’s throat as its snout came back bloody, black liquid slopping over the treasure. Its head moved the sunlight again, and Lily watched her shadow jump with her to the left. Raising her axe again, she struck just past the dark shape of herself. As before, the tool bounced right off, but the Mother Dragon still felt it. It sunk its teeth in again, ragged pupils shrinking and dilating in rapid succession as it tried to define knight from princess, person from shadow. 

Lily scattered, swiping at scales all over the serpentine creature. Over and over, the dragon bit itself, tearing its own flesh open. It clawed at her a few times, releasing Margaux in the struggle. The woman traveled to every wound the dragon created, shoved crystals into the cuts. Lily wasn’t sure if that was a torture or healing tactic, and decided to never ask. 

 Exhausted, bleeding out, in pain—the beast finally, as the light above started to fade into dusk colors, laid down its head and its pupils stilled. Lily slayed the dragon. For good measure, after signing to Margaux to look away, she cut out its tongue and eyes, and climbed inside its mouth to slit the back of its throat. No sight, no taste, and bleeding into its lungs—if somehow it lived, it wouldn’t for long.

Let’s go home to Lucie, Lily said after wiping jowl-slime from her body. For the first time since reuniting, Margaux smiled.

They followed the cold through the black forest. Sounds of nature returned to Lily and, under Margaux’s feet, the feeling of creatures living unafraid. Dawn broke on the edge of town, dew twinkling on the squash fields. The aunt and niece tossed their sets of armor and numbered necklaces down Witches’ Well.

The Poulter sisters’ reunion was the hottest news in town. A search party was scheduled to find Lily but before they could depart, Lily returned home with the dead. Porch-dwelling elders whispered about the feral girl, the Dragon’s Daughter, a reminder of old magic in the forest. They croaked about giving her proper suspicion. Parents used Margaux’s story as a caution to their children: don’t wander into the woods, or your hands will get eaten.

Only the kids themselves treated Margaux with proper respect, in awe of her survival, the determination of her family. They surrounded her constantly, asking questions about her captivity and theorizing wild answers in her silence. She couldn’t tell them about her life as a princess, but she adored their shameless attention. After so long without human connection, and from such a young age, their constant gabbing and fearless love made her feel the safe kind of warm.

While Lucie’s heart stayed incomplete without her wife, it healed greatly with the return of her baby sister. She thought she’d surely die if Lily didn’t come back from her rescue mission, and to see both home safely also almost killed her. She’d collapsed in her son’s arms, certain she was hallucinating. Once the truth had settled in, she promptly smothered her daughter in kisses while tripling her chores as punishment.

Lily accepted this easily. Laundry duty was certainly easier than being a knight. For a while she couldn’t go anywhere—the clockmaker’s, the squash farm, the backroad to the cemetery—without everyone congratulating her, thanking her, blessing her. Then, after people started to get used to Margaux’s presence, she became just Lily again. The girl who appreciated her brother, missed her mother, loved her mom, cared for her aunt, and preferred the cold.

The children on Margaux’s wake spun stories about Lily too—the girl-knight whose shadow saved the handless princess from the long, warm dragon in the woods. Like Margaux, she let them hypothesize as they pleased, and their tales eventually overcame the nightmares that the elders warned. They shared it with other children, variations and extrapolations, who retold and mistold it to even more children, then grew up and lullabied their own families with it. The forest again grew safe with time, and kids strayed into the trees, tumbling back out with blackberry stains on their hands and claims of finding little clock numbers under brush.

That’s how old memories become new legends—they start with the young, return to where they came from.

 

Kylie Ayn Yockey (she/her) is a queer southern creative with a BA in Creative Writing & Literature. Her work has been published or is forthcoming in Glyph Magazine, Meow Meow Pow Pow Lit, Night Music Journal, Gravitas, Ordinary Madness, Stray Bunch, and Not Very Quiet. She has edited for Glyph, The Louisville Review, Ink  Voices, and is the poetry editor for Blood Tree Literature.

Website: https://www.kylieaynyockey.com/

Hecate

full appeared the moon
and when they around the altar took their places

thin fire is racing under skin
and in eyes no sight and drumming
fills ears

crossable

downrushing

danger

                   

Witch (n.)

1. a woman who wants; a dangerous, ambitious woman.

2. silver-tongued desires shouted into a frosty night

echoing

among the trees

 

Source: Anne Carson, Sappho

Percy Delatte (they/them) is the aesthetic coordinator for Periwinkle Literary Magazine and a grad student. They are a writer and an illustrator, and they also make jewelry, embroider, and speak Italian. They are currently working on a debut YA sci-fi/fantasy series, and their poetry has been published by F(r)iction and The Mark Literary Review.

 

Twitter: @percy_kirkland

Prosperine

a kind of yearning has hold of me – to die
and to look upon the dewy lotus banks
of Acheron

but I

go not to Lethe, neither twist
Wolf’s-bane, tight-rooted, for its poisonous wine;
Nor suffer thy pale forehead to be kiss’d
By nightshade, ruby grape of Proserpine

in Hades’ house
you will go your way among dim shapes. Having been breathed out.

For shade to shade will come too drowsily,
And drown the wakeful anguish of the soul.

and on the eyes
black sleep of night

but me you have forgotten 

 

Source: Anne Carson, Sappho, John Keat

Percy Delatte (they/them) is the aesthetic coordinator for Periwinkle Literary Magazine and a grad student. They are a writer and an illustrator, and they also make jewelry, embroider, and speak Italian. They are currently working on a debut YA sci-fi/fantasy series, and their poetry has been published by F(r)iction and The Mark Literary Review.

Twitter: @percy_kirkland

The Huntress

i am the daughter of Zeus
golden, wreathed in laurels
- and -
i am the goddess of the moon
silver, with a starry crown

i am Artemis –
Diana –
Phoebe –
Potnia Theron – Mistress of Animals

i am willful and powerful and i wield my weapons carefully
my blade is swift and my bow is even swifter yet
and i am given all i ask for

i ask my father for the moon and the mountains
and i remain a girl forever
impetuous and selfish and demanding
unmarried

i refuse to allow my body to belong to anyone but me,
and i love my legs not for their shape but for their speed
i love my chest not for my pale breast but for the strong lungs and heart within
i love my hands for their dexterity,
the pads of my fingers coarse and
my shoulders sinewy from pulling back my bow
my eyes are not beautiful
they are quick,
and they make my aim true

alone i race through forests deep and dark
my heart pounding
my footing is always sure
and i know how to run without making a sound
and i know how to track a stag through the forest
for miles and miles and miles
tireless

there are a thousand paintings and sculptures entitled,
Diana
Diana

but none of them move,
and i am never still,
so none of these are me

i asked for what i wanted

and i crowned myself

 

Percy Delatte (they/them) is the aesthetic coordinator for Periwinkle Literary Magazine and a grad student. They are a writer and an illustrator, and they also make jewelry, embroider, and speak Italian. They are currently working on a debut YA sci-fi/fantasy series, and their poetry has been published by F(r)iction and The Mark Literary Review.

Twitter: @percy_kirkland

The Tale of the Princess-Prince

Once upon a time
there was a Princess-Prince.
A maiden who kissed
maiden lips.
Their armor shined
wherever they went.
Hardened softness—
that was the Princess-Prince

Our Princess-Prince rode a horse
a basic steed—nothing more
Just one to be sure
that they returned home safe

For the life of Princess-Prince is tough
glaring eyes and lungs that huff
voices rumble, feet that kick
and step upon their toes

The kingdom is angered
for no one really knows
is the Princess-Prince
a princess or a prince
underneath their clothes.

 

Destine Carrington (she/her) is a queer, black woman living in North Carolina because she enjoys challenges. Other things she enjoys include but are not limited to: burgers, brownies, and Batman. Her work has also appeared in Black from the Future: A Collection of Black Speculative Writing, Rigorous Magazine, Serendipity Literary Magazine, Jokes Review, Drunk Monkeys Literary Magazine, and Five2One Literary Magazine’s thesideshow.

Prized Possessions

(Editor’s Note: This story was previously published on Awkward Mermaid)


Aidan heard the voice one night before he fell asleep. At first, it was so small it could have been his imagination. He was far into the warmth of sleep, holding tight to the remnants of his last doll, but he could just barely make it out. The voice seemed to be saying, just for him, "Let me out of here."

Then, he heard it, again—a little breath whispering, in the morning before he opened his eyes to a room full of sunlit colors and a day full of twittering birds. 

He wondered why it first chanted in Japanese, which was more of his mother's tongue, but he didn't think much of it. He heard it carried in the wind when he walked home from school despite the loud crunch of leaves beneath his feet. He heard it anytime he was alone under the juniper tree, keeping away from his mom. He heard it when he touched a blank piece of paper and brushed colors over its mist-white surface. "Let me out of here."

The voice was there for him when his mom threw his toys away without his permission. When he was worn out from tears she told him he should not be crying, he would escape into his room, into his bed, and fall back into his mind. "Let me out of here."

Soon, the words blended into his better language. Even at breakfast, Aidan could hear it in the creak of the swings, the squeak of the doors, the pattering of branches knocking on his window to wave hello. "Let me out of here. Let me out of here. Let me out of here."

"Honey, you can find better uses for your time." His mom's voice cut through the little song Aidan had been paying heed to, carried softly in the wind. The window was barely open, but through it he could see the juniper tree he liked to rest under the shade of, and what little breeze he could catch from outside was nice and crisp. Now that he was forced to return his attention to this stuffy dining room, noise took over: the slightest clang of a dish being left on the dishwasher to dry, the sweep of his mother’s slippers pacing around the floor, the clink of spoons against bowls. He strained to hear the soothing little voice again, but it was gone. He kicked under the table, pushing a chair leg. 

His mom continued on, only slightly glaring at the chair that screeched a little across the floor. "How will girls want to marry you if you can barely carry your own feelings?" 

  Nine years into his life, it seemed stupid to him for his mom to try to make him care about girls. Aidan was keeping a mental record of how long he could go without looking his mother in the eye. He just kept adding to the record, staring harder than he thought possible at a soggy bowl of rice porridge. 

"Crying over silly girls' toys like that won't do you any good," his mom said. "You'll see."

His mouth half full, with spoon pointing out from his hand, he muttered, "They were mine and you took them." His voice came out louder than he expected, echoing in the room. Well, she needed to hear it. 

His mom breathed sharply. "Did I take everything from you? No. But you are a young man and I expect you to behave like one. This is for your own good. No more dolls."

"They were mine!" He slammed the spoon against the bowl.  

"They're not for you." His mom was overly focused on the apple she was cutting. Under her breath, she added, "I did what I had to do." 

“That’s not fair! They were not just for girls!” 

She shook her head. “You still don’t know. They are.

“Why? Why did you even get them? Why can Molly at school play with trucks but I can’t—”

“Aidan, I don’t have time for this whining.”

"No, you never listen! What if I took that old locket from you and said oh you'll get over it?"

His mother gasped and dropped the knife on the cutting board. 

"That's enough, Aidan!" Now she looked at him. "You speak to your mother with respect, young man!" 

Now Aidan looked up into her eyes, never mind the cold treatment. 

"What mother?" The room shut up into a thick silence then. Aidan, refusing to look up from the soggy porridge, heard the tingling voice return, in the back of his mind, and he almost felt like singing to it, a declaration. It was too warm, too stuffy and tight in this room. 

* * * 

"What is this?" his mother asked, pressing her finger upon one of the paintings he had taped up to the walls of his room. 

It was a masterpiece for his age, she should have said. It was a watercolor painting he had made in his spare time, with colors he had blended himself. Soft sea green, bluer-aquamarine, light blushed pink, brushed together to form a skipping little fairy boy, with sprightly legs and flowing wings. Molly at school had called it beautiful. 

"A painting," Aidan mumbled, suppressing the fear in his voice. 

His mom stared and frowned at the picture. She traced her finger on the starry specks of glowing gold sparkling around the fairy. Some were dots and some were shapelier than others because, when he made them, he wasn’t sure what they’d be yet. Aidan cringed a little as his mother’s finger pressed on one of the lights, like she could extinguish it.

 She shook her head. “People will make fun of you for this. I know this is hard for you, but for your own good, I have to help you stop being a sissy." His mom began to take the painting down. 

"What? Mom, no—!" Aidan reached out to grab it from her, but he heard a terrifying ripping sound. It might as well have torn him straight down the middle and left him helpless, like discarded tissues into the trash. 

"No!" Aidan cried out, again, snatching the paper out of her hands, grabbing the other torn half from the ground. His vision blurred at the fairy’s head, stripped from his lively winged body. It would never be the same, even if he taped it back together. "How could you?" he cried fiercely, holding the halves dear to himself.  

 She looked down, only quiet. And only quiet remained, until she straightened up and left. Aidan collapsed into a fetal position, holding his disembodied fairy. 

Sometimes you carry something only the worthy can see, his teacher had once said. But how could he think of his mom as unworthy? Either she was wrong or he was. Aidan looked at the remnant of his painting, his vision bleeding into total blurriness.    

Fighting through his tears, he heard the voice visit him again. It drifted in the wind outside, muffled by the glass, tapping at his window along with the rain. It whispered in his ear with every drop that swam in his eyes. 

"You have to let me out of here." 

At last, like a dream, Aidan stood and let the voice guide him. 

He creaked the door open and snuck past his mom’s room, reassured by the flickering light under the closed door that her attention was elsewhere. He pulled on a jacket, crept down the stairs, and opened the door against the blustering rain outside. His face was wet already, anyway. The rain speckled on his face, drizzled on his body, drumming with faster and faster tempo. He let the raindrops roll over him as he continued toward the backyard, to the juniper tree. The tree, the magical tree, was there for him. 

The voice seemed to guide a shovel into his hand and told him, “Hurry. Dig.”

He shoveled up layer after layer of dirt beneath the tree, wondering what treasure he would find. The voice was getting more excited. It was a child’s voice, maybe smaller than his. 

"Get me out of here!" it exclaimed urgently in his mind. Soon, all other sounds—the beating rain, the slice of the shovel into the dirt, the howling wind—faded until there was only the voice. 

At last his shovel hit something hard, and he got down on his knees in the wet dirt and felt in the hole a solid surface. Digging his hands on either side of it, he pulled out a box. He brushed at the wet dirt, leaving smudges, and found some worn-out markings on the side. 

Lightning and thunder cracked in the sky. Aidan clutched the box tight to him, dirt and all, and ran back into the house. And there, panting in the dark security of the room, dripping wet and tracking mud by his socks, he opened the box. 

Then, the room was lost in fog. Aidan gasped and fell to the ground, coughing, as the room slowly cleared. 

In the midst of the fading grey, there was a glowing bit of gold. It took shape and, slowly coming into view, a songbird hovered above him, singing the most beautiful sound he ever heard. 

The next thing he knew, he opened his eyes, lying in bed, the covers thrown off. There was no mud on him. 

It was as if he had never left the room. 

* * * 

All through school the next day, the smell of rain lingered everywhere, and the sun peeked a little from the clouds. Aidan felt lighter than he had felt in a long time, as if he were lifting his feet off the ground, as if a small part of his mind was excited to see the world anew. A song escaped from his lips from time to time. School felt as insubstantial as clouds, a thing to pass through. He caught glimpses of eyes stuck on him, noticed clusters of bodies scooted away from him, and faces contorted before him. Other kids just never understood the wonderful sense of ease a half-remembered dream could leave behind. 

But upon coming home, no sooner had he closed the door than it was as if he fell back to earth, stumbling into the stuffy confinements of the room. His mother stood in the way, arms crossed, staring down at him sternly. “Your teacher called. She says you’ve been disrupting the class.” 

What? She did? “But I didn’t do anything!” Aidan insisted. 

“She says you sang during class while she was talking.”

Aidan shook his head. 

His mother turned, looking out the backyard where, beneath the tree were a hole, clumps of dirt, and a fallen shovel. “That's not all you've been doing. Aidan, what’s gotten into you?” 

Suddenly something sparked in his brain and his heart beat faster. He felt an odd mix of emotions—excitement, love, fear, anger, grief, joy— flash inside him. He swallowed. It was as if he were seeing his mother for the first time. Her short cut black hair, curled at the ends though disheveled. Her deep brown, almond eyes, ringed with a soft, darker shade. How she could have been young once. She was beautiful. She was scary. She was the world.  

She gasped, her eyes wide and burning with threat, with fear. “Aidan, stop that singing.” 

But he wasn’t singing. He was only staring, now flicking his eyes toward the window. There was a little bird perched there.

“Aidan, I mean it.” 

The bird was a beautiful, tawny color, and its eyes were black as coal. It lifted its head confidently, its feathers shining, almost sparkling .  

“Aidan Michael Yamada, you stop that this instant!” Her sharp, shrieking voice overfilled the room. The bird fluttered away. Her voice must have scared it off. The whole neighborhood could have heard it. Suddenly, he looked at this woman, this grownup, overshadowing, standing in his way, in a little fear. 

