transition timeline & dissociation

from the gospel of jean grey

transition timeline

This is not a history       history would mean a sequence of facts      something provable 

and what can you prove      one moment inside the blackbird      another aboard 

the deck of a boat sailing for the new world      in one memory      you kiss your husband 

on this boat      in another      he’s just another hungry dom at a fetish club

but the clincher      is when you meet your daughter from an alternate timeline 

no the clincher is      when you meet the shell of DNA meant to replace you

some genetic experiment  some mind wiped clean of genocide      of dying and rising 

so much you’d think you had something to prove      and what would that be anyway

that the godhead inside her      the shell’s      head      was yours all along      a harbinger 

of a continuity beyond bone and meat      that somehow      despite your consciousness

radiating through each length of rope each discarded face      You are still a discrete you

 

dissociation

Amnesiac      a state of being in absence of selves      as good as dead until the brain 

is once more peopled with Is      the I who tucked into the mansion off Graymalkin

only to tuck out and with a boy      the I who kept the boy’s eyes      open without 

collateral damage      the I who took three claws to the gut      but got back up

the I who got back up      from grave after grave      until the engraver etched 

‘she will rise again’ on the old tombstone      this is true:      she’s like a species

bottlenecked during an extinction event      one that left only the best genes moaning 

to take hold once more      to dig back into each other and endure      like a person

robbed of memory except for the most durable I of all      the one lodged 

in the reptile brains of other bodies      who incubate the I like a virus      who’ve evolved

 

to live without it not knowing when it will rise again      Or how hungry she will rise 

 

Emma X Lirette (she/her) is a poet and the author of the nonfiction Last Stand of the Louisiana Shrimpers (UPress Mississippi 2022). You can find her poetry—all under her deadname—in Drunken Boat, jubilat, PANK, Hayden’s Ferry Review, The Southern Review, and other journals. She holds an MFA and a PhD and used to teach at Cornell and Emory, before transitioning to work in social media in the creator space. She lives with her wife and children in Atlanta. You can find her online as @imagistex on Twitter.