"Aidan, do you hear me?" the woman's voice spoke with a shaking edge. She was turning red. Then she blurted: “You don’t have a father! Don't you understand? Everything I do is for you to be a better man!"  

The words cut through the room, sharp, and settled into Aidan's heart, hitting hard. Those stupid words, again. His fault, always his fault. It was enough to make him lose his head. He looked up at her, hard, in the eyes. Somehow, he felt lifted above the ground, as if he were the one looking down at her. He felt recycled wounds rise to his throat, to the tip of his burning tongue. . . 

It was all a blur. Something took over, and he wasn't sure what he said, but he saw her face burn from the inside, and eyes tremble. Aidan stomped up the stairs, leaving his mother’s face in her hands. 

Some time later, he lay flat on his bed, trying to immerse himself in a book. He hated the feeling that ate at him, the feeling that a father he never knew could consume so much of his freedom. Did this invisible father enjoy feeding on his identity? Did his mom want to kill him on the inside? Aidan always had to bury these feelings, but they had a way of worming back and gnawing on his insides. So he needed the book to bandage his wounds, to keep his head. He lay stiffly, staring straight ahead at the words on a page, trying to let them speak to him, let their voices win over his mind. 

 The door creaked open. He cringed at the sound. His mother came in, stiffly holding a tape recorder. “I don’t think you hear yourself,” she said in a voice that tried to remain calm. She clicked play, and left the room, pulling the door shut. 

Aidan sighed and set down his book, leaning in towards the tape recorder. It started as an eerie sound, but it slowly flowed into the most beautiful sound he had ever heard. It was the voice of flowing rivers, of wolves howling to the moon, of birds in the spring, of angelic choirs, of mermaids in storybooks, of dreams. 

Then he heard the words. “My mother, she slew me. My father, he ate me. My brother, he kept me and buried me beneath the juniper tree. What a good bird am I!”

He gaped, speechless. “That can’t be right,” he said aloud, shaking his head. He clicked play again. Again came the flow of the spellbinding, unearthly voice. Then the words rang clearer: “My mother, she slew me. My father, he ate me. My brother, he kept me and buried me beneath the juniper tree. What a good bird am I!” 

“No…way,” he could barely get his words out. Shuddering, as if the whole room might close in on him, feeling a presence in the room he could not see, Aidan swallowed and clicked play one more time. The song rang even clearer. This time, though, as he played the tape, he did not hear his own voice singing, but a different one, slightly higher-pitched, coming out from underneath. Instead of the soothing calm he had felt earlier, he felt his heart pound, racing, and the hairs on the back of his neck prickled.

“All right!” he yelled, eyes wide, jumping up on his bed. “Come out and tell me what you want!” 

The room was eerily silent. 

“I got you out of there!” Aidan cried, remembering. The box! He leapt down onto the floor, got to his knees and searched beneath the bed, frantically. He searched through his drawers, on his desk, through his blankets and sheets, tossing everything into a pile on the floor. Where was it? Where was the freaking box? 

Then, upon his desk, he saw the bird. It was there, real as ever, its tawny feathers shining in the lamplight, its black eyes looking at him with intensity. Aidan couldn’t breathe. 

His eyes roamed to the mirror on the wall, and there he saw a little girl. 

He nearly screamed. But when he whipped around, there was no one there behind him. He checked the mirror again. She was still there, in the mirror, in place of the bird’s reflection. She and the bird were one. 

Her mouth opened, and she sang. Aidan backed away in a panic at first, but he couldn't escape the voice. The bird fluttered over and perched on the bedknob. As he looked into its eyes, he could hear the girl sing:

"It’s so warm, so dark, so tight in this room. 

I want to live life, I’m going to live soon!

 Get me out of here, I cried, let me take a breath. 

They got me out of there, but first I met death. 

You found me, my brother, heard what I was saying.

You took me and buried me, when you were just playing. 

I don’t want bedtime anymore; I want to play, too.

 Let me say goodbye to Mommy, then goodbye to you.

Aidan shuddered at first, taking this all in. This wasn’t real. This wasn’t real. This was all a nightmare, and he had no sister, and his mom was no murderer, and there was no voice haunting the room. 

The little girl in the mirror let out a laugh of bliss, as if she finally felt freedom.

She sang again, and he immediately threw his hands over his ears, pressing hard and shouting, “LALALALALA” against the tides of her voice. But her voice won him over anyway, seeping into his mind, chiming with: 

Let me say goodbye to Mommy, then goodbye to you.” 

The voice gently escorted his hands under the bed until they felt a solid box and slowly dragged it out. 

“That...that was not there before,” Aidan said, shuddering, but now he continued to listen.

The voice guided his hands to brush off the sides of the box and lift it into the light. Some red markings on the side glimmered. His eyes could make out the letters: "AMY." His initials. He could also see etches into the box and old crayon scribbles that struck him as familiar. 

“My…my old drawings…” he said, letting out a gasp. He remembered drawing smiling stick figures and hearts, and poor attempts at a skull and crossbones to make a treasure chest. Stick-figure fairies with huge circle heads and loop-de-loop wings darted across the box like old cave paintings. He put his hand on the wild old drawings of flowers, now smeared with red and tainting the pink of the loop-de-loop petals. He hadn't seen these drawings in so long. And now here they were, as if transported from the realm of the dead. 

"It's a gift," said the girl. 

He looked into the mirror again, where the girl stood. "Why doesn't she want us?" he found himself asking. 

The girl didn't answer, only smiled sadly. Her deep brown eyes were full of trapped light. Her short black hair in pigtails shone like the beautiful tawny bird's feathers. She could almost pass for a fairy, for the aura that pulsed around her when she stood still. She was his height. She was his age. She looked like she could have been older once. Could have touched the grace of being taller and bigger, but let go of that. And her smile was so innocent, trusting him. 

That's when Aidan realized: This is my sister. I have to help her. 

"What do you want to play?" Aidan asked. 

The girl in the mirror smiled and became see-through, like mist. She raised her translucent hand up, slowly. At the same time, Aidan found his arm mirroring the movement, his fingers curling as her fingers curled. 

Follow the leader, sang the voice in his mind.   

* * * 

Hands in his pockets, he crept, step by step, down the stairs, slowly approaching the figure sitting there by the dining table. The woman's hair was in disarray, her head in her hands. She looked worn and weighed down, bent over, long overdue for some rest. 

“Mommy.” He shuddered at the voice that escaped him—it was his and it wasn’t his, at the same time. It was louder than he thought it would be. But tried to find comfort in the echo of the voice. My sister is with me. His eyes darted to the chef knife, to the kitchen scissors, out the window to the shovel by the tree. He almost thought of going back up to his room. But, he was calm when he stopped before the woman. 

Her brown eyes turned to him. As if part of him knew he would see them for the last time, he took in all the details. They were tinged red. There was darkness around them. There was darkness in them, the black in her pupils like ink, the brown in her irises shimmering. They reflected light in the forms of little starry specks of gold. Searching deeper,  he beheld a vision of the woman when she was younger, looking down with concern at a locket around her neck, slowly caressing it with her fingers. The locket chain was gold, and the heart at the end of it was a shimmering light red, like the hearts on the box that held his drawings. But she looked pained, as if she were bound to the chain, as if the locket might as well be a millstone weighing down on her neck. Then, she was looking down at her stomach, slowly touching it, with no less pain.  

She was a torn-apart mess. It reminded Aidan of when she rummaged for his dolls, when she took them away, yanking the last one out of his grip. 

Something had been yanked out of her grip too, long ago, leaving her with torn pieces.

"It’s so warm, so dark, so tight in this womb." An echo of the voice whispered in his head. 

Aidan cringed at visions he saw in the eyes, then he blinked, returning to the present. His mother looked afraid, almost as if she knew he saw her then. Almost as if she could hear the voice—the eerie, scary, beautiful, little voice—too. 

"I want to live life, I'm going to live soon!"   

"So which are you?" the mother said, trembling. "Aidan or Amy?"     

No clear answer came, but what came out of his mouth next surprised him. “It’s okay, Mommy.” Then he felt his arms wrap around her and her confused shaking.

He suddenly present in his body again, made very aware of his quick breathing. He looked out to the backyard behind her, where the skies were clouded with gray. Where the shovel waited next to the dug-up hole beside the juniper tree. He panicked, afraid of what the voice would tell him to do next. No. His heart was thumping hard as if it wanted to be let out. No. He didn't want to have to bury anything or anyone. What made him think he had to trade his mom for his drawings?

Aidan felt the sting of tears he should not have been crying. His eyes flicked to the table, where torn pieces of paper shimmered with tape. His watercolor fairy boy's decapitated head, placed carefully back.

Then Aidan felt his heart flash with many emotions—confusion, hurt, fear, awe, love—but the greatest of these was love.  Soon, the voice subsided from his mind and he blinked, realizing his mother was embracing him back. "I don't know what to call you right now," she admitted softly, "except my child." 

Reflected in the glass window, the little girl smiled, satisfied.  The shovel beside the juniper tree no longer mattered. Maybe there'd be no burying anything tonight. 

Outside, the sun, shining like gold, peeked out from the clouds. Out of the corner of his eye, Aidan saw a little bird outside the window. Flying into the sun with shimmering wings, it was singing the most beautiful song he ever heard. 

 

Ellen Huang (she/her) holds a BA in Writing & a minor in Theatre from Point Loma Nazarene University. She loves wearing capes, burning things (pyrography), swimming in the ocean, directing skits, and reenacting Disney scenes on demand. She has pieces initiated/forthcoming in 40+ venues including Grimoire, Persephone’s Daughters, Ghost City, Vamp Cat, South Broadway Ghost Society, Awkward Mermaid, Gingerbread House, briars lit, and peculiars, among others. Follow her creative work (burning things & possessing movie characters included): worrydollsandfloatinglights.wordpress.com 

To New Futures

Harmonia knew that it was dangerous, but she couldn't stop loving Isabelle even if she wanted to. The pair had much in common, not to mention she loved the way the light glistened on her blue eyes, which made them look like a shimmering creek, or the way the sun fell upon Isabelle's golden hair.  She liked the way Isabelle laughed, the way she smiled, and the way she felt comfortable around the young woman in a way she didn't feel comfortable around most other people.

Harmonia knew she had to be careful. Faeries and vampires were supposed to be ancient enemies. This love affair had been clandestine from the start.

She wished she could scream her love for Isabelle to the mountain tops and beyond, yet she knew that would endanger them both. A friend had told Harmonia, however, of a country where faeries and vampires could go and be together. Of course, it meant that Harmonia and Isabelle would have to leave their families and their previous lives behind.

But Isabelle had agreed to go with her, without hesitation.

This country was accepting of outsiders, her friend had told her, and welcoming towards interspecies couples. Many forbidden relationships could be found there. Werewolves and vampires, vampires and elves, faeries and werewolves, and every other pairing imaginable. Even merfolk who had traded their fins for legs when they decided to pursue love.

It seemed like a lovely place, Harmonia thought. She couldn't wait to start her new life with Isabelle there.

When her mother was alive, things were harmonious and good. After she died, Harmonia's father became reclusive and shut her and her siblings out. When her mother died, all the pieces of him capable of feeling went with him.

He died a year ago.

Harmonia would miss her brothers, but she knew that if she remained here that her heart would fall into a numb ruin. She couldn't let that happen.

Isabelle understood her struggle. Isabelle's own mother died when she was young, killed by a human slayer instead of an ailment like Harmonia's mother. Her father reacted similarly to Harmonia's.

They had to leave, cloaked by the darkness of night, upon a boat that would lead them to their future. One where they didn't have to hide their relationship, where they didn't have to hide who they truly were. Harmonia had to admit that this would be nice.

Whilst Isabelle's family always accepted that she loved women, Harmiona's father tried to beat her into liking men. Needless to say, it failed. Harmonia winced at the thought. Yes, leaving this place behind would be good for her. However, Harmonia knew something was wrong when Isabelle was not in the designated spot that evening. She felt her heart sink into her chest.

"Harmonia!"

Harmonia turned to see two of her brothers threatening Isabelle with sun soaked blades, blades invented with the express purpose of killing vampires. One of them had cut off her long beautiful locks. Her hair was now short, choppy, and uneven.

"Is this the wench you're looking for?!" Harp asked.

"How dare you? Release her!" Harmonia insisted.

"Why do you like women anyway? That's disgusting,”  Crescendo interrupted.

"The only thing that's disgusting is your mindset," Harmonia snapped, eyes flashing. "Father beat me, but that didn't make me love men. My heart and my destiny are my own. Now release her!"

"Do you know how many vampires have killed our kind? What kind of mental, are you, sister?"  Crescendo asked.

"Should've heard the sound she made when we cut off her pretty little hair. The sun soaked blades didn't even touch her face, and she made such a sound,” Harp insisted.

"Because it hurt," Isabelle growled with tears in her eyes.

“Great retort,” Crescendo scoffed.

“Sorry, I didn’t realize all banter had to be witty. Forgive me for not entertaining you Harp and Crescendo,” Isabelle retorted.

"If you want her to live then you will leave this place with us and forget her,” Harp insisted, narrowing his eyes at his sister.

Harmonia scowled at her brothers. How could they be so evil? Forget Isabelle? Never. But she also didn't want to be the reason for Isabelle's death. She wrestled with her emotions. "I love you, Isabelle, and I'll never forget you," she gulped. "But I can't...seeing you dead would destroy me. Please, forgive me."

Harmonia went to turn her back when suddenly a blast of magic took out both of her brothers.

"Come on, hurry!" came a familiar voice.

"Caryn?" Harmiona blinked, surprised that her friend was there.

"Come on, I'll explain on the way! Your brothers will recover quickly."

Harmonia nodded, jumping over her unconscious brothers and grasped Isabelle's hand.

"Don't ever think you'll leave me," Isabelle said. "That would break my heart."

"Mine, too," Harmonia remarked. "But I didn't...I didn't want to see you dead."

"I know. Let's go."

Harmonia nodded. "I'm sorry about your beautiful hair."

"It's okay. It's just hair. It will grow back."

“Will it?” Harmonia asked.

“Vampire hair remains the same throughout the years. I tried cutting it once, it just grew back. It took a month or two, but it stubbornly refuses to change,” Isabelle laughed, shaking her head. She ran her hands through her short blonde locks.

Harmonia could sense that she was disappointed, however, despite her words. She nodded. “I just wish they hadn’t done it. I’ve always loved your hair. To take it without your permission just feels like a violation of your dignity.” She felt her hands clench of their own accord. "If we had more time, I'd cut their hair off to punish them. Seeing as I know how vain they are, and how much my brothers love their hair."

Isabelle laughed gently, kissing Harmonia's cheek. "Temper, temper, my faerie."

"Caryn, you said you'd explain?" Harmonia asked, glancing over at the other faerie.

The faerie smiled brushing a wave of curls away from her obsidian eyes. "I'm coming to this place  I told you about, as well. My family is dead and gone, but there are plenty of people here that do not approve of my relationship with Ariel." She sighed. "She’s a werewolf. Her family has dark origins, but she is not like her family. She is her own person."

Harmonia nodded. "It's hard when people are so judgmental. They would rather crucify you in case you were a devil rather than get the chance to know that you're not."

"Preventive action," Caryn snorted, rolling her eyes. "But if they could only see, they'd realize they were the very demons they think we are."

"Exactly," Isabelle nodded.

Harmonia looked up when she saw a tall woman with almond shaped brown eyes and thick straight black hair that fell to her buttocks.

"Let us go, Caryn, we don't have much time,” Ariel insisted.

"I know, Ariel. These are the women I was telling you about that will come with us. This is Harmonia and Isabelle.

"I am Ariel," Ariel smiled. "But come, less conversation, more movement. We must leave this place."

Harmonia nodded. She wasn't sure how long the walk would be. She tried to walk quickly as possible through the dense, thick brush in the middle of the forest.

After walking several miles, Harmonia noticed a boat in the distance. "Is that the vessel that will be taking us?"

"Aye," Ariel answered. "Here are your tickets." She placed one gingerly in everyone's hands.

Harmonia felt happiness wash over in her waves. She looked to Isabelle with a smile.

"We're almost there," Isabelle grinned.

Harmonia was glad when they crossed the short distance from what remained of the wood to the large boat that was in the creek. It was a beautiful and ornate design, and she couldn't help but admire the architecture even if know wasn't the place or time for such conduct.

Caryn let out a scream, and Harmonia gasped. An arrow had landed a few inches from where she was standing. What was going on?  How had her brothers caught up with them? It was confusing and sudden. Harmonia seized up, not knowing what to do.

Her brothers leering at her from within the wood, however, made her feel both anger and repulsed. Harmonia didn’t understand why they needed to do this.

Ariel, however, had already launched herself at the person. Her fangs shattered the bow, and she smashed the remaining arrows. "I will catch up with you lot, just go!" she insisted.

Harmonia looked, scowling. It was her brothers. They had followed them here, they had seen the ship. This meant that the secret of the ship was over. She knew full well that her brothers would tell everyone just to ruin this opportunity not only for herself but for anyone else who needed this boat to escape.

"Harmonia, let's go," Caryn insisted, pulling at her sleeve.

"They're my brothers, I feel somehow responsible for this."

“How could you be? You’re not your brothers. Not anymore,” Caryn disagreed.  "And don't worry, Ariel will take care of them."

Harmonia boarded the ship, feeling guilty. She would much rather be with Ariel, helping out with her vile brothers. She wished that they would've just remained unconscious.

"How did we not hear them?" Harmonia asked Isabelle.

"They clearly wore cloaking spells. Otherwise I would've smelled them or heard their heartbeats or something," Isabelle answered. "But it's okay, we're here now."

"I would feel better if Ariel was here," Harmonia remarked. "I feel guilty. It's my fault my brothers were even here."

"Don't feel bad," Caryn insisted, with a small smile. "Ariel can hold her own."

Harmonia jumped as she heard footsteps, whirling around in horror only to find that it was Ariel. It appeared that she had taken care of the situation regarding her brothers rather quickly. She let out a breath she didn’t know she was holding.

"I certainly can," Ariel winked, resting her head on Caryn's shoulder. "It's sweet of you to worry about me, but honestly there's no need. When your brothers wake up they’ll remember nothing of this night or how they even ended up in this wood. This boat only comes at night so they won't be a threat to anyone else who needs to come aboard."

Harmonia laughed. "Well, you've certainly thought of everything, haven't you?"

Caryn grinned. "Ah, my girl's a brilliant one." She then proceeded to kiss Ariel.

Isabelle smirked, tugging on Harmonia's sleeve. "Ahem, pay less attention to them, and more to me," she insisted, placing a firm kiss on Harmonia.

Harmonia kissed her back, wrapping her arms around the taller woman's shoulders to secure her footing. Isabelle soon released her from the spell of her kiss, looking deep into her eyes. "My sweet faerie."

"Yes, my cheeky vampire?"

Isabelle grinned. "I love you."

"I love you more."

"Impossible as I love you most," Isabelle insisted. She turned as an attendant on the boat offered them champagne. Isabelle politely declined insisting she had a thirst for something other than alcohol.

"Oh, yes, of course, you're one of our vampire guests. For you, we have this," the attendant said, pouring some sort of red alcohol into a champagne flute.

"Smells sweet," Isabelle noted.

Ariel nodded. "Indeed it does," she agreed.

Harmonia took a glass of champagne from the attendant, thanking him for all the trouble he had gone through to procure it for them. Smoothing the folds of her mauve dress she looked to the others, clearing her throat. "May I propose a toast?"

"Of course," Caryn nodded.

"To new futures," Harmonia remarked clinking her glass with her beloved and those of her friends.

"To new futures," they all chorused.

Harmonia didn't know what the future held, but as long as Isabelle was by her side, she didn't rightly care. Her eyes glanced at those all around her. It seemed that on this ship all were welcome, and she couldn't help but smile. This was the way the entire world should be, she thought.

It would be nice.

If this were a taste of what this new country would be like, Harmonia knew she would adore it. She couldn't help but wonder why her brothers and her father had been so hateful toward her because of who she was. Harmonia frowned.

"What is it?" Isabelle asked.

"I just don't understand how people can behave like my brothers.”

"It's probably best not to worry about that. It is troubling, I know, but clearly they don't understand you nor are they committed to. They only see the world from their limited lens and they don't care to accept the bigger, fuller picture with all of the vibrant hues and complexities of the universe. They are to be pitied, for sure, but sometimes all you can do is pity someone. They're the ones that have to want to change."

Harmonia nodded. "I doubt they'll ever want to," she remarked, wistfully.

"Then it's their loss, not yours," Isabelle shrugged.

"I concur," Caryn nodded. "Now stop being so mopey. This is about our new, wonderful future. Leave those brothers and father of yours in the past where they belong."

"Aye, don't spend another second worrying about them," Ariel added.

Harmonia nodded. "All right, dear ladies, you have made your point. I understand." She looked at Isabelle. "I will only think of our sweet future."

 

"That's the spirit," Isabelle grinned, leaning in for another kiss.

Harmonia kissed her back. Yes, this new country full of promise was just the very thing she needed. Being here with Isabelle had lifted her spirits considerably. She looked at her lover. "I love you more than there are stars in the sky."

"And I love you more than the infinite galaxies that exist. Even those we don't know yet."

"Well, when I said stars that meant the stars in those infinite galaxies, as well. So I win," Harmonia winked.

Isabelle made some sort of derisive snort in reply.

Harmonia laughed, gazing out at the trees they passed on their journey. To new futures, indeed. She had a feeling of peace wash over her. With Isabelle and her friends at her side, she knew that nothing could go so wrong that it couldn't be made right. She smiled, all her worries slipping away like autumn leaves.

 

Linda M. Crate's (she/her) poetry, short stories, articles, and reviews have been published in a myriad of magazines both online and in print. She has six published chapbooks A Mermaid Crashing Into Dawn (Fowlpox Press - June 2013), Less Than A Man (The Camel Saloon - January 2014), If Tomorrow Never Comes (Scars Publications, August 2016), My Wings Were Made to Fly (Flutter Press, September 2017), splintered with terror (Scars Publications, January 2018), more than bone music (Clare Songbirds Publishing, March 2019), and one micro-chapbook Heaven Instead (Origami Poems Project, May 2018). She is also the author of the novel Phoenix Tears (Czykmate Books, June 2019).

Twitter: @thysilverdoe

Dirt Nap

Alana still remembered trick-or-treating on Halloween night, but that had been a long time ago. She hadn’t even put on a costume to pass out candy in the last few years. She was told that time heals all wounds, that she’d one day get over Mia’s death and move on with her life. She didn’t, of course. It was hard to forget someone when they meant everything to you.

Mia’s death occurred on Halloween night. It had been her favorite holiday, and she celebrated every year like she was a grown woman with a pagan’s soul and a child’s heart. She was only twenty-eight on the night her life ended.

“Five years,” Alana sighed. “You’ve been gone five years, Mia.” She placed her hand on the cold tombstone. The heat left her body, rushing into the cold granite slab. “I miss you so much. Please, if you’re still here, speak to me.”

Alana moved her hand from the tombstone and reached into her backpack. She took out the candles and placed them on the ground around Mia’s grave. She sat cross-legged. She had been practicing meditation techniques, all to call to Mia’s spirit on the night she had died. Mia had believed and practiced stuff like this. Alana had watched, but she read more about it after Mia’s passing, trying to learn all she could for a single purpose.

“Please, Mia. Come back to me.”

Halloween night was the best time to commune with those who’d passed onto the next world. Mia had believed this, so Alana felt this was the best night to find her. She thought about getting a Ouija board, but she’d heard too many myths about people summoning spirits or demons they hadn’t meant to summon. Besides, Mia’d likely be more than happy to respond without one.

“What’cha doin’?” a voice asked from the branches above Alana’s head.

Alana made a startled jump and looked upward. There was figure there. It was wearing a black hoodie and old jeans. It was a boy, sitting on the tree branch. His face was a mask of white, seen in the glow of the candles. It was a skull with two bright blue eyes in its sockets. That wasn’t the oddest thing about the boy either. He was a cartoon, and Alana already knew his name.

“Hel?”

The boy swung and jumped from the branch, landing behind Alana. “Mia Amelia?” he asked, reading from the tombstone. “That’s a funny name. Mia Amelia. Mia Amelia!”

“Stop saying her name!” Alana snapped. She stood and turned toward Hel, who was only three feet tall. “What the hell is going on here? Cartoons don’t exist.”

“I don’t?” Hel asked. “That sucks.” He poked at his chest with his pointer finger. “It really feels like I exist, though. But that’s just my perception.”

Alana closed her eyes and took a breath. Hel Psychopomp wasn’t real. Cartoons weren’t real. They didn’t come jumping behind you in the middle of cemeteries at eleven o’clock at night. So when Alana opened her eyes, she didn’t expect Hel to still be standing there.

“I was dreaming.” She was so sure she had fallen asleep for a minute, and her mind had conjured the image of a cartoon she knew from her childhood. When she opened her eyes, she was shocked to see Hel was still there. She shook her head and sighed.

“What?” Hel asked.

“You’re not supposed to be real!” Alana snapped.

“You said that already,” Hel said. “Remember? I poked myself and everything. Maybe you’re not real.”

“I’m not a cartoon!”

“Touché.”

Alana didn’t know what to make of Hel Psychopomp standing in the middle of a cemetery and having a conversation like it was nothing out of the ordinary. She wondered if her mind had finally snapped from the years of mourning Mia and living in her lonely world. 

Hel was staring at her, waiting for her to say something. “What do you want?” she asked.

“I’m just so bored!” Hel replied. “I’m looking for something to do, and you looked like fun.”

Hel Psychopomp hadn’t been a normal cartoon show. It was dark, especially for something that came on right when Alana was getting out of school. Hel was the Grim Reaper’s son, and most of his adventures tended to revolve around death, the occult, ghosts, and a whole slew of things a group of catholic parents had protested in a vain attempt to get Hel Psychopomp taking off the air, especially after the episode titled “Dirt Nap” ruffled more than its share of feathers.

“Hello?” Hel asked. “You there?”

“I’m here,” Alana replied. “What did you say you wanted?”

“I don’t know. What do you want?”

Alana knew what she was supposed to ask. Tears swam in her eyes. She knew from watching countless hours of Hel Psychopomp that he had the ability to traverse the world of the living and the dead. His father was Death himself, and his mother was a human schoolteacher. He was always discovering new powers about himself like any pubescent teenager with supernatural parentage would.

“Can you take me to see Mia?” Alana asked.

“Mia Amelia?” Hel asked in return.

“Yeah. Mia Amelia. Can you take me to the world of the dead so I can find her?”

Hel smiled, which shouldn’t have been possible seeing his face was a skull. But cartoon logic isn’t something that can’t be described as “logical.”

“Sure,” Hel said. “I know just where to start.”

 

*                 *                 *

 

“Hel Psychopomp”

Season 3, Episode 11: Dirt Nap

Act I

 

           The sun rose, a yellow circle against a blue backdrop. Below the blue sky was a small home at the end of a dead-end street surrounded by bright green grass. It wasn’t the type of house where you’d expect the son of the Grim Reaper to live, but looks, as always, can be deceiving.

“Good morning!” young Hel exclaimed, running down the stairs and jumping to the kitchen table. He was dressed in his best black hoodie and jeans as always. His bottom jaw was all that moved when he spoke. “What’s for breakfast?”

Hel’s mother was cooking on the stove. Whatever was in the pan was smoking, but she ignored it. Smoke billowed above her head.

“I think it’s done,” Hel said

His mother didn’t acknowledge him. Her focus was on the stove and the burning breakfast.

“Mom?” Hel asked. He was worried, so he jumped off his chair and walked to her. He pulled on her apron. “Mom? Are you okay?”

Hel’s mother turned toward him. Her face was slack, her eyes were sunken, and her mouth was open. A line of drool dripped from the corner. There was an unmistakable zombie bite on her neck. She let out a loud groan.

“You burnt the eggs!” Hel exclaimed.

A ghost materialized in the kitchen with a puff of white smoke. He was the same size and age as Hel. Instead of legs, a trail of white floated just above the ground. “Good morning, Hel.”

“Mornin’ Orlando.”

The ghost looked toward Hel’s slack-jawed mother. “Hel… You mother… She’s…”

“Yeah,” Hel said, rolling his eyes. “She burnt breakfast again. Why aren’t you haunting the school?”

“It’s Saturday,” Orlando replied. “Even ghosts get the weekend off. Chelsea told me to come get you. She found something you gotta see.”

“Okay. It’s not as if these eggs are getting any more edible.”

Hel’s mother moaned, a bubble of spittle popping from her mouth. “BRAINS!”

“Mom, you’re embarrassing me in front of my friend!” Hel groaned.

Orlando looked at her again. “Are you sure you don’t want to -”

“Let’s go see Chelsea!” Hel exclaimed, pointing a finger in the air. Orlando nodded, and they both teleported out of the kitchen just before the smoking breakfast burst into flames behind Hel’s mother.

A moment later, Hel and Orlando both materialized in a forest. Hel looked around himself, spinning in a circle. “What’s Chelsea doing way out here?”

“She was doing some divining, and she wound up here in the forest. She’s right over by that mound of dirt!”

Hel turned to see his human friend Chelsea Grinn. She was a ginger girl from his class. She was the only one not perpetually frightened of him because of his appearance. She was poking the mound of dirt with a stick when Hel and Orlando made their way toward her.

“What are you doing?” Hel asked.

“Poking this man-shaped mound of dirt I found,” Chelsea answered. “What do you suppose he’s doing?”

“He’s napping,” Orlando replied.

“But who naps underground?” Chelsea asked.

“What?” Hel asked in return. “Haven’t you ever heard of taking a dirt nap?” He looked around the mound. “Now that’s odd…”

“What?” Orlando and Chelsea asked in unison.

“This guy’s soul wasn’t brought to the Underworld yet. He’s still wandering around somewhere. My father must not have come to collect him.”

“What should we do?” Chelsea asked.

“We shouldn’t do anything,” Orlando said, answering instead of Hel. “I never made my way to the Underworld, and I’m perfectly fine.”

Chelsea sighed. “You haunt a school, and Hel and I are the only two who even know you’re there. Why would you think that’s ‘perfectly fine?’”

Orlando shrugged.

“Let’s find get this guy’s soul and get him to the Underworld!” Hel proclaimed. “If my dad can do it, so can I!”

“Um…” Chelsea said.

“What?” Hel asked. “Don’t tell me I shouldn’t be doing it!”

“It’s just that your dad has been ushering souls to the Underworld for thousands of years, and you’re twelve.”

“Twelve and a half!” Hel snapped. “I’ve been to the Underworld plenty of times. If we find this guy, I’ll bring him to the other side and show you both.”

“Fine,” Chelsea sighed. “If it’ll shut you up.”

Hel nodded. “Okay then. Where did the dead guy go?”

Chelsea and Orlando looked at each other and shrugged.

 

*                 *                 *

 

The softball field was empty. Alana felt weird being there. She remembered it full of her friends and their parents, all there to watch their kids to play. That’s where she had first met Mia when they were both only twelve years old.

Alana jogged away from her team’s dugout after the game, her backpack of softball gear strapped to her back. She thought she heard someone calling for her, so she turned. She never found out if anyone was or if it was just her imagination. She ran right into another girl, who was also not looking straight ahead.

“Oh my God,” Alana said, getting off her butt and standing. “I’m so sorry.” She reached down, grabbed the hand of the other girl, and pulled her up.

The other girl stood, rubbing her forehead. “Am I bleeding?”

Alana looked at her. “I don’t see any blood. Do you still have to play today, or did you play in the morning?”

“I still have to play.”

“I just finished. I’ll walk with you to your field.”

The girl nodded and walked toward the same field Alana had just left. “I’m Alanna, by the way. Not sure if I said that.”

“I didn’t catch it while you were ramming me over. I’m Mia. You play for Paulie’s Pizza?”

“Yeah.”

“Is it true you get free pizza?”

Alana laughed. “Only one slice if I go there in my uniform.”

“Still,” Mia said. “I’m on Crown Ford, and we don’t get free cars. Pizza is still something.”

“You can come with me. We’re going for lunch, and I’ll share my pizza.”

“One slice for the two of us?” Mia asked with a laugh. “Besides, I have my game.”

“Oh yeah. I think we’re playing you next week.”

“Yeah. I think so too.”

There was silence between the two. Alana didn’t like it. She felt guilty for slamming into Mia and hoped it didn’t affect her playing. She wanted to say something else, but she was nervous. The worst part about it all was that she didn’t know why.

“That’s a cool tattoo,” Mia said. “Where’d you get it?”

“It was in a box of cereal,” Alana replied. She looked at the temporary tattoo on her forearm of her favorite cartoon character. He was sitting right on her arm in his signature black hoodie. “Do you watch Hel Psychopomp?”

“Only every day!” Mia exclaimed. “My mom hates it!”

“So does mine! You should come over and watch it sometime. I’ve taped a bunch of episodes.”

“Cool. I will.”

“MIA!” the coach of the Crown Ford team shouted. “Get your glove and get on the field!”

“I gotta run,” Mia said. “I’ll see you next week. We’ll set it up and exchange numbers.”

“Yeah,” Alana said. “See you.”

You there?” Hel asked. “Earth to Alana!

Alana shook her head. It wasn’t a bright spring Saturday morning. It was a foggy, dreary Halloween night. It was silent; too late for trick-or-treaters, and there wasn’t even any traffic on the roads. “Sorry, Hel. I got lost in my own head I guess.”

“Well you better find your way out. We’re not going to find your friend if you’re not even on the right plane of existence.”

“I’m fine,” Alana said. “Why’d you bring me here anyway? Is Mia here?”

Hel shook his head. “We still have a ways to go. We need to take the river.”

“What river?”

“The River of the Dead.”

Alana sighed. “I hate to break it to you, but the River of the Dead doesn’t pass through the softball field.”

“How could it?” Hel asked. “All the girls would drown trying to round second base if it did. That wouldn’t be good at all.”

“So where is it?”

“Back there.” Hel pointed toward field five. It was the worst field, and Alana remembered it, even now. They had all hated when they had to play there, especially when they had to use the dugout closest to the line of trees. There were wetlands a dozen feet or so behind the field, and the stink of swamp would assault them on hot days. The mosquitoes would attack in great clouds.

“That’s the River of the Dead?” Alana asked. “In the swamp behind field five?”

“Yup,” Hel replied. “Well, not exactly. It’s an inlet that leads to the River of the Dead. But same difference, really. Ready to go?”

“I came this far,” Alana sighed. She walked toward field five. Hel ran to catch up.

“That’s the spirit! You’ll be reunited in no time!”

A silence passed between Alana and her cartoon companion. She knew it would look ridiculous to anyone who may come by and see, and she wondered if it was all in her head. Mia had often said that Halloween is the night where the veil between the living and dead was its thinnest. But did that include cartoon characters?

“She must have been important to you,” Hel said as they walked down a path between the trees. “Mia Amelia, I mean.”

“I loved her more than anyone or anything. So, yes. She was important to me.”

Hel nodded. “That’s good. I just want to make sure because the next leg of our journey is going to be scary. The River of the Dead isn’t an easy path to take. You need to be really sure you want to take it.”

The thoughts of Mia sprang in Alana’s head again. There was no doubt she’d follow Hel to the end of the Underworld if it meant seeing her long, lost lover one last time. “I want to go.”

“Okay.”

Alana had spent years playing softball at these fields, but she’d never once dared to venture into the woods behind field five. It led nowhere, not that she had ever wanted to find out. Even if a foul ball got lobbed far enough, no one ever wanted to go in and get it. If the entrance to the River of the Dead had to be anywhere, the woods behind field five seemed like the perfect spot for it.

“Here we are,” Hel said. He stood next to an old, wooden boat next to a river Alana never knew existed. It was half in the water and half stuck in the mud. “Your majestic ferry awaits, m’lady Alana.”

“And this won’t sink?”

“I didn’t say that.”

Alana rolled her eyes. “Okay. Fine. Ferry me to the River of the Dead.”

“As you wish.” Hel climbed into the boat and stood near the front, watching the foggy water. After a couple of moments, he turned back toward Alana. “You going to push this thing into the water or stand there all night?”

“Right,” Alana sighed as she pushed the boat into the water with a heave. She jogged through the knee-deep water and jumped into it behind Hel. It rocked as it floated away from the muddy shore, heading into the fog with nothing propelling it.

“Keep your hands and legs in the boat at all times,” Hel said. “Secure all loose items, backpacks, and cellphones. Anything lost on the River of the Dead will not be retrieved, and that includes souls and wills to live. Enjoy your ride.”

“Thanks,” Alana muttered. She rubbed her arms to get the chill out of her skin. She knew she was crazy for what she was doing, but it would be worth it once she saw Mia.

 

*                 *                 *

 

“Hel Psychopomp”

Season 3, Episode 11: Dirt Nap

Act II

 

“Where is that guy?!” Hel exclaimed. “He couldn’t have gotten far with his body under the dirt like that.”

“I find that offensive,” Orlando said. “I’ve been dead for God knows how long, and I get around just fine.”

“No you don’t,” Chelsea retorted. “You’re always haunting the school and knocking kids’ pencils off their desks. If it wasn’t for Hel and I being able to see you, you would have never left.”

“I get lost easily,” Orlando muttered. “It helps to have someone to follow.”

The trio was walking through the woods. Hel was looking with a frantic air around him, his head whipping back and forth every time he passed a tree. “Here, dead guy! Where are you, dead guy?”

“Really.” Orlando rolled his eyes. “Do you even hear how offensive you’re being to ghosts? We’re not puppies.”

“How do you think he died?” Chelsea asked.

“Who?” Hel asked in return. “Orlando?

“No,” Chelsea sighed. “The dead guy. Something had to have killed him, right?”

“Well, he is dead,” Hel said. “Makes sense. I’ll ask him if we ever find him.”

It was then that they finally found the ghost that used to belong to the corpse that had been buried in a shallow grave. He stood near a cliff, staring off into a wooded valley. “Death is fleeting,” he said, “or so they say.”

“Who says that?” Hel asked.

They,” the ghost said, he turned around. “Are you Death? Are you here for me?”

Hel shrugged. “Sort of.”

“He’s Death’s son,” Chelsea said.

“But I’m still here for you. Are you ready to go to the Underworld?”

“Underworld?” the ghost asked. “What about Heaven?”

“What about it?”

“Can you take me to Heaven?”

“No.”

The ghost-man blinked a few times. “Why not? I was a devout Catholic my whole life.”

“Here we go,” Chelsea said with a sigh. She strode away.

“Heaven is just a construct invented by Hallmark corporations,” Hel explained. “It’s as American as apple pie, meaning it was first cooked up by some unknown chef thousands of years ago.”

“That is not how apple pie was invented,” Orlando added.

“What about Heaven?” the ghost-man asked.

“I wouldn’t know,” Orlando replied. “I’ve never been.”

“It’s all just a conspiracy theory,” Chelsea added, making herself heard from the edge of the tree line. “Hel’s only repeating what he heard from his uncle, and half of what he’s heard is questionable.”

“What’s the other half?” the ghost-man asked.

“Nonsense.”

“Look,” Hel said, “you’re going to the other side whether you like it or not. There’s really only two other choices, and they’re both a pain in the -”

“What are my other choices?” the ghost-man asked.

“Well,” Hel replied with a sigh, “you can stay a ghost and haunt this forest forever, or I can put you back into your body?”

“You can do that?” Orlando asked.

Hel turned toward Orlando. “Yes, but your body is long gone, buried somewhere under the foundation of our school.”

Orlando hung his head low. “That crazy janitor never gave me a chance.”

“What about me?” the ghost man asked.

“His plot looked fresh,” Chelsea added. “You said yourself that he was just taking a dirt nap, remember?”

Hel sighed. “I know the theory of reanimation, but I’ve never actually done it before. What if something goes wrong? What if I accidentally open a portal to the Underworld and let a demon or two into your reality?”

“I’ll take full responsibility,” the ghost-man replied. “I’m an adult after all. That means you won’t get in trouble if something goes wrong.”

“I’m sold,” Hel said, smiling. “Let’s get back to your body and bring you back from the dead!”

“That was much too easy,” Orlando said.

Chelsea sighed. “You know Hel. He’s ever the opportunist.”

The trio stood around the ghost-man’s bod a few minutes later. “Ready?” Hel asked.

“Yes,” the ghost-man replied. “It’s going to be great to be back in my body. When those teens killed me, I thought I’d never get another chance to make amends with my estranged family.”

“Why did those teens kill you?” Orlando asked.

“That’s not important.” The ghost-man turned toward Hel. “Get me back in my body!”

“Give me a minute to set up,” Hel said. He gave a small fist pump, and kid-sized scythe appeared in his hand in a puff of gray smoke. He used the end of the handle to draw on the ground around the buried body, making a many-pointed star surrounded by ruins. When he was done with the diagram, he turned his attention to the tree near the head of the grave. He used the scythe to carve it into the form of a demon with a goat’s head.

“I don’t think you should be doing this, Hel,” Orlando said.

“I’m going to agree with Orlando on this one,” Chelsea added. “I’m getting a lot of bad vibes from this whole thing.”

“There,” Hel panted, ignoring his friends’ concerns. “The hard part is done.”

The ghost-man floated over his body. “What do I do now?”

“Wait.” Hel raised his arms, his scythe over his head. He started chanting in the Language of the Damned. The sky turned black, and the shadows stretched around Hel. His friends all backed away. Orlando made the sign of the cross as a funnel of black clouds came from the sky.

The spectral form of the ghost-man laughed with a maniacal rage as it turned into its own funnel formation, being sucked into his shallow dirt mound by an invisible force.

“I still have a very bad feeling about this,” Orlando said.

The dirt mound exploded, and the reanimated corpse of the ghost-man emerged like a decomposed jack in the box.

 

*                 *                 *

 

The small boat floated atop the water, making its way where Hel was guiding it. There were oars, but he wasn’t steering. It just obeyed whatever silent order the Son of Death was telling it. There were no stars in the sky, only the dank gray of low clouds.

“Are we there?” Alana asked.

“Where?” Hel asked in return. “I mean, we’re here, if you’re referring to ‘here’ as a relative term. If not, I don’t know what you mean.”

“The Underworld,” Alana said. “Is this it, or are we still on Earth?”

“Who said the Underworld isn’t part of Earth?”

Alana sighed and looked ahead. All she could see was water and more fog. All she could hear was the water moving around the boat. Either the autumn night had become way drearier, or Hel had brought her into the Underworld. Hel said it would be dangerous, but it was almost like a slow boat ride at Disney World so far, except there were no singing puppets. Without wanting to think about much of anything, Alana sat back and closed her eyes, allowing Hel to steer the boat with whatever otherworldly power he was using to do it.

“Would you ever want to get married?”

“What?” Alana opened her eyes. She had drifted to sleep on her couch while staying up late to watch anime. Mia had woken her with the most random and provocative question. “Did you just propose to me?”

Mia laughed. “Oh shit. Were you asleep?”

“Kind of.” Alana checked her mouth for drool and sat up. The episode of Naruto they had been watching was paused. Mia must had done it before she popped the question.

“Sorry,” Mia said.

“Don’t be sorry. Just tell me if you were proposing or not.”

“I was just wondering is all. Would you, if someone were to ask, get married?”

Alana sighed. “I don’t know. I’ve never been asked. Would you?”

“I’ve never been asked either.”

The two sat in silence, watching the unmoving scene on the TV. They had been together since they were young, but the subject of marriage had never come up before.

“Why are you asking?” Alana asked. “Do you want to get married?”

“I don’t know. It’s just…” Mia sighed. “My mom was telling me I need to date a man and have a marriage and all that garbage. I figured marrying you would really show her.”

“You’re proposing a spite-marriage?”

“Why not? What would your parents think?”

“My parents love you, Mia. They’d be thrilled if we actually got married.”

Mia laughed and moved a couple of feet down the couch, putting her arm around Alana. She leaned closer, and the two shared a tender kiss. “Should we table this discussion?” she asked once their lips were apart.

“For now,” Alana agreed. She smiled, put her arms around Mia’s neck, and kissed her again. They never got married. The words weren’t important. They had each other, and they both knew what they had was a “forever” kind of love. They didn’t need any minister or justice of the peace to pronounce them anything. Everything was perfect the way was.

The sound of windchimes brought Alana back to reality, or whatever the inlet that led to the River of the Dead was considered. She sat up and rubbed her eyes, rocking the boat a little. She looked over the edge. The water wasn’t water anymore.

“Is that… Is that blood?”

“It’s the River of the Dead,”  Hel replied. “What did you expect?”

“So this is the Underworld.” Alana looked around. The fog was gone now that they had crossed over, and the clouds were darker. Shivers of dim light peeked through from the Underworld’s moon. “How much longer until I can see Mia?”

“Not long now.” Hel’s demeanor had changed. There was no long that joking smirk in his voice. He stood, observing the waterway ahead of the boat. He started to hum a tune. It took Alana a moment to grasp what it was.

“That’s your theme song.”

Hel turned toward her. “My what?”

“Your theme song. It played at the beginning of your show. I even remember the lyrics.”

“It’s just a ditty. There are no lyrics to this song.”

“Sure there are.” Alana sat up straight and cleared her throat. “He’s the Son of Death, a suburban boy,” she sung to the tune Hel had been humming. “Hel Psychopomp! He’ll reap your soul and bring you joy. Hel Psychopomp! His friends are a ghost and a human girl. He’s not a swine, he’s not a pearl. Hel Psychopomp. You’ll laugh till you cry. You’ll laugh till you die. He’s Hel Psychopomp!

“That can’t be my song,” Hel complained. “It’s entirely too self-serving, and I’m much too modest for a theme song like that.”

Alana was going to argue that it was the theme song to Hel Psychopomp’s self-titled cartoon show from the nineties, but the boat hit a shore. She lurched forward, grabbing the sides of the boat with both of her hands. “What’s happening?” she asked.

Hel looked at her. “We’re here.”

 

*                 *                 *

 

“Hel Psychopomp”

Season 3, Episode 11: Dirt Nap

Act III

 

A guttural shriek erupted in an otherwise quiet neighborhood. A monster in man-skin ran through from the woods. He was nude, and the glow of hellfire glowed through the cuts and cracks in his skin. He was followed by Hel, Chelsea, and Orlando.

“What did you do?!” Orlando said as he hovered behind Hel.

“I put him back in his body,” Hel replied. “It’s what he wanted. I don’t recall you telling me not to do it.”

“I most certainly told you not to do it!” Orlando retorted.

“In any case,” Chelsea breathed, “we need to get his ghost out of his body.”

“You mean kill him?” Hel asked.

“No,” Chelsea replied.

“I don’t know how else to make a ghost come out of a body,” Hel said. “Unless you know another option, I’m going with that plan. He’s already dead, so it’s not like it’s murder.”

“That’s…” Orlando stammered. “That actually makes sense.”

The ghost-man, who was now a reanimated man, wandered around the town. People saw him and backed away, giving him a wide berth.

“What?!” the reanimated man snapped, turning around. “You never saw a ghost possessing his own dead body before?”

“Abomination!” a priest shouted, brandishing a crucifix. “Begone!”

The reanimated man turned on the priest, a sneer on his face. “What do you think you’re doing?”

“May the light of Heaven bring you home!” the priest exclaimed. 

“Heaven?” The reanimated man took slow and steady steps to the priest. “I have it on good authority that there may not even be a Heaven.”

“Blaspheme!”

The reanimated man slapped the priest, knocking him to the ground. He climbed on top of him, slapping him in the face, over and over. “I’m tired of your lies! It’s time you learned the truth.”

Hel, Chelsea, and Orlando caught up to the reanimated man as he pinned the priest to the ground. “This isn’t good,” Orlando said. “He’s not scoring many points with the man upstairs, is he?”

Hel shrugged. “Not that it matters.”

“Hel!” Chelsea shouted. “Stop him.”

“How?” Hel asked. “He seems pretty strong and mad. I say we just let him rampage for a bit. He’ll eventually tire himself out.”

“He’s not a toddler,” Chelsea scolded. “You need to take care of him before you father finds out what you’ve done.”

Hel sighed. “You’re right, I guess.”

The reanimated man realized he was being watched, and he climbed off the fallen priest. “You kids again? I thank you for giving me a second chance, but I don’t need you anymore. Run back to your mothers before you get grounded.”

“Now I can see why those teens killed you,” Orlando said, rolling his eyes.

“This town is mine!” the reanimated mine shouted. “I’ve cheated death!”

Hel’s face changed. His eyes turned red, and the scythe returned to his hands. “No one cheats death on my watch, except me.”

He made a single slice, cutting the reanimated man in half up the middle. The two pieces of the corpse fell to either side, leaving the ghost-man floating above the ground.

“Oh,” the ghost man said, looking down. “I guess I’m a ghost again.”

“And you’re going to stay that way!” Hel retorted. “I’m going to make sure you haunt a toilet!”

“Hel,” Chelsea groaned.

Hel looked at her and sighed at the concerned look on her face. His eyes turned blue once again. He raised his left hand, fingers pointed toward the sky. A portal opened under the ghost-man, and it sucked him into the ground.

“Wait!” the ghost man shouted. “What’s with all the fire and lava?! Am I in -”

The hole closed, and the ghost-man’s voice was gone. “That has to be the most successful exorcism I’ve ever seen,” Hel said. He walked to the priest and helped him to his feet. “Sorry, Father Clifford.”

“I should have known this was all your fault,” Father Clifford blustered. “This town has suffered your existence long enough, Hel Psychopomp! When I tell your mother what you’ve done…”

“Uh-oh,” Orlando said. “Here she comes!”

Hel’s mother lumbered over. “Brains!” she groaned.

“What’s happened to your mother?!” Chelsea exclaimed.

“She’s having a rough morning,” Hel replied. “She must’ve switched to decaf or something.”

Father Clifford turned toward Hel’s mother, holding out his crucifix. “May the power of -”

Hel’s mother tackled Father Clifford, and they fell to the ground together.

“He should really watch what he says,” Hel said. “He’s really going to offend someone one of these days.”

 

*                 *                 *

 

“What are you waiting for?” Hel asked. He jumped from the front of the boat, landing onto the sandy shore. “Don’t you want to see Mia Amelia?”

“Yeah,” Alana replied. “I’m ready.”

“You sure you’re ready to go home?”  a younger Alana asked Mia. They were leaving their friend Dave’s house on Halloween night. They were both dressed as generic witches, wearing store-bought cloaks and pointy hats. It was their go-to ironic Halloween costume.

“It’s Samhain,” Mia replied. “You know I have rituals to do tonight. You can stay if you want.”

“I don’t want to stay if you’re not.” She smiled. “Besides, I like your rituals. Will you read my cards later?”

Mia returned the smile. “Sure. I’d love to do that.”

They got in the car and drove away.

“Why are you just standing around?” Hel asked in the present. “We’re almost there.”

“Oh,” Alana said. “Which way is it?”

“Follow me.” Hel led her toward the dingy yellow walls that rose high into the air on either side of the River of the Dead. There was an entrance cut into the rock like a doorway. Alana paused and looked inside. It was a long hall with a rusty metal ladder at the end of it.

“You can always join me for my rituals if you’d like,” Mia said, driving home. “It’s not a big deal. You know that.”

Alana shook her head. “That’s your thing. I’d only be getting in the way. I’m not as witchy as you.”

“You’re witchy enough, Al.”

Alana laughed. “I love you, Mia.”

The walls of the rock hallway were wet. Alana let her hand run against it, letting the condensation run to the ground. “Remember that ‘Dirt Nap’ episode?” she asked Hel.

“What?” Hel asked. “Episode of what?”

“There was this epi… this adventure you had. You, Orlando, and Chelsea found a mound of dirt in the woods with a body under it. Do you remember that?”

Hel turned toward her, his finger on his boney chin. “Rings a bell. We came across so many dead bodies, though.”

“You killed this guy in the end after he slapped a priest around,” Alana continued. “Do you remember that?”

“Oh yeah,” Hel replied. “You’re talking about the ghost that wanted to go back into his body. He was one messed up dude.”

“Where did he go after you chopped him in half?”

“He burned for all eternity in a pit of fire.”

“Oh.”

Hel nodded. “Yeah. He wasn’t a good dude. I won’t even get into why those teens killed him.”

“But there was no Heaven you said.”

“Right. My uncle had told me that, but mom said he’s just a crazy old demon and a racist.”

“But even if he was right… Hel, is there a Hell?”

Hel shrugged. “I guess if you want to call it that. What are you getting at?”

“I’m just trying to make heads or tails of all this. I want to know where Mia ended up.”

“It doesn’t really matter. It’s all the Underworld. There are good parts, and there are bad parts. I wouldn’t compare any of it to any religion’s version of Heaven or Hell. That would just be silly. The only way to avoid it for sure is to stick around the plane of the living as a ghost, and that’s no way to live.”

“If you’re a ghost, you’re not living at all.”

“That’s the spirit!”

Alana sighed. “So Mia is down this hall then?”

“Only one way to find out.”

Alana nodded at her cartoon companion and walked down the stony hallway. The dripping of water. She remembered the raindrops pelting the windshield of Mia’s car as they drove home on that fateful Halloween night. The storm had come in a sudden fury, the sky coming down in a torrent of water.

“Be careful,” Alana said.

“I’m good.” Mia looked at her lover and gave her a reassuring smile. She shouldn’t have taken her eyes off the road. She may have seen the drunk driver that blew the stop light.

The sound of crunching metal and shattering glass was Alana’s world. Gravity stopped working as the car bounded in the air, rolling off the road and down a steep hill. It didn’t come to a stop until it was lodged into a mud pit. When Alana opened her eyes, Mia was gone.

“Go on, then,” Hel said, nodding toward Alana. “Go see her.”

Alana looked at Hel for a moment, standing in the hallway with an innocent smile on his face. He had always been like that. It was that cartoonish optimism that made his show so much fun to watch.

“Thank you, Hel,” Alana said. “For everything.”

“Don’t mention it.” Hel stood there, maintaining his smile. “Hurry. She won’t wait forever.”

“Right.”

It was still Halloween night, but it wouldn’t be for long. It was already sometime after midnight, and morning was on its way. Once dawn arrived, the veil between Alana and Mia would be back in place, and the opportunity for them to speak would pass. Alana didn’t want to wait another year to make another attempt to see Mia and say all the things she wished she said before her death.

The ladder wobbled as Alana climbed up the cylindrical passage upward. The bricks around her were covered in moss and mold, like she was heading up a well or and old sewer system. The way got thinner now. She looked down to ask Hel if she should keep going, but he was gone. She realized she had forgotten to ask about going back after her meeting with Mia, but it was too late to worry about it. Besides, she was going to move forward despite the not knowing.

The bricks made way for moist soil. It fell as Alana’s body scraped against the dirt walls. She kept climbing the rusty ladder, ignoring the dirt and mud staining her clothes and skin. Her heart was pounding. She was only a few more rungs from Mia. She was there, just beyond the small opening at the top of the well. Alana took a deep breath and climbed through the dirt.

 

*                 *                 *

 

“Hel Psychopomp”

Season 3, Episode 11: Dirt Nap

Epilogue

 

Hel sat at his kitchen table with his two best friends. The wall is mostly gone, and what’s left was charred and burnt behind the stove. 

“So,” Orlando said, “you’re just going to leave the two pieces of that guy’s dead body in front of the church?”

“They’re a church,” Hel replied, waving a hand at his ghost pal. “They deal with dead bodies all the time.”

“Those are funerals,” Orlando retorted. “They aren’t dead bodies strewn about the front steps.”

“I’m sure in some cultures…”

“No.”

“At least we did some good today,” Chelsea said. “We helped a lost soul find peace.”

“No we didn’t,” Orlando added.

“You’re just not happy until everyone else is unhappy,” Hel said. “I think maybe it’s time we sent you to the Underworld.”

“What?” Orlando backed away.

Hel smiled. His scythe appeared in his hand once more. “Come on, Orlando. You’ll love it there!”

“NO! I have unfinished business!” Orlando sped off, out of the door. Hel gave chase.

“You have nothing! You’re just a lost specter! You’re lucky no one has sucked you up with a vacuum cleaner.”

Chelsea, now alone, watched them run away. She shook her head, laughed, and the episode ended.        

 

*                 *                 *

 

An arm protruded from the ground, followed by another. With a great heave, Alana pulled herself upward. Her body was covered in filth, but she had done it. She had made it all the way to the end of Hel Psychopomp’s quest. His promised prize was waiting for her, too. Mia sat on the ground, cross-legged. She was surrounded by candles and various stones.

“Mia!” 

Mia’s eyes opened, and she looked up. “Alana? Is that you?”

“Yes!” Alana exclaimed. She dropped to her knees in front of Mia. “It’s me.”

Mia caught her breath, putting a hand over her chest. “I can feel you, in here. I know you’re with me, Alana.”

“What are you talking about? Can you not see me? I’m right in front of you.” Alana looked around and realized she was back where she started, in front of Mia’s grave. There was a difference though. “This is… This is my grave?”

“I’ve missed you,” Mia said. “I can feel your confusion and anxieties. I’m so sorry.”

Alana’s breathing quickened. She turned to look at the gravestone and saw her own name etched into the granite, not Mia’s. “What is this?”

Their car was buried in the mud after the drunk driver had struck them on the driver’s side, sending them off the road. Mia was unconscious until the red and blue lights of the police cruisers and the ambulance flashed.

Mia’s eyes open to slits, and the pain in her body hit her all at once as she awoke. “Alana?” she asked in a hoarse whisper. “What happened?”

When there was no answer, Mia turned her head. It was painful. She had no idea what was bruised or broken, but she needed to see Alana and make sure she was alright. Her eyes grew wide when she saw that Alana’s body was submerged under the muddy water.

“No!” Mia exclaimed. She struggled with her seatbelt, trying to get it off her body so she could get Alana, but her left wrist and arm were broken. The police and paramedics were at the side of the car, getting the door open to pull her free while she fought to grasp at Alana with the right side of her body.

Present Mia put her face in her hands as she knelt in front of Alana’s grave.“I’m so sorry. You didn’t know, did you?”

Alana took a step forward and sat on the ground in front of Mia. “I’ve wanted to talk to you so much,” she said. “I’ve missed you since the accident. I didn’t know… I… I didn’t know it was me.” She reached her hand out and touched Mia’s cheek. She thought she’d shy away from the touch from a ghost, but she leaned into it.

“I can feel your touch, Al,” Mia said, smiling. “I miss you so much. I think about you every day.”

“I believe you.”

“We’ll be together again someday,” Mia said. “Until then, wait for me.”

Alana nodded. Tears ran down her cheeks, leaving streaks in the dirt and grime. “Okay, Mia. I’ll be here.”

Mia’s image faded. The spiritual connection that had brought the two together had been severed. Alana cried in the dank night, leaning against her tombstone. She curled up next to it, letting her sadness envelope her body.

“What are you going to do now?”

Alana looked toward Hel, who was standing just behind where Mia was a moment before. “I promised I’d wait for her, so I’m gonna wait.”

“That’s admirable of you.” Hel walked over and sat next to Alana, leaning against the tombstone. He let out a sigh as he relaxed. “Do you want a little company while you wait?”

Alana smiled. “Sure, Hel. That would be nice.”

Hel nodded and rested his head against the tombstone. “The Underworld is different for everyone, you know. It’s all about perception.”

“Oh yeah?” Alana asked.

“Sure is. The man who took the dirt nap saw something hellish because he believed deep down he deserved it. So, when he finally entered the land of the dead, fire and brimstone was there to meet him.”

“And when I died?”

Hel shrugged. “If I had to guess, I’d say you died confused.”

“Yeah. That’s an understatement. I didn’t even know I died.”

“A lot of people don’t,” Hel said. “It’s amazing how many people like you wander around the Underworld, thinking they’re still alive. They’re my key demographic.”

“Your… What?”

“Nothing.” Hel shook his head. “Is there anything else you want to know?”

Alana thought for a moment. There were a thousand questions she could have asked while she waited for Mia, and Hel probably had a thousand stories for each one. In the end, though, she found she appreciated the quiet of her surroundings.

“No, I don’t have any questions. Not really.” 

 

Daniel Aegan (he/him) lives outside New Haven, working full time and writing in the spaces in between his busy life. He began writing in his mid-teens, influenced by Stephen King.

Years past with no movement on the paper. Daniel didn't pick up the pen again until he was in his thirties. He's been writing ever since, honing his craft, and self-publishing his work. He enjoys helping other independent authors whenever and however he can.

When he's not writing or working, Daniel is embarrassing his family in public, being chased by his dogs, or relaxing by the firepit with a cold beer. He also hates writing about himself.

Twitter: @Daniel_Aegan

Return to Hardwick House

The road has become a wild place, a place returning to nature. I was a young boy the last time I was here, when the pavement wasn't cracked by evading clumps of finger-grass and hydrangea bushes. The air is thick with the aromas of untended, blooming flowers wilting in the late summer sun, and moist earth in the shade and shadows of the vine-and-moss-smothered dying trees. Mosquitoes and gnats buzz around my head, escaping the frequent swats from my hands. We had climbed over the broken rail gate that blocked the entrance to this road and ignored the “No Trespassing” sign nailed to a post. My footsteps and Mark's footsteps are the only ones that have left imprints in the dirt here in a very long time. Mark is walking a few feet ahead of me. He swats at the insects with a palm frond that sounds like a hand clap each time it makes contact with the naked flesh of his arms and legs.

“I warned you about not putting on enough bug repellent,” I say to him. “You Northern boys know nothing about how insects will eat you alive down here if you let them.” He ignores me, walking on. 

The long winding road is overgrown with weeds and bordered by trees dripping with gauzy strands of Spanish moss or choked by the ubiquitous kudzu. Other than the sound of dried blades of grass snapping beneath our shoes, sounding like small Fourth of July firecrackers, it's silent. When I was a young boy and walked this road, I could hear the cry of peacocks on the well-groomed grounds around the house. There were birds that darted in and out of their nests in the trees that line the road, chirping and singing like a welcome party, inviting everyone to a place of stunning visual beauty. The large marble birdbath with putti carved around the base and an angel with his wings spread wide stands as before, but now covered in vines that wind around it like a thousand garter snakes slinking from the ground up.

“The man who owned this property, Miller Hardwick, bought the birdbath while on a trip to Rome one summer,” I say to Mark, who is tearing vines from around the angel's wings. “Mother said the angel having a penis was indecent.”

“The penis has broken off,” Mark says, removing the vines from the angel’s body.

“That would please Mother,” I say.

Before we move on, we stand and look at the uncovered birdbath. There is still some sheen to the marble even after all these years. The bath itself, shaped like a half of a clam shell, is filled with dirt. Small blades of grass poke up through the soil like a miniature lawn.

Just beyond the birdbath, the road ends and the circular driveway leading to the house begins.  We stop and, looking across the blue and green algae covered pond and the tall brown grass, we see Hardwick House stands like a castle built with gray stone blocks and transplanted from another era. Even in the glare of noonday sun, shadows darken the tall, layered spirals that point into the sky and creep out from under the flying buttresses. Pointed arches extend upward above windows of dark blue glass. Gargoyles, with their deformed upper bodies and heads with menacing faces, stretch out from the structure. I take Mark's hand in mine.

“I forgot just how spooky the whole thing is,” I say.

            I look at Mark. He looks mesmerized, his crystal blue eyes wide open, his mouth agape. His only movement is the slow rise and fall of his chest. A shock of his blonde hair dripping with sweat is glued to his forehead. I reach over and push it back. At my touch he turns to me and. as if stunned, whispers, “I can't believe it's now yours.”

At the large bronze doors –  an exact replica of Rodin's “The Gates of Hell” –  I reach into my pocket and take out the large metal key I had been mailed when the will was finalized and the deed to Hardwick House was turned over to me. Mark is slowly and silently running his hands over the bronze figures along one side of the two doors. I slide the key into the lock, and slowly turn it and hear a click. I slowly open the doors, pulling both outward. Mark and I stand back and stare into the cavernous entrance hall lit gloomily in shades of blue by sunlight streaming through one of the large stained glass windows. A gust of air is exhaled from the house, like the soft brush of a gentle kiss on my skin. The scents of age and dust waft out. As my eyes adjust from the bright sunlight to the dim light of the interior of the house, I observe the dust-covered sheets that are draped over the throne-like chairs along the walls and the numerous large paintings in their huge, gilded frames. The memory of this entrance, of the chairs, and especially of the paintings, rushes over me.

“These are works of vile imaginations,” my mother said when I first saw the oil paintings of nude mythological heroes locked in combat. “Men from decent upbringings keep their clothes on at all times.”

Once inside we pull the doors closed behind us and momentarily stand breathlessly looking down the hallway, at the ornately carved, mahogany closed doors lining it between the paintings, at the curved marble staircases on each side leading up to the second floor. And then, like children let loose in a playground, we each take a separate flight of stairs up to the hallway.  We uncover furniture and throw open doors, the sounds of our unbridled laughter echoing throughout the house. In a large bedroom with blue and white oriental vases standing in each corner, we fall onto the bed with a rose-colored canopy and take each other in our arms, becoming entwined like springtime bougainvillea.

*                 *                 *

I awake and the room is dark with the exception of a lit candle on a dresser that casts flickering shadows on the walls. Mark isn't in the bed. I sit up on the edge and see our luggage sitting in front of a large armoire. I step into my jeans and pull them up and walk barefoot out into the hallway. I hear the sounds of Mark's shoes coming from the first floor,  his distinctive footsteps carefully placed, like a dancer. I look over the railing, and see a dozen lit candles in the hallway and Mark pacing slowly back and forth in front of the paintings.

“I see you brought our luggage in from the car,” I say and get no response.

I walk down the stairs, the stone and marble cool and slick beneath the soles of my feet. At the bottom, I stand watching him.

“Those paintings are worth millions,” I say.

Mark stops in front of a large portrait of a man dressed in slacks and a white shirt. The man is sitting on a large rock with a landscape of Romanesque ruins in the background. I go to Mark's side and look at the painting. The man is staring forward, as if looking out from the painting, his hands firmly placed on the rocks at his sides. Beneath his black curly hair, large eyes glistening with flecks of green and gray are both playful and yet sad.

“He looks a lot like you,” Mark says staring at his eyes.

*                 *                 *

When night has fallen, moonlight from a glowing white moon shines in through every window, bathing the hallway and rooms in shades of blue. We sit at a long oak table in the dining hall, me seated at one end, Mark at the other.

“I feel like royalty,” he says, and I agree. What few foodstuffs we brought in a cooler to last a couple of days has been portioned out. We're having a late dinner of cold cuts, raw baby carrots, fresh kale, and bottled water. Though it's not needed because the room glows with moonlight, a candelabra with six lit candles sits in the middle of the table. With night comes the sounds of frogs croaking from the pond and the less distinct sounds coming from within the house; the settling of wood in the cooler air of night and the rustling of drapes teased by infrequent winds.

“No matter how many times you've told me, I'm still not clear why he left all this to you,” Mark says as he sits back in his chair and looks around the room. Signed paintings by Bouchis, Rubens, and Fragonard adorn the walls.

“I have no idea either. I only met him those few times when I was a boy and he and my mother were, as she liked to say, acquaintances with little in common other than good breeding.”

Mark rises from his chair, I imagine, to clear the table of our few dishes. Instead, he goes to the window and stares up at the moon, as if hypnotized by it.

*                 *                 *

In the light of the full moon, I stand in the open doorway of Rodin's “Gates of Hell” and listen to the night sounds; the croaking of frogs, the chirping of crickets, and the occasional hooting of an owl. The scene in front of me is a tangle of trees and shadows with moonlight reflecting dimly off the dark water of the pond. Mark has gone to bed and here, alone in the constant warm breeze, I imagine the swaying of the dead grass to be waves and I feel somewhat adrift in this place I have returned to. A lone errant cloud passes briefly in front of the moon and, for that moment, everything is cast in darkness. From the interior of the house, I hear a whisper. I turn and hear it again. It is my name being spoken.

“Mark?” I ask. “I thought you went to bed?”

There is no answer. I go in and close the doors and look around the hall. With the candles blown out, the chairs, with sheets still over them and awash in moonlight, laughingly appear too much like the ghosts from tales of haunted houses. Yet, the scene is still unsettling. I climb the stairs quickly and go into the bedroom.  Mark is standing at the window, the drapes apart, looking out. His face is aglow with moonlight.

“Were you calling me?” I ask. He turns and says as if surprised to see me.

“Back already?”

“I've been up for a while,” I say.

“I was sure you were just standing by the bed only minutes ago and then left,” he says.

*                 *                 *

Mark had tossed fitfully in his sleep all night, which kept me awake for most of it.  At sunrise, with the first light of day beaming through the open window, I get out of the bed and wander through the house. In the downstairs hallway, I stop in front of the painting of the man that Mark said looked like me. I look for a signature or a mark of some kind that might tell me who painted it, but find nothing. I don't recall the painting from when I was young. Looking into the subject's eyes unsettles meg, like looking at my reflection in a mirror yet also like looking into the eyes of a complete stranger.  

“You must know who created a work of art just by looking at it,” Mother always said. “It's what people of class and culture do better than anyone else.”

After a breakfast of bagels toasted in the fireplace, cantaloupe, and fresh squeezed orange juice, we go out the back kitchen door and follow an overgrown, and almost impassable winding path toward what looks to be a circle of trees.  We step into a clearing surrounded by gnarled trees dripping with moss. The grass is short as if it had been recently mowed. Also arranged in a circle just inside the ring of trees are marble statues on columnar pedestals. Vines snake around the lower half of the columns. The statues are gray and weathered, but who the statues represent  are easily recognizable. We slowly go from one statue to the next, observing the carved details of each statue, identifying who or what it is. The shield and spear held by Mars. The thunderbolt carried by Zeus. A branch of laurel around the head of Apollo. On and on, twelve in all.

 “Until now I thought I had just dreamed it,” I say to Mark. “But I remember getting lost out here, once, and Miller Hardwick finding me and carrying me back to the house, me crying in his arms. I thought I had gotten lost in a cemetery and would never get out.”

 Mother said more than once, “The entire place is like a New Orleans mausoleum. It's not a fit place for the living.”

*                 *                 *

Mark has been up in the bedroom for some time. I wander into the library on the main floor. It's a large room, two stories high, with shelves lined with books from floor to ceiling. In the middle of the ceiling is a skylight of crimson glass which bathes the entire room in shades of  moonlit red. I light a candle and carry it as I walk around the room, gently touching the embossed gold titles on the leather bound books. They are here, all the classics, plus many, many more. On a pedestal in the middle of the room is a large, very old Bible. I thumb through it slowly, looking at the red and black ink images peppered throughout it. At the back of the book is the genealogy chart  of the Hardwick family. I trace it from the top of the first page, starting in the 17th century, and flip page by page until ending on the bottom of the last page. There, I see Miller Hardwick's name with that of my mother's connected by a single line. At the bottom of the page, the last entry is my name below a line extending down from theirs. I felt faint. It leaves so many questions unanswered except why I had been willed this house and all its contents.

In the distance, a noise comes from upstairs,  a door opening and closing. I go out into the hallway and, in the light of the full moon shining through the window, I I see that the man who I look like is no longer in the painting: only the rock and landscape remain. Then, The Gates of Hell open and I am flung by an invisible force out into a patch of dead grass. The doors slam closed.

The moonlight that is pouring into the house through the windows seems as if it is also being reflected out from inside. Every window is aglow. I'm instantly on my feet. I try to pull the doors open, but, unsuccessful, I pound on them with both fists while shouting for Mark. Around me all other sounds – frogs, the owl, even insects –  stop, as if night and noise are not compatible. Looking for a way to climb up into the house, I see the gargoyles along the spirals stare down at me with their gaping, toothless grins. In this moment I recall that while going through the house earlier I had found the lock on the back door broken. I run around the house, my feet pricked by thistles along the path, and fling the door open and rush inside.  Going through the downstairs hallway, I see the man from the painting is still not in his frame and I rush up the stairs into the bedroom. Mark is on the bed. The man from the painting – my father –  is standing by it. Moonlight coming in through the open window covers them both with brilliant, ghostly incandescence.

“You brought me this beautiful gift, my son,” my father says and bares two long, pointed fangs.

I lunge onto the bed to take Mark by an arm and pull him from it. We both land on the floor. Without thinking, I help Mark to his feet and take his hand, pull him out of the room and down the stairs. I shove open the Gates of Hell and push Mark out. I turn back to the hallway. Miller Hardwick is coming down the stairs. His body is alight with hues the color of a raging fire. Guessing how to destroy him, I pull the painting from the wall, carry it out the doors and throw it out into the moonlit grass. As it spontaneously ignites into flames, I hear the voice of Miller Hardwick screaming out in agony from the burning canvas.

I go to Mark and take him in my arms and kiss him. As if awaking from a dream, he looks up at the house illuminated in the light of the moon and asks, “What happened? Aren't we going to go in the house?” 

It is at this moment I'm drawn to the all-encompassing beauty of Mark's neck, a feast of sinewy muscle and arteries waiting to feed a long suppressed hunger. I feel, for the first time, my two front upper cuspids begin to grow into fangs.

 

Steve Carr (he/him), who lives in Richmond, Virginia, has had over 320 short stories published internationally in print and online magazines, literary journals and anthologies since June, 2016. Four collections of his short stories, Sand, Rain, Heat, and The Tales of Talker Knock, have been published. His plays have been produced in several states in the U.S. He has been nominated for a Pushcart Prize twice.

His Twitter is @carrsteven960
His website is https://www.stevecarr960.com/
He is on Facebook: https://www.facebook.com/steven.carr.35977

The Sunshower Bride

They found the monochromatic photograph and the jangseung piece when they were clearing out Grandmother’s cabinet. The picture displayed a family of five posing in front of a camphor tree, staring at Minji from inside their fenced garden. Photography, in all its beautiful cruelty, had frozen them in that image forever. Grandmother pointed out their faces. She pointed out the smiling jangseung near the fence, too. To Minji, it looked like a road marker with an old man’s face whittled into it rather than a town’s sacred protector from evil.

“This was… fifty years ago. That’s your father,” Grandmother said. “There are his two brothers. We didn’t have the youngest daughter yet. Immigrating was hard. No one had money.”

“I know, Grandmother,” Minji said. She brushed Grandmother’s wispy hair behind her ear.

“The country had been split in half. We were scared,” Grandmother said. The photographs trembled in her veiny hands. “I didn’t want to lose anyone. I told the young kumiho, ‘If you help me cross, I’ll give you a home. I’ll give you my grandson in marriage when he grows up. Be good to him.’ Only did it because I needed to. That’s the only reason, Lanh. The only one. Kumiho won’t help for nothing. Most won’t help. They’re evil.”

“I know, I know,” Minji said. The room smelled of disinfectant. She turned up her nose. “Good thing you don’t have a grandson.” 

Grandmother’s wrists trembled as she pushed the jangseung piece into Minji’s hands. It was a sharp chunk of wood with an eye carved into it. The eye stared at Minji.

“For safety, Lanh,” Grandmother said. “It’s all that’s left of our old home. Please. Keep it with you. If the gods are punishing someone for taking this, it is me. I’ve done many bad things.”

Minji sighed. “It’s Minji. You mean Minji. Grandmother, I’ll be fine. I promise.” She patted the old woman’s hand.

“I’m sorry,” Grandmother said. “This is my fault.”

*                 *                 *

The apartment was awful, but it was cheap. That was all that mattered. It had a window. That was a bonus. The last little rattrap Minji lived in had no windows at all, and she’d prayed and penny-pinched until she’d gotten an apartment with one. To honor that, bright posters covered the walls around the window, shimmering visages of mansions, palaces, sunsets on the Taj Mahal, and cocktail party art nouveau. The rest of the apartment was less bright. Roaches hid in the corners. Dresses hung from the back of the front door. A room stocked with two broken chairs, a table, a mini fridge, a stove, and a Keurig made up the kitchen. On a nearby table, a dented, empty chocolate tin bubbled over with pins, needles, thread, patches, and dried out orange peels. Bills lay heaped on the table.

Minji woke up with her hair in shambles and pajamas crooked. She blinked sleepily. Light poured in through the tiny window, stabbing her eyes and warming her face. Minji pulled on sweatpants and ambled into the kitchen. She began making coffee in her broken Keurig. It fizzed and bubbled. Minji closed her eyes: if she could lean against the counter without fully awakening for another five minutes, she would. The scent of coffee almost masked the stench of her apartment’s decay beneath her feet. The mold is back, Minji thought. Great.

Her cellphone rang. Minji brushed crumbs off its cracked screen and answered. A smooth, feminine, far-too-awake voice filled its crackling speakers. It reminded Minji of a news anchor.

“Hello,” the voice said. “This is Song Lanh, correct? Our wedding was arranged.”

*                 *                 *

“It has to be a joke,” Riya said.

“I don’t know what else it could be.” Minji checked her nails. She tilted her head to press the phone against her ear. The morning rush had faded, and the subway wasn’t too busy. She swayed with every turn and metal rumble. Her purse knocked against her hip. “Grandmother doesn’t play jokes, but there’s plenty of family I haven’t met yet. It has to be one of them.”

“Let me get this straight,” Riya said. Minji heard rustling as her friend adjusted the phone. “Some stranger called you, dead-named you, claimed you two had an arranged marriage, made a date with you, and hung up. And you don’t know what her name is.”

“I picked the restaurant,” Minji said. “I’ll know her name soon enough.”

Riya’s sigh was a crackle of static. “Why are you doing this? You don’t have to meet whoever your Grandmother arranged a marriage with. Your grandmother is senile, and she doesn’t know what’s going on half the time. They have to know she is.”

“Riya, my grandmother doesn’t know anyone young in America.” Minji glanced over her shoulder, uneasy. “She told me she arranged my marriage before immigrating. That was over thirty years ago. The woman on the phone with me sounded my age. It’s impossible they’re the same person.”

“Maybe it was her daughter?”

“No,” Minji said. “She specifically said ‘our marriage was arranged.’ Our marriage. I need to know what’s going on. If this is a joke, it isn’t funny.”

“Minji, I know you don’t like to leave things unfinished, but be careful with whatever is going on. Please.”

“I know. I will," Minji said. "I’ll call you when it’s over. It shouldn’t take more than two hours.”

Minji snapped her flip phone shut as her stop came up. She gathered her coat closer, trotted into the station, and climbed the stairs into the outside. Overcast clouds plastered the sky. New York seethed with taxi exhaust and pedestrians. Minji hurried down the street. She caught her anxious reflection’s eye in a store window. Don’t worry, she told herself. You’re a beautiful woman. It will be fine. Minji got to the restaurant before her date did. She squeezed herself into a back table while she resisted chewing her nails. Was that a turned up nose from a waiter, a sneer at her borrowed perfume? It better not have been. The restaurant’s paper crane napkins glared at her. Minji swore she heard thunder in the distance.

At nine thirty, right on the dot, the restaurant door swung open. The copper bell above it rang. A young Korean woman walked through the door before examining the front tables. She strode towards the end of the room. Minji realized she was looking at her date. The woman was shorter than she’d expected. Minji had thought her confident voice indicated someone bigger. She wore iridescent sunglasses that covered half of her face, a pencil skirt paired with a yellow blouse, and black pumps. Her golden face pinched into a sharp chin and round nose. Every tilt of her hip set her on a new trajectory until the next one angled her in the opposite direction, swaying her forward. It was the walk of a hypnotist who gyrated their body into a spell made of sensuality and mischief. Minji stood up to greet her.

“Hello! My name is Chae-Seon. Call me Chae.” The woman smiled, flashing her teeth. Her sunglasses glinted. “Thank you for meeting me.”

“Song Minji,” Minji said. “Pleased to meet you.”

They shook hands. Chae’s long nails cupped Minji’s fingers. Minji thought her palm was too smooth. It felt as though Chae had ground layers of calluses off to find softness. 

“The weather picked the perfect time to be difficult, didn’t it?” Minji said. “It’s being beyond rude. Especially when I have a date.”

Chae’s laughter fluttered through the air like so many sparrows. Minji let herself relax, marginally. Even if this woman believed the insane idea that their arranged marriage held any water, she could at least enjoy the adventure. They settled into a booth near the back with rain pattering the window nearby. Minji restrained her twitching. I wonder if she’ll ever take off those sunglasses, Minji thought. She looks like a disco ball. 

“So, Song Minji,” Chae said. Waiters bustled by with clinking plates. Chae fiddled with the menu before her. “Not Song Lanh?”

“No,” Minji said. She ignored her rapidly beating heart. “Not anymore, I’m not sorry to say.”

Chae hummed. She propped the red leather menu up on its corner. Minji’s hands gripped the booth edge until her knuckles paled. Chae’s mauve pink nails breezed through the pages.

“The yagkwa looks good,” Chae said. Minji started, but Chae continued. “So does the duck soup. Is it?”

“I don’t know,” Minji said. “I’ve never eaten here before. If I knew how to judge food ahead of time, I’d tell you.”

Chae pursed her glossy lips, flicked the menu shut, and folded it onto the table. She smiled. Her happiness nettled Minji. What was so funny? Was that condescension? Minji took stock of the nearby emergency exit.

“I’m ready to order if you are,” Chae said. “Pick whatever you want. Lunch is on me.”

Minji ordered ginger tea and vegetable bibimbap. Chae ordered duck soup and a glass of rice wine. They nail-tapped and small-talked their way through waiting and, when the food arrived, they snuck words around their steaming plates. Minji caved at the smell of wine. She partook in a glass, ignoring Chae’s pert grin. It was 11:00 AM. They finished their lunch. Marrying Chae-Seon looked appealing on the sheer basis of being treated with a full meal every week. Chae finally removed her steam-misted sunglasses. Her eyes were brown and angular. Minji envied her eyeliner. Chae reminded Minji of her grandmother’s youthful face in the family photo. They’re both gorgeous, Minji thought. A scar blotched Chae’s left cheekbone right beneath her eye. It was the only flaw in an otherwise porcelain-smooth face.

Something about Chae’s gaze pinched her nerves. An electrical current stung Minji’s fingertips.

“Were you going to say something?” Chae said.

“Nothing,” Minji said. The pinching feeling intensified. “I was thinking that you’re not that bad, for an arranged spouse I’ve never met. That’s all.”

Chae smiled. It let Minji in on a secret she had yet to hear. “I’m glad I have your stamp of approval. I was thinking the same thing.”

“For someone who personally arranged a marriage with my grandmother, you look very… young.”

Chae raised her hand to face, framing her sharp cheekbones with her nails. “Thank you. For being two hundred going on thirty, I’ve held onto my youth.”

Minji forced a laugh. Two hundred going on thirty. What kind of a weird joke was that? Chae seemed more amused by Minji’s reaction than her own joke. She leaned back into her chair, all sinew.

“We have a lot to talk about,” Chae said. “Perhaps too much for one date. If you would like to meet up for coffee sometime later, I could explain more.”

“Maybe.” Minji swept the hair out of her face.

“You know, when I first imagined meeting my spouse-to-be, I didn’t think they’d be this pretty,” Chae said.

Minji smiled. “That is me. You expected handsome, I bet.” 

“No matter,” Chae said. She steepled her fingers, counting her thoughts like so many abacus beads, while Minji gulped more wine. The thoughtfulness in her Chae’s face made Minji drink faster. “It’ll take some time to organize the venue, of course, and hanbok shopping is a hassle. But ceremonial dress shopping always is. We’ll need to send out cards, too. Perhaps a few umbrellas are in order. I’m expecting sunshowers. But this will work out. All you need to do is change back.”

Minji’s glass slipped off its coaster.

“What?”

Chae spun her finger. Her lipstick remained perfect. Not a single pink crescent kissed the rim of her wine glass. 

“It’s clear you’re stuck shifting between forms,” Chae said. “That’s awful, and I cannot imagine what you have gone through. But help is here now.”

Chae’s hand crept on top of Minji’s. Her nails felt longer, sharper.

“I’ll talk you through the shifting, if you need that. You deserve wholeness. So change back,” Chae said. “I wanted to be the bride and I intend to. After you’ve done that, we’ll have our wedding. Then you can shift into whatever form you want. It'll be easy.”

The din of the restaurant sounded far away. The waiters, ringing bells, chatter, and clanking plates were submerged, Minji thought. Underwater. Waiters and people segued around their bubble of space. She got the distinct feeling no one else in the restaurant could hear them. Chae looked at her expectantly. The angles of Minji’s body suddenly felt too masculine for her. Minji pulled her hand out from under Chae’s.

“I can’t do that,” Minji said.

“I changed three times before I got here,” Chae said. “I don’t see why you can’t.”

“I can’t,” Minji said. “I’ve always been like this. Just not on the outside.” 

She propped the menu open in front of her face. Coldness radiated off the rain-soaked window. The wine turned to a heated, twisting pit in her stomach.

Chae narrowed her eyes. “I see.”

Dessert arrived. Minji had ordered three plates of pricey yagkwa rolls. She didn’t touch them. Chae paid for the meal with a check, and Minji bolted without tipping. Rain trickled down the back of her shirt. Even in the mist, Minji felt Chae-Seon watching her from the restaurant. She resisted sprinting for the subway stop. The back of her neck itched. As Minji crossed the last street, a dog ran by, almost tripping her. Minji glimpsed a scar on its cheek. Her stride quickened. 

Something moved in her peripheral vision. Was that rain on her neck, or sweat? She fled down the subway stairs, tore her ticket from the dispenser—the angular-eyed businessman behind her brushed hands with her getting his ticket; Minji flinched away—crammed herself onto the nearest train, and grabbed a seat. Her reflection in the train window had a nose that was too wide, a jaw too defined. Her skirt felt like a joke on her pencil hips. Minji wanted to scream. She longed to rip her mirrored face out of existence. Her stomach flipped when she saw a teenage girl holding onto a pole next to her. The girl’s pink nails glittered in the train light. Minji didn’t dare look up to see her face. A panic attack beat on the inside of her ribs, boiling upwards. Minji’s stop was a mercy, so much so that she almost tripped off the train. Someone behind her murmured “Too much wine, sweetheart.”

Minji didn’t stop running until she reached her apartment, locked her door behind her, and slid onto the floor.

*                 *                 *

Middle school was not meant for people like Minji. At least Minji did not think it was. For much of it, Minji ended up sitting in her parents’ van on the way home while her mother ranted at her. Another fight, Lanh? Really? You’re lucky they didn’t expel you! Mother tore at her hair. What will your father think? We didn’t raise you to be like this.

That made the two of them. Minji had not expected to be like this either. Yet even then, she found herself growing inside her prison of meat, stretching her limbs into her truth. By the time senior year of high school rounded the bend, Minji stood on a spindly bridge of fear and misunderstanding with her parents. 

Lanh, we can’t watch this, her father said. He handed her graduation gown to her. Stop this or leave. You have until May.

Graduation morning, Minji locked herself in the school bathroom. She trimmed her black hair, filling the sink with its chunks, and wove extensions in. She painted her nails. Squeezed into her skirt. Stuffed her bra. Pulled on her heels. Slipped on her gown. Mother gasped when she walked on stage. Father was speechless. Minji kept direct eye contact with him as she took her diploma. She foresaw coupons, late rent, cheap ramen, and long explanations. She pictured praying for places to sleep, hunting for hormones, buying dresses, crying the days she didn’t pass, laughing at her new freedom, worrying about how her transition shaped her, and finding a new family.

I’m not scared of you, Minji said. I’ve made my choice.

*                 *                 *

After Minji recovered, she fled to Riya’s apartment. She felt better about having problems if she didn’t deposit them on her own doorstep. Riya sighed when she showed up. It did not prevent her from letting Minji in. Dark shadows underlined Riya’s eyes. Minji knew that they were only there when she visited. Riya was more emotional while transitioning than she had ever been—though it wasn’t like Minji had finished; bills had interrupted—and Minji’s wreck of a life gave Riya anxiety. Riya was a stout, pretty woman who looked tired with the world. Her greeting to Minji was a lecture on how she’d made her worried. Minji responded by sprawling onto the singular broken couch and crossing her legs. When Minji didn’t respond to her rant, Riya grimaced and silenced. Minji knew that expression: surrender.

“Well, she’s crazy,” Minji said. “I’ve figured out that much.”

“That’s no surprise,” Riya said. “I could’ve told you that.” She sat with her cooling mug of tea in her hands. Fading tracks of henna dotted her knuckles. “Who is she?”

“I’m not sure who she is,” Minji said, “or what she is. We’re definitely not having a coffee date.” 

The itchy feeling from earlier crept into her neck again. Her terrified run had dizzied her. Already, her dysmorphia whined in her bones again, rooting her out of her own body.

Riya wrinkled her nose. “What she is? She’s a person, Minji. Even if she’s a crazy one you should avoid. I’m glad you’re not going on a coffee date with her. You tend to end up drinking coffee with people who hate you. If you want it, I have tea.”

“No thank you,” Minji said. She felt too queasy to drink anything. 

Riya leaned over her broken coffee table, placing her hand on Minji’s. It was hard not to shrink from Riya’s more delicate fingers. Jealousy and shame engulfed Minji. I’m disgusting, she thought. Chae clocked me the instant she saw me. How did I go out into public today proud of myself?

“Hey,” Riya said, “I’m here for you. Tell me everything.”

Minji went through everything, from the initial meeting to being stalked on the metro. A few times, Riya squeezed her hand hard enough to cause pain. Minji didn’t complain. If today was a day Riya liked physical contact, it was a miracle. Minji tried to ignore the feeling of spider legs on her skin. When the self hatred peaked, it got easier to do so. She had bigger problems to deal with. 

For the umpteenth time, Minji broke down on Riya’s couch. It didn’t take much for them to both end up crying. Minji wiped her face for the last time as evening fell, bringing darkness with it. Half of the lights in Riya’s apartment didn’t work. They turned on her dim lamps. Both of them stifled their restlessness.

“It’s dumb,” Minji said, “but the more I think about the date, the more I think of grandmother’s story.”

“Which one?” Riya said. “The fox lady one?”

“The one about the kumiho, yes,” Minji said. “I wouldn’t call them ladies. They slide between shapes. They’re not anything. Grandma loved telling stories about them shapeshifting and eating livers.”

“Sexy,” Riya said. “My kind of lifestyle.” Minji snorted.

“I don’t know,” she said. “There’s a lot of murder involved. That’s too much effort for me.”

Riya’s phone lit up. MOM❤︎, the caller ID said. Riya turned her phone over.

“Sorry,” Riya said. “She’s calling to see how my last appointment went. Keep going.”

Minji pushed through another wave of envy. I’m happy for Riya, she told herself. Really. Really. If anyone deserved support, it was kind, kind Riya. Minji would have bitten off a finger for Riya if she had to. It didn’t make witnessing Mama Riya's support any less hard. Minji tried to focus.

“When I was younger, Grandmother always told us that our family came here because a kumiho helped them,” Minji said. “She said that it asked for a home with them in exchange for helping them immigrate. When I got older, she told me that the kumiho didn’t want to be with us, but needed us to get what it wanted. She said she felt the same about my grandfather. They got married because they had to. She acted like a perfect Korean woman and wife, because she had to. When I was around Chae, I felt the same way.”

“What do you mean?”

“Chae is rich,” Minji said. “Her spouse could afford a transition.”

“Oh my god.” Riya pressed her hands over her mouth. “Minji, please don’t tell me you considered marrying her.”

“Until the transphobia and stalking showed up, yes. How else was I supposed to feel, Riya?” Minji stood, waving her hands. “I’m miserable where I am right now. I want my transition! I want my house! I want my full life! We should both be princesses, and there are worse things than entering a loveless marriage to get that. Before it went south, Chae was what I wanted anyway, or wanted to be. It could have worked.”

“Those are two different things, Minji!” Riya was on her feet now, and Minji smelled the argument brewing. A draft blew through the room. “We’ve been over this! Listen, I know you’re hurting. But you have to take care of yourself. You can’t do things like this."

“That’s not your choice to make,” Minji said.

“If you think I’d let my best friend get married out of the blue for something they’d regret you’re wrong.”

“If you were there you’d get it.” Minji dug her nails into her arms, hating the muscle she felt. “The whole thing was like being hit by a train. The instant I saw her, she acted like she knew me. Like we’d been on five hundred dates before and now it was time to talk about getting married. She was beautiful, poised, and wealthy, and confident, and I spent the first half an hour looking at her and not knowing if there were butterflies in my stomach because I was in love with her or wanted to be her. I’d felt it before, but never this bad. Do you know how many other Korean women I’ve met here who were interested in me? None. Then one showed up, and she was everything. When she ripped the rug out from under me, I felt guilty for running from a woman who treated me like garbage. Guilty! I felt like I turned my back on all I ever wanted, all because I kept myself safe. It’s been hell, Riya, and while you’re my sister, I don’t want your opinion right now. Not while your parents are paying for your transition.”

“You could have told me this at the beginning.” Riya wiped her face. “I’m grateful for my parents. I am. But it’s not easy for me either. Even though I know I’m lucky.”

Minji found herself shaking. She inhaled, trying to stop it. Tears stung her eyes but she refused to let them flow. I’ve cried enough today, she thought. I’m done. She pressed her lips together. Chae’s flawless face resurfaced in her mind. The back of Minji’s neck prickled. Angry envy clawed through Minji’s heart, and much to her repulsion, no shortage of longing. 

Shit, Minji thought. Why is this so complicated?

“I’m scared for you, Minji,” Riya said with the look of a kicked dog. “That’s all. I don’t want to control you. I’m only worried about the situations you get into. I want you to be safe.”

“I know,” Minji said, pinching the bridge of her nose, trying to pull her pieces together. “I know.”

Minji sat. Riya didn’t.

“For once, I want an easier way out,” Minji said. “I’ve waded through enough shit and self hatred to earn a smidge of happiness without fighting for every inch anymore. The world owes me. I want it to pay up.”

Another chilly draft blew through the room. They heard claws scrabble on the dumpster outside. Riya groaned. 

“Great,” she said, “it’s the raccoons again. I better close the window before they get in.”

Riya disappeared with her tea mug into the kitchen, leaving Minji on the couch. The musty drape behind her separated the kitchen and nearby window from the narrow living room. Minji toyed with her hair and stared at the cracking wall. She rubbed at her neck. The prickly feeling had only worsened during her and Riya’s talk. A hand alighted on her shoulder. Minji started.

“Riya! Don’t do that! I didn’t hear you coming.”

“Sorry,” Riya said. “I didn’t mean to startle you.”

She leaned over the couch. It was a silken smooth movement. Her hair dripped onto Minji’s shoulder. Goosebumps broke out across Minji’s arms, and she leaned away as Riya crept closer to her face. Another draft blew past. Something clattered into the kitchen sink.

“You’re being weird,” Minji said. “Stop it.”

Riya smiled. The smile spread across her face in a symmetrical wave. The prickle on the back of Minji’s neck grew almost unbearable. 

“I won’t delay you much longer, Minji. I promise. You know,” Riya whispered, “I feel the same way you do. The world owes us. But it’ll pay up before too long. I love you too.”

The out-of-sight window thudded shut. Before Minji could reply, Riya squeezed her shoulder and headed to the bathroom in the hall on the right. Her footsteps padded into the darkness. Minji was sitting in numb disbelief when Riya appeared again from the kitchen on the left, her hands tucked into her armpits.

“I can’t believe them,” Riya said. “The instant I got there, the raccoons were gone. Imps. I don’t remember opening the window, either. I hope someone didn’t try breaking in. Were you talking to yourself?”

The feeling of spider legs on her neck vanished. Minji felt sick.

*                 *                 *

When the persimmons dried up and the Japanese moved in again, the Korean people were in trouble. As the rifles and uniformed men grew thick, the trouble grew, too. It shouldn’t have been Chae-Seon’s business, but it ended up so. Soldiers stomped through the markets. Peasant women sobbed at their altar in the woods before cousins, fathers, or soldiers bundled them up and took them away, like any other supplies for the war. Life in Korea took an interesting turn. Chae-Seon couldn’t hear another woman cry about worldwide bloodshed before their curiosity overwhelmed them.

Don’t mind the human prostitutes, the kumiho court warned. We can’t help you if you help them. Become too involved with the humans, and you’ll be kicked out. 

Chae didn’t listen. Chae never did. To them, this was a game: they had never participated in a mortal war before. It was a quaint event! Why not participate? There was blood in the water, Chae knew, and the young soldier’s liver they had eaten tasted of Pacific salt and sweet metallic agony. Something big was happening. Cheon-Seon could not sit by idle while it happened, especially not when the village women, their only source of entertainment away from Grandmother’s eyes, were disappearing.

So Chae-Seon left court. They pulled on a comfort woman’s skin and slept with foreign men so Korean girls didn’t have to, then left the money under deserving pillows. They marched in a soldier’s uniform. They pinched yen cent by cent, watched young men die; they barked at convoys. They mended clothes, clutched children, slept in graves, flew through the fiery hills, faced rape and ruin, wept over a conquered land, and cut their feet on broken promises. Emotions came, hollowing them; hollowing her, him, it, they, and all Chae-Seon had been. Love, Chae realized, hurt. 

Fairytales lost their moonlight. Chae-Seon the kumiho limped home to the nearest kumiho court, a palace of deceit and gardens that rested on a rocky beach. By then, they were weak. All of their forms were bedraggled. But Grandmother was not happy to see them. 

Look at you! Grandmother cried. What have you done to yourself? Two of your tails are gone! You’re practically a human! Chae-Seon, are you crying?

Yes, Grandmother, Chae said. I’m happy to see you.

No grandchild of mine will cry. Grandmother sniffed. Is that heartbreak on your breath?

Grandmother, please! Chae crawled forward. I didn’t mean it! I only wanted to not be bored, that’s all! Let me come home!

Grandmother backhanded them. Her iron ring tore open Chae’s cheek. Chae-Seon collapsed, clutching her face. Her tears dripped onto her hanbok like so many beads. It did not matter that Grandmother had gifted this dress to them for Lunar New Year. All of the favor held in its vast, glittering skirts was gone.

You’ve strayed too far, Grandmother said. Her nine tails thrashed behind her. How disgusting. You smell of the world. I no longer know you. Don’t come back.

The court left Chae-Seon broken on the beach, wind howling in their ears and pebbles clenched in their helpless fists. For the first time, Chae considered leaving Korea.

*                 *                 *

Work the next day flew past in a blur. Too quickly, morning melted into noon, with noon melting into afternoon right on its tail. Minji hated how fast the sun died. She spent the entire day hustling through a cramped, hot kitchen. When she wasn’t being burnt by grease, she was wary of leaving the kitchen. What if one of the customers hassled her? What if Chae-Seon stalked her? Minji’s recent paranoia grew with every hour. She left the fast food joint with blisters on her sore heels and the chatter of customers still in her ears.

When Minji got home, she locked her door behind her, tore off her hairnet, hung her keys up, and crawled into bed. It felt wrong to have excess lights on. It meant more bills. Minji curled into a ball and stared at the tips of her outstretched fingers. Moonlight painted streaks across the middle of her floor. Somewhere, far off in the city, police sirens screamed. They frayed Minji’s nerves. She rolled onto her side with annoyance. What was she? A dog, ready to bristle at a moment’s notice? Minji kept her cellphone close and charged. At the last minute, she remembered Grandmother’s gift. 

Minji dug beneath her bed to locate the jangseung piece. She clutched it to her chest. The piece’s firmness was soothing. It was the last existing item grandmother had brought over from Korea. How long had she held this close on that miserable boat? That determination had to mean something, Minji thought. She squeezed the wood and tried to stay awake. It did not last. Sleep seized her around three am. She drifted into limbo. 

An hour later, Minji awoke to the sound of a door unlocking and two bright, shiny pricks of eyes staring at her from the darkness.

The cot snapped when the kumiho landed on her. Metal screamed, bending. Blankets flew. Screaming didn’t help. Nor did struggling. The kumiho suffocated her like three hundred pounds of lead. It crushed her waist to the bed. Claws raked her skin before Minji’s pinned wrists burned under an iron grip. Minji shuddered when she smelled its rank, cinnamon and rot breath, all while its teeth neared her face.

“You’re hideous,” Minji said.

“That’s no way to speak to your wife,” the kumiho said.

“We’re not married.”

The jangseung piece brushed Minji’s fingertips. If she flinched, she’d lose it. Fear tightened her chest. Focus, she told herself. She avoided looking at the fox-like face above her, but she couldn’t help but notice a familiar scar. Silk sleeves of a golden and red hanbok pooled over her arms and drowned her. Below the waist, the hanbok ended in shreds. Minji couldn’t breathe.

“But we will be married,” the kumiho said. “As soon as you stop being difficult. Change.”

“I told you, I can’t,” Minji said. “I won’t. It doesn’t work that way.” She bit her cheek when the kumiho leaned forward. Its nose now almost touched hers. Dead stars glowed in the kumiho’s eyes. Minji tasted blood. 

“Don’t act like this,” the kumiho said. “Please. All you have to do is be Lanh for me for one ceremony, for one day. You’ll never have to again.”

Minji’s arms started numbing, but she felt the jangseung piece in reach. She stretched her wobbling fingertips. 

“Something like you wouldn’t understand,” she said. 

Beneath the hanbok’s silk Minji’s wrist verged on breaking. Tears beaded in her eyes. The kumiho stared at her in disbelief.

“No. I don’t understand,” it said. “I left my home. I tore my last hanboks to pieces to make a sail for your family. I burnt my old tongue to learn this one. I forced myself into the shadows. I pictured your future face to keep myself alive. And still!” The kumiho’s tail thrashed. “I gave up everything for you! After all of this, I deserve to be a bride. I want the dress, the goose feathers, the sly congratulations; the hahm at my doorstep, the lift over the threshold, the sake and chestnuts caught in my skirts. I’m done carrying others. I want to be the one carried. It would take seconds for you to agree! Why are you bent on making me hate you?”

“Like you love me,” Minji said. She sounded wheezy to herself. Where was the wood fragment?

“I’m broken and ugly, but I do,” the kumiho said. It stroked her face with one clawed hand. The hanbok sleeve slithered onto her neck. Minji felt a hard object beneath her fingers. “I can’t hate you without loving you, which I do. Very much. Now change your form, Song Lanh.”

“I’m not Lanh!”

Minji stabbed into the spiral of red and gold silk. Flesh sizzled. The kumiho screamed. It was the sound of a fox and person in one. Blood splashed Minji’s hands, the kumiho’s weight lifted, and Minji tumbled off the bed. Her face smashed against the floor. Minji pushed herself up on her hands and knees, gulping air. 

The kumiho wailed. Bone cracked. Fox fur tried simultaneously slithering into skin and dog hide. Minji watched in disgust as a broken kaleidoscope of man, woman, and animal bubbled around the wooden spike embedded in the kumiho’s collar. Spasming flesh and screams braided together. The kumiho’s writhing hand burned whenever it tried to touch the wood. Blood smoke boiled towards the ceiling. 

“You’ve ruined me!” the kumiho cried.

“I don’t want you!” Minji shook her fist. “Leave!”

The kumiho sobbed. In a flame of flowing silk and smoke, it leapt out the window. Minji threw her arm up as glass shattered and sprayed across the room. When Minji got to the window, lightheaded and bloodied, she saw nothing but hanging laundry.

*                 *                 *

When the war ended, it took Korea’s unity with it. Chae hid in the woods as foreigners grabbed Korea by the head and tail and tore it in half. They could do nothing about that. The only possession they had left was a hanbok, and hanboks did not stitch countries together. Chae-Seon sculked around the southern countryside for several months. They spent their time sleeping. For food, they binge-ate their way through graveyards—which had many, many new graves. For entertainment, Chae perched in a camphor tree outside a house, watching the family inside go about their business, and the crumbling jangseung outside watched Chae.

One day, while Chae was sitting in the tree, feeling sorry for themselves, they heard a woman crying. Their ears perked up. The young wife of the family was kneeling in front of the jangseung. Dirt smeared her hands; tears smudged her face.

Please, gentle guardian, she said, help me. I am begging you.

Chae-Seon knew an opportunity when they saw one.

After they made their deal, Chae-Seon yanked on a human form and entered the family house for the first time. They marveled at the dining room table, the photos on the walls, the folded laundry on the chairs. The young wife was nervous. She kept Chae away from the bedroom with her children in it. The wife brushed her hair behind her ear as Chae stared at her reflection in the tiny living room mirror.

You want someone to take care of you, right? the wife said.

Yes, Chae said, turning away from the mirror. That’s what I want. What do I need to do?

The wife inhaled. She picked up a pair of sewing scissors from the pile of laundry, then gingerly slid her hand beneath Chae-Seon’s hair. Her hand was cool against the back of Chae’s neck. Goosebumps pricked Chae’s skin.

You need to have children, so you need to get married, the wife said. But first, you need to be a woman. A real woman.

The children were napping. The men were at work. The wife cut Chae’s hair, filed down their fangs, plucked their eyebrows, and clipped their claws. Chae scraped the ‘they’ off their tongue to escape the uncomfortable look on the wife’s face. They twisted their body into a woman’s. That day, they learned one key thing: if they wanted to be taken care of, they required a husband. Which meant Chae needed to be a wife. It was a dream that breathed desperate life into them again. But despite their new shape, no husband came. Chae knew where the young men of Korea were: buried. They had feasted on potential husbands the past few months. But if there were no husbands in Korea, Chae thought, human or otherwise, who would have them?

When the family stood on the beach three months later, ready to sail to America in the boat Chae-Seon had built for them, the waves were savage. The wind howled, tearing at the hanbok sail. Yellow-grey skies loomed above them. The husband and uncle held the children close. The wife clutched her newest baby to her breast. They all reeked of fear.

Please, Chae-Seon, the wife said, bless us. Give us safe passage. 

I won’t do it for free, Chae said. Their curves strangled them. They had not shifted in so long. You’ve asked for plenty already, and we have a long journey ahead of us.

I’ll give you anything you want, the wife said.

Chae-Seon remembered the wife discussing her arranged marriage.

I want your grandson, Chae said.

###

Minji couldn’t afford a new window. In the end, she pinned a black plastic bag over the broken window frame, and that was that. When Riya asked what happened, Minji told her that a robber had broken in. Riya bought it. Minji restrained herself from telling her everything. She has no reason to believe me, Minji thought. I don’t know if I believe what happened myself.

The next three weeks were a whirlwind of paranoia and awkwardness. Minji’s nightmares kept her clutching a knife close at night and staring at the window. Sometimes, she heard the scrabbling of claws on the street outside. Was it the kumiho or a stray cat? Minji never found out. The noises always vanished before she could investigate. After a week they ceased altogether, as did the heavy footsteps in the apartment hallway. Grandmother was the only one Minji told the full story.

“Proud of you, Minji,” Grandmother said when she finished talking. She patted Minji’s cast with a gnarled hand. “Proud of you.”

Minji tried not to sniffle at hearing her name. She probably thinks I’m a long dead great aunt, Minji thought. Dementia is eating her brain. But it was a small victory. She would take it. 

Piece by piece, Minji’s life returned to normal. The cast around her fractured wrist became an annoyance instead of a reminder. Work was cumbersome, but Minji forged on. Rent needed paid. 

Minji awoke one early morning to plastic rustling. She sat up, groggy. Daylight had yet to arrive, but its potential loomed over everything. A full red moon hung in the sky.

The kumiho sat in her windowsill.

For a moment, Minji didn’t dare approach it. She gripped the kitchen knife beneath her bed with her good hand. The kumiho remained still when Minji crept into the center of the room. Their shadows melded together. It wasn’t wearing a hanbok this time, Minji thought. Only a thin camisole and shorts. One side of the camisole was pulled up higher.

“Well?” Minji said.

“I’m sorry,” it said.

“I’m sure you are,” Minji said.

“I mean it,” the kumiho said. “I’ve learned.” The camisole slipped. Minji glimpsed the jangseung piece’s eye peeking from a mound of scar tissue. “I know what I missed.”

“Do you?” Minji tasted anger. “You didn’t understand the first few times.”

“I know. I’ve been foolish.” 

The kumiho bowed its head. Minji flinched when it went to its knees, crawling towards her. Its stretched form suited neither the motions of a fox nor a person. When Minji brandished the knife, it stopped in front of her.

“Don’t be afraid,” it said. “I won’t hurt you. I’ve come to apologize. The past month has been agony for me. I cannot shift. I am suffocating. Until now, I’ve been terrified. If this is how you felt when I tried to change you, I understand.”

“How do I know you’re telling the truth?” Minji said.

“I swear on a grandmother’s love that I am,” the kumiho said.

“Yours? I don’t know your grandmother. How do I know she’s not a monster?”

“No,” the kumiho said. “Yours. Mine is the reason I fled to America.”

Without its hanbok, it looked diminished. Its fur had lost much of its previous luster. The kumiho beared its throat to her, unafraid. Minji lowered her knife. Fear made her wrist ache, but she could not bring herself to hurt it. At least not now.

“What do you want?” Minji said.

The kumiho showed its hands to her. Burns covered its fingers. Thin, raw scars laced its palms. On its shoulder, the unburied part of the wooden spike glimmered in the moonlight.

“I want your mercy,” the kumiho said. “I am cruel, even when I try to be kind. I have always known that. But I know that you would not let me suffer this way. Even if you hated me. You’re like your grandmother, and that comes from her. You are nothing like me, Minji. Which is why I ask for your forgiveness.”

Minji wrinkled her nose, disgusted yet touched. She did not like the admiration in the kumino’s gaze as it watched her. At least it was honest, she thought. Minji set her knife down.

“...fine,” she said. “But only because my family wouldn’t be here without you.”

The kumiho shivered in excitement. Minji grabbed the jangseung piece with her good hand. Electricity danced through the end of her fingertips. Her hair stood on end. Minji pulled. With a sucking noise and a dribble of blood, the wooden spike crept out. Minji clenched her teeth when she heard the kumiho hiss.

“Brace yourself,” she said.

The wood slid out in a wave of blood and rotten flesh that turned to dust. Minji felt the reverberation when it hit the floor, even if the kumiho’s cry kept her from hearing it. It danced away, clutching the hole in its chest. She edged away from the bed as the kumiho perched on the windowsill to lick its wounds. All too soon, its lantern eyes were focused on her again.

“Thank you,” the kumiho said.

“You’re welcome,” Minji said.

The kumiho lowered its hand from its wound. “Even if you haven’t thought of my proposal, I have. I would still like to marry you, Song Minji. Perhaps we can have two brides at the ceremony. Who knows? I could warm up to being a groom.”

Chae looked incredibly pained while making that last declaration. Minji restrained herself from throwing up when the kumiho’s body folded itself through skin and marrow origami. The cracks in the kumiho’s guise were palpable. Its transition was slow, uneven. All shifting defied nature, but Minji knew this wasn’t right. She battled with her nausea even as a Korean man perched on the windowsill before her. The scar tissue on his shoulder churned.

“I can be anything you want,” the kumiho said. Minji closed her eyes when she heard bone rearranging again.

“Stop,” she said. “I want you to stop.”

“If you wish,” Chae-Seon said.

It was only Minji and the kumiho, staring at each other. Minji felt Chae’s strain from a distance. They relaxed after Minji kicked the wooden spike under the bed.

“If it appeals to you,” Chae said, “I could take you back to Korea with me. My Korea. You could be immortal. If not, our relationship wouldn’t last long. Humans live such short lives.”

“What are you talking about?”

“We do have a court, you know,” Chae said. “I’m not allowed back if I’m alone. If I was accompanied, maybe. It’s feasts, peacock gardens, and pavilions for miles. Time changes differently there. You could go with me. You would never die.”

The red moon ripened. Pre-dawn moonlight spilled through Minji’s window, shimmering along her posters, broken glass, and peeling wallpaper. The posters formed a holographic spot on the dingy apartment wall: a portal into a new world. The kumiho basked in the moon’s radiance.

“I’ll think about it,” Minji said.

Chae smiled with teeth whitened by a thousand lies. “Please do. You’d be welcome there.”

“Don’t push it,” Minji said. “Forgiveness doesn’t mean I’m agreeing to anything.”

“I won’t,” Chae said.

Minji looked at the moon outdoors with her heart tearing in two. I want this nightmare to end, she thought. Why did this have to happen to her? When Chae noticed her expression, they sighed.

“You truly don’t want this, do you?”

“No,” Minji said. “I don’t.”

Chae rubbed the scar on their face. They drew her bundle of limbs up close to them. They were haggard in the moonlight. 

“Looking for a human husband was a bad idea," they said. "It wasn’t what I wanted, but it sounded the closest. I should have known better.”

They looked out the window. Minji rested her hand on her healing wrist. Relief fluttered in her chest, but she couldn’t accept it yet. This isn’t over until it’s over, Minji thought. But she had to know.

“Why did you do this?” Minji said. “You didn’t have to follow me. You didn’t have to carry my family over. No one forced you to.”

“I couldn't find happiness in my home, so I thought that I could find it in someone else's.” Chae gazed at the moon. “That didn’t work. Then I thought that if I copied your Grandmother’s family, and followed them here, that would work instead. But it hasn't. Maybe it's time to accept this country has nothing for me. People have nothing for me. Not anything I can fit into. After this, I’ll leave you be. No more marriage proposals. If I want someone to take care of me, it has to be me.”

Chae rose, preparing to leap from the windowsill. They moved with terrible, inhuman grace. Minji pictured them meeting her grandmother in the woods and making the offer: if I help you leave the country, will you let me into your home, and will you take me with you? It was easy to see Chae-Seon perching in the camphor tree outside the house, watching her grandparents interact through the kitchen window.

“Before you immigrated, what did Grandmother tell you to do, if you wanted to be looked after?” Minji said.

Chae shrugged. “She told me to be a woman. I listened. I only stopped it when she no longer recognized me. Illness is quick to ruin your people.”

“I suppose that she didn’t give you another option,” Minji said.

“No. She didn’t.” 

It was too easy to picture Chae obeying Grandmother and squeezing themselves into an imperfect shape. Minji understood. She had been there before. She looked at the creature perched on the windowsill, their shoulders drawn in, knees together, face tired and defeated. Dawn threatened to arrive. For the first time, Minji truly felt sorry for them.

“Do you want to come in?” Minji said.

Chae paused. “Really?”

“I have coffee,” Minji said. “If you want some before you go.”

“I’d like that very much,” Chae said.

The Keurig smoked and spluttered its way through a package of coffee beans. Minji and Chae-Seon put her two chairs to use. They made the coffee and looked at each other, saying nothing at all. 

Outside, through the rays of sunshine, it began to rain.

 

Sara Sirk Morató (she/they) is a bisexual latina obsessed with the horror and magic of everyday life. She relates to monsters more than she should. Some of Sara’s work can be found in Sink Hollow Vol IV, Color Bloq’s RED collection, and Runestone Vol 4.

Twitter handle: @bolivibird.

Remembrance, Resurrection

Quietly in the office, my mind
does laps around the words you said,
still say somedays. I know
I’m prone to hem and haw
over the hims and hers I’ve lost
over time, but you are different.
My lips like magnets matched when
my tongue wags and thrashes, trying
to spit your name. No one is let
to hear it. A secret I must keep
for now or until I am allowed
to either whisper or shout it out
loud. The heart feels and the mind
plays reels of film from the past
all day, night it might frighten or
delight you to know but rest easy—
your name will stay locked
in place until the day my body, mind
are ready to give you away.

 

Shelby Pack (she/her) is a content writer and poet from South Carolina. She is also the co-editor of Lackadaisy Literary Magazine. Her work has been published in Eunoia Review and Maudlin House.

she wolf

you howl and you howl
each night
and I’m an owl
turning my head
round and round
to find the source
of sound
the face of what
breaks my peace
but it’s too late
you’re inside of me

night owl
because you don’t let me sleep
broke into my head
made yourself at home
in my mind
that once hallowed ground
that let the idea of you seep in
that you sowed deep in
a seed of sin
for me to reap
you’re all wolf, no sheep
ideas of you wax without waning
more and more each week

 

Shelby Pack (she/her) is a content writer and poet from South Carolina. She is also the co-editor of Lackadaisy Literary Magazine. Her work has been published in Eunoia Review and Maudlin House.

Morningstar

Because you said so, 
I changed my name
to iron, plate, scrub, dig, deliver, shame.

At first I became a dead bird, hollow boned and lighter
and lighter with time,   

then, dried petals, barely visible, a
mote of dust, and then, then      an ember.

Flagrant, irreverent
particles of me began to flake, to rise skyward, phosphoresce;
irrelevant fragments fell
back to earth.

I am coming for everything
you denied me.

I rise above the clouds, above the mountains, above the rain,
daughter of the morning,
my particles becoming waves, bearing terrible
blinding light.
I am the brightest of the stars.

If you see me now, you will see the depth
your darkness buried you.
If you see me now, you will see no more.

Yet I’m still learning to forget
that you said it was I who was the adversary.

My name is now
birdsong, summer sunrise, morning star, blue sky
because I say so.

 

Susan Butler (she/her) is a British-Polish artist and writer born in 1966. First a graphic designer who ran her own design studio, Susan then spent life traveling the world from her home in Germany. She is an aficionado of horror and the gothic. Susan writes fiction and poetry in French, English and Arabic.

A small sample of her work can be found on her website https://www.ouisuzette.com and she is @ouisuzette on social media.

To purchase art: OuiSuzette.redbubble.com